Quotes about doe
page 49

Mahmoud Ahmadinejad photo
Nicolás Gómez Dávila photo

“To tolerate does not mean to forget that what we tolerate does not deserve anything more.”

Nicolás Gómez Dávila (1913–1994) Colombian writer and philosopher

Sucesivos Escolios a un Texto Implícito (1992)

Helen Keller photo
Hector Berlioz photo

“Poor devils! Where do these unfortunate creatures come from? On what butcher's block will they meet their end? What reward does municipal munificence allot them for thus cleaning (or dirtying) the pavements of Paris? At what age are they sent to the glue factory? What becomes of their bones (their skin is good for nothing)?”

Hector Berlioz (1803–1869) French Romantic composer

Pauvres diables!... D'où sortent ces malheureux êtres ?... À quel Montfaucon vont-ils mourir ?... Que leur octroie la munificence municipale pour nettoyer (ou salir) ainsi le pavé de Paris ?... À quel âge les envoie-t-on à l'équarrissage ?... Que fait-on de leurs os ? (leur peau n'est bonne à rien.)
Les Grotesques de la Musique (Paris: A. Bourdilliat, 1859) p. 89; Alastair Bruce (trans.) The Musical Madhouse (Rochester, NY: University of Rochester Press, 2003) pp. 54-56.
Of critics

Tibullus photo

“Because of thee thy Egypt never sues for showers, nor does the parched blade bow to Jove the Rain-giver.”
Te propter nullos tellus tua postulat imbres,<br/>arida nec pluvio supplicat herba Iovi.

Tibullus (-50–-19 BC) poet and writer (0054-0019)

Te propter nullos tellus tua postulat imbres,
arida nec pluvio supplicat herba Iovi.
Bk. 1, no. 7, line 25.
Of the River Nile.
Variant translation: Because of you your land never pleads for showers, nor does its parched grass pray to Jupiter the Rain-giver.
Elegies

Zlatan Ibrahimović photo

“What Carew does with a football, I can do with an orange.”

Zlatan Ibrahimović (1981) Swedish association football player

answer to criticism from Norwegian footballer John Carew that Zlatan's moves are pointless
Norwegian tabloid VG, April 2002.
Attributed

Vitruvius photo
Alija Izetbegović photo
Bernart de Ventadorn photo

“This is how she shows herself a woman indeed,
My lady, and I reproach her for it:
She does not want what one ought to want,
And what she is forbidden to do, she does.”

Can vei la lauzeta mover, line 33; translation by Frederick Goldin, from Boris Ford (ed.) Medieval Literature: The European Inheritance (1983) p. 440.

Samuel Beckett photo

“Does one ever know oneself why one laughs?”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

The Expelled (1946)

Franklin D. Roosevelt photo

“Human kindness has never weakened the stamina or softened the fiber of a free people. A nation does not have to be cruel to be tough.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

Speech in 1935, as quoted by Donna E. Shalala, as Secretary of Health and Human Services, in a speech to the American Public Welfare Association (27 February 1995) http://www.hhs.gov/news/speeches/apwa.html
1930s

Luis Barragán photo

“Any work of architecture which does not express serenity is a mistake.”

Luis Barragán (1902–1988) Mexican architect

Contemporary Architects, St. Martins Press.

Donald J. Trump photo
S. I. Hayakawa photo
Paul Krugman photo

“I do not think that word “compromise” means what Mr. Ryan thinks it means. Above all, he failed to offer the one thing the White House won’t, can’t bend on: an end to extortion over the debt ceiling. Yet even this ludicrously unbalanced offer was too much for conservative activists, who lambasted Mr. Ryan for basically leaving health reform intact.Does this mean that we’re going to hit the debt ceiling? Quite possibly; nobody really knows, but careful observers are giving no better than even odds that any kind of deal will be reached before the money runs out. Beyond that, however, our current state of dysfunction looks like a chronic condition, not a one-time event. Even if the debt ceiling is raised enough to avoid immediate default, even if the government shutdown is somehow brought to an end, it will only be a temporary reprieve. Conservative activists are simply not willing to give up on the idea of ruling through extortion, and the Obama administration has decided, wisely, that it will not give in to extortion.So how does this end? How does America become governable again?”

