Quotes about desert

page 7

July 20, 1943

p, 125
Coyote America: A Natural and Supernatural History (2016)

1950's, On Being a Graphic Artist', 1953
Context: It is human nature to want to exchange ideas, and I believe that, at bottom, every artist wants no more than to tell the world what he has to say. I have sometimes heard painters say that they paint 'for themselves': but I think they would soon have painted their fill if they lived on a desert island. The primary purpose of all art forms, whether it's music, literature, or the visual arts, is to say something to the outside world; in other words, to make a personal thought, a striking idea, an inner emotion perceptible to other people’s senses in such a way that there is no uncertainty about the maker's intentions.

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 296
Context: He did not say a monument to what, but he meant, I am sure, to leave it as a monument to the loyalty of our soldiers, who would bear all the horrors of Libby sooner than desert their flag and cause. We struggled on, the great crowd preceding us, and an equally dense crowd of blacks following on behind all so packed together that some of them frequently sang out in pain.

Fatima, p. 102.
The Alchemist (1988)
Context: The desert takes our dreams away from us, and they don't always return. We know that, and we are used to it. Those who don't return become a part of the clouds, a part of the animals that hide in the ravines and of the water that comes from the earth. They become part of everything... They become the Soul of the World.

Ozymandias (1818)
Context: I met a traveller from an antique land
Who said: — Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

The monster to the blind man in Ch. 15
Frankenstein (1818)
Context: I am an unfortunate and deserted creature, I look around and I have no relation or friend upon earth. These amiable people to whom I go have never seen me and know little of me. I am full of fears, for if I fail there, I am an outcast in the world forever.

Nobel Peace Prize Acceptance Speech (2012)
Context: The peace of our world is indivisible. As long as negative forces are getting the better of positive forces anywhere, we are all at risk. It may be questioned whether all negative forces could ever be removed. The simple answer is: “No!” It is in human nature to contain both the positive and the negative. However, it is also within human capability to work to reinforce the positive and to minimize or neutralize the negative. Absolute peace in our world is an unattainable goal. But it is one towards which we must continue to journey, our eyes fixed on it as a traveller in a desert fixes his eyes on the one guiding star that will lead him to salvation. Even if we do not achieve perfect peace on earth, because perfect peace is not of this earth, common endeavours to gain peace will unite individuals and nations in trust and friendship and help to make our human community safer and kinder.

Card 0 : The Fool http://www.sacred-texts.com/tarot/sot/sot03.htm
The Symbolism of the Tarot (1913)
Context: And I saw another man.
Tired and lame he dragged himself along the dusty road, across the deserted plain under the scorching rays of the sun. He glanced sidelong with foolish, staring eyes, a half smile, half leer on his face; he knew not where he went, but was absorbed in his chimerical dreams which ran constantly in the same circle. His fool's cap was put on wrong side front, his garments were torn in the back; a wild lynx with glowing eyes sprang upon him from behind a rock and buried her teeth in his flesh. He stumbled, nearly fell, but continued to drag himself along, all the time holding on his shoulder a bag containing useless things, which he, in his stupidity, carried wherever he went.
Before him a crevice crossed the road and a deep precipice awaited the foolish wanderer. Then a huge crocodile with open mouth crawled out of the precipice. And I heard the voice say:--
"Look! This is the same man."
I felt my head whirl.

(p. 39)
Sheltering Desert; Union Deutsche Verlangsgesellschaft Ulm (1958)
Context: My first reaction was bitter cynicism and a rejection of all the material and spiritual values which mankind had developed in the course of thousands of generations. But at the same time I felt that I should have to overcome that cynicism if I were to survive here in the desert. Cynicism is a sharp enough weapon in the hurly-burly of an overcrowded town; it gives you elbow-room and it also gives you a satisfactory feeling of superiority. But what's the use of elbow-room in a desert? And what's the use of cynicism when the enemies you have to contend with are the broiling sun and the parching winds? When your only aim is to survive amidst the swift, sure-footed, cruel and lovely animals of the desert?

