Quotes about detail
page 3

Akbar photo

“[The people also got busy collecting] "all kinds of exploded errors, and brought them to his Majesty, as if they were so many presents… Every doctrine and command of Islam as the prophetship, the harmony of Islam with reason… the details of the day of resurrection and judgement, all were doubted and ridiculed."”

Akbar (1542–1605) 3rd Mughal Emperor

Muntakhab-ut-Tawarikh by Abdul Qadir Badaoni, vol. II, p. 307. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 2

Howard S. Becker photo
Calvin Coolidge photo
Haruki Murakami photo
Ossip Zadkine photo
Erving Goffman photo
Akira Toriyama photo
Kurt Lewin photo
Mark Burns (televangelist) photo

“As a young man starting my church in Greenville, South Carolina, I overstated several details of my biography because I was worried I wouldn't be taken seriously as a new pastor. This was wrong, I wasn't truthful then and I have to take full responsibility for my actions”

Mark Burns (televangelist) (1979) Christian pastor and founder of the NOW Television Network

Statement released in response to allegations that he had falsified his professional accomplishments http://www.cnn.com/2016/09/03/politics/mark-burns-donald-trump-interview/index.html

Joan Robinson photo
Patrick Modiano photo

“When you are young, you neglect certain details that might become precious later.”

Patrick Modiano (1945) French writer

p 53
After the Circus (1992) English translation 2015

Ian Fleming photo
David Icke photo
Yasunari Kawabata photo
Sueton photo

“His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"”
Non in alia re tamen damnosior quam in aedificando domum a Palatio Esquilias usque fecit, quam…Auream nominavit. De cuius spatio atque cultu suffecerit haec rettulisse. Vestibulum eius fuit, in quo colossus CXX pedum staret ipsius effigie…In ceteris partibus cuncta auro lita, distincta gemmis unionumque conchis erant; cenationes laqueatae tabulis eburneis versatilibus, ut flores, fistulatis, ut unguenta desuper spargerentur; praecipua cenationum rotunda, quae perpetuo diebus ac noctibus vice mundi circumageretur; balineae marinis et albulis fluentes aquis. Eius modi domum cum absolutam dedicaret, hactenus comprobavit, ut se diceret quasi hominem tandem habitare coepisse.

Source: The Twelve Caesars, Nero, Ch. 31

Jim Butcher photo
Salvador Dalí photo
Jean Dubuffet photo

“Every piece of information about these statues is totally useless... What. import is it to us if their author was a bureaucrat or a cowherd, an old man or a young person? It is very unfounded to pay attention to these meager ircumstances. There is no difference between an old and young man. Not the least in any domain. Or if he was from Burgundy or Auvergne it's the same. And if he is alive or dead for who knows how long it is the same to us. Between a contemporary and someone from the last century, or a companion of Clovis or the big prehistoric reptiles? No difference whatsoever. We are completely wrong to take interest in these details.”

Jean Dubuffet (1901–1985) sculptor from France

Quote in Dubuffet's 1947 Entry on an anonymous sculptor, associated with the Swiss collector O.J. Müller; from: Jean Dubuffet, Les Barbus Müller et Autres Pièces de la Statuaire Provinciale(1947), in Prospectus I, pp. 498-49 (transl. Kent Minturn)
remark about the publication of biographically based texts on individual art brut artists; according to Dubuffet: veritable history of art without 'names,' 'dates,' or 'histories'.
1940's

Lester B. Pearson photo
Agatha Christie photo
T. E. Lawrence photo
David Cameron photo
Will Cuppy photo
David Fleming photo

“The only problem with capitalism is that it destroys the planet, and that it’s based on growth. I mean apart from those two little details it’s got a lot to be said in its favour.”

David Fleming (1940–2010) British activist

Interview, November 4th, 2010 http://www.darkoptimism.org/2016/10/14/by-popular-demand-david-flemings-interviews/

David Mumford photo
Charles Darwin photo
Erik Naggum photo
Sally Ride photo
Pierre-Auguste Renoir photo
Arthur Llewellyn Basham photo

“Though its fame is much restricted by its specialized nature, there is no doubt that Panini's grammar is one of the greatest intellectual achievements of any ancient civilization, and the most detailed and scientific grammar composed before the 19th century in any part of the world.”

