Quotes about epic

A collection of quotes on the topic of epic, other, likeness, most.

Quotes about epic

“Spiritual awakening is not a special feeling, state, or experience. It is not a goal or destination, somewhere to reach in the future. As the Buddha was trying to tell us (though few actually listened), it is not a superhuman achievement or attainment. You don’t have to travel to India to find it. It is not a special state of perfection reserved for the lucky or the privileged few. It is not an exclusive club. It is not an out-of-body experience, and it does not involve living in a cave, shutting off all your beautiful senses, detaching yourself from the realities of this modern world. It cannot be transmitted to you by a fancy bearded (or non-bearded) guru, nor can it be taken away or lost. You do not have to become anyone’s disciple or follower, or give away all your possessions. You do not have to join a cult. You do not have to follow anyone.

Rather, is a constant and ancient invitation – throughout every moment of your life – to trust and embrace yourself exactly as you are, in all your glorious imperfection. It is about being fully present and awake to each precious moment, coming out of the epic movie of past and future (“The Story of Me”) and showing up for life, knowing that even your feelings of non-acceptance are accepted here. It is about radically opening up to this extraordinary gift of existence, embracing both the pain and the joy of it, the bliss and the sorrow, the ecstasy and the overwhelm, the certainty and the doubt. Knowing that you are never separate from the Whole, never broken, never truly lost.”

Jeff Foster (1980) Spiritual teacher

Source: https://www.lifewithoutacentre.com/writings/shockingly-simple-principles-of-spiritual-awakening/

“I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invent anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark almost blue color, and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.””

John Green book The Fault in Our Stars

A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers."
Augustus "Gus" Waters, p. 310-313
The Fault in Our Stars (2012)

Love, Death, War, People

“In eternity this world will be like Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets.”

Marilynne Robinson Gilead

Source: Gilead

World, Universe, Singing

“I have an epic, not a dramatic nature. My disposition and my desires call for peace to spin my thread, for a steady rhythm in life and art.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Nobel Banquet Speech (10 December 1929) http://nobelprize.org/nobel_prizes/literature/laureates/1929/mann-speech.html

Life, Peace, Art, Nature

“The Ramayana, the Puranas and the Dharmashastras paint the same portrait of an ancient land, every spot of which is sacred to some cultural memory or the other. The Jainagama and the Tripitaka speak again and again of sixteen Mahajanapadas, which spanned the spread of Bharatavarsha in the life-time of Bhagvan Mahavira and the Buddha. Even a dry compendium on grammar, the Ashtadhyayi of Panini, provides a near complete count of all the Janapadas in ancient India-Gandhara and Kamboja, Sindhu and Sauvira, Kashmir and Kekaya, Madra and Trigarta, Kuru and Panchala, Kaushala and Kashi, Magadha and Videha, Anga and Vanga, Kirata and Kamarupa, Suhma and Udra, Vatsa and Matsya, Abhira and Avanti, Nishadha and Vidarbha, Dandakaranya and Andhra, Karnataka and Kerala, Chola and Pandya. The epic poetry poured out by Kalidasa, Magha, Bharavi and Sriharsha continues the same tradition of talking endlessly about Bharatavarsha as a single and indivisible geographical entity, as a karmabhûmi for Gods and Goddesses, Brahmarshis and Rajarshis, and as higher than heaven for all those who have had the good fortune of being born in it.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

Life, God, Memory, Time

“Man has an invincible inclination to allow himself to be deceived and is, as it were, enchanted with happiness when the rhapsodist tells him epic fables as if they were true, or when the actor in the theater acts more royally than any real king.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

On Truth and Lie in an Extra-Moral Sense (1873)
Context: Man has an invincible inclination to allow himself to be deceived and is, as it were, enchanted with happiness when the rhapsodist tells him epic fables as if they were true, or when the actor in the theater acts more royally than any real king. So long as it is able to deceive without injuring, that master of deception, the intellect, is free; it is released from its former slavery and celebrates its Saturnalia. It is never more luxuriant, richer, prouder, more clever and more daring.

Happiness

“Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.”

Romain Rolland (1866–1944) French author

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.

Life, Death, Soul, Light

“I know, better than anyone else, that there are no heroes coming to save us. There are no good Epics. None of them protect us. Power corrupts, and absolute power corrupts absolutely.”

Brandon Sanderson (1975) American fantasy writer

Source: Steelheart

“I’m sorry ma’am,” I said. Really, I had no idea what else to say. I’d spent the weekend caught up in an epic battle to save humanity, and now… jean shorts?”

Richelle Mead book The Golden Lily

Source: The Golden Lily

Idea

“I wasn’t a nerd, mind you, but I’d spent a lot of my youth studying Epics, so I’d had limited experience with social interaction. I mixed with ordinary people about the same way that a bucket of paint mixed with a bag of gerbils.”

Brandon Sanderson (1975) American fantasy writer

Source: Firefight

People, Youth, Way, Study

“The trip was to be an odyssey in the fullest sense of the word, an epic journey that would change everything.”

Jon Krakauer book Into the Wild

Source: Into the Wild

Sense, Change

“You mean you have to be epic already, for it to make you more epic?”

Karen Marie Moning (1964) author

Source: Bloodfever

“"We work through this together, remember? No shutting me out. No epic sulks."
"I was figuring I could sulk for Idris in the next Olympics."
"You and Alec could go for pair sulking. You'd get the gold."”

Cassandra Clare book City of Heavenly Fire

Clary Fray and Jace Herondale, pg. 118
Source: The Mortal Instruments, City of Heavenly Fire (2014)

“It was epic. It was awkward. It was epically awkward.”

