Quotes about character
page 10

“I cannot be much pleased without an appearance of truth; at least of possibility — I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.”

Frances Burney (1752–1840) English writer

The Early Journals and Letters of Fanny Burney, vol. 1, p. 8, journal entry, 1768.
Letters

Truth, History, Nature, Appearance

“When the captain throws out his sheet-anchor, and the ship "rides at anchor," as it is called, there is a great strain on every link of that chain; and if one bad link breaks, off goes the anchor, and the ship is driven before the winds, and may be destroyed. Now, our character is very much like the chain; one bad piece vitiates and spoils it. So we must have a pure character.”

John Hall (1829–1898) Presbyterian pastor from Northern Ireland in New York, died 1898

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 44.

“In this business one becomes a connoisseur. I can now see that [Jim] Carrey is a virtuoso, [Chris] Farley is at least hard-working, [Adam] Sandler is hopeless and Pauly Shore bypasses all categories to achieve a kind of transcendent fingernails-on-the-blackboard effect. His appeal must be limited to people whose self-esteem and social skills are so damaged that they find humor, or at least relief, in at last encountering a movie character less successful than themselves.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/jury-duty-1995 of Jury Duty (12 April 1995) Reviews, One-star reviews

People, Business, Success

“[The mathematical character of Descartes' physics lies in its methodological nature, namely, the] axiomatic structure of the whole system, in the establishment of indubitable foundations and the deduction of the phenomena.”

Eduard Jan Dijksterhuis (1892–1965) Dutch historian

Source: The mechanization of the world picture, 1961, p. 414; as cited in: ‎Marleen Rozemond (2009), Descartes's Dualism. p. 235

Mathematics, Nature

“I don't know if there is a gene for comedy, but my dad was a very funny man. … He just didn't know it. He was a naturally funny character, and when my brother and I would laugh at things he said and did, he would say, 'What do you think is so funny?”

Jim Belushi (1954) American actor, comedian, singer, and musician

Source: Rick Kogan. " Belushis: Funny is in their bones: Jim, son Robert and stand-up Kyle Lane team up to create intimate Comedy Bar on Ontario Street http://articles.chicagotribune.com/2012-10-26/entertainment/ct-ae-1028-kogan-sidewalks-20121026_1_stand-up-comedy-improv-funny-guyThe," in: The Chicago Tribune, October 26, 2012.

Nature, Thinking

“Yes, it is absurd [to say that without God, murder is permissible], because even according to your sacred fables Moses murdered an Egyptian and then looked around to make sure no one saw him before trying to conceal the body, and the same goes for the myth of Cain and Abel, where Cain lied about killing his brother. Both of these characters obviously already knew that murder was wrong a long time before the story of the Ten Commandments, and this might be because Hammurabi had already established the code of law many centuries earlier than these myths found their way into the Bible, or it might be that, like most social animals, even superstitious savages understood that you shouldn't kill or maim other members of your own society (unless your religion commands it). One minute, God supposedly says "thou shalt not kill", and the next minute He orders His own people to kill every man and his brother, except of course for Moses's brother who really should have been the only one who was killed in that story. But somehow he was spared and promoted to priest instead; saved by nepotism. Then God told them all to kill all their neighbors, every man, woman and child, including the infants and the unborn. But the fact is that murder is still wrong, regardless of what God has to say about it, and there is still no justification when God allegedly commands His prophets to plunder communities and commit genocide.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, The Damn Commandments https://www.youtube.com/watch?v=8u3z69YpLx0 (January 7, 2015)

God, People, Religion, Law

“I demand of you, and of the whole world, that you show me a generic character—one that is according to generally accepted principles of classification, by which to distinguish between Man and Ape. I myself most assuredly know of none. …But, if I had called man an ape, or vice versa, I should have fallen under the ban of all the ecclesiastics. It may be that as a naturalist I ought to have done so.”

Carl Linnaeus (1707–1778) Swedish botanist, physician, and zoologist

Letter to J. G. Gmelin (1747) as quoted by Jeffrey H. Schwartz, Sudden Origins: Fossils, Genes, and the Emergence of Species (1999)

World

“One of the amazing things about 'Seven Samurai' is that there are a lot of characters. And considering you have so many, and they all have shaved heads, and you've got good guys and bad guys and peasants, you get to understand a lot of them without too much being said.”

George Lucas (1944) American film producer

George Lucas, in Marc Lee Film-makers on film: George Lucas http://www.telegraph.co.uk/culture/film/filmmakersonfilm/3642010/Film-makers-on-film-George-Lucas.html, The Telegraph, 14 May 2005 2000s

Guy, Understanding

“… the principle of the limiting character of the velocity of light. This statement… is not an arbitrary assumption but a physical law based on experience. In making this statement, physics does not commit the fallacy of regarding absence of knowledge as evidence for knowledge to the contrary. It is not absence of knowledge of faster signals, but positive experience which has taught us that the velocity of light cannot be exceeded. For all physical processes the velocity of light has the property of an infinite velocity. In order to accelerate a body to the velocity of light, an infinite amount of energy would be required, and it is therefore physically impossible for any object to obtain this speed. This result was confirmed by measurements performed on electrons. The kinetic energy of a mass point grows more rapidly than the square of its velocity, and would become infinite for the speed of light.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Law, Knowledge, Light, Speed

“We would enter the League not because we believe in a perfect instrument—on the contrary, its weakness and grave imperfections are fully recognized—but because the place for a powerful nation like the United States is on the inside, where it may aid in determining the character of its activities and the scope of its jurisdiction, rather than on the outside, indulging in harshest criticism.”

Kirby Page (1890–1957) American clergyman

An American Peace Policy (1925)

Perfection

“Somewhere in Time, while it errs on the side of pretentiousness, is an absolutely honest attempt to create an old-fashioned romance. It's based on love rather than on sex or X-rated bedroom scenes. I don't know how to talk about a love story without getting all gooey about it, but the script excited me because of the situation of the leading character… His problem struck me as that of many people. They've got everything going for them, or so they say, except for a real commitment, a real love.”

Christopher Reeve (1952–2004) actor, director, producer, screenwriter

Statement of 1980, as quoted in the "Biography" at Chris Reeve Homepage http://www.chrisreevehomepage.com/biography.html

Love, People, Sex, Fashion

“Those of us who shout the loudest about Americanism in making character assassinations are all too frequently those who, by our own words and acts, ignore some of the basic principles of Americanism:
:The right to criticize;
:The right to hold unpopular beliefs;
:The right to protest;
:The right of independent thought.
The exercise of these rights should not cost one single American citizen his reputation or his right to a livelihood nor should he be in danger of losing his reputation or livelihood merely because he happens to know someone who holds unpopular beliefs. Who of us doesn't? Otherwise none of us could call our souls our own. Otherwise thought control would have set in.”