Arthur Llewellyn Basham (1914–1986) British historian and Indologist

Professor A. L. Basham in: Daya Kishan Thussu Communicating India's Soft Power: Buddha to Bollywood https://books.google.co.in/books?id=Ab_QAQAAQBAJ&pg=PA47, Palgrave Macmillan, 24 October 2013, p. 47.

Gabriel García Márquez photo
Eduardo Torroja photo
Francis Crick photo

“Before I describe in more detail exactly what is involved in seeing, let me make three general remarks.”

Francis Crick (1916–2004) British molecular biologist, biophysicist, neuroscientist; co-discoverer of the structure of DNA

The Astonishing Hypothesis (1994)

Edward Heath photo
Burkard Schliessmann photo
Frédéric Bazille photo
Larry Niven photo
Gene Amdahl photo

“The term architecture is used here to describe the attributes of a system as seen by the programmer, i. e., the conceptual structure and functional behavior, as distinct from the organization of the data flow and controls, the logical design, and the physical implementation. i. Additional details concerning the architecture”

Gene Amdahl (1922–2015) American physicist

Gene Amdahl, Gerrit Blaauw, and Fred Brooks (1964) " Architecture of the IBM System http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.72.7974&rep=rep1&type=pdf." in: IBM Journal of Research and Development Vol 8 (2) p. 87-101

Ted Malloch photo
George Biddell Airy photo
Jacques Barzun photo

“No one has ever used historical examples, near or remote, with the detail, precision, and directness to be found in every page of Shaw.”

Jacques Barzun (1907–2012) Historian

Source: Bernard Shaw in Twilight (1943), IV

Fernand Léger photo
Burkard Schliessmann photo
Will Eisner photo
Ridley Scott photo
Jeffrey D. Sachs photo
Nicholas Sparks photo

“Details magaine, quoted in "Tijuana la horrible; entre la historia y la mito" by Humberto Felix Beruman”

Bart Bull American journalist

Tu primer fiesta de toros, tu primer viage a un protibulo y quiza tu primera borrachera, tu primer pelea en un bar, tu primer viaje a la carcel, tu primer soborno....

August-Wilhelm Scheer photo
Joni Madraiwiwi photo
Lee Smolin photo
Marcos Pontes photo
Mohammad Reza Pahlavi photo
Bhakti Tirtha Swami photo
Walter Wick photo
A. Wayne Wymore photo
Robert K. Merton photo
Edward O. Wilson photo
Leo Ryan photo
Jean Froissart photo
Lyndon B. Johnson photo
Andy Warhol photo
Eugène Fromentin photo
David D. Levine photo

“My dear Mrs. Singh,” Lady Corey sighed, interrupting. “The first thing you must learn about prevarication is to reduce detail to an absolute minimum.”

David D. Levine (1961) science fiction writer

Source: Arabella and the Battle of Venus (2017), Chapter 11, “Prisoners” (p. 164)

Poul Anderson photo
Fred Astaire photo
Brian Clevinger photo
Buckminster Fuller photo
John Maynard Keynes photo
Thomas Little Heath photo
Eugène Delacroix photo
Henri Matisse photo
Jerry Fodor photo
Peter Greenaway photo
Georges Bataille photo

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Howard Bloom photo

“In our preoccupations with sex, our submission to gods and leaders, our sometimes suicidal commitment to ideas, religions, and trivial details of cultural style, we become the unconscious creators of the social organism's exploits.”

Howard Bloom (1943) American publicist and author

The Clint Eastwood Conundrum
The Lucifer Principle: A Scientific Expedition Into the Forces of History (1997)

John Cage photo
Ernst von Glasersfeld photo
Francisco De Goya photo
Philip K. Howard photo
Barend Cornelis Koekkoek photo

“Immediately and definitively [after starting a painting] I determine the effect of sunlight, day and shadow, without being concerned with any detail. This enable me to see in the started painting the whole of it, which my mind already saw before I begun to work - I see it appearing on the panel or canvas rather soon and can consider in this way the harmony of the composed objects and colors.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik bepaal dadelijk en voor vast [nadat ik een schilderij begin] het effect van zonlicht, dag en schaduw, zonder mij met eenige uitvoerigheid op te houden. Hierdoor ben ik in staat gesteld, om in mijne aangelegde schilderij een geheel, dat mijn geest reeds vóór dat ik begon te arbeiden zag, binnen korten tijd op het paneel of doek te zien, en over de harmonie de zamengestelde voorwerpen en kleuren te kunnen oordelen..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 99: