Quotes about direction
page 23

John Rogers Searle photo
Daniel Dennett photo
Piero Manzoni photo
Jean-Baptiste Say photo

“A nation or an individual, will do wisely to direct consumption chiefly to those articles, that are longest time in wearing out, and the most frequently in use.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book III, On Consumption, Chapter IV, p. 398

Aldo Capitini photo
Kim Wilde photo
Louis Brownlow photo
Jeffrey D. Sachs photo

“The fear you feel is a direct reflection of the perception you have of yourself.”

Source: Life, the Truth, and Being Free (2010), p. 140

Amit Chaudhuri photo
Je Tsongkhapa photo
Horace Greeley photo

“VI. We complain that the Confiscation Act which you approved is habitually disregarded by your Generals, and that no word of rebuke for them from you has yet reached the public ear. Fremont's Proclamation and Hunter's Order favoring Emancipation were promptly annulled by you; while Halleck's No. 3, forbidding fugitives from Slavery to Rebels to come within his lines-- an order as unmilitary as inhuman, and which received the hearty approbation of every traitor in America-- with scores of like tendency, have never provoked even your own remonstrance. We complain that the officers of your Armies have habitually repelled rather than invited approach of slaves who would have gladly taken the risks of escaping from their Rebel masters to our camps, bringing intelligence often of inestimable value to the Union cause. We complain that those who have thus escaped to us, avowing a willingness to do for us whatever might be required, have been brutally and madly repulsed, and often surrendered to be scourged, maimed and tortured by the ruffian traitors, who pretend to own them. We complain that a large proportion of our regular Army Officers, with many of the Volunteers, evince far more solicitude to uphold Slavery than to put down the Rebellion. And finally, we complain that you, Mr. President, elected as a Republican, knowing well what an abomination Slavery is, and how emphatically it is the core and essence of this atrocious Rebellion, seem never to interfere with these atrocities, and never give a direction to your Military subordinates, which does not appear to have been conceived in the interest of Slavery rather than of Freedom.”

Horace Greeley (1811–1872) American politician and publisher

1860s, The Prayer of the Twenty Millions (1862)

Talcott Parsons photo
Henryk Sienkiewicz photo

“Direct me gods, whose changes are all holy,
To where it flickers deep in grass, the moly.”

Thom Gunn (1929–2004) English poet

Moly (l. 21-22)
Collected Poems by Thom Gunn (1994)

“Great art is never extreme. Criticism moves in a false direction, as does art, when it aspires to be a social science... In this world modern artists form a kind of spiritual underground.”

Robert Motherwell (1915–1991) American artist

Motherwell's writing in 1944; as cited in 'Robert Motherwell, American Painter and Printmaker' https://www.theartstory.org/artist-motherwell-robert-life-and-legacy.htm#writings_and_ideas_header, on 'Artstory'
1940s

Emily Brontë photo
Dwight D. Eisenhower photo
Robert Maynard Hutchins photo
Václav Havel photo
Robert G. Ingersoll photo
Shunryu Suzuki photo
Thomas Hobbes photo
Koenraad Elst photo
David Cameron photo

“I want to talk about the internet, the impact it is having on the innocence of our children, how online pornography is corroding childhood and how, in the darkest corners of the internet, there are things going on that are a direct danger to our children, and that must be stamped out.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Speech: The internet and pornography: Prime Minister calls for action https://www.gov.uk/government/speeches/the-internet-and-pornography-prime-minister-calls-for-action (22 July 2013).
2010s, 2013

José Martí photo
Ludwig Boltzmann photo

“Who sees the future? Let us have free scope for all directions of research; away with dogmatism, either atomistic or anti-atomistic!”

Ludwig Boltzmann (1844–1906) Austrian physicist

"Lectures on Gas Theory", translated by Stephen George Brush (1971), p. 26

John Ralston Saul photo
Everett Dean Martin photo
Winston S. Churchill photo
Colin Moulding photo

“Can't you see
Love and affection
When it's put
In your direction
Wrapped in your mysterious wonderland”

Colin Moulding (1955) English bassist, songwriter and vocalist

"Wonderland"
Mummer (1983)

John Fante photo
Anthony Bourdain photo
Paul Ryan photo
Jean Dubuffet photo
Ben Carson photo

“If your priority is to look good in front of people, your life will take a different direction than if your priority is to use the talents that God has given you to make a positive difference in the world.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 118

Martin Luther King, Jr. photo
Mark Satin photo
Charles Lyell photo
Pekka Haavisto photo

“In the new environment and markets it is not enough to only promote the export of Finland. We need the political view where the countries are developing and political abilities to contribute the direction of development, e. g. in the human rights and security issues.”

