Quotes about choir

A collection of quotes on the topic of choir, voice, singing, likeness.

Quotes about choir

Elvis Presley photo
Leonard Cohen photo

“Like a bird on the wire,
like a drunk in a midnight choir
I have tried in my way to be free.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

"Bird on the Wire"
Songs from a Room (1969)

Anne Bradstreet photo

“Leave not thy nest, thy dam and sire,
Fly back and sing amidst this choir.”

Anne Bradstreet (1612–1672) Anglo-American poet

In Reference to her Children, 23 June 1659.

Mark Twain photo
Juan Antonio Villacañas photo
Kurt Vonnegut photo

“So when my own time comes to join the choir invisible or whatever, God forbid, I hope someone will say, "He's up in Heaven now." Who really knows? I could have dreamed all this.”

God Bless You, Dr. Kevorkian (1999)
Context: I am honorary president of the American Humanist Association, having succeeded the late, great, spectacularly prolific writer and scientist, Dr. Isaac Asimov in that essentially functionless capacity. At an A. H. A. memorial service for my predecessor I said, "Isaac is up in Heaven now." That was the funniest thing I could have said to an audience of humanists. It rolled them in the aisles. Mirth! Several minutes had to pass before something resembling solemnity could be restored.
I made that joke, of course, before my first near-death experience — the accidental one.
So when my own time comes to join the choir invisible or whatever, God forbid, I hope someone will say, "He's up in Heaven now." Who really knows? I could have dreamed all this.
My epitaph in any case? "Everything was beautiful. Nothing hurt." I will have gotten off so light, whatever the heck it is that was going on.

George Eliot photo

“O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude…”

George Eliot (1819–1880) English novelist, journalist and translator

O May I Join the Choir Invisible (1867)
Source: O May I Join the Choir Invisible! And Other Favourite Poems
Context: O may I join the choir invisible <br/> Of those immortal dead who live again <br/> In minds made better by their presence; live <br/> In pulses stirred to generosity, <br/> In deeds of daring rectitude, in scorn <br/> For miserable aims that end with self, <br/> In thoughts sublime that pierce the night like stars, <br/> And with their mild persistence urge men's search <br/> To vaster issues.
Context: O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues.

Barbara Kingsolver photo
Rudyard Kipling photo
Mike Scott photo
Roger Ebert photo
Michael Moore photo

“I may be preaching to the choir, but the choir needs a good song.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

USA Today (20 June 2004)
2004, Fahrenheit 9/11 (2004)

Marco Girolamo Vida photo

“I only pointed out the paths that lead
The panting youth to steep Parnassus' head,
And showed the tuneful Muses from afar,
Mixed in a solemn choir and dancing there.”

Ipse viam tantum potui docuisse repertam Aonas ad montes, longeque ostendere Musas Plaudentes celsae choreas in vertice rupis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book III, line 533
De Arte Poetica (1527)

Patrick O'Brian photo
Gerald of Wales photo

“When they come together to make music, the Welsh sing their traditional songs, not in unison, as is done elsewhere, but in parts, in many modes and modulations. When a choir gathers to sing, which happens often in this country, you will hear as many different parts and voices as there are performers.”
In musico modulamine, non uniformiter, ut alibi, sed multipliciter, multisque modis et modulis, cantilenas emittunt. Adeo ut in turba canentium, sicut huic genti mos est, quot videas capita, tot audias carmina discriminaque vocum varia.

Gerald of Wales (1146) Medieval clergyman and historian

Book 1, chapter 13, p. 242.
Descriptio Cambriae (The Description of Wales) (1194)

George Eliot photo
Anna Akhmatova photo

“A choir of angels glorified the hour,
the vault of heaven was dissolved in fire.
"Father, why hast Thou forsaken me?
Mother, I beg you, do not weep for me…"”

Anna Akhmatova (1889–1966) Russian modernist poet

This greatest hour was hallowed and thundered
By angel's choirs; fire melted sky.
He asked his Father:"Why am I abandoned...?"
And told his Mother: "Mother, do not cry..."
Translated by Tanya Karshtedt (1996) http://www.poetryloverspage.com/poets/akhmatova/akhmatova_ind.html
Requiem; 1935-1940 (1963; 1987), Crucifixion

Aristophanés photo

“[Choir of] Men: O botheration take you all! How you cajole and flatter.
A hell it is to live with you; to live without, a hell:”

tr. Lindsay 1925, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Lys.+1014
Lysistrata, line 1038-1039
Lysistrata (411 BC)

Margaret Thatcher photo
John Keats photo
Max Heindel photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Rousas John Rushdoony photo
Joseph Strutt photo