Paul Krugman (1953) American economist

Regarding the ongoing 2013 U.S. government shutdown
[Paul Krugman, http://www.nytimes.com/2013/10/14/opinion/krugman-the-dixiecrat-solution.html?adxnnl=1&adxnnlx=1381867276-0uKEJS5eBZAKIo/by2ipKQ, The Dixiecrat Solution, New York Times, October 13, 2013, October 15, 2013]
The New York Times Columns

Vyasa photo
Denis Papin photo
Dejan Stojanovic photo

“When he is most powerful, nothing does he become.”

"Wardens of Peace," p. 21
The Sign and Its Children (2000), Sequence: “The Sign and Nothing”

Sören Kierkegaard photo

“The question is asked in ignorance, by one who does not even know what can have led him to ask it.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Preface
1840s, Philosophical Fragments (1844)

Rufus Choate photo

“We join ourselves to no party that does not carry the flag, and keep step to the music of the Union.”

Rufus Choate (1799–1859) American politician

Letter to the Whig Convention, Worcester (1 October 1855).

“Not only the qualitative world bursts forth in song, but so does the quantitative.”

Joseph B. Soloveitchik (1903–1993) American theologian

Source: Halakhic Man (1983), p. 84

Jean Baudrillard photo
Naomi Wolf photo
Aron Ra photo

“The idea that certain races (or species) are ‘higher’ or ‘lower’ was not Darwin’s idea but the universal language of all prior naturalists since forever. Darwin acknowledges this, but does not contribute to it, other than to suggest that Caucasians are not the ultimate form of mankind.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"Darwin’s view of the ‘races’ of men" http://www.patheos.com/blogs/reasonadvocates/2015/01/01/darwins-view-of-the-races-of-men/, Patheos (January 1, 2015)
Patheos

Ismail ibn Musa Menk photo

“And the same applies to the spouse. You know you love them, but you need to say it again and again. Like we got to the food, moments ago, and you need to say: "This food is – mashallah – it's really, really great". Even if the salt is a little bit more. Because sometimes, as I was saying, she spent so much time bringing it in front of us – and we are worried about how it's smelling, number one, and number two is we say, as we taste it, "The salt is too much, no?" What are you talking about? She just looks at you and her face flops. «I've been at it for three hours here, four hours I've been busy with this for so many months…» And what does she even say? "Next time I'll try a bit harder" – that's if she's a good woman; if not, she will say: "Never gonna cook this again!" It's typical. And if you have someone who is very witty: "The next time there's salt to be put in, I'll call you to put it." So we need to praise the cooking of our wives, we need to praise their dress code, especially… For example, I can let you know something that has worked, for some people. When you find some women, you know, they don't like to dress appropriately, so the husband sometimes wants to tell them something. There're two, three ways of doing it. You can either say, "This is very bad, I don't want you to wear this." And, you know, you might have a response. But if you want a response from the heart, what you do is, you tell them: "The other dress looked much better than this." You see, so you are praising one thing, and that praise is not there when the other thing is there. So, you have told them, in a way, that «this is what I really love». And go beyond the limits in praise – that's your wife, don't worry, you can say whatever you want, mashallah, in terms of goodness. Like the food, when you eat, even if it is a little bit this way or that way, just praise it, mashallah. See what it is. Praise the effort, at least. Let me tell you what has happened once. They say the imam in the mosque had said: "You need to praise the cooking of your wife". Just like I said now. So the man went home, and he had this meal, and he was looking at it, and looking at his wife, and smiling, all happy, mashallah, excited and everything. And when he finishes, he says: "Oh! It was awesome!" And the wife says, "What? I've been cooking for you for 21 years, you never said that! Today, when the food came from the neighbor, you want to say it was awesome?"”

Ismail ibn Musa Menk (1975) Muslim cleric and Grand Mufti of Zimbabwe.

"The Fortunate Muslim Family: Divine Solution to the Fragmented Family" (20 February 2012), lecture at the University of Malaya ( YouTube video https://www.youtube.com/watch?v=-QaeZcV_azE)
Lectures

Samuel Butler photo

“It does not matter much what a man hates provided he hates something.”