Margaret Chase Smith (1897–1995) Member of the United States Senate from Maine

Declaration of Conscience (1950)

Exercises, Soul

“These two opposed forms of social organization, the modern state and the market, have evolved together through recent centuries, and their mutual interactions have become increasingly crucial to the character and dynamics of international relations in our world.”

Robert Gilpin (1930–2018) Political scientist

Introduction, p. 4
The Political Economy of International Relations (1987)

World

“Foreign powers do not seem to appreciate the true character of our Government.”

James K. Polk (1795–1849) American politician, 11th President of the United States (in office from 1845 to 1849)

Inaugural Address (4 March 1845).

“About the beginning of our Civil Wars, in the year 1642, a Chaplain of Sr. Will. Waller's (one evening as we were sitting down to Supper at the Lady Vere's in London, with whom I then dwelt,) shewed me an intercepted Letter written in Cipher. He shewed it me as a Curiosity (and it was indeed the first thing I had ever seen written in Cipher.) And asked me between jeast and earnest, whether I could make any thing of it. And he was surprised when I said (upon the first view) perhaps I might, if it proved no more but a new Alphabet. It was about ten a clock when we rose from Supper. I then withdrew to my chamber to consider of it. And by the number of different Characters therein, (not above 22 or 23:) I judged that it could not be more than a new Alphabet, and in about 2 hours time (before I went to bed) I had deciphered it; and I sent a Copy of it (so deciphered) the next morning to him from whom I had it. And this was my first attempt at Deciphering.”

John Wallis (1616–1703) English mathematician

p, 125
Dr. Wallis's Account of some Passages of his own Life (1696)

War, Time

“I hear addicts talk about the shakes and panic attacks and the highs and lows of resisting their habit, and to some degree I understand them because I have had habits of my own, but no drug is so powerful as the drug of self. No rut in the mind is so deep as the one that says I am the world, the world belongs to me, all people are characters in my play. There is no addiction so powerful as self addiction.”

Donald Miller book Blue Like Jazz: nonreligious thoughts on Christian spirituality

Blue Like Jazz (2003, Nelson Books)

People, World, Understanding

“The general character of our solution must be, therefore, that it withdraws from expenditure a proportion of the increased earnings. This is the only way, apart from shortages of goods or higher prices, by which we can secure a balance between money to be spent and goods to be bought.”

John Maynard Keynes (1883–1946) British economist

Source: How to Pay for the War (1940), Ch. 2 : The Character of the Solution

Money, Way

“The human being, on the other hand, is firmly located in a temporal process. He has an image of the past which extends back far beyond the limits of his own life and experience, and he likewise has an image of the future. Closely associated with the time structure of his image is the image of the structure of relationships. Because we are aware of time, we are also aware of cause and effect, of contiguity and succession, of cycles and repetition. The image of man is also characterized by a much greater degree of self-consciousness and of self-awareness than that of the lower animals. We not only know, but we know that we know. This reflective character of the human image is unique, and is what leads to philosophy.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 25

Life, Time, Success, Past

“There is no country in Europe which does not have in some corner or other one or several ruined fragments of peoples (Völkerruinen), the remnant of a former population that was suppressed and held in bondage by the nation which later became the main vehicle of historical development. These relics of a nation mercilessly trampled under foot in the course of history, as Hegel says, these residual fragments of peoples (Völkerabfälle) always become fanatical standard-bearers of counter-revolution and remain so until their complete extirpation or loss of their national character, just as their whole existence in general is itself a protest against a great historical revolution.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

The Magyar Struggle http://www.marxistsfr.org/archive/marx/works/1849/01/13.htm in Neue Rheinische Zeitung (13 January 1849).

People, History, Loss, Country

“I now know that sculpture is made from rough externals by rough characters or men who have passed through all polish and are back to the rough again.
The mystic modeling clay in only Ohio mud, the tools are at hand in garages and factories. Casting can be achieved in almost every town.”

David Smith (1906–1965) American visual artist (1906-1965)

1950s, Tradition and Identity' (1959)

Men

“A lot of my work has to do with not allowing my characters to have an ego in a way that the stomach doesn't have an ego when it's wanting to throw up. It just does it.”

Matthew Barney (1967) American artist

art:21 interview: "CREMASTER 3—on location at the Solomon R. Guggenheim Museum, NY" http://www.pbs.org/art21/artists/barney/clip1.html

Way

“I love the way Law and Order doesn’t always put their heroes on the side of good. And sometimes they win, sometimes they lose and sometimes for the wrong reasons. I also think it’s interesting that there is a series that has remained story-driven in its, what, sixtieth season, right? If not for them, I would argue that all shows eventually become soap operas about the lives of the characters. Law And Order does what it does and does it well. It may simply be that you’re mistaking consistency for blandness, how ’bout that, fella?”

Jane Espenson (1964) American television writer and producer

Response to interviewer declaring Law and Order "bland" in Ain't It Cool News interview (17 July 2003)

Love, Law, Way, Thinking

“The new vision of man and politics was never taken by its founders to be splendid. Naked man, gripped by fear or industriously laboring to provide the wherewithal for survival, is not an apt subject for poetry. They self-consciously chose low but solid ground. Civil societies dedicated to the end of self-preservation cannot be expected to provide fertile soil for the heroic and inspired. They do not require or encourage the noble. What rules and sets the standards of respectability and emulation is not virtue or wisdom. The recognition of the humdrum and prosaic character of life was intended to play a central role in the success of real politics. And the understanding of human nature which makes this whole project feasible, if believed in, clearly forms a world in which the higher motives have no place. One who holds the “economic” view of man cannot consistently believe in the dignity of man or in the special status of art and science. The success of the enterprise depends precisely on this simplification of man. And if there is a solution to the human problems, there is no tragedy. There was no expectation that, after the bodily needs are taken care of, man would have a spiritual renaissance—and this for two reasons: (1) men will always be mortal, which means that there can be no end to the desire for immortality and to the quest for means to achieve it; and (2) the premise of the whole undertaking is that man’s natural primary concern is preservation and prosperity; the regimes founded on nature take man as he is naturally and will make him ever more natural. If his motives were to change, the machinery that makes modern government work would collapse.”