Pekka Haavisto (1958) Finnish politician

Source: Pekka Haavisto: Moninapaista arvokeskustelua http://www.ulkopolitiikka.fi/article/910/pekka_haavisto_moninapaista_arvokeskustelua/ Ulkopolitiikka 4/2011” ”Uusissa toimintaympäristöissä ja uusilla markkinoilla ei riitä, että edistetään Suomen vientiä. Pitää olla myös poliittinen näkemys siitä, mihin maat ja alueet ovat kehittymässä, sekä poliittisia valmiuksia vaikuttaa kehityksen suuntaan, esimerkiksi ihmisoikeus- ja turvallisuuskysymyksiin.”

Robert N. Proctor photo
Adolf Hitler photo
Joe Haldeman photo
Ernesto Grassi photo
John Coleridge, 1st Baron Coleridge photo
Richard Nixon photo
Amir Khusrow photo

“I asked Mr. Honda to direct the next Godzilla film at a party that was held shortly before he died. He said that he would. I don't know how serious he was.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

Paul Smith (musician) photo

“I dont want to lose any of the emotion or energy. We are just testing how far we can bend pop in our direction.”

Paul Smith (musician) (1979) English rock singer

About plans for the third album.
MTV http://www.mtv.co.uk/artists/maximo-park/news/40306-maximo-park-interview

Oliver P. Smith photo

“Retreat Hell! We're just attacking in another direction.”

Oliver P. Smith (1893–1977) United States Marine Corps general

Said during the Korean War, December 1950, U.S. Marine Corps History Division website http://www.tecom.usmc.mil/HD/Frequently_Requested/Quotes.htm.

Elizabeth May photo

“We Canadians think that Canada is a modern, well informed democracy. We look down our noses at the dumbed down content on Fox News and CNN, without noticing that we are rapidly heading in the same direction.”

Elizabeth May (1954) Canadian politician

Source: Losing Confidence - Power, politics, And The Crisis In Canadian Democracy (2009), Chapter 4, Democracy and the Media, p. 123

Ramakrishna photo
Will Eisner photo
James Jeans photo
Don Soderquist photo

“Culture is the personality of an organization. Therefore, culture governs much of how people think, act, interact, with others, and do their work. It is extremely powerful in determining the present and continuing success and the future direction of any organization Culture can literally determine whether a company has a future.”

Don Soderquist (1934–2016)

Don Soderquist “ The Wal-Mart Way: The Inside Story of the Success of the World's Largest Company https://books.google.com/books?id=mIxwVLXdyjQC&lpg=PR9&dq=Don%20Soderquist&pg=PR9#v=onepage&q=Don%20Soderquist&f=false, Thomas Nelson, April 2005, p. 27.
On the Importance of Culture

Abraham Joshua Heschel photo
Robert T. Kiyosaki photo

“For while the process of developing cash flow from an asset column in theory is easy, it is the mental fortitude of directing money that is hard.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Jahangir photo
Alexander Bogdanov photo

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Alexander von Humboldt photo
Asger Jorn photo

“There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.”

Asger Jorn (1914–1973) Danish artist

Variant translations:
What we possess and what gives us strength is our joy in life, our interest in life in all its amoral facets. This is also the foundation for today's art. We do not even know the aesthetic laws.
We are not disillusioned because we have no illusions; we have never had any. What we have, and what constitutes our strength, is our joy in life, in all of its moral and amoral manifestations.
1940 - 1948, Intimate Banalities' (1941)

Kevin Kelly photo

“Following the free also works in the other direction. If one way to increase product value is to make products free, then many things now free may contain potential value not yet perceived.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995), New Rules for the New Economy: 10 Radical Strategies for a Connected World (1999)

Paul Karl Feyerabend photo
Friedrich Hayek photo

“The reasons why the adoption of a system of central planning necessarily produces a totalitarian system are fairly simple. Whoever controls the means must decide which ends they are to serve. As under modern conditions control of economic activity means control of the material means for practically all our ends, it means control over nearly all our activities. The nature of the detailed scale of values which must guide the planning makes it impossible that it should be determined by anything like democratic means. The director of the planned system would have to impose his scale of values, his hierarchy of ends, which, if it is to be sufficient to determine the plan, must include a definite order of rank in which the status of each person is laid down. If the plan is to succeed or the planner to appear successful, the people must be made to believe that the objectives chosen are the right ones. Every criticism of the plan or the ideology underlying it must be treated as sabotage. There can be no freedom of thought, no freedom of the Press, where it is necessary that everything should be governed by a single system of thought. In theory Socialism may wish to enhance freedom, but in practice every kind of collectivism consistently carried thought must produce the characteristic features which Fascism, Nazism, and Communism have in common. Totalitarianism is nothing but consistent collectivism, the ruthless execution of the principle that 'the whole comes before the individual' and the direction of all members of society by a single will supposed to represent the 'whole.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

" Planning, Science and Freedom http://www.nature.com/nature/journal/v148/n3759/abs/148580a0.html", Nature 148 (15 November 1941), also available as " Planning, Science, and Freedom https://mises.org/library/planning-science-and-freedom," Mises Daily (Auburn, AL: The Ludwig von Mises Institute, 27 September 2010)
1940s–1950s

Eric Maskin photo
Jean-François Revel photo

“Rowing harder doesn't help if the boat is headed in the wrong direction.”