From Here to Eternity (1951)

On Exactitude in Science, as translated by Andrew Hurley, in Jorge Luis Borges, Collected Fictions (1999); first published in Los Anales de Buenos Aires, año 1, no. 3 (March 1946)

Source: Arabian Sands (1959), p. 68.
Context: Yet I wondered fancifully if he had seen more clearly than they did, had sensed the threat which my presence implied – the approaching disintegration of his society and the destruction of his beliefs. Here especially it seemed that the evil that comes with sudden change would far outweigh the good.  While I was with the Arabs I wished only to live as they lived and, now that I have left them, I would gladly think that nothing in their lives was altered by my coming.  Regretfully, however, I realize that the maps I made helped others, with more material aims, to visit and corrupt a people whose spirit once lit the desert like a flame.

"Jerusalem", Ch. 20, p. 265
Report to Greco (1965)
Context: How can anyone have a true sense of the Hebrew race without crossing this terrifying desert, without experiencing it? For three interminable days we crossed it on our camels. Your throat sizzles from thirst, your head reels, your mind spins about as serpent-like you follow the sleek tortuous ravine. When a race is forged for two score years in this kiln, how can such a race die? I rejoiced at seeing the terrible stones where the Hebrews' virtues were born: their perseverance, will power, obstinacy, endurance, and above all, a God flesh of their flesh, flame of their flame, to whom they cried, "Feed us! Kill our enemies! Lead us to the Promised Land!"
To this desert the Jews owe their continued survival and the fact that by means of their virtues and vices they dominate the world. Today, in the unstable period of wrath, vengeance, and violence through which we are passing, the Jews are of necessity once again the chosen people of the terrible God of Exodus from the land of bondage.

"Dedication to Dr. Argent and Other Learned Physicians"; a portion of this statement is often quoted alone as simply "All we know is still infinitely less than all that still remains unknown.
De Motu Cordis et Sanguinis (1628)
Context: Very many maintain that all we know is still infinitely less than all that still remains unknown; nor do philosophers pin their faith to others' precepts in such wise that they lose their liberty, and cease to give credence to the conclusions of their proper senses. Neither do they swear such fealty to their mistress Antiquity that they openly, and in sight of all, deny and desert their friend Truth. But even as they see that the credulous and vain are disposed at the first blush to accept and believe everything that is proposed to them, so do they observe that the dull and unintellectual are indisposed to see what lies before their eyes, and even deny the light of the noon-day sun.

Lilith, in Pt. V
1920s, Back to Methuselah (1921)
Context: I say, let them dread, of all things, stagnation; for from the moment I, Lilith, lose hope and faith in them, they are doomed. In that hope and faith I have let them live for a moment; and in that moment I have spared them many times. But mightier creatures than they have killed hope and faith, and perished from the earth; and I may not spare them for ever. I am Lilith: I brought life into the whirlpool of force, and compelled my enemy, Matter, to obey a living soul. But in enslaving Life's enemy I made him Life's master; for that is the end of all slavery; and now I shall see the slave set free and the enemy reconciled, the whirlpool become all life and no matter. And because these infants that call themselves ancients are reaching out towards that, I will have patience with them still; though I know well that when they attain it they shall become one with me and supersede me, and Lilith will be only a legend and a lay that has lost its meaning. Of Life only is there no end; and though of its million starry mansions many are empty and many still unbuilt, and though its vast domain is as yet unbearably desert, my seed shall one day fill it and master its matter to its uttermost confines. And for what may be beyond, the eyesight of Lilith is too short. It is enough that there is a beyond.

volume I; lecture 3, "The Relation of Physics to Other Sciences"; section 3-4, "Astronomy"; p. 3-6
The Feynman Lectures on Physics (1964)
Context: Poets say science takes away from the beauty of the stars — mere globs of gas atoms. Nothing is "mere". I too can see the stars on a desert night, and feel them. But do I see less or more? The vastness of the heavens stretches my imagination — stuck on this carousel my little eye can catch one-million-year-old light. A vast pattern — of which I am a part... What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined! Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?