Allan Bloom (1930–1992) American philosopher, classicist, and academician

“Commerce and Culture,” p. 284.
Giants and Dwarfs (1990)

Life, Wisdom, Men, World

“I must make a protest against the sort of exaggerations in which the noble Lord has indulged. He has described the railway launching 2,000 or 3,000 ruffians upon some quiet neighbourhood in a manner that might lead one to imagine the train conveyed a set of banditti to plunder, rack, and ravage the country, murder the people, burn the houses, and commit every sort of atrocity…they may conceive it to be a very harmless pursuit…Some people look upon it as an exhibition of manly courage, characteristic of the people of this country. I saw the other day a long extract from a French newspaper describing this fight as a type of the national character for endurance, patience under suffering of indomitable perseverance, in determined effort, and holding it up as a specimen of the manly and admirable qualities of the British race…I do not perceive why any number of persons, say 1,000 if you please, who assemble to witness a prize fight, are in their own persons more guilty of a breach of the peace than an equal number of persons who assemble to witness a balloon ascent. There they stand; there is no breach of the peace; they go to see a sight, and when that sight is over they return, and no injury is done to any one. They only stand or sit on the grass to witness the performance, and as to the danger to those who perform themselves, I imagine the danger to life in the case of those who go up in balloons is certainly greater than that of two combatants who merely hit each other as hard as they can, but inflict no permanent injury upon each other.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1860/may/15/papers-moved-for-1 in the House of Commons (15 May 1860) on the illegal prize-fight between Tom Sayers and J. C. Heenan. The Radical MP Colonel Dickson replied that although "He sat on a different side of the House from the noble Lord, and did not often find himself in the same lobby with him on a division; but he would say for the noble Viscount, that if he had one attribute more than another which endeared him to his countrymen it was his thoroughly English character and his love for every manly sport". Palmerston was rumoured to have attended the fight and he contributed the first guinea to the collection for Sayers in the House of Commons. 1860s

Life, People, Peace, Imagination

“In its origins the utility school was strongly influenced by a desire to strengthen the potentially apologetic character of economics.”

Eric Roll, Baron Roll of Ipsden (1907–2005) British economist

Source: A History of Economic Thought (1939), Chapter VIII, Modern Economics, p. 370

School

“Probably, I wound up—if not as a jack-of-all-trades—at best as a thirdrate polymath never able to focus these curiosities into a commanding “view of life.” The most practical solution appeared to be to make a profession of observation, to become a reporter simply, a profession easily damned as that of a fence-sitter, a moral coward unwilling to take a stand, a chronic water-treader who lacks the strength to take the plunge. To these strictures, I can only reply that once every four years at least I take a stand: I vote. And immediately afterward return to my reporting habits and the continuing discovery that in life the range of irreconcilable points of view, characters, flaws, idiosyncrasies and virtues is astounding, and that in politics there is very often much to be said on both sides, and sometimes on three or four.”

Alistair Cooke (1908–2004) British journalist and broadcaster

"Reflections of a Non-Positive Man". In: Living philosophies : the reflections of some eminent men and women of our time (1990), edited by Clifton Fadiman.

Life, Water, Appearance

“It is not with a rush and a spring that we are to reach Christ's character, and attain to perfect saintship; but step by step, foot by foot, hand over hand, we are slowly and often painfully to mount the ladder that rests on earth, and rises to heaven.”

Thomas Guthrie (1803–1873) British divine

Source: The Way to Life: Sermons (1862), P. 192 (The Example of Christ).

Spring, Christ, Perfection

““Another boyfriend?”
“A character in one of my plays. Runkleberg’s my twentieth-century Abraham. One fine morning he’s out watering his roses, and he hears God’s voice telling him to sacrifice his son.”
“Does he obey?”
“His wife intervenes.”
“How?”
“She castrates him with his hedge clippers, and he bleeds to death.””

James K. Morrow book Towing Jehovah

Source: Towing Jehovah (1994), Chapter 4, “Dirge” (p. 71)

Death, God, Water

“Now to the great artist, everything in nature has character.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Nature

“A philosopher may try to prove the truth of something he believed before he was a philosopher, but even if he succeeds, his belief never regain the untroubled character, and the settled place in his mind, which it had at first.”

David Stove (1927–1994) Australian philosopher

The Rationality of Induction, Oxford: Clarendon, 1986. Page 99, first paragraph.

Truth

“Virtue is infinitely various. There is no situation in which a rational being is placed, from that of the best instructed Christian down to the condition of the rudest barbarian, which affords not room for moral agency; for the acquisition, exercise, and display of voluntary qualities, good and bad. Health and sickness, enjoyment and suffering, riches and poverty, knowledge and ignorance, power and subjection, liberty and bondage, civilisation and barbarity, have all their offices and duties, all serve for the formation of character: for when we speak of a state of trial, it must be remembered, that characters are not only tried, or proved, or detected, but that they are generated also, and formed, by circumstances. The best dispositions may subsist under the most depressed, the most afflicted fortunes.”

William Paley (1743–1805) Christian apologist, natural theologian, utilitarian

Source: Natural Theology (1802), Ch. 26 : The Goodness of the Deity.

Health, Exercises, Knowledge, Affliction

“Once there was a certain man who was very clever, but it was his character to always see the negative points of his jobs. In such a way, one will be useless.”

Tsunetomo Yamamoto book Hagakure

Hagakure (c. 1716)

Way

“Leadership is a potent combination of strategy and character. But if you must be without one, be without the strategy.”

Norman Schwarzkopf (1934–2012) United States Army general

Quoted in "The Military Quotation Book" (2002) by James Charlton, p. 83
Disputed

Leadership, Business

“No, I don't believe we've ever designed a character around a person. Usually, we start out with a kind of personality.”

Jim Henson (1936–1990) American puppeteer

Interview with Associated Press (1986)

Personality

“Now, to the great artist, everything in nature has character; for the unswerving directness of his observation searches out the hidden meaning of all things. And that which is considered ugly in nature often presents more character than that which is termed beautiful, because in the contractions of a sickly countenance, in the lines of a vicious face, in all deformity, in all decay, the inner truth shines forth more clearly than in features that are regular and healthy.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 46

Truth, Beauty, Search, Nature

“Society swarmed with exaggerated characters; it contained little else.

Often this eccentricity bore all the marks of strength; perhaps it was actual exuberance of force, a birthmark of genius. Boston thought so. The Bostonian called it national character — native vigor — robustness — honesty — courage. He respected and feared it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Fear, Courage

“A talent is formed in stillness, a character in the world's torrent.”

