Quotes about feel
page 93

Paul Cézanne photo

“You must forgive me for continually coming back to the same thing; but I believe in the logical development of everything we see and feel through the study of nature and turn my attention to technical questions later.”

Paul Cézanne (1839–1906) French painter

Quote of 1906 from a letter; cited in Paul Cézanne, Letters ed. John Rewald, New York, Da Capro Press, 1995, p. 313
Quotes of Paul Cezanne, after 1900

Alastair Reynolds photo
Nick Hornby photo
William Wordsworth photo
George Gordon Byron photo
Georgia O'Keeffe photo
Sarah Brightman photo
Elizabeth Taylor photo
Katherine Heigl photo
Werner Herzog photo
Christopher Hitchens photo

“If someone tells me that I've hurt their feelings I'm still waiting to hear what your point is.”

Christopher Hitchens (1949–2011) British American author and journalist

Authors@Google, August 16, 2007, YouTube https://www.youtube.com/watch?v=sD0B-X9LJjs&feature=youtu.be&t=1h6m59s
2000s, 2007

Émile Durkheim photo
Jonah Goldberg photo

“[S]ocialists are romantics in that they want to curate their lives entirely based on their own feelings.”

Jonah Goldberg (1969) American political writer and pundit

2010s, 2018, A Free People Must Be Virtuous (2018)

Matthew Arnold photo

“If one were searching for the best means to efface and kill in a whole nation the discipline of self-respect, the feeling for what is elevated, he could do no better than take the American newspapers.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

Civilization in the United States (1888), p. 177

William Bateson photo
Iain Banks photo
Amy Tan photo
George Croly photo

“Teach me to feel that Thou art always nigh;
Teach me the struggles of the soul to bear;
To check the rising doubt, the rebel sigh;
Teach me the patience of unanswered prayer.”

George Croly (1780–1860) Irish poet, novelist, historian, and divine

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 444.

Robert Frost photo

“The world has room to make a bear feel free;
The universe seems cramped to you and me.”

Robert Frost (1874–1963) American poet

" The Bear http://www.poemhunter.com/poem/bear-the/"
1920s

Leo Tolstoy photo
Tony Blair photo

“A day like today is not a day for, sort of, soundbites, really - we can leave those at home - but I feel the hand of history upon our shoulders, I really do.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Julia Langdon, "The gloves are off in the Speaker's corner", Herald (Glasgow), 9 April 1998, p. 21.
Statement to the press on arriving at Hillsborough Castle for the Northern Ireland talks, 7 April 1998.
1990s

Alfred Binet photo
Chris Carrabba photo
Brandon Flowers (American football) photo
Willem de Kooning photo
Roberto Clemente photo
Aung San Suu Kyi photo
Max Pechstein photo
William Saroyan photo
Florence Nightingale photo
Immanuel Kant photo
Robert G. Ingersoll photo
Pierre Monteux photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“Mr Mayor and gentlemen - I have great pleasure in associating myself in how ever humble and transitory manner with this great and splendid undertaking. I am glad to be associated with an enterprise which I hope will carry still further the prosperity and power of Liverpool, and which will carry down the name of Liverpool to posterity as the place where a great mechanical undertaking first found its home. Sir William Forwood has alluded to the share which this city took in the original establishment of railways. My memory does not quite carry me back to the melancholy event by which that opening was signalised, but I can remember that which presents to my mind a strange contrast with the present state of things. Almost the earliest thing I can recollect is being brought down here to my mother's house which is close in the neighbourhood, and we took two days on the road, and had to sleep half way. Comparing that with my journey yesterday I feel what an enormous distance has been traversed in the interval, and perhaps a still larger distance and a still more magnificent rate of progress will be achieved before a similar distance of time has elapsed from the present day. I will not detain you in a room where it is perhaps difficult to hear. Of all my oratorical efforts, the one which I find most difficult to achieve is that of competing with a steam engine. Occasionally you are invited to do it at railway stations, and I know distinguished statesmen who do it with effect, but I think I have never ventured to compete in that line. I will therefore, though with some fear and trembling, fulfil the injunctions of Sir William Forwood, and proceed to handle the electric machinery which is to set this line in motion. I only hope the result will be no different from what he anticipates.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

At the opening of the Liverpool Overhead Railway, 4 February 1893. Quoted in the Liverpool Echo of the same day, p. 3
1890s

José Ortega Y Gasset photo
Franz Marc photo

“I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air – trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.”

