Quotes about chorus

A collection of quotes on the topic of chorus, use, time, timing.

Quotes about chorus

Michael Jackson photo
Sophie Scholl photo

“Only man can be hateful or ugly, because he possesses a free will to cut himself off from the chorus of praise. It often seems that he will succeed in drowning out this chorus with his cannon thunder, curses, and blasphemy. But it has become clear to me this spring that he cannot.”

Sophie Scholl (1921–1943) White Rose member

As quoted in O<sub>2</sub> : Breathing New Life Into Faith (2008) by Richard Dahlstrom, p. 223; this source is disputed as it does not cite an original document for the quote.
Disputed
Context: Isn't it bewildering … that everything is so beautiful, despite all the horrors that exist? Lately I've noticed something grand and mysterious peering into my sheer joy in all that is lovely — the sense of a Creator whom innocent creation worships with its beauty. Only man can be hateful or ugly, because he possesses a free will to cut himself off from the chorus of praise. It often seems that he will succeed in drowning out this chorus with his cannon thunder, curses, and blasphemy. But it has become clear to me this spring that he cannot. And so I must try to throw myself on the side of the victor.

Friedrich Schiller photo
Friedrich Schiller photo
Aeschylus photo
Joseph Addison photo

“All Heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.”

Joseph Addison (1672–1719) politician, writer and playwright

Context: When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert it's power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All Heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.

Song for St. Cecilia's Day (1692).

Abraham Lincoln photo
Epictetus photo

“Man, if thou art aught, strive to walk alone and hold converse with yourself, instead of skulking in the chorus! at length think; look around thee; bestir thyself, that thou mayest know who thou art!”

Epictetus (50–138) philosopher from Ancient Greece

Golden Sayings of Epictetus
Context: Even as bad actors cannot sing alone, but only in chorus: so some cannot walk alone. Man, if thou art aught, strive to walk alone and hold converse with yourself, instead of skulking in the chorus! at length think; look around thee; bestir thyself, that thou mayest know who thou art! (103).

Stephen King photo
Mindy Kaling photo
Nicole Krauss photo
Sarah Dessen photo
W. H. Auden photo
Henry Wadsworth Longfellow photo
Quentin Crisp photo
D.H. Lawrence photo

“If I had my way, I would build a lethal chamber as big as the Crystal Palace, with a military band playing softly, and a Cinematograph working brightly; then I’d go out in the back streets and main streets and bring them in, all the sick, the halt, and the maimed; I would lead them gently, and they would smile me a weary thanks; and the band would softly bubble out the ‘Hallelujah Chorus’.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter

Letter to Blanche Jennings (9 October 1908), Letters of D.H. Lawrence (1979), James T. Boulton, ed., as quoted in The Intellectuals and the Masses: Pride and Prejudice Among the Literary Intelligentsia, 1880-1939 (1992) by John Carey; also quoted in "Art for the Masses : The Death of Culture & the Culture of Death" http://www.touchstonemag.com/docs/issues/14.7docs/14-7pg22.html by Ralph McInery in Touchstone magazine (September 2001)

Aristophanés photo

“Leader of the Chorus: An insult directed at the wicked is not to be censured; on the contrary, the honest man, if he has sense, can only applaud.”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Kn.+1274
Knights, line 1274-1275
Knights (424 BC)