Johann Wolfgang von Goethe Torquato Tasso

Torquato Tasso, Act I, sc. ii (1790)

World

“When the Shah departed towards the close of the day, a false rumour was spread through the town that he had been severely wounded by a shot from a matchlock, and thus were sown the seeds from which murder and rapine were to spring. The bad characters within the town collected in great bodies, and, without distinction, commenced the work of plunder and destruction…. On the morning of the 11th an order went forth from the Persian Emperor for the slaughter of the inhabitants. The result may be imagined; one moment seemed to have sufficed for universal destruction. The Chandni chauk, the fruit market, the Daribah bazaar, and the buildings around the Masjid-i Jama’ were set fire to and reduced to ashes. The inhabitants, one and all, were slaughtered. Here and there some opposition was offered, but in most places people were butchered unresistingly. The Persians laid violent hands on everything and everybody; cloth, jewels, dishes of gold and silver, were acceptable spoil…. But to return to the miserable inhabitants. The massacre lasted half the day, when the Persian Emperor ordered Haji Fulad Khan, the kotwal, to proceed through the streets accompanied by a body of Persian nasakchis, and proclaim an order for the soldiers to resist from carnage. By degrees the violence of the flames subsided, but the bloodshed, the devastation, and the ruin of families were irreparable. For a long time the streets remained strewn with corpses, as the walks of a garden with dead flowers and leaves. The town was reduced to ashes, and had the appearance of a plain consumed with fire. All the regal jewels and property and the contents of the treasury were seized by the Persian conqueror in the citadel. He thus became possessed of treasure to the amount of sixty lacs of rupees and several thousand ashrafis… plate of gold to the value of one kror of rupees, and the jewels, many of which were unrivalled in beauty by any in the world, were valued at about fifty krors. The peacock throne alone, constructed at great pains in the reign of Shah Jahan, had cost one kror of rupees. Elephants, horses, and precious stuffs, whatever pleased. the conqueror’s eye, more indeed than can be enumerated, became his spoil. In short, the accumulated wealth of 348 years changed masters in a moment.”

Nader Shah (1688–1747) ruled as Shah of Iran

About Shah’s sack of Delhi, Tazrikha by Anand Ram Mukhlis. A history of Nâdir Shah’s invasion of India. In The History of India as Told by its own Historians. The Posthumous Papers of the Late Sir H. M. Elliot. John Dowson, ed. 1st ed. 1867. 2nd ed., Calcutta: Susil Gupta, 1956, vol. 22, pp. 74-98. https://www.infinityfoundation.com/mandala/h_es/h_es_tazrikha_frameset.htm

Pain, People, World, Family

“His own character is the arbiter of every one's fortune.”

Publilio Siro Latin writer

Maxim 283
Sentences, The Moral Sayings of Publius Syrus, a Roman Slave

“It is no more evident that democratic institutions are to be measured by the sort of person they create than that they are to be measured against divine commands. … Even if the typical character types of liberal democracies are bland, calculating, petty, and unheroic, the prevalence of such people may be a reasonable price to pay for political freedom.”

Richard Rorty (1931–2007) American philosopher

"The priority of democracy to philosophy"

People, Democracy, Freedom, Personality

“Character is the product of daily, hourly actions, and words, and thoughts; daily forgivenesses, unselfishness, kindnesses, sympathies, charities, sacrifices for the good of others, struggles against temptation, submissiveness under trial. Oh, it is these, like the blending colors in a picture, or the blending notes of music, which constitute the man.”

John Ross Macduff (1818–1895) Scottish religious writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 46.

Music, Color, Forgiveness

“Don't regard my characters as symbols of a determined society. See them as something that sparks a reaction within you so that they become a personal experience. The critic is a spectator and an artist insofar as he transforms the work into a personal thing of his own.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

Personality

“Stalin was a guy like we are, not only that he considered himself a revolutionary and lived like one, but he was a character in the truest sense of the word… We have finally to let out this psychological wreckage… it is our and my darkest chapter, I know or better to say I suspect it, because I am extremely afraid of certain things that are inside of me. Bartsch and Honka are extreme cases, but in some sense this is as personality inside of oneself… then it easily developed into, yes, the thrill of punching, tending to be a sadistic pleasure.”

Joschka Fischer (1948) German politician

"Stalin war also so ein Typ wie wir, nicht nur, daß er sich auch als Revolutionär verstanden und gelebt hat, sondern er war im wahrsten Sinne des Wortes eben auch ein Typ."
… [Wir müssen] "diese psychische Kaputtheit aus uns endlich rauslassen … Es ist unser und mein dunkelstes Kapitel, ich weiß, oder ahne es besser nur, weil ich da selber wahnsinnig Angst vor bestimmten Sachen in mir habe. Bartsch und Honka sind Extremfälle, aber irgendwo hängt das als Typ in dir drin … dann wurde dann leicht auch, ja, die Lust am Schlagen draus, ein tendenziell sadistisches Vergnügen."
Autonomie, No. 5 (1977)

Pleasure, Guy, Sense, Personality

“I think it's quite enough to simply be sarcastic about something. I like to do that quite a lot, and it's one of my favorite things to look at. That's why I think there's a thin line between melodrama and satire, and I like to dance across that line sometimes. I like the story to take a very funny turn or have a character who is much more of a cartoon.”

Frank Miller (1957) American writer, artist, film director

Source: Eisner/Miller (2005), p. 95

Thinking, Dance

“Smith’s own theory, as given in the first five editions, is for the most part a theory of moral judgement —that is to say, it is an answer to the second question set out in the initial description of the subject of philosophical ethics. […] There is no thoroughgoing inquiry of what constitutes the character of virtue, as required by the first of the two questions, even though the historical survey at the end of the book deals with both questions in turn and, as it happens, gives more space to the first topic, the character of virtue, than to the second, the nature of moral judgement.
The fact is that Smith did not reach a distinctive view on the first topic. He has a distinctive view of the content of virtue, that is to say, a view of what are the cardinal virtues; but he does not give us an explanation of what is meant by the concept of moral virtue, how it arises, how it differentiates moral excellence from other forms of human excellence. […] I think that, when Smith came to revise the work for the sixth edition, he realized that he had not dealt at all adequately with the first of the two questions, and for that reason he added the new part VI, entitled ‘Of the Character of Virtue’, to remedy the omission. It is not, in my opinion, an adequate remedy, and it certainly does not match Smith’s elaborate answer to the second question. […]
Since the second of the two topics, the nature of moral judgement, is the main subject of both versions of Smith’s book, I shall give it priority in what follows. There is in fact a clear development in Smith’s view of this topic, especially in his conception of the impartial spectator, the most important element of Smith’s ethical theory.”