“In each of the cathedral churches there was a bishop, or an archbishop of fools, elected; and in the churches immediately dependent upon the papal see a pope of fools. These mock pontiffs had usually a proper suit of ecclesiastics who attended upon them, and assisted at the divine service, most of them attired in ridiculous dresses resembling pantomimical players and buffoons; they were accompanied by large crowds of the laity, some being disguised with masks of a monstrous fashion, and others having their faces smutted; in one instance to frighten the beholders, and in the other to excite their laughter: and some, again, assuming the habits of females, practised all the wanton airs of the loosest and most abandoned of the sex. During the divine service this motley crowd were not contended with singing of indecent songs in the choir, but some of them ate, and drank, and played at dice upon the altar, by the side of the priest who celebrated the mass. After the service they put filth into the censers, and ran about the church, leaping, dancing, laughing, singing, breaking obscene jests, and exposing themselves in the most unseemly attitudes with shameless impudence. Another part of these ridiculous ceremonies was, to shave the precentor of fools upon a stage erected before the church, in the presence of the populace; and during the operation, he amused them with lewd and vulgar discourses, accompanied by actions equally reprehensible. The bishop, or the pope of fools, performed the divine service habited in the pontifical garments, and gave his benediction to the people before they quitted the church. He was afterwards seated in an open carriage, and drawn about to the different parts of the town, attended by a large train of ecclesiastics and laymen promiscuously mingled together; and many of the most profligate of the latter assumed clerical habits in order to give their impious fooleries the greater effect; they had also with them carts filled with ordure, which they threw occasionally upon the populace assembled to see the procession. These spectacles were always exhibited at Christmas-time, or near to it, but not confined to one particular day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 345
The Sports and Pastimes of the People of England (1801), Festival of Fools

Wilfred Owen photo
Phillis Wheatley photo
Wallace Stevens photo
Isa Bowman photo
John Milton photo
Larry Wall photo

“P. S. I suppose I really should be nicer to people today, considering I'll be singing in Billy Graham's choir tonight…”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199709261754.KAA23761@wall.org, 1997]
Usenet postings, 1997

Wallace Stevens photo
Paul Simon photo
Geoffrey of Monmouth photo

“Goddess of woods, tremendous in the chase
To mountain boars, and all the savage race!
Wide o'er the ethereal walks extends thy sway,
And o'er the infernal mansions void of day!
Look upon us on earth! unfold our fate,
And say what region is our destined seat?
Where shall we next thy lasting temples raise?
And choirs of virgins celebrate thy praise?”

Diva potens nemorum terror silvestribus ac spes!<br/>Cui licet anfractus ire per ethereos,<br/>Infernasque domos terrestria iura resolve.<br/>Et dic quas terras nos habitare velis.<br/>Dic certam sedem qua te venerabor in euum.<br/>Qua tibi virgineis templa dicabo choris.

Diva potens nemorum terror silvestribus ac spes!
</ref>Cui licet anfractus ire per ethereos,
Infernasque domos terrestria iura resolve.
Et dic quas terras nos habitare velis.
Dic certam sedem qua te venerabor in euum.
Qua tibi virgineis templa dicabo choris.
Bk. 1, ch. 11; pp. 100-101.
Historia Regum Britanniae (History of the Kings of Britain)

Aristophanés photo
Dafydd ap Gwilym photo

“Welcome, with your lovely greenwood choir, summery month of May for which I long! Like a potent knight, an amorous boon, the green-entangled lord of the wildwood, comrade of love and of the birds, whom lovers remember, and their friend, herald of nine score trysts, fond of exalted colloquies.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Hawddamor, glwysgor glasgoed,
Fis Mai haf, canys mau hoed.
Cadarn farchog serchog sâl,
Cadwynwyrdd feistr coed anial;
Cyfaill cariad ac adar,
Cof y serchogion a'u câr;
Cennad nawugain cynnadl,
Caredig urddedig ddadl.
"Mis Mai a Mis Ionawr" (To May and January), line 1; translation from Kenneth Hurlstone Jackson (ed. and trans.) A Celtic Miscellany (Harmondsworth: Penguin, [1951] 1975) p. 75.

David Cameron photo

“We will reflect the country we aspire to govern, and the sound of modern Britain is a complex harmony, not a male voice choir.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Speech aimed at Liberal Democrats: join me in my mission http://www.theguardian.com/politics/2005/dec/16/conservatives.liberaldemocrats (16 December 2005)
2000s, 2005

John Donne photo
Kent Hovind photo
Robert Graves photo
Walther von der Vogelweide photo

“He was known to his countrymen as the Nightingale, but his own sweet-sounding name of Bird's-meadow (Vogelweide) suggests even more directly the pure, true, flute-like strain which he poured into Europe’s choir of voices.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Laurie Magnus A General Sketch of European Literature in the Centuries of Romance (London: Kegan Paul, Trench, Trubner & Co., 1918) pp. 27-28.
Praise

Aristophanés photo

“[Choir of] Women: It should not prejudice my voice that I'm not born a man, if I say something advantageous to the present situation. For I'm taxed too, and as a toll provide men for the nation.”

tr. Lindsay 1925, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Lys.+649
Lysistrata, line 649-651
Lysistrata (411 BC)

Robert Seymour Bridges photo

“As night is withdrawn
From these sweet-springing meads and bursting boughs of May,
Dream, while the innumerable choir of day
Welcome the dawn.”

Robert Seymour Bridges (1844–1930) British writer

Nightingales http://www.poetry-online.org/bridges_nightingales.htm, st. 3.
Poetry

“A good intellect is the choir of divinity.”

Quintus Sextius Roman philosopher

Sentences of Sextus

Jesper Kyd photo
Henry Liddon photo
James Russell Lowell photo

“She thought no v'ice hed sech a swing
Ez hisn in the choir;
My! when he made Ole Hunderd ring
She knowed the Lord was nigher.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

The Courtin' .
The Biglow Papers (1848–1866), Series II (1866)

John Keats photo

“So let me be thy choir, and make a moan
Upon the midnight hours”

"Ode to Psyche", st. 3
Poems (1820)

George Eliot photo
George Eliot photo