Quotes about critic
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“Which not even critics criticise.”

Source: The Task (1785), Book IV, The Winter Evening, Line 51.

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“My major criticism of today's media is, they're no longer reporting the news, they're creating it. When that happens, you're in deep trouble.”

Jesse Ventura (1951) American politician and former professional wrestler

Source: Don't Start the Revolution Without Me! (2008), Ch. 3 (p. 48)

Werner Heisenberg photo

“Modern positivism…expresses criticism against the naïve use of certain terms… by the general postulate that the question whether a given sentence has any meaning… should always be thoroughly and critically examined. This… is derived from mathematical logic. The procedure of natural science is pictured as an attachment of symbols to the phenomena. The symbols can, as in mathematics, be combined according to certain rules… However, a combination of symbols that does not comply with the rules is not wrong but conveys no meaning.
The obvious difficulty in this argument is the lack of any general criterion as to when a sentence should be considered meaningless. A definite decision is possible only when the sentence belongs to a closed system of concepts and axioms, which in the development of natural science will be rather the exception than the rule. In some case the conjecture that a certain sentence is meaningless has historically led to important progress… new connections which would have been impossible if the sentence had a meaning. An example… sentence: "In which orbit does the electron move around the nucleus?"”

Werner Heisenberg (1901–1976) German theoretical physicist

But generally the positivistic scheme taken from mathematical logic is too narrow in a description of nature which necessarily uses words and concepts that are only vaguely defined.
Physics and Philosophy (1958)

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“Just then, with a wink and a sly normal lurch,
The owl very gravely got down from his perch,
Walked round, and regarded his fault-finding critic
(Who thought he was stuffed) with a glance analytic.”

James Thomas Fields (1817–1881) American writer and publisher

The Owl-Critic, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

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“Think before you speak is criticism's motto; speak before you think is creation's.”

E.M. Forster (1879–1970) English novelist

"The Raison d'Etre of Criticism in the Arts"
Two Cheers for Democracy (1951)

“Periodization sequesters human experience. The historicist separation of the past from the present prohibits empathy with the past and therefore precludes criticism in the present.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 18.

“The operative goals will be shaped by the dominant group, reflecting the imperatives of the particular task area that is most critical, their own background characteristics (distinctive perspectives based upon their training, career lines, and areas of competence) and the unofficial uses to which they put the organization for their own needs.”

Charles Perrow (1925–2019) American sociologist

Variant: The dominant group, reflecting the imperatives of the particular task that is most critical (to the organization), their own background characteristics (distinctive perspectives based on their training, career lines, and areas of competence) and the unofficial uses to which they put the organization for their own ends.
Source: 1960s, "The analysis of goals in complex organizations", 1961, p. 857

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Nas photo

“People afraid of criticism but I always put myself in a sacrificial position, they been know I ain't just rappin for fame”

Nas (1973) American rapper, record producer and entrepreneur

N.I.G.G.E.R. (The Slave And The Master)
On Albums, Untitled (2008)

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“Listening in response to criticism mandates a shift in our internal psyche that marks perhaps the most important single evolutionary shift humans can make.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 41.

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Bernard Kerik photo

“Political criticism is our enemies' best friend.”

Bernard Kerik (1955) American police chief

Newsday, October 20, 2003

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“But you have to recognize the fact that, critically, Jimmy is great at what he does, and I think he's doing some of the best comedy in late night. I'm a very big fan.”

