Quotes about creationism

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Farewell, p. 454
1920s, An Autobiography (1927)
Context: To see the universal and all-pervading Spirit of Truth face to face one must be able to love the meanest of creation as oneself. And a man who aspires after that cannot afford to keep out of any field of life. That is why my devotion to Truth has drawn me into the field of politics; and I can say without the slightest hesitation, and yet in all humility, that those who say that religion has nothing to do with politics do not know what religion means.
Identification with everything that lives is impossible without self-purification; without self-purification the observance of the law of Ahimsa must remain an empty dream; God can never be realized by one who is not pure of heart. Self-purification therefore must mean purification in all the walks of life. And purification being highly infectious, purification of oneself necessarily leads to the purification of one's surroundings.
But the path of self-purification is hard and steep. To attain to perfect purity one has to become absolutely passion-free in thought, speech and action; to rise above the opposing currents of love and hatred, attachment and repulsion. I know that I have not in me as yet that triple purity, in spite of constant ceaseless striving for it. That is why the world's praise fails to move me, indeed it very often stings me. To conquer the subtle passions seems to me to be far harder than the physical conquest of the world by the force of arms. Ever since my return to India I have had experiences of the dormant passions lying hidden within me. The knowledge of them has made me feel humiliated though not defeated. The experiences and experiments have sustained me and given me great joy. But I know that I have still before me a difficult path to traverse. I must reduce myself to zero. So long as a man does not of his own free will put himself last among his fellow creatures, there is no salvation for him. Ahimsa is the farthest limit of humility.

Letter to Evelina de Hanska (31 May 1837), translated by Katharine Prescott Wormeley.

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 193
Context: Life is what we make it, and the world is what we make it. The eyes of the cheerful and of the melancholy man are fixed upon the same creation; but very different are the aspects which it bears to them. To the one, it is all beauty and gladness; the waves of ocean roll in light, and the mountains are covered with day. Life, to him, flashes, rejoicing, upon every flower and every tree that trembles in the breeze. There is more to him, everywhere, than the eye sees; a presence of profound joy, on hill and valley, and bright, dancing water. The other idly or mournfully gazes at the same scene, and everything wears a dull, dim, and sickly aspect. The murmuring of the brooks is a discord to him, the great roar of the sea has an angry and threatening emphasis, the solemn music of the pines sings the requiem of his departed happiness, the cheerful light shines garishly upon his eyes and offends him. The great train of the seasons passes before him like a funeral procession; and he sighs, and turns impatiently away. The eye makes that which it looks upon; the ear makes its own melodies and discords: the world without reflects the world within.

Response to FDA complaint (1954)
Context: No man-made law ever, no matter whether derived from the past or projected onto a distant, unforeseeable future, can or should ever be empowered to claim that it is greater than the Natural Law from which it stems and to which it must inevitably return in the eternal rhythm of creation and decline of all things natural. This is valid, no matter whether we speak in terms such as "God," "Natural Law," "Cosmic Primordial Force," "Ether" or "Cosmic Orgone Energy."

UN Address (1999)
Context: Our country today is at a stage in our foreign policy similar to that crucial point in our nation's early history when our Constitution was produced in Philadelphia.
Let us hear the peal of a new international liberty bell that calls us all to the creation of a system of enforceable world law in which the universal desire for peace can place its hope and prayers.
As Carl Van Doren has written, "History is now choosing the founders of the World Federation. Any person who can be among that number and fails to do so has lost the noblest opportunity of a lifetime."

On Seeing Plays (1990).
Context: It is mankind's discovery of language which more than any other single thing has separated him from the animal creation. Without language, what concept have we of past or future as separated from the immediate present? Without language, how can we tell anyone what we feel, or what we think? It might be said that until he developed language, man had no soul, for without language how could he reach deep inside himself and discover the truths that are hidden there, or find out what emotions he shared, or did not share, with his fellow men and women. But because this greatest gift of all gifts is in daily use, and is smeared, and battered and trivialized by commonplace associations, we too often forget the splendour of which it is capable, and the pleasures that it can give, from the pen of a master.

1930s, Address at San Diego Exposition (1935)
Context: To a great extent the achievements of invention, of mechanical and of artistic creation, must of necessity, and rightly, be individual rather than governmental. It is the self-reliant pioneer in every enterprise who beats the path along which American civilization has marched. Such individual effort is the glory of America.

The Epistle to the Romans (1918; 1921)
Context: The known plane is God's creation, fallen out of its union with Him, and therefore the world of the flesh needing redemption, the world of men, and of time, and of things — our world. This known plane is intersected by another plane that is unknown — the world of the Father, of the Primal Creation, and of the final Redemption. The relation between us and God, between this world and His world presses for recognition, but the line of intersection is not self-evident. <!-- p. 29

Weaving the Web (1999)
Context: The web is more a social creation than a technical one. I designed it for a social effect — to help people work together — and not as a technical toy. The ultimate goal of the Web is to support and improve our weblike existence in the world. We clump into families, associations, and companies. We develop trust across the miles and distrust around the corner.

Translation from The Life of Pasteur, pp. 141-142 https://archive.org/stream/cu31924012227595#page/n153/mode/2up
Original in French: Et par conséquent, messieurs pourrais-je dire, en vous montrant ce liquide : J’ai pris dans l’immensité de la création ma goutte d’eau, et je l’ai prise toute pleine de la gelée féconde, c’est-à-dire, pour parler le langage de la science, toute pleine des éléments appropriés au développement des êtres inférieurs, Et j’attends, et j’observe, et je l’interroge, et je lui demande de vouloir bien recommencer pour moi la primitive création ; ce serait un si beau spectacle ! Mais elle est muette ! Elle est muette depuis plusieurs années que ces expériences sont commencées. Ah ! c’est que j’ai éloigné d’elle, et que j’éloigne encore en ce moment, la seule chose qu’il n’ait pas été donné à l’homme de produire, j’ai éloigné d’elle les germes qui flottent dans l’ait" j’ai éloigné d’elle la vie, car la vie c’est le germe et le germe c’est la vie. Jamais la doctrine de la génération spontanée ne se relèvera du coup mortel que Cette simple expérience lui porte.
Soirées scientifiques de la Sorbonne (1864)
Context: Here is an infusion of organic matter, as limpid as distilled water, and extremely alterable. It has been prepared to-day. To-morrow it will contain animalculae, little infusories, or flakes of mouldiness. I place a portion of that infusion into a flask with a long neck, like this one. Suppose I boil the liquid and leave it to cool. After a few days, mouldiness or animalculae will develop in the liquid. By boiling, I destroyed any germs contained in the liquid or against the glass; but that infusion being again in contact with air, it becomes altered, as all infusions do. Now suppose I repeat this experiment, but that, before boiling the liquid, I draw (by means of an enameller's lamp) the neck of the flask into a point, leaving however, its extremity open. This being done, I boil the liquid in the flask, and leave it to cool. Now the liquid of this second flask will remain pure not only two days, a month, a year, but three or four years — for the experiment I am telling you about is already four years old, and the liquid remains as limpid as distilled water. What difference is there, then, between those two vases? They contain the same liquid, they both contain air, both are open! Why does one decay and the other remain pure? The only difference between them is this : in the first case, the dusts suspended in air and their germs can fall into the neck of the flask and arrive into contact with the liquid, where they find appropriate food and develop; thence microscopic beings. In the second flask, on the contrary, it is impossible, or at least extremely difficult, unless air is violently shaken, that dusts suspended in air should enter the vase; they fall on its curved neck. When air goes in and out of the vase through diffusions or variations of temperature, the latter never being sudden, the air comes in slowly enough to drop the dusts and germs that it carries at the opening of the neck or in the first curves. This experiment is full of instruction; for this must be noted, that everything in air save its dusts can easily enter the vase and come into contact with the liquid. Imagine what you choose in the air — electricity, magnetism, ozone, unknown forces even, all can reach the infusion. Only one thing cannot enter easily, and that is dust, suspended in air. And the proof of this is that if I shake the vase violently two or three times, in a few days it contains animalculae or mouldiness. Why? because air has come in violently enough to carry dust with it. And, therefore, gentlemen, I could point to that liquid and say to you, I have taken my drop of water from the immensity of creation, and I have taken it full of the elements appropriated to the development of inferior beings. And I wait, I watch, I question it, begging it to recommence for me the beautiful spectacle of the first creation. But it is dumb, dumb since these experiments were begun several years ago; it is dumb because I have kept it from the only thing man cannot produce, from the germs which float in the air, from Life, for Life is a germ and a germ is Life. Never will the doctrine of spontaneous generation recover from the mortal blow of this simple experiment.

