Quotes about barn

A collection of quotes on the topic of barn, likeness, doing, housing.

Quotes about barn

“When you live in a capitalistic society, the currency of the dissemination of information goes through capitalistic channels. Would Noam Chomsky object to his works being sold at Barnes & Noble? No, because that's where people buy their books. We're not interested in preaching to just the converted. It's great to play abandoned squats run by anarchists, but it's also great to be able to reach people with a revolutionary message, people from Granada Hills to Stuttgart.”

Tom Morello (1964) American guitarist and singer-songwriter

http://www.musicfanclubs.org/rage/articles/guitaryear.htm

People, Books

“Garages, barns and attics are always older than the buildings to which they are attached.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

Source: The Favorite Game

“You sacrifice yourself, your wealth torments you,
You give away yourself,
You don't take care of yourself, you don't love yourself;
Great agony always compels you,
The agony of an overflowing barn, an overabundant heart;
But no one thanks you any longer …”

Friedrich Nietzsche book Dionysian-Dithyrambs

Dionysian-Dithyrambs (1888)

Love, Heart, Wealth

“If it's ka it'll come like a wind, and your plans will stand before it no more than a barn before a cyclone”

Stephen King book Wizard and Glass

Source: Wizard and Glass

“You are the one. Solid the spaces lean on, envious. You are the baby in the barn.”

Sylvia Plath Ariel

Source: Ariel

Baby

“Waiting turns men into bears in a barn, and women into cats in a sack.”

Robert Jordan The Fires of Heaven

Lini
(15 October 1993)
Source: The Fires of Heaven

Women, Men, Cats, Waiting

“Now he was kissing me, not in a scary way, not with hostility, but with warm, seductive intent. In a hayloft, in the barn, in the middle of the night. This scene brought to you by the lettersand.”

Cate Tiernan (1961) American novelist

Source: Immortal Beloved

Hostility, Way, Kiss, Night

“Somewhere far away a bittern cried, a hollow, melancholy sound like a cow shut up in a barn. The cry of that mysterious bird was heard every spring, but no one knew what it was like or where it lived. At the top of the hill by the hospital, in the bushes close to the pond, and in the fields the nightingales were trilling. The cuckoo kept reckoning someone's years and losing count and beginning again. In the pond the frogs called angrily to one another, straining themselves to bursting, and one could even make out the words: "That's what you are! That's what you are!" What a noise there was! It seemed as though all these creatures were singing and shouting so that no one might sleep on that spring night, so that all, even the angry frogs, might appreciate and enjoy every minute: life is given only once.”

Anton Chekhov book In the Ravine

Source: In the Ravine (1900), Ch. 8, pp. 224

Life, Spring, Bird, Sleep

“I have the right to do whatever I wish with my property. If I own a pile of wood, I can set fire to it even if it is currently nailed together in the shape of a barn. Cigarettes may not be healthy for me in the long run, but I have the freedom to smoke them anyway. Drinking alcohol may or may not have negative side effects, but even if it does, the government has no authority to prohibit you from consuming it, even if it is "in your own best interest." Since when do we let the government decide what is or isn't good for us? What the hell does Congress know about nutrition, anyway? (For that matter, what does Congress know about the Constitution?) If the government can use force whenever something is "in our best interest" then government should force everyone to wake up at 6am every morning for calisthenics in the front yard. Fast food establishments should be torn down and replaced with bars that serve carrot juice and alfalfa sprouts, since - "it's in your best interest."”

Michael Badnarik (1954) American software engineer

This paternalistic attitude that "the government knows best" and that you are merely a helpless child is insulting and reprehensible. Hitler used the same attitude to persuade the Germans to subjugate themselves to the "Fatherland."
Source: Good to be King (2004)

Alcohol, Food, Hell, Drink

“Things oughtn’t to be the way they are, altogether. But letting a madman burn down the barn is no way to improve them.”

Avram Davidson (1923–1993) novelist

Source: Rogue Dragon (1965), Chapter V (p. 49)

Way

“As they moved through the old barn, Adam felt Ronan's eyes glance off him and away, his disinterest practised but incomplete. Adam wondered if anyone else noticed. Part of him wished they did and immediately felt bad, because it was vanity, really: See, Adam Parrish is wantable, worthy of a crush, not just by anyone, someone like Ronan, who could want Gansey or anyone else and chose Adam for his hungry eyes”

Maggie Stiefvater (1981) American writer

pg 158
The Raven Cycle Series, Blue Lily, Lily Blue (2014)

Parting

“I am always humbled by the infinite ingenuity of the lord, who can make a red barn cast a blue shadow.”