D. D. Raphael (1916–2015) Philosopher

The Impartial Spectator: Adam Smith's Moral Philosophy (2007), Ch. 1: Two Versions

Books, Question, Nature, Thinking

“His consolation in those hours when he was most uncharitable to himself is that taken at his very worst he was at least still worthy of being a character in a novel by Balzac, win one day, lose the next, and do it with boom! and baroque in the style.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Armies of the Night (1968)

“It appears from this inquiry that color and other physiological characters are of a more superficial and accidental nature than was at one time supposed.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 278

Color, Nature, Appearance, Time

“The DC comics were always a lot more true blue. Very enjoyable, but they were big, brave uncles and aunties who probably insisted on a high standard of you know mental and physical hygiene. Whereas the Stan Lee stuff, the Marvel comics, he went from one dimensional characters whose only characteristic was they dressed up in costumes and did good. Whereas Stan Lee had this huge breakthrough of two-dimensional characters. So, they dress up in costumes and do good, but they've got a bad heart. Or a bad leg. I actually did think for a long while that having a bad leg was an actual character trait.”

Alan Moore (1953) English writer primarily known for his work in comic books

Interview on BBC Radio 4 (27 January 2005) http://www.comicbookresources.com/?page=article&id=4533

Thinking, Heart

“I had a letter from the Marquis, day before yester day. He writes me he is endeavouring to represent every thing in the most favorable colors to the Court of France, in order to wipe away the prejudices that the letters of some of the more indiscreet may make upon that Court, All the French officers are extravagantly fond of your Excellency; but the Admiral more so than any of the rest. They all speak of you with the highest reverence and respect. General Hancock made the Admiral a present of your picture. He was going to receive it on board the fleet by the firing a royal salute. But General Hancock thought it might furnish a handle for some of the speculative politicians to remark the danger of characters becoming too important. He therefore dissuaded the Admiral from carrying the matter into execution.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (September 1778)

Color

“Beautiful women seldom want to act. They are afraid of emotion and they do not try to extract anything from a character that they are portraying, because in expressing emotion they may encourage crow's feet and laughing wrinkles. They avoid anything that will disturb their placidity of countenance, for placidity of countenance insures a smooth skin.”

Laurette Taylor (1884–1946) American stage and silent film actress

The Quality You Need Most, from Green Book Magazine (April 1914)

Women, Beauty

“And if the experience of natural science is any guide, then as the science of administration advances, we may reasonably expect it to take on an increasingly deterministic character. As research, scientific societies, and the exchanges of knowledge and hypotheses by natural scientists have advanced the exactness of knowledge in the domain of natural science, so we may expect research, administrative societies, and the exchanges among administrators to advance the exactness of knowledge in the domain of administration.”

Charles A. Beard (1874–1948) American historian

661-2
Philosophy, Science and Art of Public Administration (1939)

Nature, Knowledge, Science

“The essence of a role-playing game is that it is a group, cooperative experience. There is no winning or losing, but rather the value is in the experience of imagining yourself as a character in whatever genre you’re involved in, whether it’s a fantasy game, the Wild West, secret agents or whatever else. You get to sort of vicariously experience those things.”

Gary Gygax (1938–2008) American writer and game designer

Interview in 2006, as quoted in "Gary Gygax, Game Pioneer, Dies at 69" in The New York Times (5 March 2008) http://www.nytimes.com/2008/03/05/arts/05gygax.html?_r=1&ref=arts&oref=slogin

Secret, Imagination, Game

“Roughing it builds a boy's character, but only certain kinds of roughing it.”

Margaret Atwood book Wilderness Tips

Wilderness Tips (1991)

Boy

“I leave my character behind me.”

Richard Brinsley Sheridan The School for Scandal

Act II, sc. ii.
The School for Scandal (1777)

“I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters.”

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978)

Thinking, Science

“People often repeat the fallacy that "film is a passive medium". The statement is usually elaborated like this: "When I read a story in a book, I have to use my imagination to conjure up what the characters look like, the sound of their voices, the appearance of their surroundings, the house, the landscape. When I see a movie, those things are all nailed down for me, so I don't feel as involved." What the person is describing are the most obvious aspects of a given story, that is, its physical properties. They are, in fact, the least interesting and least important components of a story. I do not read books in order to imagine the physical appearance of things.”

Peter Chung (1961) Korean-American animator

The State of Visual Narrative In Film And Comics http://www.awn.com/mag/issue3.4/3.4pages/3.4chung.html

People, Books, Feeling, Imagination

“I sometimes think that there is a link between the decline in humanity and the increase in prosperity and comfort. Property and comfort are what people seek, but the costs to character are often terrifying.”

Mo Yan book Red Sorghum

Red Sorghum: A Novel of China (1986/1987)

People, Thinking

“A pun does not commonly justify a blow in return. But if a blow were given for such cause, and death ensued, the jury would be judges both of the facts and of the pun, and might, if the latter were of an aggravated character, return a verdict of justifiable homicide.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

Death

“Undoubtedly Wittgenstein did greatly need human warmth and affection and he was enormously appreciative of any simple kindness. But a friendly relationship with him was very exacting. He could rebuke a friend with extreme harshness. He had a tendency to be suspicious of motives and character.”

Norman Malcolm (1911–1990) American philosopher

Ludwig Wittgenstein: A Memoir, 1958

Motivation

“The new D&D is too rule intensive. It's relegated the Dungeon Master to being an entertainer rather than master of the game. It's done away with the archetypes, focused on nothing but combat and character power, lost the group cooperative aspect, bastardized the class-based system, and resembles a comic-book superheroes game more than a fantasy RPG where a player can play any alignment desired, not just lawful good.”

Gary Gygax (1938–2008) American writer and game designer

GameSpy interview, Pt. 2 (16 August 2004) http://pc.gamespy.com/articles/538/538820p3.html

Books, Law, Game

“If in the case of a notion whose specialisations form a continuous manifoldness, one passes from a certain specialisation in a definite way to another, the specialisations passed over form a simply extended manifoldness, whose true character is that in it a continuous progress from a point is possible only on two sides, forwards or backwards. If one now supposes that this manifoldness in its turn passes over into another entirely different, and again in a definite way, namely so that each point passes over into a definite point of the other, then all the specialisations so obtained form a doubly extended manifoldness. In a similar manner one obtains a triply extended manifoldness, if one imagines a doubly extended one passing over in a definite way to another entirely different; and it is easy to see how this construction may be continued. If one regards the variable object instead of the determinable notion of it, this construction may be described as a composition of a variability of n + 1 dimensions out of a variability of n dimensions and a variability of one dimension.”

Bernhard Riemann (1826–1866) German mathematician

On the Hypotheses which lie at the Bases of Geometry (1873)

Way, Imagination

“Sufficient power conferred to enable the same to be fully carried out, that such responsibilities may be real in their character.”