Franz Marc (1880–1916) German painter

Quote in Marc's letter to the publisher Reinhard Piper, 1908, as cited in Letters of the great artists – from Blake to Pollock, ed. Richard Friedenthal, Thames and Hudson, London, 1963, p. 207
1905 - 1910

David Hume photo
Alanis Morissette photo

“And every time I scratch my nails down someone else's back I hope you feel it.”

Alanis Morissette (1974) Canadian-American singer-songwriter

You Oughta Know
Jagged Little Pill (1995)

Martin Luther King, Jr. photo
S. H. Raza photo
Thomas Gainsborough photo

“Dear Sir Joshua, - I am just to write what I fear you will not read - after lying in a dying state for 6 months [in reality much shorter]. The extreme affection which I am informed of by a Friend which Sir Joshua has expresd induces me to beg a last favor, which is to come once under my Roof and look at my things, my woodman you never saw, if what I ask now is not disagreeable to your feeling that I may have the honour to speak to you. I can from a sincere Heart say that I always admired and sincerely loved Sir Joshua Reynolds. 'Tho. Gainsborough.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

A last letter of Gainsborough to Sir Joshua Reynolds, End of July 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 307
Gainsborough, on the occasion of that last visit, actually had many of his unfinished canvases brought to his bedside to show to Sir Joshua
1770 - 1788

Murray Leinster photo
Cat Stevens photo

“Don't you feel a change a coming
From another side of time,
Breaking down the walls of silence,
Lifting shadows from your mind.”

Cat Stevens (1948) British singer-songwriter

Changes IV
Song lyrics, Teaser and the Firecat (1971)

Austen Chamberlain photo
Marlon Brando photo
Wilhelm Liebknecht photo
John Ruysbroeck photo
George Bird Evans photo
Ahmad Sirhindi photo

“Every person cherishes some longing in his heart. The only longing which this recluse (meaning himself) cherishes is that the enemies of Allah and his Prophet should be roughed up. The accursed ones should be humiliated, and their false gods disgraced and defiled. I know that Allah likes and loves no other act more than this. That is why I have been encouraging you again and again to act in this way. Now that you have yourself arrived at that place, and have been appointed to defile and insult that dirty spot and its inhabitants, I feel grateful for this grace (from Allah). There are many who go to this place for pilgrimage. Allah in his kindness has not inflicted this punishment on us. After giving thanks to Allah, you should do your best to ruin that place and their false gods… whether the idols are carved or uncarved. Let us hope that you will not act slow. Physical weakness and severity of the cold weather, comes in my way. Otherwise, I would have presented myself, and helped you in doing the job. I would have liked to participate in the ceremony and mutilate the stones…”

Ahmad Sirhindi (1564–1624) Indian philosopher

Maktubat-i-Imam Rabbani translated into Urdu by Maulana Muhammad Sa’id Ahmad Naqshbandi, Deoband, 1988, Volume III pp.707. This letter was also written to Shaikh Farid alias Nawab Murtaza Khan who had reached Kangra in November 1620 to conquer the fort and desecrate its temples. Jahangir had followed the Nawab in order to celebrate the victory by sacrificing cows and building a mosque where none had existed before.
From his letters

Markos Moulitsas photo
Jesper Kyd photo
Octavia E. Butler photo
Craig Ferguson photo
Charles Darwin photo

“All animals feel Wonder, and many exhibit Curiosity. They sometimes suffer from this latter quality, as when the hunter plays antics and thus attracts them.”

volume I, chapter II: "Comparison of the Mental Powers of Man and the Lower Animals", page 42 http://darwin-online.org.uk/content/frameset?pageseq=55&itemID=F937.1&viewtype=image
The Descent of Man (1871)

Robert E. Lee photo

“My engagements will not permit me to be present, and I believe if there I could not add anything material to the information existing on the subject. I think it wiser, moreover, not to keep open the sores of war, but to follow the example of those nations who endeavored to obliterate the marks of civil strife, and to commit to oblivion the feelings it engendered.”