E. B. White (1899–1985) American writer

A Winter Diary: January, 1941 http://books.google.com/books?id=Kq7WAAAAMAAJ&q=%22I+am+always+humbled+by+the+infinite+ingenuity+of+the+lord+who+can+make+a+red+barn+cast+a+blue+shadow%22&g=PA170#v=onepage <br class="br">One Man's Meat (1942)

“The first principle of good barn design is flexibility of space.”

Ken Kern American writer

p, 125
The Owner-Built Homestead (1977)

“You burn barns. I don't burn barns. There's this glaring difference, and to me, rather than say which of us is strange, first of all I'd like to clear up just what that difference is.”

Haruki Murakami book Barn Burning

Barn Burning (short story) in The Elephant Vanishes

“To be sure, the moment the study passes beyond bare description the student must leave the landscape itself, must go beneath it, even to state what its form represents — to translate the outer foliage of a forest into the forest, the outer surface of buildings into different kinds of buildings, etc…. Our interest in houses, factories, and forests cannot be confined to their surface form; only in the limited field of aesthetic geography could such a restriction be justified. Our very use of such words as house, barn, factory, office building, etc., indicates that we are primarily concerned with the internal functions within these structures, the external form is a secondary aspect which we use simply as a handy means to detect the internal function - and should use only insofar as it is a reliable means for that purpose.”

Richard Hartshorne (1899–1992) American Geographer

Source: The Nature of Geography (1939), p. 215-216; as cited in: John A. Agnew, James S. Duncan (2011) The Wiley-Blackwell Companion to Human Geography. p. 122

Study, Housing

“This man talked like he could build the barns by himself, like he could till the soil by himself. And he failed to realize that wealth is always a result of the commonwealth.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Why Jesus Called A Man A Fool (1967)

Wealth

“And are there no laws of moral health? Can they be outraged and the penalty not paid? Let a man turn out of the bright and bustling Broadway, out of the mad revel of riches and the restless, unripe luxury of ignorant men whom sudden wealth has disordered like exhilarating gas; let him penetrate through sickening stench the lairs of typhus, the dens of small-pox, the coverts of all loathsome disease and unimaginable crimes; let him see the dull, starved, stolid, lowering faces, the human heaps of utter woe, and, like Jefferson in contemplating slavery a hundred years ago in Virginia, he will murmur with bowed head, 'I tremble for this city when I remember that God is just'. Is his justice any surer in a tenement-house than it is in a State? Filth in the city is pestilence. Injustice in the State is civil war. 'Gentlemen', said George Mason, a friend and neighbor of Jefferson's, in the Convention that framed the Constitution, 'by an inscrutable chain of causes and effects Providence punishes national sins by national calamities'. 'Oh no. gentlemen, it is no such thing', replied John Rutledge of South Carolina. 'Religion and humanity have nothing to do with this question. Interest is the governing principle with nations'. The descendants of John Rutledge live in the State which quivers still with the terrible tread of Sherman and his men. Let them answer! Oh seaports and factories, silent and ruined! Oh barns and granaries, heaps of blackened desolation! Oh wasted homes, bleeding hearts, starving mouths! Oh land consumed in the fire your own hands kindled! Was not John Rutledge wrong, was not George Mason right, that prosperity which is only money in the purse, and not justice or fair play, is the most cruel traitor, and will cheat you of your heart's blood in the end?”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Men, Money, God, War

“The slaves of our times are not all those factory and workshop hands only who must sell themselves completely into the power of the factory and foundry-owners in order to exist, but nearly all the agricultural laborers are slaves, working, as they do, unceasingly to grow another's corn on another's field, and gathering it into another's barn; or tilling their own fields only in order to pay to bankers the interest on debts they cannot get rid of. And slaves also are all the innumerable footmen, cooks, porters, housemaids, coachmen, bathmen, waiters, etc., who all their life long perform duties most unnatural to a human being, and which they themselves dislike.”