Septimius Severus photo

“Let no one charge us with capricious inconsistency in our actions against Albinus, and let no one think that I am disloyal to this alleged friend or lacking in feeling toward him. 2. We gave this man everything, even a share of the established empire, a thing which a man would hardly do for his own brother. Indeed, I bestowed upon him that which you entrusted to me alone. Surely Albinus has shown little gratitude for the many benefits I have lavished upon him. 3. Now |87 he is collecting an army to take up arms against us, scornful of your valor and indifferent to his pledge of good faith to me, wishing in his insatiable greed to seize at the risk of disaster that which he has already received in part without war and without bloodshed, showing no respect for the gods by whom he has often sworn, and counting as worthless the labors you performed on our joint behalf with such courage and devotion to duty. 4. In what you accomplished, he also had a share, and he would have had an even greater share of the honor you gained for us both if he had only kept his word. For, just as it is unfair to initiate wrong actions, so also it is cowardly to make no defense against unjust treatment. Now when we took the field against Niger, we had reasons for our hostility, not entirely logical, perhaps, but inevitable. We did not hate him because he had seized the empire after it was already ours, but rather each one of us, motivated by an equal desire for glory, sought the empire for himself alone, when it was still in dispute and lay prostrate before all. 5. But Albinus has violated his pledges and broken his oaths, and although he received from me that which a man normally gives only to his son, he has chosen to be hostile rather than friendly and belligerent instead of peaceful. And just as we were generous to him previously and showered fame and honor upon him, so let us now punish him with our arms for his treachery and cowardice. 6. His army, small and island-bred, will not stand against your might. For you, who by your valor and readiness to act on your own behalf have been victorious in many battles and have gained control of the entire East, how can you fail to emerge victorious with the greatest of ease when you have so large a number of allies and when virtually the entire army is here. Whereas they, by contrast, are few in number and lack a brave and competent general to lead them. 7. Who does not know Albinus' effeminate nature? Who does not know that his way |88 of life has prepared him more for the chorus than for the battlefield? Let us therefore go forth against him with confidence, relying on our customary zeal and valor, with the gods as our allies, gods against whom he has acted impiously in breaking his oaths, and let us be mindful of the victories we have won, victories which that man ridicules.”

Septimius Severus (145–211) Emperor of Ancient Rome

Herodian, Book 3, Chapter 6.

Hilaire Belloc photo
Slavoj Žižek photo
Dana Gioia photo
James Martineau photo
Charlotte Salomon photo

“The tri-coloured play with music begins' (in Deutsch: Das Drei Farben Singespiel beginnt..)
the cast is as follows
Dr. and MRS. Knarre, a married couple
Franziska and Charlotte, their daughters
Dr. Kahn, a physician
Charlotte Kahn, his daughter
Paulinka Bimbam, a singer
Dr. Singsong, a versatile person
Professor Klingklang, a famous conductor
An Art teacher
Professor and Students at an art academy
and Chorus..
.. The action takes places during the years 1913 to 1940 in Germany, later in Nice, France”

Charlotte Salomon (1917–1943) German painter

Charlotte's 3rd introduction page, related to image JHM no. 4155-3 https://charlotte.jck.nl/detail/M004155-c/part/character/theme/keyword: 'The tri-coloured play with music begins..', p. 43
the quote is written in brush, over the whole page of the painting, with a rough painted gate above
Charlotte Salomon - Life? or Theater?

Arthur Waley photo
Cassandra Clare photo
Aristophanés photo

“Chorus: Under every stone lurks a politician.”

tr. in Bartlett 1968, p. 91 http://books.google.com/books?q=inauthor%3A%22John+Bartlett%22+date%3A1968-1968+%22Under+every+stone+lurks+a+politician%22 or Archive.org http://www.archive.org/stream/familiarquotatio017007mbp/familiarquotatio017007mbp_djvu.txt
Thesmophoriazusae, line 529-530
A play on the Greek proverb "Under every stone lurks a scorpion". In context, "orator" was a synonym for "politician".
Thesmophoriazusae (411 BC)

Aldo Leopold photo

“It is on some, but not all, of these misty autumn day-breaks that one may hear the chorus of the quail. The silence is suddenly broken by a dozen contralto voices, no longer able to restrain their praise of the day to come.”

“September: The Choral Copse”, p. 53.
A Sand County Almanac, 1949, "August: The Green Pasture," "September: The Choral Copse," "October: Smoky Gold," and "October: Red Lanterns"

Ralph Chaplin photo
Phillip Abbott Luce photo
Joseph Massad photo
Henry Wadsworth Longfellow photo

“Chorus of the Eumenides: …
With useless endeavour
Forever, forever,
Is Sisyphus rolling
His stone up the mountain!”