Samuel Butler (1835–1902) novelist

Hating
The Note-Books of Samuel Butler (1912), Part XIV - Higgledy-Piggledy

Frank Bunker Gilbreth, Sr. photo
Hilary Duff photo

“I love the song ["Weird"] too. It is really weird when you listen to the beat and the words. It's about someone that she's still obsessed with. And everything he does is like he says this, but he does this. And he does this but he says this. It's all twisted around and backwards. She's not really sure who he is or what he does, but she likes it.”

Hilary Duff (1987) American actress and singer

"Hilary Duff comes clean" http://www.hilaryontheweb.com/news/2005/january/21012005_Hilary%20Duff%20comes%20clean.html. News Times. January 21 2005. Retrieved October 25 2006.
On "Weird", a song from Hilary Duff (2004).

Julien Offray de La Mettrie photo
Edward Law, 1st Baron Ellenborough photo

“It is a principle of law, that a person intends to do that which is the natural effect of what he does.”

Edward Law, 1st Baron Ellenborough (1750–1818) Lord Chief Justice of England

Beckwith v. Wood and another (1817), 2 Starkie, 266.

Richard Nixon photo

“Nixon: I still think we ought to take the North Vietnamese dikes out now. Will that drown people?
Kissinger: About two hundred thousand people.
Nixon: No, no, no, I'd rather use the nuclear bomb. Have you got that, Henry?
Kissinger: That, I think, would just be too much.
Nixon: The nuclear bomb, does that bother you?. I just want you to think big, Henry, for Christsakes.”

Richard Nixon (1913–1994) 37th President of the United States of America

In conversation with Henry Kissinger regarding Vietnam, as quoted in Secrets: A Memoir of Vietnam and the Pentagon Papers. (2002) by Daniel Ellsberg p. 418 ISBN 0-670-03030-9
2000s

Anne Brontë photo
Daniel Buren photo
Michael Savage photo
Émile Durkheim photo

“Opinion is steadily inclining towards making the division of labor an imperative rule of conduct, to present it as a duty. Those who shun it are not punished precise penalty fixed by law, it is true; but they are blamed. The time has passed when the perfect man was he who appeared interested in everything without attaching himself exclusively to anything, capable of tasting and understanding everything finding means to unite and condense in himself all that was most exquisite in civilization. … We want activity, instead of spreading itself over a large area, to concentrate and gain in intensity what it loses in extent. We distrust those excessively mobile talents that lend themselves equally to all uses, refusing to choose a special role and keep to it. We disapprove of those men whose unique care is to organize and develop all their faculties, but without making any definite use of them, and without sacrificing any of them, as if each man were sufficient unto himself, and constituted an independent world. It seems to us that this state of detachment and indetermination has something anti-social about it. The praiseworthy man of former times is only a dilettante to us, and we refuse to give dilettantism any moral value; we rather see perfection in the man seeking, not to be complete, but to produce; who has a restricted task, and devotes himself to it; who does his duty, accomplishes his work. “To perfect oneself,” said Secrétan, “is to learn one's role, to become capable of fulfilling one's function... The measure of our perfection is no longer found in our complacence with ourselves, in the applause of a crowd, or in the approving smile of an affected dilettantism, but in the sum of given services and in our capacity to give more.””

Émile Durkheim (1858–1917) French sociologist (1858-1917)

[Le principe de la morale, p. 189] … We no longer think that the exclusive duty of man is to realize in himself the qualities of man in general; but we believe he must have those pertaining to his function. … The categorical imperative of the moral conscience is assuming the following form: Make yourself usefully fulfill a determinate function.
Source: The Division of Labor in Society (1893), pp. 42-43.

“Pharmacokinetics may be simply defined as what the body does to the drug, as opposed to
pharmacodynamics, which may be defined as what the drug does to the body.”

Leslie Z. Benet (1937) American pharmaceutical scientist

Pharmacokinetics: Basic Principles and Its Use as a Tool in Drug Metabolism, p. 199 in Drug Metabolism and Drug Toxicity, Mitchell JR, Horning MG, editors, Raven Press, New York, 1984.

“If one defends the bourgeois, philistine virtues, one does not defend them merely from the demonism or bohemianism of the artist but from the present bourgeoisie itself.”

Lionel Trilling (1905–1975) American academic

Notebook entry (1951), published in Partisan Review: 50th Anniversary Edition, ed. William Philips (1985)

Ivar Giaever photo
Winston S. Churchill photo

“The object of presenting medals, stars, and ribbons is to give pride and pleasure to those who have deserved them. At the same time a distinction is something which everybody does not possess. If all have it it is of less value … A medal glitters, but it also casts a shadow.”