Letter 14, 10; Translated by W.H. Fremantle, G. Lewis and W.G. Martley. From Nicene and Post-Nicene Fathers, Second Series, Vol. 6. Edited by Philip Schaff and Henry Wace. (Buffalo, NY: Christian Literature Publishing Co., 1893.) Revised and edited for New Advent by Kevin Knight. http://www.newadvent.org/fathers/3001.htm
Letters

Source: Locksley Hall Sixty Years After (1886), Line 275

On Exactitude in Science, as translated by Andrew Hurley, in Jorge Luis Borges, Collected Fictions (1999); first published in Los Anales de Buenos Aires, año 1, no. 3 (March 1946)
Context: In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire, and which coincided point for point with it. The following Generations, who were not so fond of the Study of Cartography as their Forebears had been, saw that that vast Map was Useless, and not without some Pitilessness was it, that they delivered it up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of that Map, inhabited by Animals and Beggars; in all the Land there is no other Relic of the Disciplines of Geography.<!

The Aristos (1964)
Context: The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal. He feels himself mysteriously inspired or possessed. The craftsman, on the other hand, is content to use the traditional materials and techniques. The more self-possessed he is, the better craftsman he will be. What pleases him is skill of execution. He is very concerned with his contemporary success, his market value. If a certain kind of political commitment is fashionable, he may be committed; but out of fashion, not conviction. The genius, of course, is largely indifferent to contemporary success; and his commitment to his ideals, both artistic and political, is profoundly, Byronically, indifferent to their contemporary popularity. <!-- no. 61

As quoted in Zen to Go (1989) by Jon Winokur, p. 126
Context: Keep your hands open, and all the sands of the desert can pass through them. Close them, and all you can feel is a bit of grit.

Sjálfstætt fólk (Independent People) (1935), Book One, Part I: Icelandic Pioneers
Context: Never did these thanes of hell escape their just deserts. No one ever heard of Harekur or Gongu-Hrolfur or Bernotus being worsted in the final struggle. In the same way no one will be able to say that Bjartur of Summerhouses ever got the worst of it in his world war with the country's specters, no matter how often he might tumble over a precipice or roll head over heels down a gully - "while there's a breath left in my nostrils, it will never keep me down, no matter how hard it blows."

Book I, 18
Adversus Jovinianum

Choruses from The Rock (1934)
Context: You neglect and belittle the desert.
The desert is not remote in southern tropics
The desert is not only around the corner,
The desert is squeezed in the tube-train next to you,
The desert is in the heart of your brother.

Edinburgh University Union (1969)
The Environmental Revolution: Speeches on Conservation, 1962–77 (1978)
Context: The sheer weight of numbers of the human population, our habitations, our machinery and our ruthless exploitation of the living and organic resources of the earth; together these are changing our whole environment. This is what we call progress and much of this development is naturally to the direct and welcome benefit of mankind. However, we cannot at the same time ignore the awkward consequences and the most direct and menacing, but not the only consequence of this change, is pollution... Pollution is a direct outcome of man's ruthless exploitation of the earth's resources. Experience shows that the growth of successful organic populations is eventually balanced by the destruction of its own habitat. The vast man-made deserts show that the human population started this process long ago. There are two important differences today. In the first place the process has gone from a walking pace to a breakneck gallop. Secondly we know exactly what is happening. If not exactly in all cases, we know enough to appreciate what is happening and the need to take care... Pollution is no longer a matter of local incidents, today it has the whole biosphere in its grip. The processes which devastated the Welsh valleys a hundred years ago are now at work, over, on and under the earth and the oceans. Even if we bury all this waste underground there still remains the risk that toxic materials through chemical reactions will be washed out and into underground water courses. If ever there was an area of research more closely related to human welfare it is the problem of the safe disposal of waste and effluents... The fact is that we have got to make a choice between human prosperity on the one hand and the total well-being of the planet Earth on the other. Even then it is hardly a choice because if we only look for human prosperity we shall certainly destroy by pollution the earth and the human population which has existed on it for millions of years... If the world pollution situation is not critical at the moment it is as certain as anything can be that the situation will become increasingly intolerable within a very short time. The situation can be controlled and even reversed but it demands co-operation on a scale and intensity beyond anything achieved so far... I realise that there are any number of vital causes to be fought for, I sympathise with people who work up a passionate concern about the all too many examples of inhumanity, injustice, and unfairness, but behind all this hangs a really deadly cloud. Still largely unnoticed and unrecognised, the process of destroying our natural environment is gathering speed and momentum. If we fail to cope with this challenge, all the other problems will pale into insignificance.