Daniel McCallum (1815–1878) Canadian engineer and early organizational theorist

Report of the Superintendent of the New York and Erie Railroad to the Stockholders (1856)

“I also respond very strongly to characters I have not done before… something I can really sink my teeth into, and what's scary, and what terrifies me, because that's where I need to go.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Toady "Nothing 'Bleak' about PBS for Gillian Anderson" http://www.today.com/id/10912748/ns/today-today_entertainment/t/nothing-bleak-about-pbs-gillian-anderson/#.VpKEALZ96Uk (January 18, 2006) 2000s

“The Plankton character was only supposed to be in one or two episodes, but I was a writer on the show and I really liked this character. Stephen told me to come up with more ideas for Plankton. I’m not just his voice. I get to create how the character is written and how he evolves over time. You very rarely get that experience.”

Mr. Lawrence (1969) American voice actor, comedian, writer, storyboard artist, animator and director

Idea, Time

“I read an interview with her one time, where she was asked, something along the lines of "Why do you write from the perspective of a lot of characters?" And she said very simply and eloquently "because they're more interesting than I am."”

St. Vincent (musician) (1982) American singer-songwriter

The Kate Bush Story (2014)

Time, Reading

“When I first heard the songs of Mario Ruiz Armengol I responded in awe at the totality of their musical expression. Mario's harmonic sense was one that I had never encountered in most Latin music; melodies which in themselves were distinctive and lingered in your mind after only one hearing; profound emotional content without being hyper-romantic in conception. Some of them seemed almost brooding in character, filled with a feeling of melancholia and reflecting the depth of his personality.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From the liner notes for Cal Tjader Plays the Contemporary Music of Mexico and Brazil (September 1962)

Music, Feeling, Sense, Personality

“You'll never make the friendship of nature until you can approach her with the idea of learning all that she has, all that she is, all that she serves from the inner worlds outwards to this physical vestment. The more wildflowers you learn the names of the richer you are. The more birds you can identify the finer character you possess and the more you can love as well as appreciate and seek to protect beauty in every form, the higher and nobler becomes your character. For nature teaches your character to expand and it reaches out to your very soul to make it as pure as it is.”

Flower A. Newhouse (1909–1994) American mystic

Lecture June 8, 1958 Nature's Portals of Instruction
Nature

Love, Friendship, World, Beauty

“Tsenov is famous in Italy for his logical Bulgarian erudition and in Germany, with his previous work, he has revolutionized the origin of the Bulgarians and the other Slavs in the Balkans … The thesis on the Thracian-Bulgarian origin of the Bulgarians was supported by Tsenov with a great controversial liveliness, sometimes quite brave, always resting on arguments that can not be denied without an absolute competence, because the author who has devoted his entire life to this study does not allow concessions … He establishes in a complete picture Irvine inhabit life, the language of the Thracians and Illyrians, ethnic influence they exercised on the development of peoples-conquerors in the Balkans, to reach aboriginal character of the Bulgarians, which is comprehensively addressed and clearly and accurately exposed. All this work has been examined with a critical chronological and convincing method. He deserves praise. Mr. Tsenov shows that he is a man who has a deep knowledge and a great skill, a man who has put all his love and his whole excitement, always inspired by a belief that undoubtedly gives him the right to delight.”

Gancho Tsenov (1870–1949) Bulgarian historian

quotations for him
Source: prof. dr. Antonio Baldaci, член на Италианската АН, сп. „Светоглас”, юни (June), 1937 г., стр. 6

Love, Life, People, Exercises

“An examination of our terms, such as competition, rivalry, emulation, etc., reveals that the traditional perspective remains inscribed in the language. Competitors are fundamentally those who run or walk together, rivals who dwell on opposite banks of the same river, etc…The modern view of competition and conflict is the unusual and exceptional view, and our incomprehension is perhaps more problematic than the phenomenon of primitive prohibition. Primitive societies have never shared our conception of violence. For us, violence has a conceptual autonomy, a specificity that is utterly unknown to primitive societies. We tend to focus on the individual act, whereas primitive societies attach only limited importance to it and have essentially pragmatic reasons for refusing to isolate such an act from its context. This context is one of violence. What permits us to conceive abstractly of an act of violence and view it as an isolated crime is the power of a judicial institution that transcends all antagonists. If the transcendence of the judicial institution is no longer there, if the institution loses its efficacy or becomes incapable of commanding respect, the imitative and repetitious character of violence becomes manifest once more; the imitative character of violence is in fact most manifest in explicit violence, where it acquires a formal perfection it had not previously possessed. At the level of the blood feud, in fact, there is always only one act, murder, which is performed in the same way for the same reasons in vengeful imitation of the preceding murder. And this imitation propagates itself by degrees. It becomes a duty for distant relatives who had nothing to do with the original act, if in fact an original act can be identified; it surpasses limits in space and time and leaves destruction everywhere in its wake; it moves from generation to generation. In such cases, in its perfection and paroxysm mimesis becomes a chain reaction of vengeance, in which human beings are constrained to the monotonous repetition of homicide. Vengeance turns them into doubles.”

René Girard book Things Hidden Since the Foundation of the World

Source: Things Hidden Since the Foundation of the World (1978), p. 11-12.

Way, Distant, Time, Perfection

“I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.”

Peter Greenaway (1942) British film director

Watching Water

Music, Way, Travel, Feeling

“I'm really serious about this writing thing. What time I haven't been writing, I've been reading: Thomas Wolfe, if you know who he is. His writing is mostly built about the central character of a writer, himself. Altho it's fiction, it deals with his life and experiences. In my opinion, little as it's worth, he is the greatest writer that has lived, Shakespeare included. He is a genius.”

James Jones (1921–1977) American author

Letter to his brother Jeff, from Hawaii (7 April 1941); p. 11
To Reach Eternity (1989)

Life, Wolf, Time, Reading

“Being an incomplete female, the male spends his life attempting to complete himself, become female. He attempts to do this by constantly seeking out, fraternizing with and trying to live through and fuse with the female and by claiming as his own all female characteristics - emotional strength and independence, forcefulness, dynamism, decisiveness, coolness, objectivity, assertiveness, courage, integrity, vitality, intensity, depth of character, grooviness, etc. - and projecting onto women all male traits - vanity, frivolity, triviality, weakness, etc. It should be said, though, that the male has one glaring area of superiority over the female - public relations. He has done a brilliant job of convincing millions of women that men are women and women are men.”

Valerie Solanas (1936–1988) American radical feminist and writer. Attempted to assassinate Andy Warhol.

Source: SCUM MANIFESTO (1967), p. 2 (hyphens (not en- or em-dashes) so in original).

Life, Women, Men, Courage

“Everything’s better with some wine in the belly, as a famous character from Game of Thrones would say.”