Speech in the House of Commons, March 22, 1944 "War Decorations" http://hansard.millbanksystems.com/commons/1944/mar/22/war-decorations-and-medals#column_872.
The Second World War (1939–1945)

Robert Moses photo

“If the end doesn't justify the means, what does?”

Robert Moses (1888–1981) American urban planner

Quoted in The Power Broker, p. 218.

Giovanni della Casa photo
Eric Hargan photo
Alan Keyes photo
François de La Rochefoucauld photo

“In friendship and in love, one is often happier because of what one does not know than what one knows.”

Dans l'amitié comme dans l'amour on est souvent plus heureux par les choses qu'on ignore que par celles que l'on sait.
Variant translation: In friendship as in love, we are often happier due to the things we are unaware of than the things we know.
Maxim 441.
Reflections; or Sentences and Moral Maxims (1665–1678)

Thomas Brooks photo

“Sin is a viper that does always kill where it is not killed.”

Thomas Brooks (1608–1680) English Puritan

The Hypocrite Detected, Anatomized

Frank Herbert photo

“Does a population have informed consent when that population is not taught the inner workings of its monetary system, and then is drawn, all unknowing, into economic adventures?”

Frank Herbert (1920–1986) American writer

"From The Trial of Trials", p. 252
The Bureau of Sabotage series, The Dosadi Experiment (1977)

Wesley Willis photo

“My mother smokes that crack like a cigar / She had a good time at it / She jacks my brother for dope money / She does this by threatening him with a Smith and Wesson”

Wesley Willis (1963–2003) American singer-songwriter

My Mother Smokes Crack Rocks
Lyrics, Solo
Variant: "I smoke my crack pipe everyday / I have a good time at it / I jack my mother for dope money / I do it by threatening her life with a semi-automatic" - I Smoke Weed

Chuck Klosterman photo

“We all have the potential to fall in love a thousand times in our lifetime. It's easy. The first girl I ever loved was someone I knew in sixth grade. Her name was Missy; we talked about horses. The last girl I love will be someone I haven't even met yet, probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you'll meet maybe four or five of these people over the span of 80 years. But there's still one more tier to all this; there is always one person who you love who becomes that definition. It usually happens retrospectively, but it always happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of those lovable qualities are self-destructive and unreasonable. You will remember having conversations with this person that never actually happened. You will recall sexual trysts with this person that never technically occurred. This is because the individual who embodies your personal definition of love does not really exist. The person is real, and the feelings are real--but you create the context. And context is everything. The person who defines your understanding of love is not inherently different than anyone else, and they're often just the person you happen to meet the first time you really, really want to love someone. But that person still wins. They win, and you lose. Because for the rest of your life, they will control how you feel about everyone else.”

Killing Yourself to Live: 85% of a True Story (2005)

Rex Stout photo
Herbert Marcuse photo
Ben Carson photo

“Knowledge make us valuable. When we have knowledge that other people do not readily have, somebody need us. It does not matter what we look like, or where we came from, if we have something that others have a need for.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Think Big (1996), p. 212

Caspar David Friedrich photo
Allan Kardec photo
Willa Cather photo
Abraham Isaac Kook photo
Poul Anderson photo
Northrop Frye photo
Umberto Boccioni photo

“To the Young Artists of Italy!
The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Original text:
Agli artisti giovani d'Italia!
Il grido di ribellione che noi lanciamo, associando i nostri ideali a quelli dei poeti futuristi, non parte già da una chiesuola estetica, ma esprime il violento desiderio che ribolle oggi nelle vene di ogni artista creatore.
Source: 1910, Manifesto of Futurist Painters', Feb. 1910, p. 24: Lead paragraph

Robinson Jeffers photo
Ilana Mercer photo

“Hamas hides among unwitting civilians, who have no way of controlling its activities. This fact does not give Israel the right to kill innocent non-combatants, not even unintentionally. Besides, murder is not 'unintentional' when you know it is inevitable.”