Prologue. p. 1.
Arabian Sands (1959)
Context: A cloud gathers, the rain falls, men live; the cloud disperses without rain, and men and animals die. In the deserts of southern Arabia there is no rhythm of the seasons, no rise and fall of sap, but empty wastes where only the changing temperature marks the passage of the years. It is a bitter, desiccated land which knows nothing of gentleness or ease….. No man can live this life and emerge unchanged. He will carry, however faint, the imprint of the desert, the brand which marks the nomad; and he will have within him the yearning to return, weak or insistent according to his nature. For this cruel land can cast a spell which no temperate clime can match.

Interview by Harry Kreisler, March 22, 2002 http://globetrotter.berkeley.edu/people2/Chomsky/chomsky-con4.html.
Quotes 2000s, 2002
Context: Prophet just means intellectual. They were people giving geopolitical analysis, moral lessons, that sort of thing. We call them intellectuals today. There were the people we honor as prophets, there were the people we condemn as false prophets. But if you look at the biblical record, at the time, it was the other way around. The flatterers of the Court of King Ahab were the ones who were honored. The ones we call prophets were driven into the desert and imprisoned.

"The Greater Cats"
Kings Daughter (1929)
Context: The greater cats with golden eyes
Stare out between the bars.
Deserts are there, and the different skies,
And night with different stars.
They prowl the aromatic hill,
And mate as fiercely as they kill,
To roam, to live, to drink their fill;
But this beyond their wit know I:
Man loves a little, and for long shall die.

"Prologue", p. 23
Report to Greco (1965)
Context: General, the battle draws to a close and I make my report. This is where and how I fought. I fell wounded, lost heart, but did not desert. Though my teeth clattered from fear, I bound my forehead tightly with a red handkerchief to hide the blood, and ran to the assault.
Before you shall pluck out the precious feathers of my jackdaw soul, one by one, until it remains a tiny clod of earth kneaded with blood, sweat, and tears. I shall relate my struggle to you — in order to unburden myself. I shall cast off virtue, shame, and truth — in order to unburden myself. My soul resembles your creation "Toledo in the Storm"; girded by yellow thunderbolts and oppressive black clouds, fighting a desperate, unbending battle against both light and darkness. You will see my soul, will weigh it between your lanceolate eyebrows, and will judge. Do you remember the grave Cretan saying, "Return where you have failed, leave where you have succeeded"? If I failed, I shall return to the assault though but a single hour of life remains to me. If I succeeded, I shall open the earth so that I may come and recline at your side.
Listen, therefore, to my report, general, and judge. Listen to my life, grandfather, and if I fought with you, if I fell wounded and allowed no one to learn of my suffering, if I never turned my back to the enemy: Give me your blessing!

Seven Pillars of Wisdom (1922)
Context: The Beduin could not look for God within him: he was too sure that he was within God. He could not conceive anything which was or was not God, Who alone was great; yet there was a homeliness, an everyday-ness of this climatic Arab God, who was their eating and their fighting and their lusting, the commonest of their thoughts, their familiar resource and companion, in a way impossible to those whose God is so wistfully veiled from them by despair of their carnal unworthiness of Him and by the decorum of formal worship. Arabs felt no incongruity in bringing God into the weaknesses and appetites of their least creditable causes. He was the most familiar of their words; and indeed we lost much eloquence when making Him the shortest and ugliest of our monosyllables.
This creed of the desert seemed inexpressible in words, and indeed in thought. It was easily felt as an influence, and those who went into the desert long enough to forget its open spaces and its emptiness were inevitably thrust upon God as the only refuge and rhythm of being. The Bedawi might be a nominal Sunni, or a nominal Wahabi, or anything else in the Semitic compass, and he would take it very lightly, a little in the manner of the watchmen at Zion's gate who drank beer and laughed in Zion because they were Zionists. Each individual nomad had his revealed religion, not oral or traditional or expressed, but instinctive in himself; and so we got all the Semitic creeds with (in character and essence) a stress on the emptiness of the world and the fullness of God; and according to the power and opportunity of the believer was the expression of them.