Leo Tolstoy book The Slavery of Our Times

Source: The Slavery of Our Times (1890), Chapter 8: Slavery Exists Among Us

Life, Time, Cooking

“Sociologists and anthropologists have long been concerned with how individuals are linked to one another and how these bonds of affiliation serve as both a lubricant for getting things done and a glue that provides order and meaning to social life. The attention to networks of association, which began in earnest in the 1970s, provided welcome texture and dynamism to portraits of social life. This work stood in stark contrast to the reigning approaches in the social sciences. In contrast to deterministic cultural (oversocialized) accounts, network analysis afforded room for human agency, and in contrast to individualist, atomized (undersocialized) approaches, networks emphasized structure and constraint (Granovetter, 1985). Network studies offered a middle ground, a third way, even if no one was quite sure whether networks were a metaphor, a method, or a theory (Barnes 1979). But the sociologists and anthropologists who initially studied networks did not pay sustained attention to economic activity, although some industrial sociologists (Roy, 1954; Dalton, 1959) had long stressed the role of informal networks as an antidote to formal organization practices and structures.”

Walter W. Powell (1948) American sociologist

Walter W. Powell and Laurel Smith-Doerr. "Networks and economic life." The handbook of economic sociology. (1994). p. 368-380; introduction.

Life, Way, Study, Science

“It will not always be summer, build barns.”

Hesiod book Works and Days

Source: Works and Days (c. 700 BC), line 503.

Summer

“After I had been in Canada painting the wide white barns along the Saint Lawrence river, I thought how different the life of the Canadian farmer was from life in Cebolla. So I painted [in 1945] the Cebolla church which is so typical of that difficult life. I have always thought it one of my very good paintings, though its message is not as pleasant as many of the others.”

Georgia O'Keeffe (1887–1986) American artist

1970s, Some Memories of Drawings (1976)

Life, Painting

“She is watching her country lose its evoked master shape watching it lose
And gain get back its houses and peoples watching it bring up
Its local lights single homes lamps on barn roofs.”

James Dickey (1923–1997) American writer

Falling (l. 66–68).
The Whole Motion; Collected Poems, 1945-1992 (1992)

People, Home, Light, Housing

“They had left him for dead in the middle of a pool of blood in his own bedroom, his belly slit open like gaping barn doors, the hilt of the knife wedged against his sternum. But the only trouble was that he had stayed alive somehow, his life pumping out, managing to knock the telephone off the little table and dial me. Now he was looking up at me with seconds left and all he could do was force out the words, "Mike …there was no reason."”

Mickey Spillane (1918–2006) American writer

Survival...Zero! (1970)

Life, Dead

“Barnes dismissed his own past criticism of the World War II unconditional surrender policy as valid but superficial; for he had learned from General Albert C. Wedemeyer’s book that the murder of Germans and Japanese was the overriding aim of World War II – virtually an Anglo-American scalping party.”

Murray N. Rothbard (1926–1995) American economist of the Austrian School, libertarian political theorist, and historian

1968 https://www.lewrockwell.com/1970/01/murray-n-rothbard/cold-war-myths/

War, Books, World, Learning

“It's not an endlessly expanding list of rights — the 'right' to education, the 'right' to health care, the 'right' to food and housing. That's not freedom, that's dependency. Those aren't rights, those are the rations of slavery — hay and a barn for human cattle.”

Alexis De Tocqueville (1805–1859) French political thinker and historian

Source: Misattributed, P. J. O'Rourke, Age and Guile Beat Youth, Innocence, and a Bad Haircut‎ (1996), p. 227.

Health, Education, Food, Freedom

“The very saddest sound in all my memory was burned into my awareness at age five on my uncle's dairy farm in Wisconsin. A cow had given birth to a beautiful male calf. The mother was allowed to nurse her calf but for a single night. On the second day after birth, my uncle took the calf from the mother and placed him in the veal pen in the barn—only ten yards away, in plain view of the mother. The mother cow could see her infant, smell him, hear him, but could not touch him, comfort him, or nurse him. The heartrending bellows that she poured forth—minute after minute, hour after hour, for five long days—were excruciating to listen to. They are the most poignant and painful auditory memories I carry in my brain. Since that age, whenever I hear anyone postulate that animals cannot really feel emotions, I need only to replay that torturous sound in my memory of that mother cow crying her bovine heart out to her infant. Mother's love knows no species barriers, and I believe that all people who are vegans in their hearts and souls know that to be true.”