Robert E. Lee (1807–1870) Confederate general in the Civil War

Letter regarding war monuments https://www.google.com/search?q=%22to+commit+to+oblivion+the+feelings+it+engendere%22&btnG=Search+Books&tbm=bks&tbo=1#tbm=bks&q=%22to+commit+to+oblivion+the+feelings+it+engendered%22 (1869), as quoted in Personal reminiscences, anecdotes, and letters of gen. Robert E. Lee https://books.google.com/books?id=VikOAAAAQAAJ&pg=PA234 (1874), by John William Jones, p. 234. Also quoted in "Renounce the battle flag: Don't whitewash history" http://www.newsleader.com/story/opinion/columnists/2015/07/01/renounce-battle-flag-whitewash-history/29574721/ (26 June 2015), by Petula Dvorak, The Washington Post, Washington, D.C. This quote is also given as: "I think it wisest not to keep open the sores of war, but to follow the example of those nations who endeavored to obliterate the marks of civil strife, and to commit to oblivion the feelings it engendered." https://books.google.com/books?id=x7OOraQWi5wC&pg=PA299&dq=%22i+think+it+wiser+moreover%22&hl=en&sa=X&ved=0CCYQ6AEwAGoVChMIxZSVnqTyxgIVw9SACh39bQbx#v=onepage&q=%22i%20think%20it%20wiser%20moreover%22&f=false
1860s

Annie Proulx photo
Nicholas Lore photo
Joel Chandler Harris photo
Giacomo Casanova photo
David Ortiz photo
Willem Roelofs photo

“[a landscape painter cannot do with] being stupid-natural…. all that art would be [made] in vain if the feeling stayed away. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Het doel, het streven van de kunst, is als dat van de muziek, te ontroeren; in onze geest gewaarwordingen te doen ontstaan..
[een landschapschilder kan niet volstaan met] stom-natuurlijk te zijn.. ..al die kunst zou ijdel zijn, als het gevoel weg bleef.
2 short quotes of W. Roelofs in a letter to his pupil , 8 June 1886; as cited in Willem Roelofs 1822-1897. De adem der natuur, ed. M. van Heteren and R. te Rijdt; exposition catalog of Museum Jan Cunen, Oss / Kunsthal Rotterdam, 2006, p. 50
1880's

“You have seen bigger horses than his thirteen and a half, perhaps fourteen hands, his nine hundred pounds. You have seen handsomer profiles than this Roman nose, slightly convex. Burrs cling to his long sweeping tail. His coat is dark and unglossed. Yet look again, while he is still, for he will not be still long. Sense the vitality in those muscles, trembling beneath the skin; see the pride in that high head, hear the haughty command to his voice. For this is a wild horse, my friend. Once he claimed the western range. Then they took his range away from him. But nothing, no one claims him. He feels the wind and the air with his nose, with his ears, with his very soul, and what he feels is good. He tosses his head, once, quickly, and behind him his harem of six mares trot up to join him, and behind them, a yearling colt, a filly and two stork-legged foals. Coats dusty and chewed, tails spiked with bits of the desert, sage and nettle and leftover pine needles from winter climbs down from timberland. The Barb-nosed stallion led his family down to the waterhole. Not Barb from barbed wire, though perhaps the chewed skin was from barbed wire, but Barb from the Spanish horses from which he descended, brought to the New World over four hundred years ago, from the Barbary states of North Africa, Tunisia, Morocco, Algeria, Fez, Tripoli. Indians stole them from the Spaniards; the Barbs stole themselves free from the Indians. Running wild, a few still run free.”

Arnold Hano (1922) American writer

From Running Wild (1973) by Hano, p. 10
Other Topics

Jodie Marsh photo

“For quite a while I did feel like my brain wasn't being used at all. Obviously, when you're just modelling, you do feel a bit almost brain-dead, where you need something to stimulate you mentally and you're not getting it.”

Jodie Marsh (1978) English glamour model and television personality

Interview in The Guardian, 25 January 2006 http://www.guardian.co.uk/media/2006/jan/25/broadcasting.bigbrother

James G. Blaine photo
Augustus De Morgan photo
Boris Johnson photo
William Empson photo
Stendhal photo

“Why does he not know how to select servants? The ordinary procedure of the nineteenth century is that when a powerful and noble personage encounters a man of feeling, he kills, exiles, imprisons or so humiliates him that the other, like a fool, dies of grief.”