Henry Wadsworth Longfellow (1807–1882) American poet

The Masque of Pandora and Other Poems (1875)

Gloria Estefan photo
Basil of Caesarea photo

“The fourth phase which commenced with the coming of independence proved a boon for Christianity. The Christian right to convert Hindus was incorporated in the Constitution. Prime Minister Jawaharlal Nehru who dominated the scene for 17 long years, promoted every anti-Hindu ideology and movement behind the smokescreen of a counterfeit secularism. The regimes that followed continued to raise the spectre of ‘Hindu communalism’ as the most frightening phenomenon. Christian missionaries could now denounce as a Hindu communalist and chauvinist, even as a Hindu Nazi, any one who raised the slightest objection to their means and methods. All sorts of ‘secularists’ came forward to join the chorus. New theologies of Fulfilment, Indigenisation, Liberation, and Dialogue were evolved and put into action. The missionary apparatus multiplied fast and became pervasive. Christianity had never had it so good in the whole of its history in India. It now stood recognized as ‘an ancient Indian religion’ with every right to extend its field of operation and expand its flock. The only rift in the lute was K. M. Panikkar’s book, Asia and Western Dominance, published from London in 1953, the Niyogi Committee Report published by the Government of Madhya Pradesh in 1956, and Om Prakash Tyagi’s Bill on Freedom of Religion introduced in the Lok Sabha in December 1978.”

Sita Ram Goel (1921–2003) Indian activist

Vindicated by Time: The Niyogi Committee Report (1998)

Martin Luther King, Jr. photo

“I must say that when my Southern Christian Leadership Conference began its work in Birmingham, we encountered numerous Negro church reactions that had to be overcome. Negro ministers were among other Negro leaders who felt they were being pulled into something that they had not helped to organize. This is almost always a problem. Negro community unity was the first requisite if our goals were to be realized. I talked with many groups, including one group of 200 ministers, my theme to them being that a minister cannot preach the glories of heaven while ignoring social conditions in his own community that cause men an earthly hell. I stressed that the Negro minister had particular freedom and independence to provide strong, firm leadership, and I asked how the Negro would ever gain freedom without his minister's guidance, support and inspiration. These ministers finally decided to entrust our movement with their support, and as a result, the role of the Negro church today, by and large, is a glorious example in the history of Christendom. For never in Christian history, within a Christian country, have Christian churches been on the receiving end of such naked brutality and violence as we are witnessing here in America today. Not since the days of the Christians in the catacombs has God's house, as a symbol, weathered such attack as the Negro churches.
I shall never forget the grief and bitterness I felt on that terrible September morning when a bomb blew out the lives of those four little, innocent girls sitting in their Sunday-school class in the 16th Street Baptist Church in Birmingham. I think of how a woman cried out, crunching through broken glass, "My God, we're not even safe in church!" I think of how that explosion blew the face of Jesus Christ from a stained-glass window. It was symbolic of how sin and evil had blotted out the life of Christ. I can remember thinking that if men were this bestial, was it all worth it? Was there any hope? Was there any way out?… time has healed the wounds -- and buoyed me with the inspiration of another moment which I shall never forget: when I saw with my own eyes over 3000 young Negro boys and girls, totally unarmed, leave Birmingham's 16th Street Baptist Church to march to a prayer meeting -- ready to pit nothing but the power of their bodies and souls against Bull Connor's police dogs, clubs and fire hoses. When they refused Connor's bellowed order to turn back, he whirled and shouted to his men to turn on the hoses. It was one of the most fantastic events of the Birmingham story that these Negroes, many of them on their knees, stared, unafraid and unmoving, at Connor's men with the hose nozzles in their hands. Then, slowly the Negroes stood up and advanced, and Connor's men fell back as though hypnotized, as the Negroes marched on past to hold their prayer meeting. I saw there, I felt there, for the first time, the pride and the power of nonviolence.
Another time I will never forget was one Saturday night, late, when my brother telephoned me in Atlanta from Birmingham -- that city which some call "Bombingham" -- which I had just left. He told me that a bomb had wrecked his home, and that another bomb, positioned to exert its maximum force upon the motel room in which I had been staying, had injured several people. My brother described the terror in the streets as Negroes, furious at the bombings, fought whites. Then, behind his voice, I heard a rising chorus of beautiful singing: "We shall overcome."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Tears came into my eyes that at such a tragic moment, my race still could sing its hope and faith.
Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s

A.E. Housman photo
Nasreddin photo
Aristophanés photo

“Chorus: [We] must look beneath every stone, lest it conceal some orator ready to sting us.”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Thes.+529
Thesmophoriazusae (411 BC)

Aristophanés photo

“Chorus [of Birds]: Full of wiles, full of guile, at all times, in all ways, are the children of Men.”