Ally Carter (1974) American writer

Source: United We Spy

“Does it hurt?”
He bent his head and lightly kissed her forehead. “Only when I laugh.”
“I’ll try not to be funny.”
“Epic fail, beautiful.”

Rachel Caine (1962) American writer

Source: Last Breath

Beauty, Kiss, Hurt

“Never doubt my weaseling abilities, Shadowhunter, for they are epic and memorable in their scope.”

Cassandra Clare The Mortal Instruments

Magnus to Jace, pg. 148
The Mortal Instruments, City of Ashes (2008)

“More often than not, a hero’s most epic battle is the one you never see; it’s the battle that goes on within him or herself.”

Kevin Smith (1970) American screenwriter, actor, film producer, public speaker and director

“Sorry, Ms. Terwilliger. I'm flattered that you think I'm such an upstanding person, but I'm already caught up in one epic battle of good versus evil. I don't need another.”

Richelle Mead book The Golden Lily

Source: The Golden Lily

Thinking, Evil, Personality

“Her reputation for reading a great deal hung about her like the cloudy envelope of a goddess in an epic.”

Henry James book The Portrait of a Lady

Source: The Portrait of a Lady

Reading

“Turned the wrong way around, the relentless unforeseen was what we schoolchildren studied in "History", harmless history, where everything unexpected in its own time is chronicled on the page as inevitable. The terror of the unforeseen is what the science of history hides, turning a disaster into an epic.”

Philip Roth book The Plot Against America

Source: The Plot Against America (2004), Chapter 3, "June 1941 – December 1941: Following Christians", pp. 113–114 ISBN 0547345313.

Way, History, Study, Science

“For me the ideal Olympics would be to go in with all that pressure, all that attention and have performances that are literally tear-jerking, that make people put their heads down because they’re embarrassed at how emotional they’re getting, that make people want to try sports, talk to their kids, call their f---ing ex-wives—and come away with no medals. I think that would be epic. That would be the perfect thing.”

Bode Miller (1977) American alpine ski racer

Interview with Newsweek, Nov. 2005, pub. 23 Feb. 2006 http://www.msnbc.msn.com/id/11522274/

People, Jerk, Thinking, Tear

“Equestrian statues have always served, through the centuries, a kind of epic purpose. They set out to exalt a triumphant hero, a conqueror like Marcus Aurelius... In the past fifty years, this ancient relation between man and beast has been entirely transformed. The horse has been replaced, in its economic and its military functions, by the machine, by the tractor, the automobile or the tank.”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), p. 86

Past, Horse

“Writing stories was not easy. When they were turned into words, projects withered on the paper and ideas and images failed. How to reanimate them? Fortunately, the masters were there, teachers to learn from and examples to follow. Flaubert taught me that talent is unyielding discipline and long patience. Faulkner, that form – writing and structure – elevates or impoverishes subjects. Martorell, Cervantes, Dickens, Balzac, Tolstoy, Conrad, Thomas Mann, that scope and ambition are as important in a novel as stylistic dexterity and narrative strategy. Sartre, that words are acts, that a novel, a play, or an essay, engaged with the present moment and better options, can change the course of history. Camus and Orwell, that a literature stripped of morality is inhuman, and Malraux that heroism and the epic are as possible in the present as is the time of the Argonauts, the Odyssey, and the Iliad.”

Mario Vargas Llosa (1936) Peruvian writer, politician, journalist, and essayist

Nobel Lecture (2010)

History, Literature, Idea, Learning

“How the hell did they think this was going to be something else than EPIC FAIL for the prosecution? We’re winning so hard.”

Peter Sunde (1978) Swedish activist and computer expert

February 2009 Copyright Infringement Trial http://torrentfreak.com/the-pirate-bay-trial-first-day-in-court/

Hell, Thinking

“The real reason Charles Darwin distresses people, I would argue, is not that he stumbled on an argument against theism. No, the problem was that he replaced theism—replaced it with a construct more beautiful and majestic than any account of the Supreme Being outside the Book of Job, a construct that invites us to see every variety of life, from aphids to archbishops, zygotes to zoologists, as vibrant threads in an epic tapestry, its warp and woof stretching across the eons and back to the Precambrian ooze, the seminal sea-vents, the primordial clay-pits, or wherever it all began. An astonishing construct, a mind-boggling construct, a construct of which Jehovah is understandably and insanely jealous.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Philosopher's Apprentice (2008), Chapter 17 (p. 401)

Life, People, Books, Beauty

“We could make an epic catalog of male achievements, from paved roads, indoor plumbing, and washing machine to eyeglasses, antibiotics and disposable diapers. We enjoy safe, fresh milk and meat, and vegetables and tropical fruits heaped in snowbound cities. When I cross the George Washington Bridge or any of America’s great bridges, I think: men have done this. Construction is a sublime male poetry. When I see a giant crane passing on a flatbed truck, I pause in awe and reverence as would for a church processions.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 37

Men, Thinking

“I have been a storyteller from a very young age. Both my grandfathers took me on their laps when I was little and either recited epic poetry or told me firsthand adventure stories from their youths. It instilled in me a sense of wonder, and I’ve been wanting to pass along that same sense of wonder ever since.”

Ridley Pearson (1953) American writer

Enjoy my Interview with Ridley Pearson https://ethanjonesbooks.wordpress.com/2018/01/25/enjoy-my-interview-with-ridley-pearson/ (January 25, 2018)

Youth, Age, Sense

“In reality, an American siege and occupation of the city would take weeks, perhaps months, but capture of the airport would allow troop-carrying aircraft to land. Since the city is 27 miles wide, an all-out assault could be an operation of epic proportions.”