Jimmy Kimmel (1967) American talk show host and comedian

Robert Morton, former executive producer for David Letterman on Late Show (CBS) and Late Night (NBC) — reported in Don Kaplan (September 12, 2006) "It's Good To Be Kimmel - Midnight Turns Into Jimmy's Prime Time", New York Post.
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“Sraffa’s criticisms of the concept of capital also amount – at least in principle –to a deadly blow to the foundations of the so-called ‘neo-classical synthesis’. Combining Keynes’ thesis on the possibility of fighting unemployment by adopting adequate fiscal and monetary policies with the marginalist tradition of simultaneous determination of equilibrium quantities and prices as a method to study any economic problem, this approach has in the last few decades come to constitute the dominant doctrine in textbooks the whole world over. It is only thanks to increasing specialisation in the various fields of economics, often invoked as the inevitable response to otherwise insoluble difficulties, that the theoreticians of general equilibrium are able to construct their models without considering the problem of relations with the real world that economists are supposed to be interpreting, and that the macroeconomists can pretend that their ‘one commodity models’ constitute an acceptable tool for analysis. For those who believe that the true task facing economists, hard as it may be, is to seek to interpret the world they live in, Sraffa’s ‘cultural revolution’ still marks out a path for research that may not (as yet) have yielded all it was hoped to, but is certainly worth pursuing.”

Alessandro Roncaglia (1947) Italian economist

Source: Piero Sraffa: His life, thought and cultural heritage (2000), Ch. 1. Piero Sraffa

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““His historic talent was backed up by extraordinary erudition. Behind his wizardry with the eyes lay sustained practice undertaken with devotion and discipline”
- L. S Rajagopalan (noted art critic), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: Abhinaya and Netrābhinaya, L.S Rajagopalan, Mani Madhava Chakyar- A Titan of A Thespian, Sruti- India's premier Music and Dance magazine, August 1990 issue (71).

Mani Madhava Chakyar photo

““Has the Centre ever considered the merits of a phenomenal Kudiyattam exponent like Mani Madhav Chakkiyar - true genius?”
- Leela Venkatraman- art critic, The Hindu, 1998”

Mani Madhava Chakyar (1899–1990) Indian actor

Awards
Source: Leela Venkatraman, An index of merit?, "The Hindu", December 27, 1998 http://www.hindu.com/folio/fo9812/98120100.htm

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Baldur von Schirach photo

“I lived with people who had varied opinions, some of whom did not accept my Nazi views. I encouraged this. If a man said something that was critical of me or my ideas, I wouldn't consider him an enemy.”

Baldur von Schirach (1907–1974) German Nazi leader convicted of crimes against humanity in the Nuremberg trial

To Leon Goldensohn, June 16, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

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“Here is the basis of the modern critical biblical science, which treats the documents of Christianity and Judaism according to the same principles of historical investigation which are valid in all other historical domains, particularly in that of the history of the ethnic religions.
The attempt has been crowned with brilliant success. Everywhere, where formerly miracles and oracles, the activity of supernatural persons, and the appearance on the scene of supernatural beings were thought to be discerned, there shows itself now a constant succession of events that are natural, i. e. in accord with the universal laws of human experience. The prophets appear no longer as media of supernatural oracles, but as men whose works and words are perfectly explicable from the character regarded in connection with the conditions of their age and environment. They stand, indeed, in a certain respect above their contemporaries, so far as they contest the modes of thought and action of the latter, and hold before them higher ideals of purer piety and morality; yet these ideals were not communicated to them from without by supernatural revelation, but sprang from their own spirit as products of an especially powerful and happy religious-moral nature, which, under the influence of historical relations, had been so developed that they saw clearly what was perverted in the mode of thought of others, and gave to the better a potent expression.”

Otto Pfleiderer (1839–1908) German Protestant theologian

Source: Evolution and Theology (1900), pp. 10-11.

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“Criticisms that I have mentioned come to the same thing: that liberal education is too good for the people.”

Robert Maynard Hutchins (1899–1977) philosopher and university president

Great Books: The Foundation of a Liberal Education (1954)

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“A critical aspect of increasing economic growth is creating a smarter Scotland.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Principles and Priorities : Programme for Government (September 5, 2007)

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“Ideas come from anywhere, actually, and the critical factor that explains the prominence of an item on the agenda is not its source, but instead the climate in government or the receptivity to ideas of a given type, regardless of source.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 4, Processes: Origins, Rationality, Incrementalism, and Garbage Cans, p. 72

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“Critical evaluation was transformed into understanding, and criticism became not an act of judgment but of comprehension.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

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“As a leader, you should have values and beliefs… It is simply irresponsible to respond to public criticism by simply giving someone a demerit.”