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 29
Context: What is essential to understand at this point is that until now there was no such thing as mind and matter, subject and object, form and substance. Those divisions are just dialectical inventions that came later. The modern mind sometimes tends to balk at the thought of these dichotomies being inventions and says, "Well, the divisions were there for the Greeks to discover," and you have to say, "Where were they? Point to them!" And the modern mind gets a little confused and wonders what this is all about anyway, and still believes the divisions were there.
But they weren't, as Phædrus said. They are just ghosts, immortal gods of the modern mythos which appear to us to be real because we are in that mythos. But in reality they are just as much an artistic creation as the anthropomorphic Gods they replaced.

Are You an Illusion (2014). 16.
Context: About all these things physics can tell us nothing. The idea of natural selection, which, as we shall see, is uaully called in to account for this vast creative surge, is already looking increasingly inadequate to explain evolution. The main trouble is, I think, best explained in the analogy of coffee. Natural selection is only a filter, and filters do not provide the taste of coffee that pours through them. Similarly, the range of evolutionary alternatives between which selection takes place has to be already in matter. How it comes to be present there is the real mystery about creation.

"Rhythm of Surrender"
A Different Drum (2004)

Upon the Sovereign Sun (362)
Context: The one absolutely, the Intelligible, the ever Preexisting, comprehending all the universe together within the One — nay, more, is not the whole world One living thing — all and everywhere full of life and soul, perfect and made up out of parts likewise perfect? Now of this double unity the most perfect part (I mean of the Unity in the Intelligible World that comprehends all things in One, and of the Unity encompassing the Sensible World, that brings together all things into a single and perfect nature) is the perfection of the sovereign Sun, which is central and single, and placed in the middle of the intermediate Powers. <!-- But coming after this, there exists a certain connection in the Intelligible World with the Power that orders and arranges all things in one. Does not the essence of the Fifth Body, which is turned, as it were by a lathe, in a circle, move around the heavens, and is that which holds together all the parts, and binds them to one another, uniting what is naturally united amongst them and also those parts that mutually affect each other. These two essences, which are the causes of mutual attraction and of union (whereof the one manifests itself in the Intelligible, the other in the Sensible creation) does the Sun thus concentrate into one. Of the former he imitates this power of embracing and containing all things in the Intelligible creation, inasmuch as he proceeds from that source; whilst he governs the latter, that which is perceptible in the world of Sense. Perhaps, therefore, the self-existent principle, which existed first in the Intelligible creation, and lastly in the Visible bodies of the heavens, is owner of the intermediate, self-created essence of the sovereign Sun, from which primal creative essence there descends upon the visible world the radiance which illuminates the universe.

On Frédéric Chopin, in Oeuvres autobiographiques, edited by Georges Lubin, Vol. 2; Histoire de ma vie, p. 446. I [Jeffrey Kallberg] have modified somewhat the English translation printed in George Sand, Story of My Life: The Autobiography of George Sand, group translation ed. Thelma Jurgrau (Albany, 1991), p. 1109. The chapter on Chopin dates from August or September 1854.
Context: His creation was spontaneous, miraculous. He found it without searching for it, without foreseeing it. It came to his piano suddenly, complete, sublime, or it sang in his head during a walk, and he would hasten to hear it again by, tossing it off on his instrument. But then would begin the most heartbreaking labor I have ever witnessed. It was a series of efforts, indecision, and impatience to recapture certain details of the theme he had heard: what had come to him all of a piece, he now over-analyzed in his desire to write it down, and his regret at not finding it again "neat," as he said, would throw him into a kind of despair. He would shut himself up in his room for days at a time, weeping, pacing, breaking his pens, repeating and changing a single measure a hundred times, writing it and effacing it with equal frequency, and beginning again the next day with a meticulous and desperate perseverance. He would spend six weeks on one page, only to end up writing it just as he had traced it in his first outpouring.

Judith Grant interview (1999)
Context: I literally never meet anybody who ever talks about God as something other than a kind of big man. I think God is a wondrous spirit, infinite, eternal, and unchangeable, but only interested in men as part of a giant creation which is pulsing with life.
People say, when a relative dies: "Oh, how could God have taken her away so young and with so much before her?" God doesn't give a bugger about how young she is. He probably isn't noticing particularly. That's just the way a lot of things happen. A lot gets spilled, you know, in nature. When you look at what's going on out there now, those trees are dropping seeds by literally the hundreds of thousands and millions, and one or two of them may take on. I think that that is the way that God functions. He doesn't care nearly as much about individuals and individual fates as we would like to suppose. But by trying to ally ourselves with the totality of things, we may get into Tao as they say in the East and be part of it, really take part in it, and not just regard ourselves as a kind of miraculous creation and the rest just sort of stage scenery against which we perform.

Source: The Geological Evidences of the Antiquity of Man (1863), Ch.21, p. 420-421
Context: None of the observations are more in point, as bearing on the doctrine of what Hooker terms 'creation by variation,' than the great extent to which the internal characters and properties of plants, or their physiological constitution are capable of being modified, while they exhibit externally no visible departure from the normal form.... When several of these internal or physiological modifications are accompanied by variation in size, habits of growth, colour of the flowers, and other external characters, and these are found to be constant in successive generations, botanists may well begin to differ in opinion as to whether they ought to regard them as distinct species or not.

Education (1902)
Context: After the long night, and longer twilight, we envisage a dawn-era: an era in which the minor law of tradition shall yield to the greater law of creation, in which the spirit of repression shall fail to repress.
Man at last is become emancipated, and now is free to think, to feel, to act free to move toward the goal of the race.
Humanitarianism slowly is dissolving the sway of utilitarianism, and an enlight- ened unselfishness is on its way to supersede a benighted rapacity. And all this, as a deep-down force in nature awakens to its strength, animating the growth and evolution of democracy.
Under the beneficent sway of this power, the hold of illusion and suppression is passing; the urge of reality is looming in force, extent and penetration, and the individual now is free to become a man, in the highest sense, if so he wills.

Memoirs of Aga Khan: World Enough & Time (1954)

Source: Demian (1919), p. 9. Prologue
Context: Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him — for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood. Yet, what a real living human being is made of seems to be less understood today than at any time before, and men — each one of whom represents a unique and valuable experiment on the part of nature — are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, story telling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.
Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story.