Kenichi Ohmae (1943) Japanese academic

Kenichi Ohmae, cited in: William J. Brown et al. (2000), AntiPatterns in Project Management. p. 3

Arthur Schopenhauer photo
Lillian Gilbreth photo
Josiah Gilbert Holland photo
Vladimir Putin photo
Edgar Degas photo
Talal Abu-Ghazaleh photo
Jackson Pollock photo
Harry Truman photo

“Follett was always preoccupied with the dynamic view of organization, with the thing in process, so to speak. Authority, Power, Leadership, the Giving of Orders, Conflict, Conciliation — all her keywords are active words. There is a static or structural approach to the problem of organization which has its value; but those who are most convinced of the importance of such structural analysis would be the first to admit that it is only a step on the journey, an instrument of thought; it is not and cannot be complete in itself; it is only the anatomy of the subject. As in medicine, the study of anatomy may be an essential discipline, but it is in the physiology and psychology of the individual patient that that discipline finds its working justification.
Thus the four principles which she finally arrived at to express her view of organization were all active principles. In her own words, they are:
"1. Co-ordination by direct contact of the responsible people concerned.
2. Co-ordination in the early stages.
3. Co-ordination as a reciprocal relating of all the features in a situation.
4. Co-ordination as a continuing process."”

Henry C. Metcalf (1867–1942) American business theorist

Since these principles are carefully explained and illustrated by Miss Follett herself in the final paper in this volume, we must content ourselves here with merely this concise statement of them.
Source: Dynamic administration, 1942, p. xxvi

Henry Gantt photo
Nora Ephron photo
Patrick Henry photo

“Are we at last brought to such an humiliating and debasing degradation, that we cannot be trusted with arms for our defense? Where is the difference between having our arms in possession and under our direction, and having them under the management of Congress? If our defense be the real object of having those arms, in whose hands can they be trusted with more propriety or equal safety to us, as in our own hands?”

Patrick Henry (1736–1799) attorney, planter, politician and Founding Father of the United States

Speech on the Federal Constitution, Virginia Ratifying Convention (Monday, 9 June 1788), as contained in The Debates in the Several State Conventions on the Adoption of the Federal Constitution: Volume 3, ed. Jonathan Elliot, published by the editor (1836), pp. 168-169
1780s

“Taxation of earnings from labor is on a par with forced labor. Seizing the results of someone's labor is equivalent to seizing hours from him and directing him to carry on various activities.”

Robert Nozick (1938–2002) American political philosopher

Source: (1974), Ch. 7 : Distributive Justice, Section I, Redistribution and Property Rights, p. 169

Peter F. Drucker photo
André Breton photo
Ela Bhatt photo

“The country is moving in a different direction, times have changed. But for me Gandhiji’s values are still the frame, still alive and valid.”

Ela Bhatt (1933) founder of the Self-Employed Women's Association of India (SEWA)

Discussion with Ela Bhatt, Founder, Self-Employed Women's Association (SEWA)

Robert Rauschenberg photo

“Every minute everything is different everywhere. It is all flowing... The duty or beauty of a painting is that there is no reason to do it nor any reason not to. It can be done as a direct act or contact with the moment and that is the moment you are awake and moving. It all passes and is never true literally as the present again leaving more work to be done.”

Robert Rauschenberg (1925–2008) American artist

Quote of Rauschenberg (1961), as cited in Introduction, Roberta Bernstein, from catalog 'The White and Black Paintings'
from a recording of a symposium in 1961, Larry Gagosian Gallery, New York, 1986
1960's

Henri Matisse photo

“The vertical is in my spirit. It helps me to define precisely the direction of lines, and in quick sketches I never indicate a curve, that of a branch in landscape for example, without being aware of its relationship to the vertical.
My curves are not mad.”

Henri Matisse (1869–1954) French artist

La verticale est dans mon esprit. Elle m'aide à préciser la direction des lignes, et dans mes dessins rapides je n'indique pas une courbe, par exemple, celle d'une branche dans un paysage, sans avoir conscience de son rapport avec la verticale.
Mes courbes ne sont pas folles.
1940s, Jazz (1947)