Michael Klaper (1947) American physician

Quoted in Joanne Stepaniak, The Vegan Sourcebook (Lowell House, 1998), pp. 39-40.

Love, Pain, People, Age

“I think I would choose Soutine... I've always been crazy about Soutine - all of his paintings. Maybe it's the lushness of the paint. He builds up a surface that looks like a material, like a substance. There's a kind of transfiguration, a certain fleshiness in his work... I remember when I first saw the Soutine's in the Barnes Collection.... the Matisse's had a light of their own, but the Soutine's had a glow that came from within the paintings - it was another kind of light.”

Willem de Kooning (1904–1997) Dutch painter

The impact of Chaim Soutine (1893-1943): de Kooning, Pollock, Dubuffet, Bacon, publisher: Hatje Cantz, Galerie Gmurzynska, Cologne (Köln), 2001.
Answer on the question who is his favourite artist, probably made around 1977.
1990's & from posthumous publications

Thinking, Light, Painting

“[After discovering Soren's former home is abandoned] Then Twilight spoke, "Soren, they're gone. Maybe something happened to them. You shouldn't take it personally. Buck up now, old buddy."
"Personally? What do you know, Twilight, that is personal about any family? You've never had a family. Remember, you're always telling us about how much you learned in your own orphan school of tough learning. You don't know the feel of a mother's down. You don't know what it's like to hear stories from a father, or to hear him sing. Do you know what a psalm is, Twilight? I bet you don't. Well, we Barn Owls know about psalms and books and the feeling of down."
Twilight's feathers had ruffled up, spiky with ice crystals. He looked fearsome. "I'll tell you what I know, you miserable little owl. The whole world is my family. I know the softness of a fox's fur, and the strange green light that comes into their eyes during the spring moons. I know how to fish because I learned from an eagle. And when meat is scarce I know how to find the ripest part of a rotten tree and peck the juiciest bugs from it. I know plenty."”

Kathryn Lasky (1944) American children's writer

Source: The Capture (2003), Chapter Twenty-four: "Empty Hollows", p. 181

Books, World, School, Family

“Do not put your work off till to-morrow and the day after; for a sluggish worker does not fill his barn, nor one who puts off his work: industry makes work go well, but a man who puts off work is always at hand-grips with ruin.”

Hesiod book Works and Days

Source: Works and Days (c. 700 BC), line 410.

“They tell me thou art rich, my country: gold
In glittering flood has poured into thy chest;
Thy flocks and herds increase, thy barns are pressed
With harvest, and thy stores can hardly hold
Their merchandise; unending trains are rolled
Along thy network rails of East and West;
Thy factories and forges never rest;
Thou art enriched in all things bought and sold!

But dost thou prosper? Better news I crave.
O dearest country, is it well with thee
Indeed, and is thy soul in health?
A nobler people, hearts more wisely brave,
And thoughts that lift men up and make them free,—
These are prosperity and vital wealth!”

Henry Van Dyke (1852–1933) American diplomat

America's Prosperity (October 1, 1916).

Men, People, Health, Art

“I was sitting in the barn, drawing a dead bird which I had put on a box. Then the barn door opened and Kees entered [an old iron-merchant, already retired].... He came down next to me.... After a short silence he said: 'Are you painting? '.... it looks somewhat like that bird'. I said: 'To me that means a compliment Kees, because I am trying to draw that bird.' Stunned, he looked at me and asked, "Why are you doing that?" What could I answer? I said: Actually, I don't know myself'. Then he hoisted himself to his feet and said, I'll bring you the stuff next Monday' and he went to the door..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: ** Ik zat in de schuur en tekende een dode vogel, die ik op een kistje had neergelegd. Toen ging de schuurdeur open en kwam Kees binnen [een oud ijzerkoopman, al met pensioen].. ..Hij ging op zijn hurken naast me zitten.. ..Toen zei hij, na een korte stilte: 'Ben je aan het schilderen?'.. .. 'Het lijkt wel wat op die vogel'. Ik zei: 'Dat is voor mij een compliment, Kees, want die vogel probeer ik na te tekenen.' Stomverbaasd keek hij me aan en vroeg: 'Waarom doe je dat?' Wat moest ik daar nu op antwoorden? Ik zei: 'Ja, dat weet ik eigenlijk zelf ook niet'. Toen hees hij zichzelf overeind en zei 'Ik breng de rommel maandag wel bij je.' Hij liep naar de deur..
Source: Jopie de Verteller' (2010) - postumous, p. 27

Bird, Silence, Drawing, Painting

“Wisely watch for the sight
Of the supernova burgeoning over the barn,
Lampshine blurred in the steam of beasts, the spirit's right
Oasis, light incarnate.”