tr. in Bartlett 1968, p. 91 http://books.google.com/books?q=inauthor%3A%22John+Bartlett%22+date%3A1968-1968+%22Full+of+wiles%2C+full+of+guile%2C+at+all+times%2C+in+all+ways%2C+are+the+children+of+Men%22 or Archive.org http://www.archive.org/stream/familiarquotatio017007mbp/familiarquotatio017007mbp_djvu.txt
Birds, line 451-452
Compare the earlier-written but later-known: "The heart is deceitful above all things, and desperately wicked", Jeremiah, 17:9 KJV Bible http://www.biblegateway.com/passage/?search=Jeremiah+17:9&version=9.
Birds (414 BC)

Maurice Glasman, Baron Glasman photo
Enoch Powell photo
Charlotte Salomon photo

“.. even happens that each character has to sing a different text, resulting in a chorus. The varied nature of the paintings should be attributed less to the author than to the varies nature of the characters to be portrayed. The author [= Charlotte Salomon] has tried.... to go completely out of herself to allow the characters to sing or speak in their own voices. In order to achieve this, many artistic values had to be renounced, but I hope that.... this will be forgiven.”

Charlotte Salomon (1917–1943) German painter

The author, St. Jean, August 1940/42
Charlotte's 6th introduction page, related to image no. 4155-6 https://charlotte.jck.nl/detail/M004155-fJHM: '..even happens that each character..', p. 46
this quote is written in brush over the whole page of the painting, without any figure
Charlotte Salomon - Life? or Theater?

Robert M. Pirsig photo
Edmund White photo
Conor Oberst photo
Eric Hoffer photo
Walter Savage Landor photo
Alice Walker photo
Henry Clay Work photo
Adolf Hitler photo
Robert Burns photo

“The landlord's laugh was ready chorus.”

Source: Tam o' Shanter (1790), Line 50

Aristophanés photo

“Chorus [leader]: Ye Children of Man! whose life is a span, / Protracted with sorrow from day to day, / Naked and featherless, feeble and querulous, / Sickly, calamitous creatures of clay!”

heavily rewritten tr. Frere 1839, p. 38 http://books.google.com/books?id=Bk8JAAAAQAAJ&q=%22Sickly%2C+calamitous+creatures+of+clay%22
Birds (414 BC)

Aristophanés photo
Aristophanés photo

“Leader of the Chorus: Let's see. What shall our city be called? […]
Euelpides: Some name borrowed from the clouds, from these lofty regions in which we dwell — in short, some well-known name.
Pisthetaerus: Do you like Nephelococcygia?”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Birds+812
Birds, line 812 & 817-819 (our emphasis on 819)
Birds (414 BC)

Joanna Baillie photo

“Oh, swiftly glides the bonnie boat,
Just parted from the shore,
And to the fisher's chorus-note,
Soft moves the dipping oar!”

Joanna Baillie (1762–1851) Scottish poet and dramatist

Song, Oh, Swiftly glides the Bonnie Boat; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 74.

Conrad Aiken photo
Edward Said photo
Aristophanés photo
Slavoj Žižek photo
Borís Pasternak photo
Henry Wadsworth Longfellow photo
Aeschylus photo

“Chorus of Furies: Living, you will be my feast, not slain at an altar”

Source: Oresteia (458 BC), Eumenides, line 305 (tr. Herbert Weir Smyth)

Halldór Laxness photo

“Sighing, he became aware of his own insignificance in the midst of this infinite chorus glory and radiance; his whole consciousness dissolved into one sacred, tearful yearning to be allowed to be one with the Highest and be no longer any part of himself. He lay for a long time on the sand or on the grass, and wept tears of deep and fervent happiness, face to face with the inexpressible. "God, God, God!" he cried, trembling with love and reverence, and kissed the ground and dug his fingers into the turf.”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book One: The Revelation of the Deity
Context: He was not quite nine years old, in fact, when he began to have spiritual experiences... he felt he saw God's image open before him. He felt the deity reveal itself in Nature in an inexpressible music, the sonic revelation of the deity; and before he knew it, he himself had become a trembling voice in a celestial chorus of glory. His soul seemed to be rising out of his body like frothing milk brimming over the edge of a basin; it was as if his soul were flowing into an unfathomable ocean of higher life, beyond words, beyond all perception, his body suffused by some surging light that was beyond all light. Sighing, he became aware of his own insignificance in the midst of this infinite chorus glory and radiance; his whole consciousness dissolved into one sacred, tearful yearning to be allowed to be one with the Highest and be no longer any part of himself. He lay for a long time on the sand or on the grass, and wept tears of deep and fervent happiness, face to face with the inexpressible. "God, God, God!" he cried, trembling with love and reverence, and kissed the ground and dug his fingers into the turf.

