Quotes about difference
page 66

Clarence Thomas photo
Steve Jobs photo
Aron Ra photo

“While scientists themselves may be religious men of many different faiths, their methodology was designed to be the antithesis of faith because it requires that all assumptions be questioned, that all proposed explanations be based on demonstrable evidence, and that all hypotheses be must be testable and potentially falsifiable. Blaming magic is never acceptable because miracles aren’t explanations of any kind, and there has never been a single instance in history when assuming the supernatural has ever improved our understanding of anything. In fact such excuses have only ever impeded our attempts at discovery. This is one of many reasons why science depends on methodological naturalism; because unlike religion, science demands some way to determine who’s explanations are the more accurate, and which changes would actually be corrections. Science is a self-correcting process which changes constantly because its always improving. Only accurate information has practical application. So it doesn’t matter what you wanna believe. All that matters is why we should believe it too, and how accurate your perception can be shown to be. So you can’t just make up stuff in science (like you can in religion) because you have to substantiate everything, and be able to defend it even against peers who may not want to believe as you do. Be prepared to convince them anyway. Its possible to do that in science because science is based on reason. That means you must be ready to reject or correct whatever you hold true should you discover evidence against it.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"5th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=HzmbnxtnMB4, Youtube (January 14, 2008)
Youtube, Foundational Falsehoods of Creationism

Cees Nooteboom photo
Usama Mukwaya photo

“It affected me so much having to adapt to different parenting environments.”

Usama Mukwaya (1989) Ugandan screenwriter

Source: " Mukwaya, the self made filmmaker http://www.observer.ug/index.php?option=com_content&view=article&id=18171:mukwaya-the-self-made-filmmaker" at The Observer. 12 April 2012 written by Polly Kamukama

Noam Chomsky photo
Linus Torvalds photo

“I realize that lawyers are brought up (probably from small children) to think that "technically true" is what matters, but when you make public PR statements, they should be more than "technically" true. They should be honest. There's a big f*cking difference.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Linus Torvalds - Google+, Torvalds, Linus, 2013-01-17, 2013-01-20 https://plus.google.com/u/0/102150693225130002912/posts/ggzfzKyrcRQ,
2010s, 2013

Vladimir Putin photo

“Russians have different far lofty ambitions; more of a spiritual kind. It's more about your relationship with God.”

Vladimir Putin (1952) President of Russia, former Prime Minister

https://www.youtube.com/watch?v=33oIF-ggK5U
2011 - 2015

Archibald Primrose, 5th Earl of Rosebery photo

“It is by self-reliance, humanly speaking, by the independence which has been the motive and impelling force of our race, that the Scots have thriven in India and in Canada, in Australia and New Zealand, and even in England, where at different times they were banned. As things are we in Scotland do not take much or even ask much from the State, but the State invites us every day to lean upon it. I seem hear the wheedling and alluring whisper, "Sound you may be; we bid you be a cripple. Do you see? Be blind. Do you hear? Be deaf. Do you walk? Be not venturesome; here is a crutch for one arm. When you get accustomed to it you will soon want another, the sooner the better." The strongest man, if encouraged, may soon accustom himself to the methods of an invalid; he may train himself to totter or to be fed with a spoon. The ancient sculptors represent Hercules leaning on his club; our modern Hercules would have his club elongated and duplicated and resting under his arms. (Laughter.) The lesson of our Scottish teaching was "Level up"; the cry of modern civilization is "Level down; let the Government have a finger in every pie," probing, propping, disturbing. ("Hear, hear," and laughter.) Every day the area for initiative is being narrowed, every day the standing ground for self-reliance is being undermined, every day the public infringes, with the best intentions, no doubt, on the individual. The nation is being taken into custody by the State. Perhaps the current cannot now be stemmed; agitation or protest may be alike unavailing; the world rolls on, it may be part of its destiny, a necessary phase in its long evolution, a stage in its blind, toilsome progress to an invisible goal. I neither affirm nor deny. All in the long run is doubtless for the best; but, speaking as a Scotsman to Scotsmen, I plead for our historical character, for the maintenance of those sterling national qualities which have meant so much to Scotland in the past.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Cheers.
Speech to Glasgow University (12 June 1908), reported in The Times (13 June 1908), p. 12.