Elliot Rodger (1991–2014) American spree killer

My Twisted World (2014), Pastimes

Game, Wine

“… a rather different class of applications of the idea of best allocation of scarce resources… usually referred to as the theory of optimal economic growth. In most studies of this kind made in the countries with market economies there is not an identifiable client to whom the findings are submitted as policy recommendations. Nor is there an obvious choice of objective function, such as cost minimization or profit maximization in the studies addressed to individual enterprises. The field has more of a speculative character. The models studied usually contain only a few highly aggregated variables. One considers alternative objective functions that incorporate or emphasize various strands of ethical, political, or social thought. These objectives are then tried out to see what future paths of the economy they imply under equally simplified assumptions of technology or resource availability.”

Tjalling Koopmans (1910–1985) Dutch American economist

Source: Concepts of Optimality and Their Uses, 1975, p. 244

Idea, Optimism, Study, Future

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Women, Secret, Sex, Study

“As it is the essence of justice ultimately to shape those relations in the sense of equality, so it is essential to the legal precept in its meaning to be directed toward equality, to claim to be susceptible of generalization or to be general in character.”

Gustav Radbruch (1878–1949) German politician

Rechtsphilosophie (1932)

Justice, Sense

“To be an existentialist, one must be able to feel oneself — one must know one’s desires, one’s rages, one’s anguish, one must be aware of the character of one’s frustration and know what would satisfy it. The over-civilized man can be an existentialist only if it is chic, and deserts it quickly for the next chic.”

Norman Mailer book Advertisements for Myself

"The White Negro", first published in Dissent (Summer 1957)
Advertisements for Myself (1959)

Feeling, Rage

“Our capacity for production and enjoyment is a function, in the last analysis, of our character, our integrity.”

Stephen R. Covey book The 8th Habit: From Effectiveness to Greatness

The 8th Habit : From Effectiveness to Greatness‎ (2004), p. 63
The 8th Habit : From Effectiveness to Greatness‎ (2004)

“The potential evidenced by [director James] Cameron in The Terminator — the ability to sustain suspense, meld action with story, and provide compelling characters despite the limitations of the actors portraying them — would be fully realized in two future features, Aliens and Terminator 2. This movie, however, is in some ways more impressive than either of those because of what the filmmaker was capable of achieving with a limited budget and without significant studio backing. The themes and ideas presented in The Terminator hold up well today, even though we have moved into the post-Cold War era and only the most nihilistic individuals could see 2029 in such bleak terms. It's a rousing science fiction story that proves an on-screen adrenaline rush need not short-circuit the brain.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1618 of The Terminator (1984). Three-and-a-half star reviews

War, Way, Idea, Science

“Every one of us knows how painful it is to be called by malicious names, to have his character undermined by false insinuations, to be overreached in a bargain, to be neglected by those who rise in life, to be thrust on one side by those who have stronger wills and stouter hearts. Every one knows, also, the pleasure of receiving a kind look, a warm greeting, a hand held out to help in distress, a difficulty solved, a higher hope revealed for this world or the next. By that pain and by that pleasure let us judge what we should do to others.”

Arthur Penrhyn Stanley (1815–1881) English churchman, Dean of Westminster

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 363.

Life, Pain, Pleasure, World

“For anyone who at the end of Western philosophy can and must still question philosophically, the decisive question is no longer merely “What basic character do beings manifest?” or “How may the being of beings be characterized?” but “What is this ‘being’ itself?” The decisive question is that of “the meaning of being,” not merely that of the being of beings.”

Martin Heidegger (1889–1976) German philosopher

Source: Nietzsche (1961), p. 18

Question, Decision

“It is above all the impersonal and economically rationalized (but for this very reason ethically irrational) character of purely commercial relationships that evokes the suspicion, never clearly expressed but all the more strongly felt, of ethical religions. For every purely personal relationship of man to man, of whatever sort and even including complete enslavement, may be subjected to ethical requirements and ethically regulated. This is true because the structures of these relationships depend upon the individual wills of the participants, leaving room in such relations for manifestations of the virtue of charity. But this is not the situation in the realm of economically rationalised relationships, where personal control is exercised in inverse ratio to the degree of rational differentiation of the economic structure.”

Max Weber (1864–1920) German sociologist, philosopher, and political economist

Source: Sociology of Religion (1922), pp. 216-217

Religion, Exercises, Dependency, Personality

“From the perspective of a single day, including this day of dedication, the issues and questions before our country are many. From the viewpoint of centuries, the questions that come to us are narrowed and few. Did our generation advance the cause of freedom? And did our character bring credit to that cause?”

George W. Bush (1946) 43rd President of the United States

2000s, 2005, Second Inaugural Address (January 2005)

Question, Freedom, Country

“The producer and director were developing my story to a mega series. They had shot around 100 episodes after which the ban was imposed. The Muslim fanatics in Bengal, supported by the ruling Trinamool Congress played havoc when the serial was to be aired. The chief minister was instrumental in imposing the ban. It is interesting to see that the same person (Mamata Bangerjee) is now advocating for freedom of expression and calling it super emergency,” “This is sheer double standard….. If some people do not like a representation of art, there are other ways to counter it. I never support violent attack on artistic freedom. I also do not support the trend of issuing fatwa. But, there are politicians, who support or protest on the basis of religion. Why are rules being tweaked for one particular community in Bengal? Why did Mamata Banerjee’s government never allow me to work there, allow my books to be published? Freedom of expression, the most important character of a democracy, is always under attack for vested political interest. Nobody criticises things neutrally,”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Economic Times https://economictimes.indiatimes.com/news/politics-and-nation/didi-tweet-on-padmavati-fuels-taslima-nasreen-fury-over-bengal-gag-on-tv-serial/articleshow/61762771.cms

People, Books, Religion, Art

“Who is, in the classical conception, the subject that comprehends the ontological condition of truth and untruth? It is the master of pure contemplation (theoria), and the master of a practice guided by theoria, i. e., the philosopher-statesman. To be sure, the truth which he knows and expounds is potentially accessible to everyone. Led by the philosopher, the slave in Plato’s Meno is capable of grasping the truth of a geometrical axiom, i. e., a truth beyond change and corruption. But since truth is a state of Being as well as of thought, and since the latter is the expression and manifestation of the former, access to truth remains mere potentiality as long as it is not living in and with the truth. And this mode of existence is closed to the slave — and to anyone who has to spend his life procuring the necessities of life. Consequently, if men no longer had to spend their lives in the realm of necessity, truth and a true human existence would be in a strict and real sense universal. Philosophy envisages the equality of man but, at the same time, it submits to the factual denial of equality. For in the given reality, procurement of the necessities is the life-long job of the majority, and the necessities have to be procured and served so that truth (which is freedom from material necessities) can be. Here, the historical barrier arrests and distorts the quest for truth; the societal division of labor obtains the dignity of an ontological condition. If truth presupposes freedom from toil, and if this freedom is, in the social reality, the prerogative of a minority, then the reality allows such a truth only in approximation and for a privileged group. This state of affairs contradicts the universal character of truth, which defines and “prescribes” not only a theoretical goal, but the best life of man qua man, with respect to the essence of man. For philosophy, the contradiction is insoluble, or else it does not appear as a contradiction because it is the structure of the slave or serf society which this philosophy does not transcend. Thus it leaves history behind, unmastered, and elevates truth safely above the historical reality. There, truth is reserved intact, not as an achievement of heaven or in heaven, but as an achievement of thought — intact because its very notion expresses the insight that those who devote their lives to earning a living are incapable of living a human existence.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 128-130