Anatole France photo

“Satan, piercing space with his keen glance, contemplated the little globe of earth and water where of old he had planted the vine and formed the first tragic chorus.”

Source: The Revolt of the Angels (1914), Ch. XXXV
Context: Satan, piercing space with his keen glance, contemplated the little globe of earth and water where of old he had planted the vine and formed the first tragic chorus. And he fixed his gaze on that Rome where the fallen God had founded his empire on fraud and lie. Nevertheless, at that moment a saint ruled over the Church. Satan saw him praying and weeping. And he said to him:
"To thee I entrust my Spouse. Watch over her faithfully. In thee I confirm the right and power to decide matters of doctrine, to regulate the use of the sacraments, to make laws and to uphold purity of morals. And the faithful shall be under obligation to conform thereto. My Church is eternal, and the gates of hell shall not prevail against it. Thou art infallible. Nothing is changed."
And the successor of the apostles felt flooded with rapture. He prostrated himself, and with his forehead touching the floor, replied:
"O Lord, my God, I recognise Thy voice! Thy breath has been wafted like balm to my heart. Blessed be Thy name. Thy will be done on Earth, as it is in Heaven. Lead us not into temptation, but deliver us from evil."

Abraham Pais photo

“I need not put myself center stage but can rather place myself at the side, like a Greek chorus. As the curtain rises, I can walk to the center and can speak as follows: I wish to tell you of happenings in the twentieth century, as I witnessed them and reflected upon them. You will see me return to center stage, but only occasionally.”

Abraham Pais (1918–2000) American Physicist

On considering his wife's suggestion that he write his autobiography, Prologue, p. xiii
A Tale of Two Continents (1997)
Context: I made a discovery, perhaps known to others but new to me: I need not put myself center stage but can rather place myself at the side, like a Greek chorus. As the curtain rises, I can walk to the center and can speak as follows: I wish to tell you of happenings in the twentieth century, as I witnessed them and reflected upon them. You will see me return to center stage, but only occasionally. Once that imagery had gotten hold of me, I went back to Ida and said yes, I shall try.

Aeschylus photo
William Gibson photo

“A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode.”

Source: All Tomorrow's Parties‎ (2003), Ch. 38 : Vincent Black Lightning, p. 191
Context: If Skinner couldn't tell Fontaine a story about something, Fontaine would make up his own story, read function in the shape of something, read use in the way it was worn down. It seemed to comfort him.
Everything to Fontaine, had a story. Each object, each fragment comprising the built world. A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode. When he'd built Skinner's funicular, the elevator that crawled like a small cable car up the angled iron of the tower, when they old man's hip had gotten too bad to allow him to easily climb, Fontaine had a story about the derivation of each piece. He wove their stories together, applied electricity: the thing rose, clicking, to the hatch in the floor of Skinner's room.

Ralph Waldo Emerson photo

“I was totally star-struck as a youngster and incredibly shy, but I loved the theatre – especially pantomimes. After a failed audition for RADA, I worked as a trainee fashion buyer at Harrods, where they had an entertainments society and I performed in several of its productions. I took singing lessons and my teacher encouraged me to read The Stage, where I saw that chorus singers were needed for the musical The Belle Of New York.”

Valerie Leon (1943) English actress

I got the job – much to my parents’ horror, who wanted me to keep my respectable job, but I was determined to become an actress.
Whatever happened to Bond Girl Valerie Leon? http://www.express.co.uk/life-style/life/614933/Bond-Girl-Valerie-Leon-career-life (November 2, 2015)

Jagadish Chandra Bose photo
Arun Shourie photo
Seneca the Younger photo

“Would not anyone who is a man have his slumbers broken by a war-trumpet rather than by a chorus of serenaders?”

Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter LI: On Baiae and Morals

Jack Vance photo
Norman Lindsay photo
David Attenborough photo