Source: The Geological Evidences of the Antiquity of Man (1863), Ch.21, p. 407-409
Context: The anonymous author of 'The Vestiges of Creation' published in 1844 a treatise, written in a clear and attractive style, which made the English public familiar with the leading views of Lamarck on transmutation and progression but brought no new facts or original line of argument to support those views, or to combat the principal objections which the scientific world entertained against them. No decided step in this direction was made until the publication in 1858 of two papers, one by Mr. Darwin and another by Mr. Wallace, followed in 1859 by Mr Darwin's celebrated work on 'The Origin of Species by Means of Natural Selection; or, the Preservation of favoured Races in the Struggle for Life.'... both writers begin by applying to the animal and vegetable worlds the Malthusian doctrine of population, or its tendency to increase in a geometrical ratio, while food can only be made to augment even locally in an arithmetical one. There being, therefore, no room or means of subsistence for a large proportion of the plants and animals which are born into the world, a great number must annually perish.

Source: Letter to his daughter (1978), p. 78 - 79
Context: Earlier, I have cautioned you against an outright pragmatist approach. Now I am cautioning you against an outright populist approach. Sometimes a populist decision is, in the long run, not beneficial to the masses. Neither pragmatism nor populism are fundamental political and socio-economic doctrines. Nor do I say that you should play it by ear. I have made this melancholy analysis in anguish. My jail surroundings have not influenced my objectivity. I do not want to see the whole world in a death-cell merely because I am in a death cell. I do not say that the High Court has pronounced a death sentence on the world because a law court has pronounced a perverse death sentence on me. I would be the happiest man if the gloomy winter of mankind were to give way to a shaft of sunlight and to coloured flowers. The world is very beautiful. "A thing of beauty is a joy forever". There is the beauty of the landscape, of the tall mountain, the green plains, the humped deserts. There is the beauty of the flowers and the forests, of the azure oceans and the meandering rivers. There is the splendour of architecture, the magnificence of music, and the sparkle of the dance. Above all, there is the beauty of man and woman, the most perfect creations of God.

Book I, Part II
Politics

A Preliminary Discourse on the Study of Natural Philosophy (1831)
Context: To ascend to the origin of things and speculate on the creation, is not the business of the natural philosopher. An humbler field is sufficient for him in the endeavor to discover, as far as our faculties will permit; what are these primary qualities impressed on matter, and to discover the spirit of the laws of nature

Chap. VI: The Dissection Of The Mass-Man Begins
The Revolt of the Masses (1929)
Context: Even to-day, in spite of some signs which are making a tiny breach in that sturdy faith, even to-day, there are few men who doubt that motorcars will in five years' time be more comfortable and cheaper than to-day. They believe in this as they believe that the sun will rise in the morning. The metaphor is an exact one. For, in fact, the common man, finding himself in a world so excellent, technically and socially, believes that it has been produced by nature, and never thinks of the personal efforts of highly-endowed individuals which the creation of this new world presupposed. Still less will he admit the notion that all these facilities still require the support of certain difficult human virtues, the least failure of which would cause the rapid disappearance of the whole magnificent edifice.… These traits together make up the well-known psychology of the spoilt child.

Seeing is important. Smelling is important. Hearing is important. Everything is important and you have to look at, study, get involved with everything, and you have to believe what you find out, and test, and finally prove! None of this nonsense about not believing in fossils because God was just playing around in order to confuse us. If you ignore the evidence of your (dare one say God-given) senses, if you define myth as reality, and if you claim divine revelation allows you to destroy any part of creation, you have committed absolute evil.
Do we have any way of knowing exactly what is intended for the universe to be or become? No, but given the age and complexity of the whole shebang, we can be fairly sure creation is important.
Strange Horizons interview (2008)

Knowledge and Power : The Information Theory of Capitalism and How it is Revolutionizing our World (2013), Ch. 10: Romer's Recipes and Their Limits <!-- Regnery Publishing -->
Context: Academic scientists of any sort expect to be struck by lightning if they celebrate real creation de novo in the world. One does not expect modern scientists to address creation by God. They have a right to their professional figments such as infinite multiple parallel universes. But it is a strange testimony to our academic life that they also feel it necessary of entrepreneurship to chemistry and cuisine, Romer finally succumbs to the materialist supersition: the idea that human beings and their ideas are ultimately material. Out of the scientistic fog there emerged in the middle of the last century the countervailling ideas if information theory and computer science. The progenitor of information theory, and perhaps the pivotal figure in the recent history of human thought, was Kurt Gödel, the eccentric Austrian genius and intimate of Einstein who drove determinism from its strongest and most indispensable redoubt; the coherence, consistency, and self-sufficiency of mathematics.
Gödel demonstrated that every logical scheme, including mathematics, is dependent upon axioms that it cannot prove and that cannot be reduced to the scheme itself. In an elegant mathematical proof, introduced to the world by the great mathematician and computer scientist John von Neumann in September 1930, Gödel demonstrated that mathematics was intrinsically incomplete. Gödel was reportedly concerned that he might have inadvertently proved the existence of God, a faux pas in his Viennese and Princeton circle. It was one of the famously paranoid Gödel's more reasonable fears. As the economist Steven Landsberg, an academic atheist, put it, "Mathematics is the only faith-based science that can prove it."

Source: Guide for the Perplexed (c. 1190), Part III, Ch.12
Context: You will see the mercy of God toward His creatures, how He has provided that which is required, in proper proportions, and treated all individual beings of the same species with perfect equality.... for it is an act of great and perfect goodness that He gave us existence; and the creation of the controlling faculty in animals is a proof of His mercy towards them, as has been shown by us.

"Does Religion Poison Everything?", Festival of Dangerous Ideas, October 2009.
2000s, 2009
Context: If this was the plan - was it made by someone who likes us? And if so, why have 99.9% of all the other species that have ever been created already died out? And part of what plan was that?; If it is a plan or a design, the planner must be either very capricious - really toying with his creation; and/or very clumsy, very tinkering and fantastically wasteful - throw away 99.9% of what you've made; or very cruel and very callous; or just perhaps very indifferent; or some combination of all the above. And so it's no good saying that He moves in mysterious ways, or that He has purposes that are opaque to us, because even that kind of evasion has to make itself predicate on the assumption that the person saying this knows more than I do about the supernatural, and I haven't yet met anyone who does have a private line to the creator, of the sort that would be required even to speculate about it. In other words, I haven't met anyone, in holy orders or out of it, who isn't also a primate. And neither have you. http://www.youtube.com/watch?v=IVvJf9wTQXo

Transhumanism (1957)
Context: The first thing that the human species has to do to prepare itself for the cosmic office to which it finds itself appointed is to explore human nature, to find out what are the possibilities open to it (including, of course, its limitations, whether inherent or imposed by the facts of external nature)... The great men of the past have given us glimpses of what is possible in the way of personality, of intellectual understanding, of spiritual achievement, of artistic creation. But these are scarcely more than Pisgah glimpses. We need to explore and map the whole realm of human possibility, as the realm of physical geography has been explored and mapped. How to create new possibilities for ordinary living? What can be done to bring out the latent capacities of the ordinary man and woman for understanding and enjoyment; to teach people the techniques of achieving spiritual experience (after all, one can acquire the technique of dancing or tennis, so why not of mystical ecstasy or spiritual peace?); to develop native talent and intelligence in the growing child, Instead of frustrating or distorting them?