Yeh Kuang-shih (1957) Chinese diplomat

Minister critical of delays in Airport Rail construction (2013)

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Roberto Mangabeira Unger photo

“Obama’s manner in dealing with other people and acting in the world fully exemplifies the cheerful impersonal friendliness—the middle distance—that marks American sociability. (Now allow me to speak as a critic. Remember Madame de Staël’s meetings that deprive us of solitude without affording us company? Or Schopenhauer’s porcupines, who shift restlessly from getting cold at a distance to prickling one another at close quarters, until they settle into some acceptable compromise position?) The cheerful impersonal friendliness serves to mask recesses of loneliness and secretiveness in the American character, and no less with Obama than with anyone else. He is enigmatic—and seemed so as much then as now—in a characteristically American way…. Moreover, he excelled at the style of sociability that is most prized in the American professional and business class and serves as the supreme object of education in the top prep schools: how to cooperate with your peers by casting on them a spell of charismatic seduction, which you nevertheless disguise under a veneer of self-depreciation and informality. Obama did not master this style in prep school, but he became a virtuoso at it nevertheless, as the condition of preferment in American society that it is. As often happens, the outsider turned out to be better at it than the vast majority of the insiders…. Together with the meritocratic educational achievements, the mastery of the preferred social style turns Obama into what is, in a sense, the first American elite president—that is the first who talks and acts as a member of the American elite—since John Kennedy …. Obama's mixed race, his apparent and assumed blackness, his non-elite class origins and lack of inherited money, his Third-World childhood experiences—all this creates the distance of the outsider, while the achieved elite character makes the distance seem less threatening.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Quoted in David Remnick, The Bridgeː The Life and Rise of Barack Obama (2010), p. 185-6
On Barack Obama

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Adolph Freiherr Knigge photo

“Learn to bear criticism. Do not be childishly biased by your own opinions.”

Lerne Widerspruch ertragen. Sei nicht kindisch eingenommen von deinen Meinungen.
Über den Umgang mit Menschen (1788)

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Leo Igwe photo

“History has thrust on us this critical responsibility which we must fulfill.”

Leo Igwe (1970) Nigerian human rights activist

A Manifesto for a Skeptical Africa (2012)

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“If a 19th century capitalist Machiavelli had wished to cripple the socialist intelligentsia of the 20th century, he could have invented no more cogent weapon than the labour theory of value. Yet this theory was the invention, not of a defender of capitalism, but of its greatest critic: Karl Marx.”

Steve Keen (1953) Australian economist

Source: Debunking Economics - The Naked Emperor Of The Social Sciences (2001), Chapter 13, Nothing To Lose But Their Minds, p. 270–271 (See also: Adam Smith, Wealth of Nations, Book I, Chapter VI, p. 58)