Nicholas Brendon photo

“There are so many different phases of stuttering, and it always breaks my heart. I always wish I could say, 'When I'm done hugging you... your stuttering will be gone.”

Nicholas Brendon (1971) actor

Make-over artist: Nicholas Brendon goes for laughs in 'Celeste in the City', BostonHerald.com, March 12, 2004 http://www.nickbrendon.com/archives/000049.html

Gustav Radbruch photo
Andreas Vesalius photo
Zia Haider Rahman photo

“Perhaps the elites run to a different beat of time.”

Zia Haider Rahman British novelist

In The Light of what We Know (2014)

Bill McKibben photo
Eduardo Torroja photo
Mata Amritanandamayi photo
Werner Erhard photo
Vitruvius photo
Iain Banks photo
John Carpenter photo

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Neil Harbisson photo

“There are no white skins, and there are no black skins. Humans skins are of different shades of orange.”

Neil Harbisson (1984) Catalan-Irish musician, artist and activist

As quoted in El Punt (28 January 2012). "La teva cara em sona" http://www.elpuntavui.cat/noticia/article/5-cultura/19-cultura/500466-la-teva-cara-em-sona.html

Joseph Heller photo
Daniel Radcliffe photo

“Everyone on the set has a mobile phone, and I found by pushing a few buttons, they could be programmed into different languages. I fixed Robbie's (Coltrane) to speak in Turkish.”

Daniel Radcliffe (1989) English actor

on constantly playing practical jokes on Robbie Coltrane http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28

“"Information" in most, if not all, of its connotations seems to rest upon the notion of selective power. The Shannon theory regards the information source, in emitting the signals (signs), as exerting a selective power upon the ensemble of messages. for example, observes that what people value in a source of information (i. e., what they are prepared to pay for) depends upon its exclusiveness and prediction power; he cites instances of a newspaper editor hoping for a "scoop" and a racegoer receiving information from a tipster. "Exclusiveness" here implies the selecting of that one particular recipient out of the population, while the "prediction" value of information rests upon the power it gives to the recipient to select his future action, out of the whole range of prior uncertainty as to what action to take. Again, signs have the power to select responses in people, such responses depending upon a totality of conditions. Human communication channels consist of individuals in conversation, or in various forms of social intercourse. Each individual and each conversation is unique; different people react to signs in different ways, depending each upon their own past experiences and upon the environment at the time. It is such variations, such differences, which gives rise to the principal problems in the study of human communication.”

Colin Cherry (1914–1979) British scientist

Source: On Human Communication (1957), Syntactic, Semantic, and Pragmatic Information, p. 244-5 Source: See Weaver's section of reference 297. Source: (1951). Lectures on Communication Theory, M.I.T. Press, Cambridge, Mass.
Ref: en.wikiquote.org - Colin Cherry / Quotes / On Human Communication (1957) / Syntactic, Semantic, and Pragmatic Information

Alexander Bogdanov photo
Dean Ornish photo

“In addition to preventing many chronic diseases … comprehensive lifestyle changes can often reverse the progression of these illnesses. … Changing lifestyle actually changes your genes—turning on genes that keep you healthy, and turning off genes that promote heart disease, prostate cancer, breast cancer, and diabetes—more than five hundred genes in only three months. People often say, “Oh, it's all in my genes. There's not much I can do about it.” But there is. Knowing that changing lifestyle changes our genes is often very motivating—not to blame, but to empower. … [Our approach is] not like there was one set of dietary recommendations for reversing heart disease, a different one for reversing diabetes, and yet another for changing your genes or lengthening your telomeres. In all of our studies, people were asked to consume a whole-foods, plant-based diet … It's as though your body knows how to personalize the medicine it needs if you give it the right raw materials in your diet and lifestyle. … And what's good for you is good for our planet. To the degree we transition toward a whole-foods, plant-based diet, it not only makes a difference in our own lives; it also makes a difference in the lives of many others across the globe.”