Robert Fisk (1946) English writer and journalist

Allies 'seize most of Baghdad airport' http://www.robert-fisk.com/articles210b.htm, April 4, 2003 2003

Reality

“I have been saying this for some time, but customers are not interested in grand games with higher-quality graphics and sound and epic stories. Only people who do not know the videogame business would advocate the release of next-generation machines when people are not interested in cutting-edge technologies.”

Hiroshi Yamauchi (1927–2013) Japanese businessman

Prior to the announcement of the Nintendo Revolution "Top 10 Tuesday: Wildest Statements Made by Industry Veterans" ign.com http://www.ign.com/articles/2006/03/14/top-10-tuesday-wildest-statements-made-by-industry-veteransquote-

People, Game, Business, Time

“In its studies and learned colloquy, Faz saw and felt the tales of Men. They seemed curiously convoluted, revolving about Self. What mattered most to those who loved tales was how they concluded. Yet all Men knew how each ended. Their little dreams were rounded with a sleep.
So the point of a tale was not how it ended, but what it meant. The great inspiring epic rage of Man was to find that lesson, buried in a grave.”

Gregory Benford (1941) Science fiction author and astrophysicist

Time’s Rub, pp. 260-261
In Alien Flesh (1986)

Love, Men, Dreams, Sleep

“Vyasa wrote the first 40,000 verses and this book was named Jaya. Afterwards other writers added more stories and it became known as Bharata. Later still more additions were made until the composition became the Mahabharata as we know it today…. We believe that Veds Vyasa was one person and that he alone composed the entire Mahabharata consisting of 100,000 verses, it is the world’s largest epic in existence today and an encyclopedia of knowledge.”

Vyasa central and revered figure in most Hindu traditions

Swami Tejomayananada, in p. 139.
Sources, Hindu Culture, An Introduction

Books, World, Knowledge, Personality

“A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is then that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract. She invoked the Love Laws.”

Kunti character from Indian epic Mahabharata

Source: The God of Small Things, p. 233.

Love, Law, Travel, Kiss

“We feel like more than just the sum of a trillion neurons. We feel like more than just three pounds of wet flesh, and so simply describing the brain in terms of its neurotransmitters and neurons and all these chemicals and exciting ingredients doesn't fully grapple with what it feels like to be human, the first person subjective experience of being a conscious being. When you think about the really grand epic questions of neuroscience … what is consciousness? How can we form a scientific explanation for consciousness, for human experience? That is the holy grail.”

Jonah Lehrer (1981) American science writer

Chimeras of Experience: A Conversation with Jonah Lehrer (2009)

Feeling, Question, Thinking, Personality

“The all-inclusiveness of the RV in the realm of mythology is also observable in the sphere of poetics. There is hardly a major poetic device in the various IE branches that is not present in the RV. A significant aspect, for example, is that in early Greek poetry (epics of Homer and Hesiod, and some epigraphic material) the fairly strict syllabic meter (the hexameter with its dactylic, iambic and other variants) is preponderant with only traces of alliteration; in Germanic poetry alliteration prevails while the syllabic meter is very loose: both are present in the RV. …Early Irish poetry (6th century CE) has both meter and alliteration (and rhyme) but this hardly counts since the Irish poets knew these poetic devices “from Vergil and Ovid” and, of course, the Romans developed them from the Greek tradition. Of the Vedic poetic art Watkins writes: “The language of India from its earliest documentation in the Rigveda has raised the art of the phonetic figure to what many would consider its highest form.””

Nicholas Kazanas (1939)

"Indo-European Deities and the Rigveda," JIES 29 (2001), p. 257.

Art

“Of what violences, murders, depredations, have not the epic poets, from all antiquity, been the occasion, by propagating false honour, false glory, and false religion?”

Samuel Richardson book The History of Sir Charles Grandison

Vol. 6, letter 45.
Sir Charles Grandison (1753–1754)

Religion, Falseness

“So far as thought may peer into the past, the epic of our solar system began with a great catastrophe. Two suns met. What had been, ceased; what was to be, arose. Fatal to both progenitors, the event dated a stupendous cosmic birth.”

Percival Lowell (1855–1916) American astronomer

Source: Mars as the Abode of Life (1908), Chapter I, p. 3

Birth, Sun, Past

“Vyasa’s activities in the MBh cover the full range of activities traditionally deemed appropriate for a brahmin. Unquestionably Vyasa is the epic’s foremost expert on the Veda and the ritual activity enjoined by the Veda. Having rearranged the one Veda into four texts, Vyasa taught those to his five pupils along with MBh as the fifth Veda.”

Vyasa central and revered figure in most Hindu traditions

In p,51.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata

“It is my intention to represent the world of Shakespeare as far as possible as it really is and not merely to tell the story. It is my effort to retain the names used by him, the atmosphere he created, his descriptions…on the whole. His representation of the world as it is. I believe that this is necessary for the enhancement of Kannada literature and the sensibilities of the Kannada people and for the broadening of their vision of the world. If human civilization and peace are to last, it is of foremost importance that the different races of the earth attain a world vision. In order to achieve this the people of the West should read our epics, the Ramayana and the Mahabharata sympathetically as we must acquaint ourselves with their poetic tradition.”

D. V. Gundappa (1887–1975) Indian writer

India's Shakespeare: Translation, Interpretation, and Performance

People, World, Peace, Literature

“That Homeric epic and the earliest Hebrew poetry were the results of long and rich developments should have been apparent to anyone who realizes that artistic perfection is never created ex nihilo.”