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“If the progressing rationality of advanced industrial society tends to liquidate, as an “irrational rest,” the disturbing elements of Time and Memory, it also tends to liquidate the disturbing rationality contained in this irrational rest. Recognition and relation to the past as present counteracts the functionalization of thought by and in the established reality. It militates against the closing of the universe of discourse and behavior it renders possible the development of concepts which destabilize and transcend the closed universe by comprehending it as historical universe. Confronted with the given society as object of its reflection, critical thought becomes historical consciousness as such, it is essentially judgment. Far from necessitating an indifferent relativism, it searches in the real history of man for the criteria of truth and falsehood, progress and regression. The mediation of the past with the present discovers the factors which made the facts, which determined the war of life, which established the masters and the servants; it projects the limits and the alternatives. When this critical consciousness speaks, it speaks “le langage de la connaissance” (Roland Barthes) which breaks open a closed universe of discourse and its petrified structure. The key terms of this language are not hypnotic nouns which evoke endlessly the same frozen predicates. They rather allow of an open development; they even unfold their content in contradictory predicates. The Communist Manifesto provides a classical example. Here the two key terms, Bourgeoisie and Proletariat, each “govern” contrary predicates. The “bourgeoisie” is the subject of technical progress, liberation, conquest of nature, creation of social wealth, and of the perversion and destruction of these achievements. Similarly, the "proletariat” carries the attributes of total oppression and of the total defeat of oppression. Such dialectical relation of opposites in and by the proposition is rendered possible by the recognition of the subject as an historical agent whose identity constitutes itself in and against its historical practice, in and against its social reality. The discourse develops and states the conflict between the thing and its function, and this conflict finds linguistic expression in sentences which join contradictory predicates in a logical unit—conceptual counterpart of the objective reality. In contrast to all Orwellian language, the contradiction is demonstrated, made explicit, explained, and denounced.”

Source: One-Dimensional Man (1964), p. 99-100

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“American critics are like American universities. They both have dull and half-dead faculties.”

Edward Albee (1928–2016) American playwright

Address to New York Cultural League (6 May 1969)

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“It seems that the creative faculty and the critical faculty cannot exist together in their highest perfection.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Thomas Babington Macaulay, On John Dryden (1828)
Misattributed

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“Since it is hardly likely that contemporary critics seriously mean to bar prose narratives that are unrealistic from the domain of literature, one suspects that a special standard is being applied to sexual themes. … There is nothing conclusive in the well-known fact that most men and women fall short of the sexual prowess that people in pornography are represented as enjoying; that the size of organs, number and duration of orgasms, variety and feasibility of sexual powers, and amount of sexual energy all seem grossly exaggerated. Yes, and the spaceships and the teeming planets depicted in science-fiction novels don’t exist either. The fact that the site of narrative is an ideal topos disqualifies neither pornography or science-fiction from being literature. … The materials of the pornographic books that count as literature are, precisely, one of the extreme forms of human consciousness. Undoubtedly, many people would agree that the sexually obsessed consciousness can, in principle, enter into literature as an art form. … But then they usually add a rider to the agreement which effectively nullifies it. They require that the author have the proper “distance” from his obsessions for their rendering to count as literature. Such a standard is sheer hypocrisy, revealing one again that the values commonly applied to pornography are, in the end, those belonging to psychiatry and social affairs rather than to art. (Since Christianity upped that ante and concentrated on sexual behavior as the root of virtue, everything pertaining to sex has been a “special case” in our culture, evoking particularly inconsistent attitudes.) Van Gogh’s paintings retain their status as art even if it seems his manner of painting owed less to a conscious choice of representational means than to his being deranged and actually seeing reality the way he painted it. … What makes a work of pornography part of the history of art rather than of trash is not distance, the superimposition of a consciousness more conformable to that of ordinary reality upon the “deranged consciousness” of the erotically obsessed. Rather, it is the originality, thoroughness, authenticity, and power of that deranged consciousness itself, as incarnated in a work.”

“The Pornographic Imagination,” pp. 45-47
Styles of Radical Will (1966)

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“The end of the occupation. The right of return of the Palestinian people. These are critical dividing lines in human rights. We have to be here. No American would put up with an Israeli-style occupation of their hometown for 53 days let alone 54 years. US tax dollars are funding violence against people of color inside the US borders and outside the US borders.”

Van Jones (1968) American environmental advocate and civil rights activist

Wartimes : Reports From The Opposition (2003) a CD financed, produced and featuring the voice of Jones, as quoted at "Cool... But, Yes, Communist" by Marty Peretz, in The New Republic (10 September 2009) http://www.tnr.com/blog/the-spine/cool-yes-communist