Dean Ornish (1953) American physician

Introduction https://books.google.it/books?id=KfeoBAAAQBAJ&pg=PP12 to Marco Borges, The 22-Day Revolution (New York: Penguin, 2015).

Olga Rozanova photo

“Opponents of the New Art fall back on this calculation, rejecting its self-sufficient meaning and, having declared it 'Transitional,' being unable even to understand properly the conception of this Art, lumping together Cubism, Futurism, and other phenomena of artistic life, not ascertaining for themselves either their essential differences or the shared tenets that link them.”

Olga Rozanova (1886–1918) Russian artist

Olga Rozanova, in 'Osnovy Novogo Tvorchestva i printsipy ego neponimaniia,' Soiuz molodezhi 3 (March 1913), p. 18; as quoted by Svetlana Dzhafarova, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932 (transl. Jane Bobko); Guggenheim Museum, New York, 1992, p. 477
Olga Rozanova accused the critics and their brethren of bad faith, citing as a prime example Aleksandr Benua's "Kubizm ili Kukishizm" ("Cubism or Je-m'en-foutisme"), a scathing 1912 review

“But just like voices, thoughts are underpinned by physical stuff. We know this because alterations to the brain change the kinds of thoughts we can think. In a state of deep sleep, there are no thoughts. When the brain transitions into dream sleep, there are unbidden, bizarre thoughts. During the day we enjoy our normal, well-accepted thoughts, which people enthusiastically modulate by spiking the chemical cocktails of the brain with alcohol, narcotics, cigarettes, coffee, or physical exercise. The state of the physical material determines the state of the thoughts. And the physical material is absolutely necessary for normal thinking to tick along. If you were to injure your pinkie in an accident you’d be distressed, but your conscious experience would be no different. By contrast, if you were to damage an equivalently sized piece of brain tissue, this might change your capacity to understand music, name animals, see colors, judge risk, make decisions, read signals from your body, or understand the concept of a mirror—thereby unmasking the strange, veiled workings of the machinery beneath. Our hopes, dreams, aspirations, fears, comic instincts, great ideas, fetishes, senses of humor, and desires all emerge from this strange organ—and when the brain changes, so do we. So although it’s easy to intuit that thoughts don’t have a physical basis, that they are something like feathers on the wind, they in fact depend directly on the integrity of the enigmatic, three-pound mission control center.”

David Eagleman (1971) neuroscientist and author

Incognito: The Secret Lives of The Brain

Pope Benedict XVI photo
Daniel Levitin photo
Bob Dylan photo
Mata Amritanandamayi photo
Philip Hammond photo
Paul Graham photo
Georgia O'Keeffe photo
Maimónides photo

“There are seven causes of inconsistencies and contradictions to be met with in a literary work. The first cause arises from the fact that the author collects the opinions of various men, each differing from the other, but neglects to mention the name of the author of any particular opinion. In such a work contradictions or inconsistencies must occur, since any two statements may belong to two different authors. Second cause: The author holds at first one opinion which he subsequently rejects: in his work, however, both his original and altered views are retained. Third cause: The passages in question are not all to be taken literally: some only are to be understood in their literal sense, while in others figurative language is employed, which includes another meaning besides the literal one: or, in the apparently inconsistent passages, figurative language is employed which, if taken literally, would seem to be contradictories or contraries. Fourth cause: The premises are not identical in both statements, but for certain reasons they are not fully stated in these passages: or two propositions with different subjects which are expressed by the same term without having the difference in meaning pointed out, occur in two passages. The contradiction is therefore only apparent, but there is no contradiction in reality. The fifth cause is traceable to the use of a certain method adopted in teaching and expounding profound problems. Namely, a difficult and obscure theorem must sometimes be mentioned and assumed as known, for the illustration of some elementary and intelligible subject which must be taught beforehand the commencement being always made with the easier thing. The teacher must therefore facilitate, in any manner which he can devise, the explanation of those theorems, which have to be assumed as known, and he must content himself with giving a general though somewhat inaccurate notion on the subject. It is, for the present, explained according to the capacity of the students, that they may comprehend it as far as they are required to understand the subject. Later on, the same subject is thoroughly treated and fully developed in its right place. Sixth cause: The contradiction is not apparent, and only becomes evident through a series of premises. The larger the number of premises necessary to prove the contradiction between the two conclusions, the greater is the chance that it will escape detection, and that the author will not perceive his own inconsistency. Only when from each conclusion, by means of suitable premises, an inference is made, and from the enunciation thus inferred, by means of proper arguments, other conclusions are formed, and after that process has been repeated many times, then it becomes clear that the original conclusions are contradictories or contraries. Even able writers are liable to overlook such inconsistencies. If, however, the contradiction between the original statements can at once be discovered, and the author, while writing the second, does not think of the first, he evinces a greater deficiency, and his words deserve no notice whatever. Seventh cause: It is sometimes necessary to introduce such metaphysical matter as may partly be disclosed, but must partly be concealed: while, therefore, on one occasion the object which the author has in view may demand that the metaphysical problem be treated as solved in one way, it may be convenient on another occasion to treat it as solved in the opposite way. The author must endeavour, by concealing the fact as much as possible, to prevent the uneducated reader from perceiving the contradiction.”