Cyrus H. Gordon (1908–2001) American linguist

Introduction
Adventures in the Nearest East (1957)

Perfection

“It seemed strange to me that someone who painted big, scary abstractions should have been so commonsensical in her literary tastes, though later I would discover that twelve-tone composers read Keats just as experimental poets listened to Glenn Miller — few people are avant-garde outside their own domain.I suppose that as Midwesterners, the children of chemical engineers and homemakers, we experienced the arts as so foreign, even so preposterously unreasonable, that once we’d decided to embrace them we did so with lots of conviction and little discrimination. Surely it was no accident that T. S. Eliot and Ezra Pound, the two great poetic synthesists of our day, the very men who had ransacked all of world culture and could refer in the same poem to the Buddha and to Sophocles or to Confucius and to Jefferson — it was no accident that they were both from the heartland. Public-library intellectuals, magpies of knowledge, like most autodidacts we were incapable of evaluating our sources. As a teen-ager, I tried to write verse like Milton’s; later, I wanted to write novels like Nabokov’s. In a novel I wrote in college, I imitated Evelyn Waugh. If someone had said to me, "But do you, the graceless son of a Cincinnati broker of chemical equipment, do you seriously imagine that you can just write a Renaissance Christian epic or something in the style of a Cambridge-educated Russian aristocrat or of the spokesman of the Bright Young Things of London circa 1925?"”

Edmund White (1940) American novelist and LGBT essayist

if someone had spoken like this to me, I wouldn’t even have understood his point. My Women.The New Yorker https://archive.is/20121204150452/www.newyorker.com/fact/content/articles/050613fa_fact 6 June 2005 Articles and Interviews

Men, Children, People, World

“It was epic. The run I was on made Sinatra, Flynn, Jagger, Richards, all of them just look like droopy-eyed armless children.”

Charlie Sheen (1965) American film and television actor

On Good Morning America February 28, 2011

Children

“Simple motion strikes us as banal. The time element must be eliminated. Yesterday and tomorrow as simultaneous. In music, polyphony helped to some extent to satisfy this need. A quintet as in 'Don Giovanni' is closer to us than the epic motion in 'Tristan [und Isolde]'. Mozart and Bach are more modern than the [music of the] nineteenth century.”

Paul Klee (1879–1940) German Swiss painter

Quote (July 1917), # 1081, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1916 - 1920

Music, Time, Help

“That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion.”

George Eliot book Middlemarch

Prelude
Middlemarch (1871)

Life, Failure

“Thus was born the civil rights movement, an epic struggle that has required much sacrifice and pain, but which has enabled the United States to progress, in just three decades, from being a nation where blacks were forced to ride in the back of the bus, to being a nation where, due to federal cutbacks, there is no bus.”

Dave Barry (1947) American writer

Source: Dave Barry Slept Here: A Sort of History of the United States (1989), p. 138

Pain

“The language of the game is interesting. You can think of the pauses as caesuras, breaks between the lines. As a poem the game is composed of a number of short lines representing the pitches. The number of lines per batter form a stanza. Then there is a space. Sometimes the stanzas become breathless, rushing full paragraphs that build rapidly on each other until the poem-inning explodes. The poem lives for this sudden blossoming out of prosodic regularity. Should someone make a computer analysis of baseball prosody, I believe that they would come up with something close to the prosody of some great American lyrical epic, Whitman’s Leaves of Grass, let’s say, or Doc Williams’s Patterson…. The game is definitely an epic … formed of many lyrical moments dependent on silences for their effectiveness. An unfolding story punctuated by brief emotional swellings.”

Andrei Codrescu (1946) American writer

“A Kind of Love,” The Muse Is Always Half-Dressed (1993).

Game, Thinking, Silence, Grass

“There seems to be a general consensus of opinion among modern scholars that the Bhagavadgītā, as it now appears in the Epic, is not an original poem composed by a single hand, but an ancient work, rewritten and enlarged. But all are not agreed as to the history of the poem's composition.”

W. Douglas P. Hill (1884–1962) British Indologist

Source: The Bhagavadgītā (1973), p. 18. (12. The composition of the Bhagavadgītā)

History, Appearance

“Beyond the war years the grim and tortured struggle of Negroes to win their own freedom is an epic of battle against frightful odds. If we have failed to do enough, it was not the will for freedom that was weak, but the forces against us which were too strong.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Emancipation Proclamation Centennial Address (1962)

War, Freedom, Strong

“Harry Dresden: Sometimes the most remarkable things seem commonplace. I mean, when you think about it, jet travel is pretty freaking remarkable. You get in a plane, it defies the gravity of a entire planet by exploiting a loophole with air pressure, and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something, and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research, blood, sweat, tears and lives have gone into the history of air travel, and it has totally revolutionized the face of our planet and societies.
But get on any flight in the country, and I absolutely promise you that you will find someone who, in the face of all that incredible achievement, will be willing to complain about the drinks. The drinks, people. That was me on the staircase to Chicago-Over-Chicago. Yes, I was standing on nothing but congealed starlight. Yes, I was walking up through a savage storm, the wind threatening to tear me off and throw me into the freezing waters of lake Michigan far below. Yes, I was using a legendary and enchanted means of travel to transcend the border between one dimension and the next, and on my way to an epic struggle between ancient and elemental forces. But all I could think to say, between panting breaths, was, "Yeah. Sure. They couldn't possibly have made this an escalator."”

Jim Butcher The Dresden Files

The Dresden Files, Summer Knight (2002)

People, Way, Travel, History

“This sprawling epic is as lively as a natural history museum diorama.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2008/03/07/10_000_bc/ of 10,000 BC (2008)

History, Nature

“This is on the basis of the Aryan invasion theory according to which 'Aryans' invaded India in the early second millennium BC, and conquered it from the 'natives'. This theory is based purely on an eighteenth century linguistic proposition, and has no basis either in archaeology, or in literature, or in the racial-ethnic composition of India. What concerns us more, so far as this present volume is concerned, is the attempt to brand Hindu religious texts, on the basis of this theory, as 'invader' texts: a UNESCO publication characterises the Rigveda as 'the epic of the destruction of one of the great cultures of the ancient world.”