[Bowring, John, 1832, Cheskian Anthology, Preface, https://en.wikisource.org/wiki/Cheskian_Anthology/Preface, Rowland Hunter, London]

On how he still witnesses the remnants of colonialism in those less fortunate in “Interview with Water & Power writer-director Richard Montoya” https://www.sandiegoreader.com/news/2014/may/01/screen-interview-richard-ontoya/# in San Diego Reader

"Matt Damon on Veganism: ‘Do as I Say, Not as I Do’", Ecorazzi.com (22 October 2013) https://web.archive.org/web/20150920134555/http://www.ecorazzi.com/2013/10/22/watch-matt-damon-on-veganism-do-as-i-say-not-as-i-do/

“Buckley Heard By Tulane Unit”, John Roberts, Times-Picayune (New Orleans, Louisiana), (April 22, 1971) p. 22

On the chosen language for Nowhere on the Border (as quoted in the book Nuestras Voces: Latino Plays, Volume One https://books.google.com/books?id=FLj1AwAAQBAJ&pg=PA258&lpg=PA258&dq)

The Universal Kinship (1906), Preface

Walden (1854)

Source: Becoming Hitler: The Making of a Nazi (2017), pp. 54-55

Much Obliged, Jeeves (1971)

This is the voice of our conscience, telling us of the righteousness of God. And since conscience is the perfect interpreter of life, what it tells us is no question, no riddle, no problem, but a fact — the deepest, innermost, surest fact of life: God is righteous. Our only question is what attitude toward the fact we ought to take.
We shall hardly approach the fact with our critical reason. The reason sees the small and the larger but not the large. It sees the preliminary, but not the final, the derived but not the original, the complex but not the simple. It sees what is human but not what is divine.
We shall hardly be taught this fact by men.
"The Righteousness of God" (1916) in The Word of God and the Word of Man (1928) as translated by Douglas Horton; this passage begins with a quote of Isaiah 40:3-5; often quoted alone has been the phrase following it: "Conscience is the perfect interpreter of life."

Book 1, Chapter 5 “The Dreamthief’s Pledge” (p. 181)
The Elric Cycle, The Fortress of the Pearl (1989)

Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter CIV: On Care of Health and Peace of Mind

Source: Guerrilla Warfare (1961), Ch. II: 2. The Guerrilla Fighter as Combatant

Prologue. p. 1.
Arabian Sands (1959)

Source: Presidents of India, 1950-2003, P.136

In Saint John of Damascus: Writings (The Fathers Of The Church A New Translation Vol. 37), 1958, 1999, Frederic H. Chase, Trans.

and I said, look, I’m a guest here, you’re paying for the hotel, I don’t mean to insult nobody, but I got a little suggestion for you. If I was yaz, I’d take a hose, hook it up to Colorado, and water this fucking place!
This Is Not Going to Be Pretty, Live at the Bottom Line (1995)

What's happened in Kuwait, the change from a nomadic existence to being able to buy and use everything modern technology has to offer has come in much less than one generation. Kuwait represents the immense power of technology used in a way most of us have never experienced, because we've lived with the kind of change it can bring for more than a hundred years. Here it's been focused. Change has been instant and total. Kuwait has suddenly become like New York, or any other of the great urban islands on technology, totally dependent on that technology. Like them, without it, Kuwait would return to the desert.
Connections (1979), 1 - The Trigger Effect

Source: Discipleship (1937), Discipleship and the Cross, p. 86

Pancho and Lefty (1972)

Napoleon the Little (1852), Conclusion, Part Second, II
Napoleon the Little (1852)

