
On listening to an early version of Billie Jean on an iPhone
Ebony interview (2007)
A collection of quotes on the topic of chorus, use, time, timing.
On listening to an early version of Billie Jean on an iPhone
Ebony interview (2007)
As quoted in O<sub>2</sub> : Breathing New Life Into Faith (2008) by Richard Dahlstrom, p. 223; this source is disputed as it does not cite an original document for the quote.
Disputed
Context: Isn't it bewildering … that everything is so beautiful, despite all the horrors that exist? Lately I've noticed something grand and mysterious peering into my sheer joy in all that is lovely — the sense of a Creator whom innocent creation worships with its beauty. Only man can be hateful or ugly, because he possesses a free will to cut himself off from the chorus of praise. It often seems that he will succeed in drowning out this chorus with his cannon thunder, curses, and blasphemy. But it has become clear to me this spring that he cannot. And so I must try to throw myself on the side of the victor.
Context: When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert it's power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All Heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.
Song for St. Cecilia's Day (1692).
1860s, First Inaugural Address (1861)
Golden Sayings of Epictetus
Context: Even as bad actors cannot sing alone, but only in chorus: so some cannot walk alone. Man, if thou art aught, strive to walk alone and hold converse with yourself, instead of skulking in the chorus! at length think; look around thee; bestir thyself, that thou mayest know who thou art! (103).
Letter to Blanche Jennings (9 October 1908), Letters of D.H. Lawrence (1979), James T. Boulton, ed., as quoted in The Intellectuals and the Masses: Pride and Prejudice Among the Literary Intelligentsia, 1880-1939 (1992) by John Carey; also quoted in "Art for the Masses : The Death of Culture & the Culture of Death" http://www.touchstonemag.com/docs/issues/14.7docs/14-7pg22.html by Ralph McInery in Touchstone magazine (September 2001)
"Thirty-three Happy Moments"
the "Pelagian" drinking song, p. 50
The Four Men: A Farrago (1911)
Attributed
24
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)
Source: Hours of Thought on Sacred Things (1879), p. 190.
Charlotte's 3rd introduction page, related to image JHM no. 4155-3 https://charlotte.jck.nl/detail/M004155-c/part/character/theme/keyword: 'The tri-coloured play with music begins..', p. 43
the quote is written in brush, over the whole page of the painting, with a rough painted gate above
Charlotte Salomon - Life? or Theater?
he cried. 'My best congratulations.'
Source: Translations, Monkey: Folk Novel of China (1942), Ch. 28 (p. 282)
“Chorus: Under every stone lurks a politician.”
tr. in Bartlett 1968, p. 91 http://books.google.com/books?q=inauthor%3A%22John+Bartlett%22+date%3A1968-1968+%22Under+every+stone+lurks+a+politician%22 or Archive.org http://www.archive.org/stream/familiarquotatio017007mbp/familiarquotatio017007mbp_djvu.txt
Thesmophoriazusae, line 529-530
A play on the Greek proverb "Under every stone lurks a scorpion". In context, "orator" was a synonym for "politician".
Thesmophoriazusae (411 BC)
Speaking Out (2006)
Source: The New Left: The Resurgence of Radicalism Among American Students (1966), p. 3
Ibid.
"Palestinians and Jewish History: Recognition or Submission?"
www.huffingtonpost.com (September 7, 2007)
2007, 2008
Vindicated by Time: The Niyogi Committee Report (1998)
Tears came into my eyes that at such a tragic moment, my race still could sing its hope and faith.
Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s
"Fragment of a Greek Tragedy". This parody was first written in 1883, but quoted here from a revised version of 1927.
George Frederick Abbott, Macedonian Folklore (1903: Cambridge University Press), p. 114
“Chorus: [We] must look beneath every stone, lest it conceal some orator ready to sting us.”
tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Thes.+529
Thesmophoriazusae (411 BC)
tr. in Bartlett 1968, p. 91 http://books.google.com/books?q=inauthor%3A%22John+Bartlett%22+date%3A1968-1968+%22Full+of+wiles%2C+full+of+guile%2C+at+all+times%2C+in+all+ways%2C+are+the+children+of+Men%22 or Archive.org http://www.archive.org/stream/familiarquotatio017007mbp/familiarquotatio017007mbp_djvu.txt
Birds, line 451-452
Compare the earlier-written but later-known: "The heart is deceitful above all things, and desperately wicked", Jeremiah, 17:9 KJV Bible http://www.biblegateway.com/passage/?search=Jeremiah+17:9&version=9.
Birds (414 BC)
Blue Labour, A Christmas Message http://www.bluelabour.org/2016/12/22/a-christmas-message-from-lord-glasman/
the first sentence was Powell's own quotation from one of his constituents.
The 'Rivers of Blood' speech
The author, St. Jean, August 1940/42
Charlotte's 6th introduction page, related to image no. 4155-6 https://charlotte.jck.nl/detail/M004155-fJHM: '..even happens that each character..', p. 46
this quote is written in brush over the whole page of the painting, without any figure
Charlotte Salomon - Life? or Theater?