Richard Wilbur (1921–2017) American poet

A World Without Objects is a Sensible Emptiness

Light

“How would you like to have a thousand brilliantly colored cliff swallows keeping house in the eaves of your barn, and gobbling up insects over your farm at the rate of 100,000 per day? There are many Wisconsin farmsteads where such a swallow-show is a distinct possibility.”

Aldo Leopold (1887–1948) American writer and scientist

"Cliff Swallows to Order" [1944]; Published in For the Health of the Land, J. Baird Callicott and Eric T. Freyfogle (eds.), 1999, p. 119.
1940s

Color, Housing

“It seems odd to think of you at Lake George tonight – I can smell the outdoors – and hear it – and see the stars – So often before I went to bed at night I would walk out toward the barn and look at the sky in the open space. There was no light little house – there were no people – there was only the night – I will never go back again – maybe to stand just for a moment where I put the little bit that was left of Alfred [ Alfred Stieglitz, her husband] after he was cremated – but I think not even for that. I put him where he would hear the lake.”

Georgia O'Keeffe (1887–1986) American artist

That is finished.
In a letter to William Howard Schubart, (nephew of her died husband), Abiquiu, New Mexico, August 4, 1950; as quoted in Voicing our visions, -Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, pp. 228-29
1950 - 1970

People, Star, Thinking, Light

“We are told that Shakespeare's plays were generally performed in barns and that no great trouble was taken over the production. The constant changes of scene which, incidentally, seem the sign of a decadent art rather than one which is progressing, were shown by placards with the inscription: "A Forest," "A Prison," and so on. Within this conventional setting the onlooker's imagination was free to follow the actions of the various characters who were animated by passions drawn from nature, and that was enough for him. So-called innovations are gratefully seized on as an excuse for poverty of invention and in the same way, the long descriptive passages that so overburden modern novels are a sign of sterility, for it is obviously easier to describe a dress or the outward appearance of an object than to trace the subtle development of a character or portray the emotions of the heart.”

Eugène Delacroix (1798–1863) French painter

9 April 1856 (p. 313)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Art, Way, Imagination, Nature

“There can be no question but that Christianity was originally a Jewish promotion, and it is noteworthy that the Christians who try to make their cult respectable in the Third Century claim that they repudiate the Jews. One of the earliest to do this was Tertullian, a Carthaginian shyster, whose Apologeticum, a defense of Christianity, was written at the very beginning of the Third Century. He asserts that Christianity is not a conspiracy of revolutionaries and degenerates, as was commonly believed, and claims that it is an association of loving brothers who have preserved the faith that the Jews forsook – which has been the common story ever since. Our holy men salvage Tertullian by claiming that he was "orthodox" in his early writings, but then, alas! became a Montanist heretic, poor fellow. Tertullian is the author of the famous dictum that he believes the impossible because it is absurd (credo quia absurdum), so he is naturally dear to the heart of the pious. How much Jerome and other saints have tampered with the facts to make Tertullian seem "orthodox" in his early works has been most fully shown by Timothy Barnes in his Tertullian (Oxford, 1971), but even he spends a hundred pages pawing over chronological difficulties that can be reconciled by what seems to me the simple and obvious solution: Tertullian, who was evidently a pettifogging lawyer before he got into the Gospel-business, had sense enough to eliminate from his brief for the Christians facts that would have displeased the pagans whom he was trying to convince that Christians represented no threat to civilized society; he accordingly concealed in his apologetic works the peculiar doctrines of the Christian sect to which he had been originally "converted," but he naturally expounded those doctrines in writings intended, not for the eyes of wicked pagans, but for other brands of Christians, whom he wished to convert to his own sect, which was that of Montanus, a very Holy Prophet (divinely inspired, of course) who was a Phrygian, not a Jew, and who had learned from chats with God that since the Jews had muffed their big opportunity at the time of the Crucifixion, Jesus, when he returned next year or the year after that, was going to set up his New Jerusalem in Phrygia after he had raised hell with the pagans and tormented and butchered them in all of the delightful ways so lovingly described in the Apocalypse, the Hymn of Hate that still soothes the souls of "fundamentalist" Christians today. If, in his Apologeticum and similar works, Tertullian had told the stupid pagans that they were going to be tortured and exterminated in a year or two, they might have doubted that Christians were the innocent little lambs that Tertullian claimed they were.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Love, Men, God, Hate