Shrikant Talageri (1958) Indian author

Shrikant Talageri, The Rigveda: A Historical Analysis, 2000.

World, Literature

“It was so gnarly, dude, and I'd been on his show a couple times, so I basically figured we were homies. I yelled over to him, and I was like, 'Yo, Reg, what up?' And then get this: He called me the Red Onion! Dude, it was so epic. It was totally rad.”

Shaun White (1986) American snowboarder and skateboarder

Saslow, Eli (2006). "For Fun, White Is on Board" http://www.washingtonpost.com/wp-dyn/content/article/2006/06/19/AR2006061901248.html Washington Post (accessed July 17, 2006). On sitting next to Regis Philbin at a Knicks game.

Time

“The sediments are a sort of epic poem of the earth.”

Rachel Carson book The Sea Around Us

Chapter 6, Page 98 https://books.google.com/books?id=PvkDFTtW6f4C&&pg=PA98 The Sea Around Us (1951)

“Kunti and Draupadi are two women who shape the entire course of dynastic destiny in the Mahabharata. Kunti chooses the scion of Hastinapura, Pandu, to wed, and becomes the mother of the epic’s protagonists: the Pandavas.”

Kunti character from Indian epic Mahabharata

Five Holy Virgins, Five Sacred MythsOf Kunti and Satyawati Sexually Assertive Women of the Mahabharata

Women, Wedding

“Eschew the monumental. Shun the Epic. All the guys who can paint great big pictures can paint great small ones.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (5–6 January 1932); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Guy, Painting

“At the conclusion of Hollywood disaster movies and epics, time moves backward, piecing together like a jigsaw the elements that had come apart. The Titanic resumes its journey; Russell Crowe is reunited with his murdered wife and son. It's not a happy ending; it's a convention created for the purposes of an impossible sense of uplift at the end of death and tragedy: the happy beginning. Technology makes Hades unnecessary.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Friend of My Youth (2017)

Death, Sense, Time, Happiness

“The evolutionary epic is probably the best myth we will ever have.”

Edward O. Wilson book On Human Nature

On Human Nature (1978)

“Windows 95 and MacOS are products, contrived by engineers in the service of specific companies. Unix, by contrast, is not so much a product as it is a painstakingly compiled oral history of the hacker subculture. It is our Gilgamesh epic.”

Neal Stephenson (1959) American science fiction writer

"The Oral Tradition"
In the Beginning... was the Command Line (1999)

History

“A few old men began to say there had been a winter like this when they were warriors, and that it was a year of catastrophe and disappointment. But old men will ever spin this wheel. The summers were always hotter and the winters colder in the days of their strength, and the air thick with epic drama and portent.”

Tanith Lee book Vazkor, Son of Vazkor

Book One, Part II “The Warrior”, Chapter 1 (p. 41)
Vazkor, Son of Vazkor (1978)

Men, Disappointment, Winter, Summer

“It was heroic!"
"Heroic, is it? Bedad, it's epic! Ye begin to perceive the breadth and depth of my genius.”

Rafael Sabatini book Captain Blood

Source: Captain Blood (1922), Ch. IX: "The Rebels-Convict"

“One of the biggest box-office successes in movie history — probably because for young audiences it's like getting a box of Cracker Jack that is all prizes. Written and directed by George Lucas, the film is enjoyable in its own terms, but it's exhausting, too: like taking a pack of kids to the circus. There's no breather in the picture, no lyricism; the only attempt at beauty is in the image of a double sunset. The loudness, the smash-and-grab editing, and the relentless pacing drive every idea out of your head, and even if you've been entertained, you may feel cheated of some dimension — a sense of wonder, perhaps. It's an epic without a dream.”

Pauline Kael (1919–2001) American film critic

"Star Wars," p. 714.
5001 Nights at the Movies (1982)

Beauty, Dreams, Feeling, History

“There is no other language which provides answers to complex philosophical questions like epics written in Sanskrit. Be it art, literature, science or technology, people are admitting Sanskrit is most useful.”

Rajnath Singh (1951) Indian politician

On Sanskrit, as quoted in " Sanskrit Most Useful for Science, Technology, Says Union Home Minister Rajnath Singh https://www.reddit.com/r/india/comments/3i2qoh/sanskrit_most_useful_for_science_technology_says/?ref=search_posts", NDTV (23 August 2015)

People, Art, Literature, Question

“The most important document at Ugarit for both Biblical and Homeric studies is the Epic of Kret. It anticipates the Helen-of-Troy motif in the Iliad and Genesis, thus bridging the gap between the two literatures.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible

Literature, Study

“It seems far simpler to go ahead and say that the epic is a fantastic myth, that happens to be true of the material Universe, that other myths are true in terms of their cultural meaning, and that there's absolutely no problem with holding more than one story, just as there's no problem with viewing the sunset in terms of planetary rotation and spectra and nuclear fusions one moment and as visual splendor the next.”

Ursula Goodenough (1943) American biologist

On the Epic of Evolution in Cosmogen "Board Forum: How Grand a Narrative?" (1999) http://www.thegreatstory.org/HowGrand.pdf

Problem, Universe

“Look forward to epic images of heavy equipment barreling toward the Southern border. The sight of a gold-plated structure going up, as sections of the borderland along Mexico start to resemble Liberace's backyard: This is sure to warm the cockles of your heart, and make America's monomaniacal media go berserk.”