"The Commercial Motive" ibid.
Context: One of the most significant results of the industrial struggle during the past fifty years has been the creation of a condition of a vast inequality of wealth and income. This inequality is so extreme that it now constitutes one of the chief sources of bitterness and strife in modern life.... not that the poor have been getting poorer but that the number and sizes of great fortunes have increased enormously.

What I Believe (1938)
Context: The people I respect most behave as if they were immortal and as if society was eternal. Both assumptions are false: both of them must be accepted as true if we are to go on eating and working and loving, and are to keep open a few breathing-holes for the human spirit. No millennium seems likely to descend upon humanity; no better and stronger Ieague of Nations will be instituted; no form of Christianity and no alternative to Christianity will bring peace to the world or integrity to the individual; no "change of heart" will occur. And yet we need not despair, indeed, we cannot despair; the evidence of history shows us that men have always insisted on behaving creatively under the shadow of the sword; that they have done their artistic and scientific and domestic stuff for the sake of doing it, and that we had better follow their example under the shadow of the aeroplanes. Others, with more vision or courage than myself, see the salvation of humanity ahead, and will dismiss my conception of civilization as paltry, a sort of tip-and-run game. Certainly it is presumptuous to say that we cannot improve, and that Man, who has only been in power for a few thousand years, will never learn to make use of his power. All I mean is that, if people continue to kill one another as they do, the world cannot get better than it is, and that, since there are more people than formerly, and their means for destroying one another superior, the world may well get worse. What is good in people — and consequently in the world — is their insistence on creation, their belief in friendship and loyalty for their own sakes; and, though Violence remains and is, indeed, the major partner in this muddled establishment, I believe that creativeness remains too, and will always assume direction when violence sleeps. So, though I am not an optimist, I cannot agree with Sophocles that it were better never to have been born. And although, like Horace, I see no evidence that each batch of births is superior to the last, I leave the field open for the more complacent view. This is such a difficult moment to live in, one cannot help getting gloomy and also a bit rattled, and perhaps short-sighted.

Four Screenplays of Ingmar Bergman (1960).
Context: People ask what are my intentions with my films — my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct. I prefer to describe what I would like my aim to be. There is an old story of how the cathedral of Chartres was struck by lightning and burned to the ground. Then thousands of people came from all points of the compass, like a giant procession of ants, and together they began to rebuild the cathedral on its old site. They worked until the building was completed — master builders, artists, labourers, clowns, noblemen, priests, burghers. But they all remained anonymous, and no one knows to this day who built the cathedral of Chartres.
Regardless of my own beliefs and my own doubts, which are unimportant in this connection, it is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God. He lived and died without being more or less important than other artisans; 'eternal values,' 'immortality' and 'masterpiece' were terms not applicable in his case. The ability to create was a gift. In such a world flourished invulnerable assurance and natural humility. Today the individual has become the highest form and the greatest bane of artistic creation.
The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny the existence of each other.
We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal. Thus if I am asked what I would like the general purpose of my films to be, I would reply that I want to be one of the artists in the cathedral on the great plain. I want to make a dragon's head, an angel, a devil — or perhaps a saint — out of stone. It does not matter which; it is the sense of satisfaction that counts.
Regardless of whether I believe or not, whether I am a Christian or not, I would play my part in the collective building of the cathedral.

“All the Traps of Earth” (pp. 190-191); closing words.
Short Fiction, Skirmish (1977)
Context: Perhaps all that had happened had been no more than the working out of human destiny. If the human race could not attain directly the paranormal power he held, this instinct of the mind, then they would gain it indirectly through the agency of one of their creations. Perhaps this, after all, unknown to Man himself, had been the prime purpose of the robots.
He turned and walked slowly down the length of village street, his back turned to the ship and the roaring of the captain, walked contentedly into this new world he'd found, into this world that he would make — not for himself, nor for robotic glory, but for a better Mankind and a happier.
Less than an hour before he'd congratulated himself on escaping all the traps of Earth, all the snares of Man. Not knowing that the greatest trap of all, the final and the fatal trap, lay on this present planet.
But that was wrong, he told himself. The trap had not been on this world at all, nor any other world. It had been inside himself.
He walked serenely down the wagon-rutted track in the soft, golden afternoon of a matchless autumn day, with the dog trotting at his heels.
Somewhere, just down the street, the sick baby lay crying in its crib.

"Anton Ego" in Ratatouille (2007)
Context: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize — only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.

Mont Saint Michel and Chartres (1904)
Context: Every ounce of food must be brought from the mainland, or fished from the sea. All the tenants and their farms, their rents and contributions, must be looked after. No secular prince had a more serious task of administration, and none did it so well. Tenants always preferred an Abbot or Bishop for landlord. The Abbey was the highest administrative creation of the middle ages.

Ostrom. 2014. Choice, Rules and Collective Action: The Ostrom's on the Study of Institutions and Governance. ECPR Press. Chapter 2: Polycentricty: The Structural Basis of Self-Governing Systems. p. 52
Context: The tensions inherent in the work of the scientific community are, however, exceptionally high because belief is potentially contestable. Inquiry in the scientific tradition represents, then, a challenge to every form of orthodoxy. Further, there is a danger that scientific investigators may abandon modesty, presume to know the Truth, and create their own form of orthodoxy, while engaging in sweeping rejections of other forms of belief and failing to pursue the merit of the arguments that may be at issue. Dogmas advanced in the name of science are no less dogmatic than other dogmas. Efforts to destroy or silence others is a manifestation of dominance strategies that are repugnant to polycentricty in scientific communities. A repudation of religion, as such, fails to indicate an appreaciation of those who teach that nature is the creation of a trascendent order. The study of nature as God's creation can provide scientific investigators with an appreciation for the existence of an order that gives coherence to all other forms of order. This is consistent with a presumption that a universe exists. Science as a polycentric order depends, then, upon an autonomous pursuit of inquiry that requires a reciprocal respect for the autonomy of others.

On his role in The Fisher King (1991), as quoted in "Dreams: The Fisher King" (2006) edited by Phil Stubbs http://www.smart.co.uk/dreams/fkprod1.htm
Context: Parry is a man with a previous life that was so damaged that he had to create another personality. … It's like post-traumatic stress syndrome: Some people respond to traumatic or tragic events by withdrawal; some even create other personalities. Parry is a creation — somewhat Don Quixote, somewhat Groucho Marx — but he's a creation designed to avoid a past event.

The Coal Question (1865)
Context: The alternatives before us are simple. Our empire and race already comprise one-fifth of the world's population, and by our plantation of new states, by our guardianship of the seas, by our penetrating commerce, by the example of our just laws and firm constitution, and above all by the dissemination of our new arts, we stimulate the progress of mankind in a degree not to be measured. If we lavishly and boldly push forward in the creation and distribution of our riches, it is hard to over-estimate the pitch of beneficial influence to which we may attain in the present. But the maintenance of such a position is physically impossible. We have to make the momentous choice between brief greatness and longer continued mediocrity.

Fighting the Lamb's War: Skirmishes with the American Empire (1996), p. 202
Context: The Biblical view of the law, the courts, and the state is profoundly radical. The Bible looks upon the state as a kind of rebellious artifice; it is spurious, a human creation in rebellion against God.
In the Old Testament, when the first state is proposed in the person of Saul, the first King of Israel, God tells the prophet Samuel that this project spells rejection of God. The state and its legislature are in rebellion against, or rejection of, God. Its courts are a human fabrication, cannot promote justice and peace; they are founded in violence, and legalize violence.
The state holds together through police power, against the citizenry.
The state, conceived in violence, and backed by violence, will never achieve true peace.