“And now, at half-past ten o'clock, I hear the cockerels crow in Hubbard's barns, and morning is already anticipated. It is the feathered, wakeful thought in us that anticipates the following day.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

July 11, 1851
Journals (1838-1859)

Past

“The grass so little has to do,—
A sphere of simple green,
With only butterflies to brood,
And bees to entertain,

And stir all day to pretty tunes
The breezes fetch along,
And hold the sunshine in its lap
And bow to everything;

And thread the dews all night, like pearls,
And make itself so fine,-
A duchess were too common
For such a noticing.

And even when it dies, to pass
In odors so divine,
As lowly spices gone to sleep,
Or amulets of pine.

And then to dwell in sovereign barns,
And dream the days away,—
The grass so little has to do,
I wish I were a hay!”

Emily Dickinson (1830–1886) American poet

Nature, p. 112
Collected Poems (1993)

Dreams, Sleep, Grass, Bee

“When I was a younger man,
Got lucky with a rock 'n' roll band,
Struck gold in Hollywood,
All the time I knew I would
Get back to the country,
Back where it all began.
Get back to the country,
Back in the barn again.”

Neil Young (1945) Canadian singer-songwriter

Get Back To The Country
Song lyrics, Old Ways (1985)

Time, Country

“A jackass can kick a barn down, but it takes a carpenter to build one.”

Sam Rayburn (1882–1961) lawmaker from Bonham, Texas

Said during filmed conversation with reporters (c. 1953); reported in "Speak, Mister Speaker" (1978), p. 138.

“There was excitement for us all in the fact that I had a job in the mechanical field, so that my education would count…. Well, I am bound to admit the first sight of my opportunity was disappointing… Not far from a city dump on a weed-grown, marshy plain was an old weather-worn building, like an overgrown barn. In its indefinite yard there was a small mound of coal and a great mound of reddish-gray cinders and ashes; also a disorderly accumulation of discarded machinery… Once the factory had been painted brown. Only one word describes it: "dirty." Smoke from the dump carried an acric odor. Eventually across the wall nearest the railroad track there was lettered in black this legend: HYATT ROLLER BEARING COMPANY”

Alfred P. Sloan (1875–1966) American businessman

Source: Adventures of a White-Collar Man. 1941, p. 5 ; About his first job at the , where a year later Sloan would take control.

Education, Disappointment, Painting, Weather

“"No communication." Baines was sweating. "In eighteen years there hasn't been any semantic bridge between you? Does he have any contact? Signs? Codes?"
"He — ignores us. He eats here, stays with us. Sometimes he plays when we play. Or sits with us. He's gone days on end. We've never been able to find out what he's doing — or where. He sleeps in the barn — by himself."”

Philip K. Dick (1928–1982) American author

The Golden Man (1954)

Communication, Sleep

“.. because I live in Paris, but just outside Paris at the start of Yonne, I have a barn, a very, very big barn.... right near Auxerre, a barn forty meters long, six meters wide and fifteen meters high, and I do all my work there.. it's like a large street, you know.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

describing the location outside Paris, where he makes his large relief compositions
Karel Appel defines his painting', interview 1968

“Now the drummers did not rush out to grab Chaney or shoot him but instead scattered like poultry while Chaney took my father's purse from his warm body and ripped open the trouser band and took the gold pieces too. I cannot say how he knew about them. When he finished his thieving he raced to the end of the street and struck the night watchman at the stock barn a fierce blow to the mouth with his rifle stock, knocking him silly. He put a bridle on Papa's horse Judy and rode out bareback. Darkness swallowed him up. He might have taken the time to saddle the horse or hitched up three spans of mules to a Concord stagecoach and smoked a pipe as it seems no one in that city was after him. He had mistaken the drummers for men.”