Life, Men, Truth, History

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Life, God, People, Truth

“What I fear most is that you will know where the laughs are going to come, or that you will know a character so well that you know when they're going to sing a song. In some shows, you just know that the audience is sitting there going "Oh no, she's going to sing."”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

"Tracking Tracey" http://www.dareland.com/emulsionalproblems/ullman.htm (Interview, January 1989)

Fear, Singing

“The propagation problem is the problem of explaining by the structural properties of the swinging system what the character of the swings would be in case the system was started in some initial situation”

Ragnar Frisch Propagation problems and impulse problems in dynamic economics

Source: 1930s, Propagation problems and impulse problems in dynamic economics, 1933, p. 1

Problem

“Watch people do their most common actions; these are indeed the things that will tell you the real character of a great person.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

People, Personality

“In as much as any invisible, unbelievable, unknowable fictional character is, yes.”

Tamsin Greig (1966) English actress

When asked if Debbie Aldridge (her Archers character) is now part of her life.
From an interview on the Green Wing "microsite"

“The public's continuing ambivalence about cultural matters is all the more striking given that the political conversation on these issues has for 30 years been dominated by an aggressive, radical right-wing insurgency that has achieved an influence far out of proportion to its numbers. Its potent secret weapon has been the guilt and anxiety about desire that inform the character of Americans regardless of ideology; appealing to those largely unconscious emotions, the right has disarmed, intimidated, paralyzed its opposition.”

Ellen Willis (1941–2006) writer, activist

"Escape from Freedom" http://journalism.nyu.edu/faculty/files/willis-tomfrank.pdf, Situations: Project of the Radical Imagination, Vol 1, No 2 (2006)

Secret

“If I have been critical, it is because I believe it is my obligation to do so. And as a matter and duty of conscience, the notion that one should stay silent — and as the norms and values that keep America strong are undermined and as the alliances and agreements that ensure the stability of the entire world are routinely threatened by the level of thought that goes into 140 characters — the notion that we should say or do nothing in the face of such mercurial behavior is ahistoric and, I believe, profoundly misguided.”

Jeff Flake (1962) American politician

Speech in the U.S. Senate (2017)

World, Behavior, Strong

“The portrait I have to paint is of…an ambiguous character, a mixture of virtues and vices, a perpetual contrast between good impulses and bad actions.”

Antoine François Prévost (1697–1763) French novelist

J'ai à peindre…un caractère ambigu, un mélange de vertus et de vices, un contraste perpétuel de bons sentiments et d'actions mauvaises.
Avis de l'auteur, p. 30; translation p. 3.
L'Histoire du chevalier des Grieux et de Manon Lescaut (1731)

Painting

“I cannot refrain from doubting that there exist other genuine realizations of our deepest character than war and illness, those two infinities of nightmare. [39]”

Louis-ferdinand Céline book Journey to the End of the Night

Journey to the End of the Night (1932)

War

“The first question that offers itself is, whether the general form and aspect of the government be strictly republican. It is evident that no other form would be reconcilable with the genius of the people of America; with the fundamental principles of the Revolution; or with that honorable determination which animates every votary of freedom, to rest all our political experiments on the capacity of mankind for self-government. If the plan of the convention, therefore, be found to depart from the republican character, its advocates must abandon it as no longer defensible.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Federalist No. 39 Full text at Wikisource http://en.wikisource.org/wiki/The_Federalist_Papers/No._39 1780s, Federalist Papers (1787–1788)

People, Question, Freedom, Animals

“If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul; that alone matters; it is that which the sculptor or painter should seek beneath the mask of features.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. VII. Of Yesterday and of to-day, p. 121

Soul

“The simple organization of a people into a national body, composite or otherwise, is of itself an impressive fact. As an original proceeding, it marks the point of departure of a people, from the darkness and chaos of unbridled barbarism, to the wholesome restraints of public law and society. It implies a willing surrender and subjection of individual aims and ends, often narrow and selfish, to the broader and better ones that arise out of society as a whole. It is both a sign and a result of civilization. A knowledge of the character, resources and proceedings of other nations, affords us the means of comparison and criticism, without which progress would be feeble, tardy, and perhaps, impossible. It is by comparing one nation with another, and one learning from another, each competing with all, and all competing with each, that hurtful errors are exposed, great social truths discovered, and the wheels of civilization whirled onward.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

People, Truth, Law, Error

“The principal element of Suprematism in painting, as in architecture, is its liberation from all social or materialist tendencies. Through Suprematism, art comes into its pure and unpolluted form. It has acknowledged the decisive fact of the nonobjective character of sensibility. It is no longer concerned with illusion.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

As quoted in Marc Chagall, – a Biography, Sidney Alexander, Cassell, London, 1978, p. 194
1921 - 1930

Art, Decision, Painting

“I really love seeing things go sour, because that’s the way dread creeps into life. A lot of horror films start with a great shock scene. I grew up on that model and it’s great fun, but very perversely, I’m interested in setting up something else, where you’re really engaged with the humanity of the characters — you could be in a normal drama with its own set of problems — and then something else develops. I like this philosophical question: what comes first, reality or your interpretation of it? However interesting that is, and whether it fits in with the horror genre, I don’t know, but I think it makes perfect sense.”

Larry Fessenden (1963) American actor, producer, writer, director, film editor, and cinematographer

Larry Fessenden’s Arty Horror Picture Show Continues with “Wendigo” http://www.indiewire.com/2002/02/interview-larry-fessendens-arty-horror-picture-show-continues-with-wendigo-80532/ (February 14, 2002)

Love, Life, Way, Question

“As soon as he did not work, the poor man, whose poverty had sufficed to create his title in the world of pious legend, who had been regarded as bearing a sacred character because he symbolized the great affliction of mankind, was no longer the good friend of Jesus Christ. There was thus a type of poor whom Jesus Christ did not recognize, any more than the police did.”

Bernard Groethuysen (1880–1946) French literary historian, translator and writer

Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), p. 160

World, Affliction, Christ

Quotes about character page 10

Quotes about character
page 10