Interview The Lantern (5 April 2001) Replying to two priests who, after a performance of his routines of "The Creation of The World" and "The Hands of Good and Evil", asked if he was religious.

"The Absolute Collective", an essay first published in The Criterion on The Absolute Collective : A Philosophical Attempt to Overcome Our Broken State by Erich Gutkind, as translated by Marjorie Gabain
The Wisdom of the Heart (1941)
Context: All about us we see a world in revolt; but revolt is negative, a mere finishing-off process. In the midst of destruction we carry with us also our creation, our hopes, our strength, our urge to be fulfilled. The climate changes as the wheel turns, and what is true for the sidereal world is true for man. The last two thousand years have brought about a duality in man such as he never experienced before, and yet the man who dominates this whole period was one who stood for wholeness, one who proclaimed the Holy Ghost. No life in the whole history of man has been so misinterpreted, so woefully misunderstood as Christ's. If not a single Man has shown himself capable of following the example of Christ, and doubtless none ever will for we shall no longer have need of Christs, nevertheless this one profound example has altered our climate. Unconsciously we are moving into a new realm of being; what we have brought to perfection, in our zeal to escape the true reality, is a complete arsenal of destruction; when we have rid ourselves of the suicidal mania for a beyond we shall begin the life of here and now which is reality and which is sufficient unto itself. We shall have no need for art or religion because we shall be in ourselves a work of art. This is how I interpret realistically what Gutkind has set forth philosophically; this is the way in which man will overcome his broken state. If my statements are not precisely in accord with the text of Gutkind's thesis, I nevertheless am thoroughly in accord with Gutkind and his view of things. I have felt it my duty not only to set forth his doctrine, but to launch it, and in launching it to augment it, activate it. Any genuine philosophy leads to action and from action back again to wonder, to the enduring fact of mystery. I am one man who can truly say that he has understood and acted upon this profound thought of Gutkind's —“the stupendous fact that we stand in the midst of reality will always be something far more wonderful than anything we do."

Source: Vestiges of the Natural History of Creation (1844), p. 156-157
Context: To a reasonable mind the Divine attributes must appear, not diminished or reduced in any way, by supposing a creation by law, but infinitely exalted. It is the narrowest of all views of the Deity, and characteristic of a humble class of intellects, to suppose him acting constantly in particular ways for particular occasions. It, for one thing, greatly detracts from his foresight, the most undeniable of all the attributes of Omnipotence. It lowers him towards the level of our own humble intellects. Much more worthy of him it surely is, to suppose that all things have been commissioned by him from the first, though neither is he absent from a particle of the current of natural affairs in one sense seeing that the whole system is continually supported by his providence.

Collaborations with others, Science Order, and Creativity (1987)
Context: What is essential here is the presence of the spirit of dialogue, which is in short, the ability to hold many points of view in suspension, along with a primary interest in the creation of common meaning. <!-- p 247

Chips from a German Workshop (1866)

Mont Saint Michel and Chartres (1904)
Context: Creation was not successive; it was one instantaneous thought and act, identical with the will, and was complete and unchangeabble from end to end, including time as one of its functions. Thomas was as clear as possible on that point:— "Supposing God wills anything in effect, he cannot will not to will it, because his will cannot change." He wills that some things shall be contingent and others necessary, but he wills in the same act that the contingency shall be necessary. "They are contingent because God has willed them to be so, and with this object has subjected them to causes which are so." In the same way he wills that his creation shall develop itself in time and space and sequence, but he creates these conditions as well as the events. He creates the whole, in one act, complete, unchangeable, and it is then unfolded like a rolling panorama with its predetermined contingencies.Man's free choice — liberum arbitrium — falls easily into place as a predetermined contingency. God is the First Cause, and acts in all Secondary Causes directly; but while he acts mechanically on the rest of creation,— as far as is known,— he acts freely at one point, and this free action remains free as far as it extends on that line. Man's freedom derives from this source, but it is simply apparent, as far as he is a cause; it is a [... ] Reflex Action of the complicated mirror [... ] called Mind, and [... ] an illusion arising from the extreme delicacy of the machine.

Writing and Being (1991)
Context: In the beginning was the Word. The Word was with God, signified God's Word, the word that was Creation. But over the centuries of human culture the word has taken on other meanings, secular as well as religious. To have the word has come to be synonymous with ultimate authority, with prestige, with awesome, sometimes dangerous persuation, to have Prime Time, a TV talk show, to have the gift of the gab as well as that of speaking in tongues. The word flies through space, it is bounced from satellites, now nearer than it has ever been to the heaven from which it was believed to have come.

also see The Baruch Plan http://www.atomicarchive.com/History/mp/p6s5.shtml
What Does God Want Us to Do About Russia? (1948)
Context: In the Baruch proposal our government suggested the creation of the International Authority by the United Nations to which would be given a complete monopoly of all atomic installations, materials and stockpiles. This authority should be given power of inspection and power to call for the punishment of violators.

"Frau Bauman, Frau Schmidt, and Frau Schwartze," ll. 19-25
The Lost Son and Other Poems (1948)
Context: Like witches they flew along rows,
Keeping creation at ease;
With a tendril for needle
They sewed up the air with a stem;
They teased out the seed that the cold kept asleep, —
All the coils, loops and whorls.
They trellised the sun; they plotted for more than themselves.

Source: Fire without Fuel - The Aphorisms of Baba Hari Dass, 1986, p.14

A Vision of the Last Judgment
Context: I assert, for myself, that I do not behold the outward creation, and that to me it is hindrance and not action. "What!" it will be questioned, "when the sun rises, do you not see a round disc of fire somewhat like a guinea!" Oh! no, no! I see an innumerable company of the heavenly host crying "Holy, holy, holy is the Lord God Almighty!" I question not my corporeal eye any more than I would question a window concerning a sight. I look through it, and not with it.

Quotes, The Assault on Reason (2007)
Context: Fortunately, the Internet has the potential to revitalize the role played by the people in our constitutional framework. It has extremely low entry barriers for individuals. It is the most interactive medium in history and the one with the greatest potential for connecting individuals to one another and to a universe of knowledge. It's a platform for pursuing the truth, and the decentralized creation and distribution of ideas, in the same way that markets are a decentralized mechanism for the creation and distribution of goods and services. It's a platform, in other words, for reason. But the Internet must be developed and protected, in the same way we develop and protect markets — through the establishment of fair rules of engagement and the exercise of the rule of law. The same ferocity that our Founders devoted to protect the freedom and independence of the press is now appropriate for our defense of the freedom of the Internet. The stakes are the same: the survival of our Republic. We must ensure that the Internet remains open and accessible to all citizens without any limitation on the ability of individuals to choose the content they wish regardless of the Internet service provider they use to connect to the Web. We cannot take this future for granted. We must be prepared to fight for it, because of the threat of corporate consolidation and control over the Internet marketplace of ideas.