Guide for the Perplexed (c. 1190), Introduction

Rand Paul photo
Lyndon B. Johnson photo
Harry Truman photo
William Lane Craig photo
David Crystal photo
Jacques Monod photo

“One day, almost exactly 25 years ago - it was at the beginning of the bleak winter of 1940 - I entered André Lwoff’s office at the Pasteur Institute. I wanted to discuss with him some of the rather surprising observations I had recently made.
I was working then at the old Sorbonne, in an ancient laboratory that opened on a gallery full of stuffed monkeys. Demobilized in August in the Free Zone after the disaster of 1940, I had succeeded in locating my family living in the Northern Zone and had resumed my work with desperate eagerness. I interrupted work from time to time only to help circulate the first clandestine tracts. I wanted to complete as quickly as possible my doctoral dissertation, which, under the strongly biometric influence of Georges Teissier, I had devoted to the study of the kinetics of bacterial growth. Having determined the constants of growth in the presence of different carbohydrates, it occurred to me that it would be interesting to determine the same constants in paired mixtures of carbohydrates From the first experiment on, I noticed that, whereas the growth was kinetically normal in the presence of certain mixtures (that is, it exhibited a single exponential phase), two complete growth cycles could be observed in other carbohydrate mixtures, these cycles consisting of two exponential phases separated by a-complete cessation of growth.”

Jacques Monod (1910–1976) French biologist

Introduction
From enzymatic adaptation to allosteric transitions (1965)

Jacob Bronowski photo
Bhakti Tirtha Swami photo
Frithjof Schuon photo
Ossip Zadkine photo
Sun Myung Moon photo
Mary Wollstonecraft photo
Clive Staples Lewis photo
KT Tunstall photo

“I grew up knowing I could have had a million different lives. It makes your life mysterious and your imagination go wild.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

On knowing that she was adopted.
KTTunstall.com

Fred Brooks photo
Atal Bihari Vajpayee photo
Frank Wilczek photo
Vladimir Putin photo
Mark Kac photo
Frances Kellor photo
Michael Elmore-Meegan photo
Oscar Levant photo

“The difference between the Republicans and the Democrats is that the Democrats let the poor be corrupt, too.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

Oscar Levant, as quoted in "Oscar the Magnificent" https://www.newspapers.com/newspage/161384355/

Anthony Burgess photo
Matthew Stover photo

“In retrospect I must say that being a manager or being a priest I don't really know if there's that much of a difference, right, it's all about guiding lost souls.”

Corinna Cortes (1961) computer scientist

At Women Techmakers Summit: NY - My Personal Story, and My Work at Google Research with Corinna Cortes https://www.youtube.com/watch?v=dVIIib1OON4 6:13. Reflecting on her own educational background.