Ilana Mercer South African writer

"Let Milo Design The Wall" http://www.thelibertyconservative.com/let-milo-design-wall/ The Liberty Conservative, March 3, 2017 2010s, 2017

Heart

“Human labor, through all its forms, from the sharpening of a stake to the construction of a city or an epic, is one immense illustration of the perfect compensation of the universe. The absolute balance of Give and Take, the doctrine that every thing has its price, — and if that price is not paid, not that thing but something else is obtained, and that it is impossible to get any thing without its price, — is not less sublime in the columns of a leger than in the budgets of states, in the laws of light and darkness, in all the action and reaction of nature. I cannot doubt that the high laws which each man sees implicated in those processes with which he is conversant, the stern ethics which sparkle on his chisel-edge, which are measured out by his plumb and foot-rule, which stand as manifest in the footing of the shop-bill as in the history of a state, — do recommend to him his trade, and though seldom named, exalt his business to his imagination.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), Compensation

Law, Imagination, History, Business

“All the constructions of this first phase of the youth of the group bear witness to its constant characteristics. The epic imagination is a proof of its esemplastic power. Everything is formal, inventive and arithmetical, therefore rhythmic.”

Albert Gleizes (1881–1953) French painter

after 1920, The Epic, From immobile form to mobile form (1925)

Youth, Imagination

“Troy is based on the epic poem The Iliad by Homer, according to the credits. Homer's estate should sue.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/troy-2004 of Troy (14 May 2004) Reviews, Two star reviews

“By the miracle of genius he created a masterpiece [Parzival], epic in scope, noble in purpose, humorous, humane, tender, and rational.”

Wolfram von Eschenbach (1170–1220) German knight and poet

Roger Sherman Loomis The Development of Arthurian Romance (New York: Dover, [1963] 2000) p. 67.
Criticism

“The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

"The Storyteller" (1936)

Wisdom, Truth, Art

“I saw Amadeus when I was nine years old and fell in love with Mozart. The part of Mozart's Requiem called "Lacrymosa" is my favorite piece of music ever. I always wished we could cover it, but with programming and guitars and make it cool. It's our moment to try all the things I wanted to and couldn't, so I started messing with it in Protools. Terry wrote some riffs and turned it into this awesome metal epic.”

Amy Lee (1981) American singer-songwriter and pianist

Explaining her song "Lacrymosa", in "Evanescence: Amy Lee Explains the New Songs" at VH1 News (18 September 2006)

Love, Music, Parting

“While the Democratic-led congress hits a record low nine percent approval rating despite high pre-election hopes, the even further left-leaning embodiment of that epic failure is now shuffling around the globe, sending crowds into frenzies through speeches pimped out with eminently forgettable rhetoric that would make great political speechmakers like Ronald Reagan and Winston Churchill scratch their heads.”

Rachel Marsden (1974) journalist

On Democratic Presidential nominee Barack Obama's candidacy Barack Obama Has Little In Common With Europe http://www.humanevents.com/article.php?id=27669

Hope, Failure

“Heroic epic and saga (Indic as well as Greek and Hebrew, etc.) combine action with genealogy. This is necessary because the action is performed by aristocrats who require genealogies.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible

“This epic before us is going to be written by the hungry Indian masses, the peasants without land, the exploited workers. It is going to be written by the progressive masses, the honest and brilliant intellectuals, who so greatly bound in our suffering Latin American lands. A struggle of masses and of ideas. AN epic that will be carried forward by our peoples, mistreated and and corned by imperialism; our peoples, unreckoned with until today, who are now beginning to shake off their slumber. Imperialism considered us a weak and submissive flock; and now it begins to be terrified of tat flock; a gigantic flock of 200 million Latin Americans in whom Yankee monopoly capitalism now sees its gravediggers.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

The Second Declaration of Havana (1962)

People, Idea, Suffering

“This tendency, however, to ascribe an universality of genius to great men, led Dryden to affirm, on the strength of two smart satyrical lines, that Virgil could have written a satire equal to Juvenal. But, with all due deference to Dryden, I conceive it much more manifest, that Juvenal could have written a better epic than Virgil, than that Virgil could have written a satire equal to Juvenal. Juvenal has many passages of the moral sublime far superior to any that can be found in Virgil, who, indeed, seldom attempts a higher flight than the sublime of description. Had Lucan lived, he might have rivalled them both, as he has all the vigour of the one, and time might have furnished him with the taste and elegance of the other.”

Charles Caleb Colton (1777–1832) British priest and writer

Vol. I; CCCCXII
Lacon (1820)

Men, Universe, Time

“Indeed, we are face to face with a strange kind of Sikhism. The Sikh Gurus had worked and fought for the resurgence of Hinduism but now we are told that this resurgence is precisely the cause of Sikh uneasiness. Guru Govind Singh started sending Sikh Gyanis to Varanasi to learn Sanskrit and to study the Epics, the Puranas and other classics to understand the Adi Granth itself, but the neo-Akali ideologues find Sanskrit and these classics objectionable. Maharaja Ranjit Singh banned cow-killing in his kingdom and a hundred Sikhs were blown to smithereens by the British because they stood for cow-protection, but now it is an anathema to secularist Akali scholars. The fact is that it is not the old Sikhism of the Gurus but a new version of it which has been taking shape under the impact of very different ideological and political forces that we are meeting. This neo-Akalism is a child of self-alienation and spiritual illiteracy and it, is at odd not only with Hinduism but for that very reason with Sikhism itself.”

Ram Swarup (1920–1998) Indian historian

Quoted from the preface by Ram Swarup in Gurbachan, S. T. S., & Swarup, R. (1991). Muslim League attack on Sikhs and Hindus in the Punjab 1947.