Que ne sait-il choisir ses gens? La marche ordinaire du XIXe siècle est que, quand un être puissant et noble rencontre un homme de cœur, il le tue, l'exile, l'emprisonne ou l'humilie tellement, que l'autre a la sottise d'en mourir de douleur.
Vol. I, ch. XXIII
Le Rouge et le Noir (The Red and the Black) (1830)

“When suave politeness, temp'ring bigot zeal
Corrected I believe to One does feel.”

Ronald Knox (1888–1957) English priest and theologian

"Absolute and Abitofhell", Oxford Magazine, October 1913

Swami Vivekananda photo
Susan Faludi photo
Judith Sheindlin photo

“to a defendant who called the plaintiff a "witch" after the judge ruled in the plaintiff's favor: You gotta learn to behave yourself, madam. I have a feeling you have a pretty hot temper - not as hot as mine. That's all - out!”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

https://www.youtube.com/watch?v=xn9XiHQBe1k
Quotes from Judge Judy cases, Dress, stand, speak properly

Giambattista Vico photo
Max Scheler photo
Joseph Beuys photo
Joey Comeau photo
Charles James Fox photo

“Although Fox's private character was deformed by indulgence in vicious pleasures, it was in the eyes of his contemporaries largely redeemed by the sweetness of his disposition, the buoyancy of his spirits, and the unselfishness of his conduct. As a politician he had liberal sentiments, and hated oppression and religious intolerance. He constantly opposed the influence of the crown, and, although he committed many mistakes, and had in George III an opponent of considerable knowledge of kingcraft and immense resources, the struggle between him and the king, as far as the two men were concerned, was after all a drawn game…the coalition of 1783 shows that he failed to appreciate the importance of political principles and was ignorant of political science…Although his speeches are full of common sense, he made serious mistakes on some critical occasions, such as were the struggle of 1783–4, and the dispute about the regency in 1788. The line that he took with reference to the war with France, his idea that the Treason and Sedition bills were destructive of the constitution, and his opinion in 1801 that the House of Commons would soon cease to be of any weight, are instances of his want of political insight. The violence of his language constantly stood in his way; in the earlier period of his career it gave him a character for levity; later on it made his coalition with North appear especially reprehensible, and in his latter years afforded fair cause for the bitterness of his opponents. The circumstances of his private life helped to weaken his position in public estimation. He twice brought his followers to the brink of ruin and utterly broke up the whig party. He constantly shocked the feelings of his countrymen, and ‘failed signally during a long public life in winning the confidence of the nation’ (LECKY, Hist. iii. 465 sq). With the exception of the Libel Bill of 1792, the credit of which must be shared with others, he left comparatively little mark on the history of national progress. Great as his talents were in debate, he was deficient in statesmanship and in some of the qualities most essential to a good party leader.”

Charles James Fox (1749–1806) British Whig statesman

William Hunt, 'Fox, Charles James (1749–1806)', Dictionary of National Biography (1889).
About

“For oft have the common people kindlier feelings.”
Melior vulgi nam saepe voluntas.

Source: Argonautica, Book IV, Line 158

Jennifer Beals photo
Patrick Matthew photo
Russell Brand photo
Charles Kingsley photo

“Science frees us in many ways…from the bodily terror which the savage feels. But she replaces that, in the minds of many, by a moral terror which is far more overwhelming.”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

Sermon, The Meteor Shower http://www.gutenberg.org/dirs/etext04/wtlf10h.htm (November 26, 1866),

Ray Bradbury photo
Stevie Wonder photo

“Everyone's feeling pretty,
It's hotter than july,
Though the world's full of problems,
They couldn't touch us even if they tried.”

Stevie Wonder (1950) American musician

Master Blaster (Jammin')
Song lyrics, Hotter Than July (1980)

“Art is the objectification of feeling.”

Susanne K. Langer (1895–1985) American philosopher

Mind, An Essay on Human Feeling, vol. 1, pt. 2, ch. 4 (1967)

Frederick William Robertson photo
Umberto Boccioni photo
Mitch Albom photo
Harold Lloyd photo
Jef Raskin photo
George Bernard Shaw photo