[Key Terms in Popular Music and Culture, ISBN 0631212639, Middleton, Richard, 1999]
Entry (1954)
Eric Hoffer and the Art of the Notebook (2005)
Whatever happened to Bond Girl Valerie Leon? http://www.express.co.uk/life-style/life/614933/Bond-Girl-Valerie-Leon-career-life (November 2, 2015)
14 February 1945.
Disputed, The Testament of Adolf Hitler (1945)
Song, Oh, Swiftly glides the Bonnie Boat; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 74.
Unsourced, In A Soldiers' Hospital II: Gramophone Tunes
It seems to revel in making pro-American, security-minded South Koreans look foolish.
2010s, "Heaven is Helping Us": More from the Nationalist Left (August 2018)
“Chorus of Furies: Living, you will be my feast, not slain at an altar”
Source: Oresteia (458 BC), Eumenides, line 305 (tr. Herbert Weir Smyth)
Heimsljós (World Light) (1940), Book One: The Revelation of the Deity
Context: He was not quite nine years old, in fact, when he began to have spiritual experiences... he felt he saw God's image open before him. He felt the deity reveal itself in Nature in an inexpressible music, the sonic revelation of the deity; and before he knew it, he himself had become a trembling voice in a celestial chorus of glory. His soul seemed to be rising out of his body like frothing milk brimming over the edge of a basin; it was as if his soul were flowing into an unfathomable ocean of higher life, beyond words, beyond all perception, his body suffused by some surging light that was beyond all light. Sighing, he became aware of his own insignificance in the midst of this infinite chorus glory and radiance; his whole consciousness dissolved into one sacred, tearful yearning to be allowed to be one with the Highest and be no longer any part of himself. He lay for a long time on the sand or on the grass, and wept tears of deep and fervent happiness, face to face with the inexpressible. "God, God, God!" he cried, trembling with love and reverence, and kissed the ground and dug his fingers into the turf.
Source: The Revolt of the Angels (1914), Ch. XXXV
Context: Satan, piercing space with his keen glance, contemplated the little globe of earth and water where of old he had planted the vine and formed the first tragic chorus. And he fixed his gaze on that Rome where the fallen God had founded his empire on fraud and lie. Nevertheless, at that moment a saint ruled over the Church. Satan saw him praying and weeping. And he said to him:
"To thee I entrust my Spouse. Watch over her faithfully. In thee I confirm the right and power to decide matters of doctrine, to regulate the use of the sacraments, to make laws and to uphold purity of morals. And the faithful shall be under obligation to conform thereto. My Church is eternal, and the gates of hell shall not prevail against it. Thou art infallible. Nothing is changed."
And the successor of the apostles felt flooded with rapture. He prostrated himself, and with his forehead touching the floor, replied:
"O Lord, my God, I recognise Thy voice! Thy breath has been wafted like balm to my heart. Blessed be Thy name. Thy will be done on Earth, as it is in Heaven. Lead us not into temptation, but deliver us from evil."
On considering his wife's suggestion that he write his autobiography, Prologue, p. xiii
A Tale of Two Continents (1997)
Context: I made a discovery, perhaps known to others but new to me: I need not put myself center stage but can rather place myself at the side, like a Greek chorus. As the curtain rises, I can walk to the center and can speak as follows: I wish to tell you of happenings in the twentieth century, as I witnessed them and reflected upon them. You will see me return to center stage, but only occasionally. Once that imagery had gotten hold of me, I went back to Ida and said yes, I shall try.
“A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode.”
Source: All Tomorrow's Parties (2003), Ch. 38 : Vincent Black Lightning, p. 191
Context: If Skinner couldn't tell Fontaine a story about something, Fontaine would make up his own story, read function in the shape of something, read use in the way it was worn down. It seemed to comfort him.
Everything to Fontaine, had a story. Each object, each fragment comprising the built world. A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode. When he'd built Skinner's funicular, the elevator that crawled like a small cable car up the angled iron of the tower, when they old man's hip had gotten too bad to allow him to easily climb, Fontaine had a story about the derivation of each piece. He wove their stories together, applied electricity: the thing rose, clicking, to the hatch in the floor of Skinner's room.
1840s, Essays: Second Series (1844), Nominalist and Realist
I got the job – much to my parents’ horror, who wanted me to keep my respectable job, but I was determined to become an actress.
Whatever happened to Bond Girl Valerie Leon? http://www.express.co.uk/life-style/life/614933/Bond-Girl-Valerie-Leon-career-life (November 2, 2015)
After his recognition by the west Rabindranath Tagore wrote to Bose. Quoted in "Science and National Consciousness in Bengal: 1870-1930", pages=107-08
Eminent Historians: Their Technology, Their Line, Their Fraud (1998)
The Fabric of Mind (1985)
"The Eloquent Communicators"
The Life of Birds (1998)