Understanding, Study, Learning

“Nowhere [in the book of Genesis] does it say that the serpent was supposed to be anything but a snake. In fact nearly all of the mainstream Christian depictions of the serpent show it as a woman, allegedly Lilith, Adam’s first wife in Talmudic legend. The earliest versions of this myth, like that found in the Epic of Gilgamesh also show it to be nothing more than “the serpent who could not be tamed”. The serpent could not have been Satan, because it was cursed to crawl on it’s belly and eat dust for all of it’s days. Yet the first time Satan appears in subsequent scripture is some time after this story, and Satan is God’s right-hand man then; there was never a fall-out between them. At no time is Satan ever reduced to crawling on his belly or eating dust or having his head bruised by women. There is a distinct difference in this story between the mythical character of Satan and the mythical origin of snakes.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, The Cow http://www.patheos.com/blogs/reasonadvocates/2016/01/22/the-cow/ (January 22, 2016)

Women, God, Books, Appearance

“Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it — from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/t/titanic.html of Titanic (1997). Four star reviews

Time

“Give lettered pomp to teeth of Time,
So "Bonnie Doon" but tarry;
Blot out the epic’s stately rhyme,
But spare his "Highland Mary!"”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

Line on Burns, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Time

“Look what happened in Tower Hamlets, in the heart of our capital city. We had political corruption on an epic scale: with voters intimidated and a court adjudicating on accusations of ‘undue spiritual influence’ for the first time since the 19th century. As the judge said: those in authority were too afraid to ‘confront wrongdoing for fear of allegations of racism’. Well this has got to stop.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2015, Speech on (20 July 2015)

Fear, Time, Heart

“My sonnet asserts that the sonnet still lives. My epic, should such fortune befall me, asserts that the heroic narrative is not lost — that it is born again.”

James Fenton (1949) poet

Source: An Introduction to English Poetry (2002), Ch. 22: Poetic Drama and Opera (p. 125)

“The comprehensive picture drawn here of Vyasa in the MBh includes his functions as seer, priest, ascetic, and spiritual preceptor. Of all the epic’s, Vyasa is the one who most closely corresponds to the idea of brahminhood promulgated by the dharma literature and the MBh’s Shanti Parvan- The section of the epic having the greater similarity to the dharma literature.”

Vyasa central and revered figure in most Hindu traditions

In pp.50-51.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata

Literature, Idea

“By birth, she is a Yadava and her brother’s son is Krishna, one of the major shapers of epic action.”

Kunti character from Indian epic Mahabharata

Five Holy Virgins, Five Sacred MythsOf Kunti and Satyawati Sexually Assertive Women of the Mahabharata

Birth

“The Bruce, with which the Scottish contribution to English literature begins, long held its place as the national epic of Scotland.”

John Barbour (1316–1395) Scottish poet

Kenneth Sisam Fourteenth Century Verse and Prose (Oxford: Clarendon Press, 1964) p. 108.
Criticism

Literature

“As the glossaries lengthen, as the footnotes become more elementary and didactic, the poem, the epic, the drama, move out of balance on the actual page. As even the more rudimentary of mythological, religious or historical references, which form the grammar of Western literature, have to be elucidated, the lines of Spenser, of Pope, of Shelley or of Sweeney Among the Nightingales, blur away from immediacy. Where it is necessary to annotate every proper name and classical allusion in the dialogue between Jessica and Lorenzo in the garden at Belmont, or in Iachimo's stealthy rhetoric when he emerges in Imogen's bedchamber, these marvellous spontaneities of enacted feeling become "literary" and twice-removed.”

George Steiner (1929–2020) American writer

"Tomorrow".
In Bluebeard's Castle (1971)

Feeling, Literature

“The Faerie Queene is the most extended and extensive meditation on sex in the history of poetry. It charts the entire erotic spectrum, a great chain of being rising from matter to spirit, from the coarsest lust to chastity and romantic idealism. The poem’s themes of sex and politics are parallel: the psyche, like society, must be disciplined by good government. Spenser agrees with the classical and Christian philosophers on the primacy of reason over animal appetites. He looks forward to the Romantic poets, however, in the way that he shows the sex impulse as ultimately daemonic and barbaric, breeding witches and sorcerers of evil allure. Like the Odyssey, The Faerie Queene is a heroic epic in which the masculine must evade female traps or delays.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 188

Sex, Way, History, Evil

“Marriage, which has been the bourne of so many narratives, is still a great beginning, as it was to Adam and Eve, who kept their honeymoon in Eden, but had their first little one among the thorns and thistles of the wilderness. It is still the beginning of the home epic — the gradual conquest or irremediable loss of that complete union which makes the advancing years a climax, and age the harvest of sweet memories in common.”

George Eliot book Middlemarch

Middlemarch (1871)

Marriage, Age, Home, Memory

“In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.”

André Maurois (1885–1967) French writer

The Art of Writing

Life, World, Art, Imagination

“There are epic impulses everywhere you look in There Will Be Blood; what's missing is character development, focused storytelling and, most significantly (apart from that terrific opening sequence), any sense of raw, intuitive drama.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2007/12/26/blood/ of There Will Be Blood (2007)

Sense

“By reason of Arthur's position as its climax as well as of the long line of other traditional heroes, events and associations, and of its breadth of treatment, simplicity, intensity, enthusiasm, accord with the supernatural, vitality of imagination, elevation and sometimes nobility and religious feeling, the poem is the nearest thing we have to a traditional racial epic.”

