Quotes about dream
page 24

Colley Cibber photo
James Weldon Johnson photo
Tom Morello photo

“In my nightmares the streets are aflame, and in my dreams it's much the same.”

Tom Morello (1964) American guitarist and singer-songwriter

One Man Revolution.
Lyrics

Samuel C. Florman photo

“The ploughman ploughs, the fisherman dreams of fish;
Aloft, the sailor, through a world of ropes
Guides tangled meditations, feverish
With memories of girls forsaken, hopes
Of brief reunions, new discoveries,
Past rum consumed, rum promised, rum potential.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Lines On Brueghel's "Icarus" http://www.themediadrome.com/content/poetry/hamburger_lines_on_icarus.htm

Arthur Symons photo

“I heard the sighing of the reeds
At noontide and at evening,
And some old dream I had forgotten
I seemed to be remembering.”

Arthur Symons (1865–1945) British poet

By the Pool of the Third Rosses, st. 4.

John James Ingalls photo

“The purification of politics is an iridescent dream.”

John James Ingalls (1833–1900) American politician

Epigram, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

William Faulkner photo
Richard Matheson photo

“Somewhere In Time is the story of a love which transcends time, What Dreams May Come is the story of a love which transcends death. … I feel that they represent the best writing I have done in the novel form.”

Richard Matheson (1926–2013) American fiction writer

Introduction to an Omnibus edition of his work, as quoted in Somewhere in Time (1998), p. 318 - 319

Jayachamarajendra Wadiyar photo

“It is important that the freedom we have attained after a hundred years of struggle should be felt and enjoyed by the millions. Let us therefore model our Swarajya after the conception of Rishis. Let us aspire to achieve the Rama Rajya of Gandhiji’s dreams.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

Known for his erudite scholarship in Indian philosophy and Dharma, he gave a talk on the Radio on the occasion of the ninth year of the Republic in 1958. Quoted in "Jaya Chamaraja Wodeyar".

“And yet, as angels in some brighter dreams
Call to the soul when man doth sleep,
So some strange thoughts transcend our wonted themes,
And into glory peep.”

Henry Vaughan (1621–1695) Welsh author, physician and metaphysical poet

"They Are All Gone," st. 7.
Silex Scintillans (1655)

Ted Kennedy photo

“For me, a few hours ago, this campaign came to an end. For all those whose cares have been our concern, the work goes on, the cause endures, the hope still lives, and the dream shall never die.”

Ted Kennedy (1932–2009) United States Senator

Concession speech in his campaign for nomination as the Democratic Presidential candidate against incumbent Jimmy Carter at the Democratic Convention in New York City (12 August 1980).
This has sometimes been misquoted as "The work goes on, the cause endures, the hope still lives and the dreams shall never die."

Jay Samit photo

“A dream with a deadline is a goal.”

Jay Samit (1961) American businessman

Source: Disrupt You! (2015), p. 42

Dejan Stojanovic photo

“To dream on occasion is not dreaming; to love on occasion is not love.”

Dejan Stojanovic (1959) poet, writer, and businessman

Lover http://www.poemhunter.com/poem/lover-16/
From the poems written in English

Verghese Kurien photo
Georges Cuvier photo

“Why has not anyone seen that fossils alone gave birth to a theory about the formation of the earth, that without them, no one would have ever dreamed that there were successive epochs in the formation of the globe.”

Georges Cuvier (1769–1832) French naturalist, zoologist and paleontologist (1769–1832)

as quoted from "Discourse on the Revolutionary Upheavals on the Surface of the Earth".

Herman Cain photo
Bill Thompson photo
Šantidéva photo
Auguste Rodin photo
Jimmy Carter photo
Mark Hertling photo
Margaret Cho photo

“The amount of racism, sexism, homophobia, and hatred in general that lies beneath the surface of the American dream is astounding and serious.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, RACISM AND CIVIL RIGHTS

Gerard Bilders photo

“I have seen pictures [on the Salon of Brussel, 1860], of which I had never dreamed and in which I found all that my heart desires, all that I nearly always miss in the Dutch painters. Troyon, Courbet, Diaz, Dupré [all painters of the School of Barbizon, Robert Fleury have made a great impression on me. I am a good Frenchman, therefore; but, as Simon van den Berg says, it is just because I am a good Frenchman that I am a good Dutchman, since the great Frenchmen of today and the great Dutchmen of the past have much in common. Unity, restfulness, earnestness and, above all, an inexplicable intimacy with nature are what struck me most in these pictures. There were certainly also a few good Dutch pieces, but, generally speaking, when you place them next to the great Parisians, they lack that mellowness, that quality which, so to speak, resembles the deep tones of an organ. And yet this luxurious manner came originally from Holland, from our steaming, fat-coloured Holland! They were courageous pictures; there was a heart and a soul in them.”

Gerard Bilders (1838–1865) painter from the Netherlands

Quote from Bilders in his letter (End of 1860); as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

Noel Gallagher photo
Ambrose Bierce photo
Bhakti Tirtha Swami photo
Alexander Blok photo
Guy De Maupassant photo
Ansel Adams photo

“The herculean task of a photographer is to capture a momentary frame as beautiful in reality, as it would be in a dream.”

Ansel Adams (1902–1984) American photographer and environmentalist

Radio interview, 1972

Stevie Nicks photo

“Dreams unwind
Love's a state of mind”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Rhiannon
Fleetwood Mac (1976)

Arthur Scargill photo
Max Ernst photo
Henry Miller photo
K. R. Narayanan photo
James Macpherson photo
James Taylor photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

Howard S. Becker photo
John Mayer photo

“When you’re dreaming with a broken heart,
The waking up is the hardest part.”

John Mayer (1977) guitarist and singer/songwriter

Dreaming with a Broken Heart
Song lyrics, Continuum (2006)

Ian McDonald photo
Conrad Aiken photo
Langston Hughes photo

“You talk like they
don’t kick dreams
around downtown.”

Langston Hughes (1902–1967) American writer and social activist

"Comment on Curb"
Montage of a Dream Deferred (1951)

Walt Disney photo

“All our dreams can come true — if we have the courage to pursue them.”

Walt Disney (1901–1966) American film producer and businessman

Source: How to Be Like Walt : Capturing the Magic Every Day of Your Life (2004), Ch. 3 : Imagination Unlimited, p. 63; Unsourced variant: All your dreams can come true if you have the courage to pursue them.

Pearl S.  Buck photo
Martin Amis photo
Ono no Komachi photo

“Although I come to you constantly
over the roads of dreams,
those nights of love
are not worth one waking touch of you.”

Ono no Komachi (825–900) Japanese poet

Source: Kenneth Rexroth's translations, Women Poets of Japan (1982), p. 15

Samuel Beckett photo
Shankar Dayal Sharma photo
Elia M. Ramollah photo
Letitia Elizabeth Landon photo
Tiger Woods photo
Dejan Stojanovic photo

“The world cannot be translated; it can only be dreamed of and touched.”

“World II,” p. 84
The Creator (2000), Sequence: “Same and Change”

Gustave Moreau photo
Ayumi Hamasaki photo
André Breton photo
Arshile Gorky photo
Jewel photo

“I think each person knows what's good for them. I don't think you need to be drastic. But it's finding where's passion in your life. We can't live without dreams.”

Jewel (1974) American singer-songwriter, guitarist, producer, actress, and poet

The Late Late Show (24 January 1997)

Reese Palley photo
Salvador Dalí photo

“It is a question of the systematic and interpretive organization of the sensational, scattered and narcissist surrealist experimental material, - that is to say, of everyday surrealist events:, br>nocturnal pollution, false recollection, dream, diurnal fantasy, the concrete transformation of nocturnal phosphene into a hypnagogic image or of "waking phosphene" into an objective image, - the nutritive caprice, - inter-uterine claims, - anamorphic hysteria, - the voluntary retention of the urine, - the involuntary retention of insomnia - the fortuitous image of exclusively exhibitionist tendency, -the incomplete action, - the frantic manner, - the regional sneeze, the anal wheelbarrow, the minimal mistake, the liliputian malaise, the super-normal physiological state, - the picture one leaves off painting, that which one paints, the territorial ringing of the telephone, "the deranging image", etc., etc.,
all these things, I say, and a thousand other instantaneous or successive sollicitations, revealing a minimum of irrational intentionalety or, on the contrary, a minimum of suspect phenomenal nullity, are associated, by the mechanisms of paranoiac-critical activity, in an indestructible delirious-interpretive system of political problems, paralytic images, more or less mammiferous questions, playing the role of the obsessing idea.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 15-16

Gaston Bachelard photo
Timothy McVeigh photo
Octave Mirbeau photo

“Silence brings us new names
new feelings and new knowledge.
Dreams dress us carefully
in the colors of power and faith.”

Aberjhani (1957) author

(In a Quiet Place on a Quiet Street, p. 98).
Book Sources, ELEMENTAL, The Power of Illuminated Love (2008)

Robert Fisk photo

“We have been conned again. The Israeli elections, we are told, mean that the dream of "Greater Israel" has finally been abandoned…But it is a lie.”