The Cultivation of Conspiracy (1998)
Context: The impending loss of spirit, of soul, of what I call atmosphere, could go unnoticed.
Only persons who face one another in trust can allow its emergence. The bouquet of friendship varies with each breath, but when it is there it needs no name. For a long time I believed that there was no one noun for it, and no verb for its creation. Each time I tried one, I was discouraged; all the synonyms for it were shanghaied by its synthetic counterfeits: mass-produced fashions and cleverly marketed moods, chic feelings, swank highs and trendy tastes. Starting in the seventies, group dynamics retreats and psychic training, all to generate "atmosphere," became major businesses. Discreet silence about the issue I am raising seemed preferable to creating a misunderstanding.
Then… I suddenly realized that there is indeed a very simple word that says what I cherished and tried to nourish, and that word is peace. Peace, however, not in any of the many ways its cognates are used all over the world, but peace in its post-classical, European meaning. Peace, in this sense, is the one strong word with which the atmosphere of friendship created among equals has been appropriately named. But to embrace this, one has to come to understand the origin of this peace in the conspirator, a curious ritual behavior almost forgotten today.

"Originals Graphics Multiples" (1973) <!-- as quoted in Man Ray : American Artist (1988) by Neil Baldwin, p. 323 -->
Context: An original is a creation motivated by desire.
Any reproduction of an original is motivated by necessity.
The original is the result of an automatic process, the reproduction, of a mechanical process. In other words: Inspiration then information; each validates the other.
All other considerations are beyond the scope of these statements.
It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human.

United States v. Public Utilities Commission, 345 U.S. 295, 319 (1953) (concurring)
Judicial opinions

कला र जीवन (Art and Life)
Art and Life
Context: In the divine talent of the Creator the word got born and we, by studying this creation attain clear messages of Divine Conscience, Divine Truth, Divine Beauty and Divine knowledge. In the creative imagination of the God, completeness works and provides beautiful lines colors forms to the Truth of God. We realize the 'beautiful' through the sensing of Truth and where there is no Truth there isn't beauty. Keats has said that, 'Truth is beauty and beauty is Truth". This Self-Displaying form of God becomes such known in Artistic creativity that truth becoming beautiful descends to the outer forms of the senses.

Introduction to Kṛṣṇa, the Supreme Personality of Godhead (1970) by A. C. Bhaktivedanta Swami Prabhupada; this paraphrases some statements from An Autobiography of a Yogi (1948) by Paramahansa Yogananda
Context: From the Hindu perspective, each soul is divine. All religions are branches of one big tree. It doesn't matter what you call Him just as long as you call. Just as cinematic images appear to be real but are only combinations of light and shade, so is the universal variety a delusion. The planetary spheres, with their countless forms of life, are naught but figures in a cosmic motion picture. One's values are profoundly changed when he is finally convinced that creation is only a vast motion picture and that not in, but beyond, lies his own ultimate reality.

As quoted in The 101 Habits of Highly Successful Screenwriters: Insiders Secrets from Hollywood's Top Writers (2001) by Karl Inglesias, p. 4. This has also appeared on the internet in several slightly paraphrased forms.
Context: The truly creative mind in any field is no more than this: a human creature born abnormally, inhumanly sensitive. To him, a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create — so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.

Context: Behold, then, a new religion, a new society; upon this twofold foundation there must inevitably spring up a new poetry. Previously following therein the course pursued by the ancient polytheism and philosophy, the purely epic muse of the ancients had studied nature in only a single aspect, casting aside without pity almost everything in art which, in the world subjected to its imitation, had not relation to a certain type of beauty. A type which was magnificent at first, but, as always happens with everything systematic, became in later times false, trivial and conventional. Christianity leads poetry to the truth. Like it, the modern muse will see things in a higher and broader light. It will realize that everything in creation is not humanly beautiful, that the ugly exists beside the beautiful, the unshapely beside the graceful, the grotesque on the reverse of the sublime, evil with good, darkness with light. It will ask itself if the narrow and relative sense of the artist should prevail over the infinite, absolute sense of the Creator; if it is for man to correct God; if a mutilated nature will be the more beautiful for the mutilation; if art has the right to duplicate, so to speak, man, life, creation; if things will progress better when their muscles and their vigour have been taken from them; if, in short, to be incomplete is the best way to be harmonious. Then it is that, with its eyes fixed upon events that are both laughable and redoubtable, and under the influence of that spirit of Christian melancholy and philosophical criticism which we described a moment ago, poetry will take a great step, a decisive step, a step which, like the upheaval of an earthquake, will change the whole face of the intellectual world. It will set about doing as nature does, mingling in its creations — but without confounding them — darkness and light, the grotesque and the sublime; in other words, the body and the soul, the beast and the intellect; for the starting-point of religion is always the starting-point of poetry. All things are connected.
Thus, then, we see a principle unknown to the ancients, a new type, introduced in poetry; and as an additional element in anything modifies the whole of the thing, a new form of the art is developed. This type is the grotesque; its new form is comedy.

Preface to Cromwell (1827) http://www.bartleby.com/39/41.html

Title of book

Author: Violet Trefusis, Translator: Barbara Bray, Broderie Anglaise, published in (1992)
Context: The following evening John left with Lady Shorne for the south of France, without so much as a word to me. Alexa felt as if she were hearing that fateful cliche for the first time. "Without so much as a word." No matter how much she tried to see it from every point of view, its meaning was always clear. John was a coward. Anne was his victim. The roles were the opposite of what she had supposed. It was Anne who had been heroic, not John. John was a coward, a mere puppet into whom both Anne and Alexa had managed to breathe a semblance of life. He was as much the creation of one as of the other.

Message to Garrett Fort (1936) <!-- Tr p194, also A p26 -->
General sources
Context: It is never presumptuous for anyone to hope for realization. It is the goal of creation and the birthright of humanity. Blessed are they who are prepared to assert that right in this very life.

Niven's Laws
Context: 6) It is easier to destroy than create.
Bin Laden tore down the World Trade Center? Let's see him build one. If human beings didn't have a strong preference for creation, nothing would get built, ever.

From an essay in A Defense of Indian Culture, as quoted in The Vision of India (1949) by Sisirkumar Mitra
Context: Spirituality is the master key of the Indian mind. It is this dominant inclination of India which gives character to all the expressions of her culture. In fact, they have grown out of her inborn spiritual tendency of which her religion is a natural out flowering. The Indian mind has always realized that the Supreme is the Infinite and perceived that to the soul in Nature the Infinite must always present itself in an infinite variety of aspects. The aggressive and quite illogical idea of a single religion for all mankind, a religion universal by the very force of its narrowness, one set of dogmas, one cult, one system of ceremonies, one ecclesiastical ordinance, one array of prohibitions and injunctions which all minds must accept on peril of persecution by men and spiritual rejection or eternal punishment by God, that grotesque creation of human unreason which has been the parent of so much intolerance, cruelty and obscurantism and aggressive fanaticism, has never been able to take firm hold of the Indian mentality.

The Coal Question (1865)
Context: Commerce is but a means to an end, the diffusion of civilization and wealth. To allow commerce to proceed until the source of civilization is weakened and overturned is like killing the goose to get the golden egg. Is the immediate creation of material wealth to be our only object?