Conclusion, Part Second, II
Napoleon the Little (1852)

Translated by C. J. Lyall, quoted in Arabian Poetry, p. 41-42. First Stanza, lines 1-10 https://archive.org/details/arabianpoetryfo00clougoog/page/n127/mode/2up
The Poem of Labīd (translated by C. J. Lyall in 1881)

Choruses from The Rock (1934)

Sun Chunlan (2019) cited in " Increasingly extreme measures taken in Wuhan https://www.straitstimes.com/asia/east-asia/increasingly-extreme-measures-taken-in-wuhan" on The Straits Times, 8 February 2020.

citation needed

Source: Poetry, Poems by Faiz, translated by Victor Kiernan, 1971, p. 49

Source: The Militant suffrage movement (1914)

A Wave (1984)
Source: "At North Farm" ( Electronic Poetry Center: At North Farm https://writing.upenn.edu/epc/authors/ashbery/north.html)

Always a Little Further (1939)

Gaslight Sonatas (1918)

Remarks to Conrad Haussmann (24 February 1918), quoted in Konrad H. Jarauschl, ‘The Illusion of Limited War: Chancellor Bethmann Hollweg's Calculated Risk, July 1914’, Central European History, Vol. 2, No. 1 (Mar., 1969), p. 48

Original: (it) Manchi come acqua nel deserto, come fonte di calore, manchi: mia unica percezione d'amore.
Source: prevale.net

All the King's Men' A search for the colonial ideas of some advisers and "accomplices" of Leopold II (1853-1892). (Hannes Vanhauwaert), Emile Banning (1836-1898): The Don Quichotte of the ‘liberal civilization’ in Congo, Emile Banning's Colonial Career. http://www.ethesis.net/leopold_II/leopold_II.htm#_ftn194 On January 17, February 14 and 15, 1876, Emile Banning wrote three articles in L'Echo du Parliament on the new developments in the discovery and exploration of Central Africa. See ARAB. Papiers Banning, VII, 118, Les voyages de découverte dans l'Afrique, February 15, 1876.

Source: Ars Magica (1989), Chapter 8 (p. 89)

"Twenty-three Horse Poems", 5 (《马诗二十三首（其五）》), in Song of the Immortals: An Anthology of Classical Chinese Poetry, trans. Xu Yuanchong (Penguin Books, 1994), p. 91
Original: (zh-CN) 大漠沙如雪，燕山月似钩。
何当金络脑，快走踏清秋。

Source: Eric Zemmour: "If I don't run, it will be seen as desertion, as treason" https://palnws.be/2021/09/eric-zemmour-als-ik-me-geen-kandidaat-zou-stellen-zal-het-worden-gezien-als-desertie-als-verraad/ Éric Zemmour on his potential Presidential candidacy.

i.e. Bactria- Sogdiana and parts just south
The Epicentre of the Indo-European Linguistic Spread, 1997

Source: He's huge, he's hairy – and he's the hottest man in Iceland https://www.theguardian.com/tv-and-radio/2016/feb/24/trapped-bbc-olafur-darri-olafsson-interview (24 Feb 2016)

Source: On her mixed race ancestry in “Atlantics director Mati Diop: ‘As a mixed-race girl, there’s a visible and invisible side of you'” https://www.theguardian.com/film/2019/nov/09/atlantics-director-mati-diop-as-a-mixed-race-girl-theres-always-a-visible-and-invisible-side-of-you in The Guardian (2019 Nov 9)

Source: Sentimental Education (1869), Pt. 1, Ch. 4; the most famous portion of this statement is "Exuberance is better than taste..." [Mieux vaut l'exubérance que le goût.]

Future Proofing You (2021)

Source: 'A Letter from Germany', written 19 February 1924, printed in The New Statesman (13 October 1934), quoted in D. H. Lawrence, Selected Essays (1950), pp. 175-176

"Headlights"
2010s, The Marshall Mathers LP 2 (2013)

Quoted in: Kabir, Hajara Muhammad (2010). Northern women development. [Nigeria]. ISBN 978-978-906-469-4. OCLC 890820657.
1980s