Layamon (1200) English poet

J. S. P. Tatlock The Legendary History of Britain (Berkeley: University of California Press, 1950) p. 485.
Criticism

Feeling, Imagination

“Legenda Aurea. To think that there's no Catholic edition of this most Catholic book!… Richard Benz sees it as epic and myth of the Middle Ages, exact parallel to the Gothic cathedrals. Sunk into oblivion with the epoch, rediscovered through the history of art, in the countless painters inspired by the Legend. Wonderful, costly and beautiful - but belonging utterly to the past, monument, museum: venerable, interesting, imposing - tout à fait passé.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1957-59

Books, Age, Beauty, Art

“The current language Pāṇini describes is very close in structure to the late Vedic found in certain Brāhmaṇa texts. As noted earlier, scholars have recognized other varieties of Sanskrit. Epic Sanskrit is so called because it is represented principally in the two epics, Mahābhārata (“Great Epic of the Bhārata Dynasty”) and Rāmāyaṇa (“Romance of Rāma”). In the latter the term saṃskṛta ‘adorned, cultivated, purified (by grammar)’ is encountered, possibly for the first time with reference to the language. The date of composition for the core of early Epic Sanskrit is considered to be in the centuries just preceding the Common Era.”

Pāṇini ancient Sanskrit grammarian

Prof. George Cardona in:"Indo-Aryan languages".

Time

“When the responses elicited by the Epic of Evolution are gathered together several religious principles emerge that I can believe, serve as a framework for a global Ethos.”

Ursula Goodenough book The Sacred Depths of Nature

Source: The Sacred Depths of Nature (1998), p. 167

“Meryl Streep, in her Protestant way, is stuck on words; she flashes clever accents as a mask for her deeper failures. (And she cannot deliver a Jewish line; she destroyed Nora Ephron’s snappy dialogue in Hearburn.) Streep’s work doesn’t travel. Try dubbing her for movie houses in India: there’d be nothing left, just that bony, earnest horse face moving its lips. Imagine, on the other hand, lesser technicians like Hedy Lammarr, Rita Hayworth, Lana Turner: these women have an international and universal appeal, crossing the centuries. They would have been beautiful in Egypt, Greece, Rome, medieval Burgundy, or eighteenth-century Paris. Susan Hayward played Bathsheba. Try to picture Streep in a Bible epic! Streep is incapable of playing the great legendary or mythological roles. She has no elemental power, no smouldering sensuality.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), p. 16

Women, Beauty, Way, Travel

“Hollywood movies of the Fifties, like The Ten Commandments and Ben-Hur, with their epic clash of pagan and Judeo-Christian cultures, tell more about art and society than the French-infatuated ideologues who have made a travesty of the “best” American higher criticism.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 208

Art

“The condemned man found himself transformed into a hero by the sheer extend of his widely advertised crimes, and sometimes the affirmation of his belated repentance. Against the law, against the rich, the powerful, the magistrates, the constabulary or the watch, against taxes and their collectors, he appeared to have waged a struggle with which one all too easily identified. The proclamation of these crimes blew up to epic proportions the tiny struggle that passed unperceived in everyday life. If the condemned man was shown to be repentant, accepting the verdict, asking both God and man for forgiveness for his crimes, it was as if he had come through some process of purification: he died, in his own way, like a saint.”

Michel Foucault book Discipline and Punish

Source: Discipline and Punish (1977), Chapter One: The Spectacle of the scaffold, pp. 67

Life, God, Law, Way

“Luther's merit in literary history is of the greatest: his dialect became the language of all writing. They are not well written, these Four-and-twenty Quartos of his; written hastily, with quite other than literary objects. But in no Books have I found a more robust, genuine, I will say noble faculty of a man than in these. A rugged honesty, homeliness, simplicity; a rugged sterling sense and strength. He dashes out illumination from him; his smiting idiomatic phrases seem to cleave into the very secret of the matter. Good humor too, nay tender affection, nobleness and depth: this man could have been a Poet too! He had to work an Epic Poem, not write one.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Priest

Secret, Books, History, Sense

“I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable for me to keep it up and never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No, I must keep to my own style and go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.”

Jane Austen (1775–1817) English novelist

Letter to Mr. Clarke (1816-04-01) [Letters of Jane Austen -- Brabourne Edition]
Letters

Life, People, Way, Motivation

“V. Bérard attributed the [Greece and Israel] links mainly to the role of the Phoenicians. P. Jensen explained matters through the diffusion of the Gilgamesh Epic. …but their one-sidedness and exaggeration brought them, and indeed the problem itself, into disrepute among critical scholars. The history of the problem has been ably documented by W. Baumgartner…”

Cyrus H. Gordon (1908–2001) American linguist

Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])

History, Problem

“Taking Iran's history as witness, I declare that we, the Pahlavi Dynasty, nurse no love but that for Iran, and no zeal but that for the dignity of Iranians; recognise no duty but that of serving our state and our nation.
As the commander of this monarchy, I make a covenant with Iran's history that this golden epic of modern Iran will be carried on to complete victory, and that no power on earth shall ever be able to stand against the bond of steel between the Shah and the nation. We shall never again be caught unawares. The nation and the Imperial Arrned Forces, which come from the ranks of the people and derive their power from our inexhaustible national resources, are alert day in and day out to protect their country. No foreigner or his agents will ever have the chance to penetrate the unshakable structure of our national sovereignty because Iran's destiny is now shaped by Iranians and for Iranians - and this shall always be the case.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

Message of the Shahanshah of Iran, Now Rouz, 1976 http://members.cybertrails.com/~pahlavi/speech1.html Speeches, 1976

Love, People, History, Chance

“I think President Obama is the most radical president this nation's ever seen. And in particular, I think he is a true believer in government control of the economy and of our everyday lives. In my judgment, we are facing what I consider to be the epic battle of our generation, quite literally the battle over whether we remain a free market nation.”

Ted Cruz (1970) American politician

Interview with Caroline May of the The Daily Caller, after his announcement to run for U.S. Senate for the first time; in Caroline May, " Partier for Senate http://dailycaller.com/2011/06/06/ted-cruz-cuban-ivy-league-tea-partier-for-senate/", The Daily Caller (June 6, 2011). 2010s

Thinking