Robert Fisk (1946) English writer and journalist

Another Brick in the Wall http://www.palestinechronicle.com/story-040406231246.htm, April 4, 2006
2006

William Faulkner photo
Nile Kinnick photo
Letitia Elizabeth Landon photo
E. L. James photo
Ludovico Ariosto photo

“For hopeless love is but a dream and shade.”

Che l'amar senza speme è sogno e ciancia.
Canto XXV, stanza 49 (tr. W. S. Rose)
Orlando Furioso (1532)

Paula Modersohn-Becker photo
Charles Darwin photo
Pauline Kael photo
George W. Bush photo
Karl Kraus photo

“Many women would like to dream with men without sleeping with them. Someone should point out to them that this is utterly impossible.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Clive Staples Lewis photo
Peter Gabriel photo

“Give me steam.
And how you feel to make it real;
Real as anything you've seen.
Get a life with this dreamer's dream.”

Peter Gabriel (1950) English singer-songwriter, record producer and humanitarian

Steam
Song lyrics, Us (1992)

Leslie Stuart photo
Tom Petty photo

“For just a minute there I was dreaming.
For just a minute it was all so real.
For just a minute she was standing there, with me.”

Tom Petty (1950–2017) American musician

Southern Accents
Lyrics, Southern Accents (1985)

Mary Elizabeth Coleridge photo

“Breathe slumbrous music round me, sweet and slow,
To honied phrases set!
Into the land of dreams I long to go.
Bid me forget!”

Mary Elizabeth Coleridge (1861–1907) British writer

Mandragora, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Don DeLillo photo

“The truest worship is a life;
All dreaming we resign;
We lay our offerings at Thy feet, —
Our lives, O God, are Thine!”

John Weiss (1818–1879) United States clergyman and abolitionist

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 118.

Jahangir photo

“On the 24th of the same month I went to see the fort of Kangra, and gave an order that the Qazi, the Chief Justice (Mir'Adl), and other learned men of Islam should accompany me and carry out in the fort whatever was customary, according to the religion of Muhammad. Briefly, having traversed about one koss, I went up to the top of the fort, and by the grace of God, the call to prayer and the reading of the Khutba and the slaughter of a bullock which had not taken place from the commencement of the building of the fort till now, were carried out in my presence. I prostrated myself in thanksgiving for this great gift, which no king had hoped to receive, and ordered a lofty mosque to be built inside the fort' ….'After going round the fort I went to see the temple of Durga, which is known as Bhawan. A world has here wandered in the desert of error. Setting aside the infidels whose custom is the worship of idols, crowds of the people of Islam, traversing long distances, bring their offerings and pray to the black stone (image)' Some maintain that this stone, which is now a place of worship for the vile infidels, is not the stone which was there originally, but that a body of the people of Islam came and carried off the original stone, and threw it into the bottom of the river, with the intent that no one could get at it. For a long time the tumult of the infidels and idol-worshippers had died away in the world, till a lying brahman hid a stone for his own ends, and going to the Raja of the time said: 'I saw Durga in a dream, and she said to me: They have thrown me into a certain place: quickly go and take me up.”

Jahangir (1569–1627) 4th Mughal Emperor

The Raja, in the simplicity of his heart, and greedy for the offerings of gold that would come to him, accepted the tale of the brahman and sent a number of people with him, and brought that stone, and kept it in this place with honour, and started again the shop of error and misleading
Kangra (Himachal Pradesh) , Tuzuk-i-Jahangiri, translated into English by Alexander Rogers, first published 1909-1914, New Delhi Reprint, 1978, Vol. II, pp. 223-25.

William James photo

“Objective evidence and certitude are doubtless very fine ideals to play with, but where on this moonlit and dream-visited planet are they found?”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"The Will to Believe" p. 14 http://books.google.com/books?id=Moqh7ktHaJEC&pg=PA14
1890s, The Will to Believe and Other Essays in Popular Philosophy (1897)

Paul Klee photo

“Reality and dream simultaneously, and myself makes a third in the party, completely at home here. This will be fine.”

Paul Klee (1879–1940) German Swiss painter

Diary-note, 7 April 1914; as quoted by June Taboroff, on 'AramcoWorld', May, June 1991 http://archive.aramcoworld.com/issue/199103/travels.in.tunisia.htm
1911 - 1914, Diary-notes from Tunisia' (1914)

Karl Denninger photo
Paul Oakenfold photo
Jane Roberts photo
Lima Barreto photo
George W. Bush photo
Max Delbrück photo
Carole King photo