Charles Portis book True Grit

Source: True Grit (1968), Chapter 1, pp. 14-15 : thoughts of 'Mattie Ross'

Men, Time, Horse, Night

“To speak impartially, the best men that I know are not serene, a world in themselves. For the most part, they dwell in forms, and flatter and study effect only more finely than the rest. We select granite for the underpinning of our houses and barns; we build fences of stone; but we do not ourselves rest on an underpinning of granitic truth, the lowest primitive rock. Our sills are rotten.”

Henry David Thoreau book Life Without Principle

Life Without Principle (1863)

Men, Truth, World, Study

“At Pottery Barn, if you knock over a lamp, you have to glue it back together, even if when you're done it looks terrible and it doesn't work. Oh, and you have to stay in the store forever. Oh, and it's an exploding lamp.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

On the "Pottery Barn Rule," The Colbert Report (16 May 2007)

“Now that the dogs of war are calling for the head of Senator Al Franken I believe it is time to speak up on behalf of all heterosexual males. As a candidate for Governor let me save my opponents some research time. In my last fifty years I was sexually intimate with approximately 50 very attractive females. It ranged form a gorgeous personal secretary to Senator Bob Taft (Senior) who was my first true love and we made passionate love in the hayloft of her parents barn in Gallipolis and ended with a drop dead gorgeous red head who was senior advisor to Peter Lewis at Progressive Insurance in Cleveland.
Now can we get back to discussing legalizing marijuana and opening the state hospital network to combat the opioid crisis. I am sooooo disappointed by this national feeding frenzy about sexual indiscretions decades ago.
Peace.”

Bill O'Neill (1947) Ohio judge

Facebook post, 11-17-2017 AM

Love, War, Peace, Dogs

“He was a devout believer in the second chance. To the man who asked, “What’s the point of closing the barn door after the horse has been stolen?” Murray would answer, “The point is that the door is now closed.””

James K. Morrow book Only Begotten Daughter

Source: Only Begotten Daughter (1990), Chapter 1 (p. 12)

Chance, Horse

“I watched him tiptoe toward the barn door. I cursed him and waited tensely. In a little while I heard the mooing of a cow. It was a piteous cry. Then I heard a thud and a scuffle of hoofs. Out of the barn door came Hellfrick. Across his shoulder lay a dark mass, weighing him down. Behind him, mooing continually, a cow followed…It was a calf, blood spurting from a gash between the ears…I was sick, very sick. It was plain murder.”

John Fante book Ask the Dust

Ask the Dust (1939)

Waiting, Cry

“John Barnes is incredibly variable. Pete's Rule (Never buy a Barnes with sodomy in it) is a good one but unfortunately the publisher does not put that kind of stuff on the cover.”

James Nicoll (1961) Canadian fiction reviewer

[a393v8$pen$1@panix1.panix.com, 2002]
2000s

“It was so much fun the other day. Dad took out all of our old toys that he found in the old barn. Now Estelle is playing with the old stuff and she loves it.”

Princess Madeleine, Duchess of Hälsingland and Gästrikland (1982) Swedish princess

royalcorrespondent.com interview http://royalcorrespondent.com/2013/07/15/we-really-are-a-team-says-princess-madeleine-in-a-new-interview/

Love

“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."”

Don DeLillo book White Noise

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

People, Books, Cars, Color

“We are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat, — the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet
Context: We are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat, — the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish. The yellow wheat is growing there; the good Earth is silent about all the rest, — has silently turned all the rest to some benefit too, and makes no complaint about it! So everywhere in Nature! She is true and not a lie; and yet so great, and just, and motherly in her truth. She requires of a thing only that it be genuine of heart; she will protect it if so; will not, if not so. There is a soul of truth in all the things she ever gave harbor to. Alas, is not this the history of all highest Truth that comes or ever came into the world?

Imagination, Nature

“Never interested in impressive edifices, Irish monks preferred to spend their time in study, prayer, farming—and, of course, copying. …a little hut for each monk… a refectory and kitchen; a scriptorium and library; a smithy, a kiln, a mill, and a couple of barns; a modest church—and they were in business.”

Thomas Cahill book How the Irish Saved Civilization

Source: How the Irish Saved Civilization (1995), Ch. VI What Was Found

Business, Study, Time