Ilana Mercer South African writer

“Standing Armies Commandeered by Cowards,” http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=686 WorldNetDaily.com, November 23, 2012.
2010s, 2012

Ken Ham photo
Thomas Jefferson photo
Richard D. Ryder photo
Paul Karl Feyerabend photo
John F. Kennedy photo
Aron Ra photo
Aldo Leopold photo
Pat Murphy photo
John Gray photo
Ernst Gombrich photo
Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Paul Klee photo

“What does the artist create? Forms and spaces! How does he create them? In certain chosen proportions... O satire, you plague of intellectuals.”

Paul Klee (1879–1940) German Swiss painter

Quote (1905), # 599, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

“The issue of 'science' does not intrude itself directly upon the occasion of the performance of a musical work, at least a non-electronically produced work, since—as has been said—there is at least a question as to whether the question as to whether musical composition is to be regarded as a science or not is indeed really a question; but there is no doubt that the question as to whether musical discourse or—more precisely—the theory of music should be subject to the methodological criteria of scientific method and the attendant scientific language is a question, except that the question is really not the normative one of whether it 'should be' or 'must be,' but the factual one that it is, not because of the nature of musical theory, but because of the nature and scope of scientific method and language, whose domain of application is such that if it is not extensible to musical theory, then musical theory is not a theory in any sense in which the term ever has been employed. This should sound neither contentious nor portentous, rather it should be obvious to the point of virtual tautology.”

Milton Babbitt (1916–2011) American composer

From Milton Babbitt, "The Structure and Function of Musical Theory", College Music Symposium, Vol. 5 (Fall 1965), pp. 49-60; reprinted in Perspectives on Contemporary Music Theory, ed. Benjamin Boretz and Edward T. Cone (New York: Norton, 1972), pp. 10-21, ISBN 0393005488, and in Milton Babbitt, The Collected Essays of Milton Babbitt, ed. Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus (Princeton: Princeton University Press, 2003), pp. 191-201, ISBN 0691089663.

Gautama Buddha photo
James Bryce, 1st Viscount Bryce photo
G. E. M. Anscombe photo
Orson Scott Card photo
Mata Amritanandamayi photo

“Love is our true essence. This love does not have any limitations of caste, creed, colour or religion. We are all beads strung on the same thread of love. Awaken that unity and spread the message of love and service.”

Mata Amritanandamayi (1953) Hindu spiritual leader and guru

http://www.amritavarsham.org/ Frontpage of an official website
Love
Variant: Love is our true essence. This love does not have any limitations of caste, creed, colour or religion. We are all beads strung on the same thread of love. Awaken that unity and spread the message of love and service.

Jerome K. Jerome photo
Brian W. Aldiss photo

“Carnage added to carnage does not equal peace.”

Brian W. Aldiss (1925–2017) British science fiction author

“Basis for Negotiations” p. 152
Short fiction, Who Can Replace a Man? (1965)

Jean Tinguely photo

“Everything moves continuously. Immobility does not exist. Don't be subject to the influence of out-of-date concepts. Forget hours, seconds and minutes. Accept instability. Live in Time. Be static - with movement. For a static of the present movement. Resist the anxious wish to fix the instantaneous, to kill that which is living.
Stop insisting on 'values' which can only break down. Be free, live. Stop painting time. Stop evoking movements and gestures. You are movement and gesture. Stop building cathedrals and pyramids which are doomed to fall into ruin. Live in the present, live once more in Time and by Time - for a wonderful and absolute reality”

Jean Tinguely (1925–1991) Swiss painter and sculptor

Original text in German:
Es bewegt sich alles, Stillstand gibt es nicht. Lasst Euch nicht von überlebten Zeitbegriffen beherrschen. Fort mit den Stunden, Sekunden und Minuten. Hört auf, der Veränderlichkeit zu widerstehen. SEID IN DER ZEIT – SEID STATISCH, SEID STATISCH – MIT DER BEWEGUNG. Fur Statik. Im Jetzt stattfindenden JETZT... Lasst es sein, Kathedralen und Pyramiden zu bauen, die zerbröckeln wie Zuckerwerk. Atmet tief, lebt Jetzt, lebt auf und in der Zeit. Für eine schöne und absolute Wirklichkeit!
In For Statics (original title: Für Statik), 1958 programmatic text for the 'Concert for Seven Pictures' in Düsseldorf: as quoted in: Arts/Canada. Vol. 25. (1968) p. 4.
Quotes, 1950's

David Morrison photo
Rand Paul photo