"Letter to Joseph Priestley" in response to Priestley's "experiments on the restoration of air [by plants] made noxious by animals breathing it, or putrefying it..." read in Philosophical Transactions LXII 147-267 of the Royal Society (1772) and quoted in John Towill Rutt, Life and Correspondence of Joseph Priestley http://books.google.com/books?id=psMGAAAAQAAJ... Vol.1 (1831).
Context: That the vegetable creation should restore the air which is spoiled by the animal part of it, looks like a rational system, and seems to be of a piece with the rest. Thus fire purifies water all the world over. It purifies it by distillation, when it raises it in vapours, and lets it fall in rain; and farther still by filtration, when keeping it fluid, it suffers that rain to percolate the earth. We knew before that putrid animal substances were converted into sweet vegetables when mixed with the earth and applied as manure; and now, it seems, that the same putrid substances, mixed with the air, have a similar effect. The strong, thriving state of your mint, in putrid air, seems to show that the air is mended by taking something from it, and not by adding to it. I hope this will give some check to the rage of destroying trees that grow near houses, which has accompanied our late improvements in gardening, from an opinion of their being unwholesome. I am certain, from long observation, that there is nothing unhealthy in the air of woods; for we Americans have everywhere our country habitations in the midst of woods, and no people on earth enjoy better health or are more prolific.

Lecture I. Introductory.
A Treatise on Language: Or, The Relation which Words Bear to Things, in Four Parts (1836)
Context: Man exists in a world of his own creation. He cannot step, but on ground transformed by culture; nor look, but on objects produced by art. The animals which constitute his food are unknown to nature, while trees, fruits, and herbs, are the trophies of his labour. In himself nearly every natural impulse is suppressed as vicious, and every mortification solicited as a virtue. His language, actions, sentiments, and desires are nearly all factitious. Stupendous in achievement, he is boundless in attempt. Having subdued the earth's surface, he would explore its centre; having vanquished diseases, he would subdue death. Unsatisfied with recording the past, he would anticipate the future. Uncontented with subjugating the ocean, he would traverse the air. Success but sharpens his avidity, and facility but augments his impatience.

¶ 8 - 9.
An Humble, Earnest and Affectionate Address to the Clergy (1761)
Context: God could not make the creature to be great and glorious in itself; this is as impossible, as for God to create beings into a state of independence on himself. "The heavens," saith David, "declare the glory of God"; and no creature, any more than the heavens, can declare any other glory but that of God. And as well might it be said, that the firmament shows forth its own handiwork, as that a holy divine or heavenly creature shows forth its own natural power.
But now, if all that is divine, great, glorious, and happy, in the spirits, tempers, operations, and enjoyments of the creature, is only so much of the greatness, glory, majesty, and blessedness of God, dwelling in it, and giving forth various births of his own triune life, light, and love, in and through the manifold forms and capacities of the creature to receive them, then we may infallibly see the true ground and nature of all true religion, and when and how we may be said to fulfill all our religious duty to God. For the creature's true religion, is its rendering to God all that is God's, it is its true continual acknowledging all that which it is, and has, and enjoys, in and from God. This is the one true religion of all intelligent creatures, whether in heaven, or on earth; for as they all have but one and the same relation to God, so though ever so different in their several births, states or offices, they all have but one and the same true religion, or right behavior towards God. Now the one relation, which is the ground of all true religion, and is one and the same between God and all intelligent creatures, is this, it is a total unalterable dependence upon God, an immediate continual receiving of every kind, and degree of goodness, blessing and happiness, that ever was, or can be found in them, from God alone. The highest angel has nothing of its own that it can offer unto God, no more light, love, purity, perfection, and glorious hallelujahs, that spring from itself, or its own powers, than the poorest creature upon earth. Could the angel see a spark of wisdom, goodness, or excellence, as coming from, or belonging to itself, its place in heaven would be lost, as sure as Lucifer lost his. But they are ever abiding flames of pure love, always ascending up to and uniting with God, for this reason, because the wisdom, the power, the glory, the majesty, the love, and goodness of God alone, is all that they see, and feel, and know, either within or without themselves. Songs of praise to their heavenly Father are their ravishing delight, because they see, and know, and feel, that it is the breath and Spirit of their heavenly Father that sings and rejoices in them. Their adoration in spirit and in truth never ceases, because they never cease to acknowledge the ALL of God; the ALL of God in the whole creation. This is the one religion of heaven, and nothing else is the truth of religion on earth.

The Principles of Success in Literature (1865)
Context: I wish to call special attention to the psychological fact, that fairies and demons, remote as they are from experience, are not created by a more vigorous effort of imagination than milk maids and poachers. The intensity of vision in the artist and of vividness in his creations are the sole tests of his imaginative power.

Source: Reason: The Only Oracle Of Man (1784), Ch. II Section I - Of The Eternity of Creation
Context: As creation was the result of eternal and infinite wisdom, justice, goodness, and truth, and effected by infinite power, it is like its great author, mysterious to us. How it could be accomplished, or in what manner performed, can never be comprehended by any capacity.
Eternal, whether applied to duration, existence, action, or creation, is incomprehensible to us, but implies no contradiction in either of them; for that which is above comprehension we cannot perceive to be contradictory, nor on the other hand can we perceive its rationality or consistency.

Preface
The Origin of the Universe (1997)

On his motivations to write Lord of the Flies, from his essay "Fable", p. 85
The Hot Gates (1965)
Context: The overall intention may be stated simply enough. Before the Second World War I believed in the perfectibility of social man; that a correct structure of society would produce goodwill; and that therefore you could remove all social ills by a reorganisation of society..... but after the war I did not because I was unable to. I had discovered what one man could do to another... I must say that anyone who moved through those years without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head... I am thinking of the vileness beyond all words that went on, year after year, in the totalitarian states. It is bad enough to say that so many Jews were exterminated in this way and that, so many people liquidated — lovely, elegant word — but there were things done during that period from which I still have to avert my mind less I should be physically sick. They were not done by the headhunters of New Guinea or by some primitive tribe in the Amazon. They were done, skillfully, coldly, by educated men, doctors, lawyers, by men with a tradition of civilization behind them, to beings of their own kind.
My own conviction grew that what had happened was that men were putting the cart before the horse. They were looking at the system rather than the people. It seemed to me that man’s capacity for greed, his innate cruelty and selfishness, was being hidden behind a kind of pair of political pants. I believed then, that man was sick — not exceptional man, but average man. I believed that the condition of man was to be a morally diseased creation and that the best job I could do at the time was to trace the connection between his diseased nature and the international mess he gets himself into. To many of you, this will seem trite, obvious, and familiar in theological terms. Man is a fallen being. He is gripped by original sin. His nature is sinful and his state is perilous. I accept the theology and admit the triteness; but what is trite is true; and a truism can become more than a truism when it is a belief passionately held....
I can say in America what I should not like to say at home; which is that I condemn and detest my country's faults precisely because I am so proud of her many virtues. One of our faults is to believe that evil is somewhere else and inherent in another nation. My book was to say you think that now the war is over and an evil thing destroyed, you are safe because you are naturally kind and decent. But I know why the thing rose in Germany. I know it could it could happen in any country. It could happen here.

East of Eden (1952)
Context: Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in art, in music, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.
And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning blows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken.
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for it is the one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.

The Evolution of Physics (1938) (co-written with Leopold Infeld) <!-- later published by Simon & Schuster (1967) -->
1930s
Context: Physical concepts are free creations of the human mind, and are not, however it may seem, uniquely determined by the external world. In our endeavor to understand reality we are somewhat like a man trying to understand the mechanism of a closed watch. He sees the face and the moving hands, even hears its ticking, but he has no way of opening the case. If he is ingenious he may form some picture of a mechanism which could be responsible for all the things he observes, but he may never be quite sure his picture is the only one which could explain his observations. He will never be able to compare his picture with the real mechanism and he cannot even imagine the possibility or the meaning of such a comparison. But he certainly believes that, as his knowledge increases, his picture of reality will become simpler and simpler and will explain a wider and wider range of his sensuous impressions. He may also believe in the existence of the ideal limit of knowledge and that it is approached by the human mind. He may call this ideal limit the objective truth.

Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 59
Context: Electromagnetic fields are not of the mind... Creation may be spiritual in origin, but that doesn't mean that everything created is spiritual. How can I explain such things to you? Let us accept the world is a mystery. Nature is neither solely material nor entirely spiritual. Man, too, is more than flesh and blood; otherwise, no religions would have been possible. Behind each cause is still another cause; the end or the beginning of all causes has yet to be found. Behind each cause is still another cause; the end or the beginning of all causes has yet to be found. Yet, only one thing must be remembered: there is no effect without a cause, and there is no lawlessness in creation".

The Act of Creation, London, (1970) p. 253.
Context: Einstein's space is no closer to reality than Van Gogh's sky. The glory of science is not in a truth more absolute than the truth of Bach or Tolstoy, but in the act of creation itself. The scientist's discoveries impose his own order on chaos, as the composer or painter imposes his; an order that always refers to limited aspects of reality, and is based on the observer's frame of reference, which differs from period to period as a Rembrant nude differs from a nude by Manet.

Source: On Aggression (1963), Ch. XII : On the Virtue of Scientific Humility
Context: We are the highest achievement reached so far by the great constructors of evolution. We are their "latest" but certainly not their last word. The scientist must not regard anything as absolute, not even the laws of pure reason. He must remain aware of the great fact, discovered by Heraclitus, that nothing whatever really remains the same even for one moment, but that everything is perpetually changing. To regard man, the most ephemeral and rapidly evolving of all species, as the final and unsurpassable achievement of creation, especially at his present-day particularly dangerous and disagreeable stage of development, is certainly the most arrogant and dangerous of all untenable doctrines. If I thought of man as the final image of God, I should not know what to think of God. But when I consider that our ancestors, at a time fairly recent in relation to the earth's history, were perfectly ordinary apes, closely related to chimpanzees, I see a glimmer of hope. It does not require very great optimism to assume that from us human beings something better and higher may evolve. Far from seeing in man the irrevocable and unsurpassable image of God, I assert – more modestly and, I believe, in greater awe of the Creation and its infinite possibilities – that the long-sought missing link between animals and the really humane being is ourselves!

Source: Don't Start the Revolution Without Me! (2008), Ch. 10 (p. 186)
Context: Another of the religious right's scams is marching into public school science classes and trying to mandate teaching of "creation science," as opposed to evolution. Somehow, they put evolutionism and creationism in the same category—believing that one makes the other impossible. But aren't these two separate systems of knowledge? One is a scientific theory, the other is a religious doctrine. It's kind of like comparing the law of gravity to the Sermon on the Mount. Evolution doesn't pretend to disprove the Bible's version of creation, or the belief in an all-powerful being as "prime mover" of the universe. Science only deals with what's observable, definable, and measurable. It's open to all possibilities, unlike creationism, which is a closed book. So leave evolution to the science teachers, and creation to the Sunday school of the parents' choosing.

The Myth of Sisyphus (1942), Absurd Creation
Context: Of all the schools of patience and lucidity, creation is the most effective. It is also the staggering evidence of man's sole dignity: the dogged revolt against his condition, perseverance in an effort considered sterile. It calls for a daily effort, self-mastery, a precise estimate of the limits of truth, measure, and strength. It constitutes an ascesis. All that "for nothing," in order to repeat and mark time. But perhaps the great work of art has less importance in itself than in the ordeal it demands of a man and the opportunity it provides him of overcoming his phantoms and approaching a little closer to his naked reality.

Book VI, chapter 3: "Conversations and Exhortations of Father Zossima; Of Prayer, of Love, and of Contact with other Worlds" (translated by Constance Garnett)
The Brothers Karamazov (1879–1880)
Context: Brothers, have no fear of men's sin. Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth. Love all God's creation, the whole of it and every grain of sand in it. Love every leaf, every ray of God's light. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you have perceived it, you will begin to comprehend it better every day, and you will come at last to love the world with an all-embracing love. Love the animals: God has given them the rudiments of thought and untroubled joy. So do not trouble it, do not harass them, do not deprive them of their joy, do not go against God's intent. Man, do not exhale yourself above the animals: they are without sin, while you in your majesty defile the earth by your appearance on it, and you leave the traces of your defilement behind you — alas, this is true of almost every one of us! Love children especially, for like the angels they too are sinless, and they live to soften and purify our hearts, and, as it were, to guide us. Woe to him who offends a child.
My young brother asked even the birds to forgive him. It may sound absurd, but it is right none the less, for everything, like the ocean, flows and enters into contact with everything else: touch one place, and you set up a movement at the other end of the world. It may be senseless to beg forgiveness of the birds, but, then, it would be easier for the birds, and for the child, and for every animal if you were yourself more pleasant than you are now. Everything is like an ocean, I tell you. Then you would pray to the birds, too, consumed by a universal love, as though in ecstasy, and ask that they, too, should forgive your sin. Treasure this ecstasy, however absurd people may think it.

The Serpent, in Pt. I, Act I
1920s, Back to Methuselah (1921)
Context: I make no vows. I take my chance. … It means that I fear certainty as you fear uncertainty. It means that nothing is certain but uncertainty. If I bind the future I bind my will. If I bind my will I strangle creation.

The Grounds and Reasons of Christian Regeneration (1739)
Context: Some People have an Idea, or Notion of the Christian Religion, as if God was thereby declared so full of Wrath against fallen Man, that nothing but the Blood of his only begotten Son could satisfy his Vengeance.
Nay, some have gone such Lengths of Wickedness, as to assert that God had by immutable Decrees reprobated, and rejected a great Part of the Race of Adam, to an inevitable Damnation, to show forth and magnify the Glory of his Justice.
But these are miserable Mistakers of the Divine Nature, and miserable Reproachers of his great Love, and Goodness in the Christian Dispensation.
For God is Love, yea, all Love, and so all Love, that nothing but Love can come from him; and the Christian Religion is nothing else but an open, full Manifestation of the universal Love towards all Mankind.
As the Light of the Sun has only one common Nature towards all Objects that can receive it, so God has only one common Nature of Goodness towards all created Nature, breaking forth in infinite Flames of Love, upon every Part of the Creation, and calling everything to the highest Happiness it is capable of.

As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010

Ahmadinejad United Nations Speech: Full Text Transcript, https://www.ibtimes.com/ahmadinejad-united-nations-speech-full-text-transcript-317114 International Business Times, 22 Oct 2011
2011

The True Levellers Standard Advanced (1649)

The True Levellers Standard Advanced (1649)

The True Levellers Standard Advanced (1649)

The True Levellers Standard Advanced (1649)

The True Levellers Standard Advanced (1649)

Vygotsky [original in Russian]

Good Company. The Study Society. 2009

Source: The Third Reich: A New History (2000), p.105

Style https://books.google.com/books?hl=en&lr=&id=lK0VAAAAYAAJ&pg=PA41 (1897), p. 41

ContraPoints, Feminism Did Not Destroy Atheism https://www.youtube.com/watch?v=klfH9QaEcqY (2016), Is Casual Sex Bad for Your Soul? https://www.youtube.com/watch?v=qKrbvLkbHu8 (2017)

High Times interview (2002)

The Transhumanism Handbook, 2019