Eric R. Kandel photo
George W. Bush photo
Thomas Jefferson photo

“My religious reading has long been confined to the moral branch of religion, which is the same in all religions; while in that branch which consists of dogmas, all differ”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

.
Letter to Thomas Leiper (11 January 1809). Published in The Works of Thomas Jefferson in Twelve Volumes http://oll.libertyfund.org/ToC/0054.php, Federal Edition, Paul Leicester Ford, ed., New York: G. P. Putnam's Sons, 1904, Vol. 11 http://oll.libertyfund.org/Texts/Jefferson0136/Works/0054-11_Bk.pdf, pp. 89
1800s, Second Presidential Administration (1805-1809)

Richard Rohr photo
Amir Taheri photo
Fritz Leiber photo

“Things are different from what I thought. They’re much worse.”

Source: Conjure Wife (1953), Chapter 20 (p. 209).

Herbert A. Simon photo
Aung San Suu Kyi photo
Gertrude Stein photo

“The whole duty of man consists in being reasonable and just… I am reasonable because I know the difference between understanding and not understanding and I am just because I have no opinion about things I don’t understand.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Manuscript (1903), published in Q.E.D. Book 1, from Q.E.D., and Other Early Writings (1971)

William Crookes photo
Patrick Henry photo

“Are we at last brought to such an humiliating and debasing degradation, that we cannot be trusted with arms for our defense? Where is the difference between having our arms in possession and under our direction, and having them under the management of Congress? If our defense be the real object of having those arms, in whose hands can they be trusted with more propriety or equal safety to us, as in our own hands?”

Patrick Henry (1736–1799) attorney, planter, politician and Founding Father of the United States

Speech on the Federal Constitution, Virginia Ratifying Convention (Monday, 9 June 1788), as contained in The Debates in the Several State Conventions on the Adoption of the Federal Constitution: Volume 3, ed. Jonathan Elliot, published by the editor (1836), pp. 168-169
1780s

Sandra Day O'Connor photo
Myron Tribus photo
Richard Feynman photo

“One of the first interesting experiences I had in this project at Princeton was meeting great men. I had never met very many great men before. But there was an evaluation committee that had to try to help us along, and help us ultimately decide which way we were going to separate the uranium. This committee had men like Compton and Tolman and Smyth and Urey and Rabi and Oppenheimer on it. I would sit in because I understood the theory of how our process of separating isotopes worked, and so they'd ask me questions and talk about it. In these discussions one man would make a point. Then Compton, for example, would explain a different point of view. He would say it should be this way, and he was perfectly right. Another guy would say, well, maybe, but there's this other possibility we have to consider against it.

So everybody is disagreeing, all around the table. I am surprised and disturbed that Compton doesn't repeat and emphasize his point. Finally at the end, Tolman, who's the chairman, would say, "Well, having heard all these arguments, I guess it's true that Compton's argument is the best of all, and now we have to go ahead."

It was such a shock to me to see that a committee of men could present a whole lot of ideas, each one thinking of a new facet, while remembering what the other fella said, so that, at the end, the decision is made as to which idea was the best -- summing it all up -- without having to say it three times. These were very great men indeed.”

Richard Feynman (1918–1988) American theoretical physicist

from the First Annual Santa Barbara Lectures on Science and Society, University of California at Santa Barbara (1975)

Vitruvius photo
George Francis FitzGerald photo
Ela Bhatt photo

“The country is moving in a different direction, times have changed. But for me Gandhiji’s values are still the frame, still alive and valid.”

Ela Bhatt (1933) founder of the Self-Employed Women's Association of India (SEWA)

Discussion with Ela Bhatt, Founder, Self-Employed Women's Association (SEWA)

Cormac McCarthy photo
William H. Seward photo
Robert Rauschenberg photo

“Every minute everything is different everywhere. It is all flowing... The duty or beauty of a painting is that there is no reason to do it nor any reason not to. It can be done as a direct act or contact with the moment and that is the moment you are awake and moving. It all passes and is never true literally as the present again leaving more work to be done.”

Robert Rauschenberg (1925–2008) American artist

Quote of Rauschenberg (1961), as cited in Introduction, Roberta Bernstein, from catalog 'The White and Black Paintings'
from a recording of a symposium in 1961, Larry Gagosian Gallery, New York, 1986
1960's

Eric Holder photo
William H. McNeill photo