Quotes about the trip
page 16

Napoleon I of France photo

“The superior man is never in anyone's way.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Napoleon : In His Own Words (1916)

Pope Francis photo

“Some sixty years ago, Pope Pius XII, in a memorable address to anaesthesiologists and intensive care specialists, stated that there is no obligation to have recourse in all circumstances to every possible remedy and that, in some specific cases, it is permissible to refrain from their use… The specific element of this criterion is that it considers “the result that can be expected, taking into account the state of the sick person and his or her physical and moral resources”. It thus makes possible a decision that is morally qualified as withdrawal of “overzealous treatment”.
Such a decision responsibly acknowledges the limitations of our mortality, once it becomes clear that opposition to it is futile. “Here one does not will to cause death; one’s inability to impede it is merely accepted” (Catechism of the Catholic Church, No. 2278). This difference of perspective restores humanity to the accompaniment of the dying, while not attempting to justify the suppression of the living. It is clear that not adopting, or else suspending, disproportionate measures, means avoiding overzealous treatment; from an ethical standpoint, it is completely different from euthanasia, which is always wrong, in that the intent of euthanasia is to end life and cause death.
The anguish associated with conditions that bring us to the threshold of human mortality, and the difficulty of the decision we have to make, may tempt us to step back from the patient. Yet this is where, more than anything else, we are called to show love and closeness, recognizing the limit that we all share and showing our solidarity.
Let each of us give love in his or her own way—as a father, a mother, a son, a daughter, a brother or sister, a doctor or a nurse. But give it!”

Pope Francis (1936) 266th Pope of the Catholic Church

Message of His Holiness Pope Francis to the Participants in the European Regional Meeting of the World Medical Association, From the Vatican, 7 November 2017 https://w2.vatican.va/content/francesco/en/messages/pont-messages/2017/documents/papa-francesco_20171107_messaggio-monspaglia.html
2010s, 2017

Nikola Tesla photo
Noam Chomsky photo
James Baldwin photo
John Locke photo
Nick Drake photo

“Going to see the river man,
Going to tell him all I can
About the plan
For lilac time.
If he tells me all he knows
'Bout the way his river flows,
And all night shows
In summertime.”

Nick Drake (1948–1974) British singer-songwriter

River Man
Song lyrics, Five Leaves Left (1969)
Variant: Going to see the river man.
Going to tell him all I can
About the ban
On feeling free.If he tells me all he knows
About the way his river flows,
I don't suppose
It's meant for me.

Galileo Galilei photo

“Persisting in their original resolve to destroy me and everything mine by any means they can think of, these men are aware of my views in astronomy and philosophy. They know that as to the arrangement of the parts of the universe, I hold the sun to be situated motionless in the center of the revolution of the celestial orbs while the earth revolves about the sun. They know also that I support this position not only by refuting the arguments of Ptolemy and Aristotle, but by producing many counter-arguments; in particular, some which relate to physical effects whose causes can perhaps be assigned in no other way. In addition there are astronomical arguments derived from many things in my new celestial discoveries that plainly confute the Ptolemaic system while admirably agreeing with and confirming the contrary hypothesis.”

Variant translation: I hold that the Sun is located at the centre of the revolutions of the heavenly orbs and does not change place, and that the Earth rotates on itself and moves around it. Moreover … I confirm this view not only by refuting Ptolemy's and Aristotle's arguments, but also by producing many for the other side, especially some pertaining to physical effects whose causes perhaps cannot be determined in any other way, and other astronomical discoveries; these discoveries clearly confute the Ptolemaic system, and they agree admirably with this other position and confirm it.
Letter to the Grand Duchess Christina (1615)

C.G. Jung photo
Henri Barbusse photo
Barack Obama photo
Slavoj Žižek photo
Jordan Peterson photo

“The notion that every single human being – regardless of their peculiarities and their strangenesses and sins and crimes and all of that – has something divine in them that needs to be regarded with respect, plays an integral role, at least an analgous role, in the creation of habitable order out of chaos. It's a magnificent, remarkable and crazy idea. Yet we developed it. And I do firmly believe that it sits at the base of our legal system. I think it is the cornerstone of our legal system. That's the notion that everyone is equal before God. That's such a strange idea. It's very difficult to understand how anybody could have ever come up with that idea, because the manifold differences between people are so obvious and so evident that you could say the natural way of viewing someone, or human beings, is in this extremely hierarchical manner where some people are contemptible and easily brushed off as pointless and pathological and without value whatsoever, and all the power accrues to a certain tiny aristocratic minority at the top. But if you look way that the idea of individual sovereignty developed, it is clear that it unfolded over thousands, perhaps tens of thousands of years, where it became something that was fixed in the imagination that each individual had something of transcendent value about them. And, man, I can tell you – we dispense with that idea at our serious peril. And if you're going to take that idea seriously – and you do because you act it out, because otherwise you wouldn't be law-abiding citizens. It's shared by anyone who acts in a civilized manner. The question is, why in the world do you believe it? Assuming that you believe what you act out – which I think is a really good way of fundamentally defining belief.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Robert Browning photo

“But how carve way i' the life that lies before,
If bent on groaning ever for the past?”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Balaustion's Adventure.
Bartlett's Familiar Quotations, 10th ed. (1919)

Katherine Paterson photo
Barack Obama photo

“How does America find its way in this new, global economy? What will our place in history be? Like so much of the American story, once again, we face a choice. Once again, there are those who believe that there isn’t much we can do about this as a nation. That the best idea is to give everyone one big refund on their government—divvy it up by individual portions, in the form of tax breaks, hand it out, and encourage everyone to use their share to go buy their own health care, their own retirement plan, their own child care, their own education, and so on. In Washington, they call this the Ownership Society. But in our past there has been another term for it—Social Darwinism—every man or woman for him or herself. It’s a tempting idea, because it doesn’t require much thought or ingenuity. It allows us to say that those whose health care or tuition may rise faster than they can afford—tough luck. It allows us to say to the Maytag workers who have lost their job—life isn’t fair. It let’s us say to the child who was born into poverty—pull yourself up by your bootstraps. And it is especially tempting because each of us believes we will always be the winner in life’s lottery, that we’re the one who will be the next Donald Trump, or at least we won’t be the chump who Donald Trump says: “You’re fired!” But there is a problem. It won’t work. It ignores our history. It ignores the fact that it’s been government research and investment that made the railways possible and the internet possible. It’s been the creation of a massive middle class, through decent wages and benefits and public schools that allowed us all to prosper. Our economic dependence depended on individual initiative. It depended on a belief in the free market; but it has also depended on our sense of mutual regard for each other, the idea that everybody has a stake in the country, that we’re all in it together and everybody’s got a shot at opportunity. That’s what’s produced our unrivaled political stability.”

Barack Obama (1961) 44th President of the United States of America

Knox College Commencement Address (4 June 2005)
2005

Friedrich Nietzsche photo
Roman Polanski photo

“Without her I feel lost, I can't explain this in words. However there are things that I just can't stand thinking of; the way she and our son died.”

Roman Polanski (1933) Polish-French film director, producer, writer, actor, and rapist

Interview in Telecran magazine (25 January 1970)

Françoise Sagan photo
Jordan Peterson photo

“Imagine that each of these layers of existence are like patterns. They're patterns within patterns within patterns within patterns, and there's a way of making all that harmonious. That's what music models. That's why music is so meaningful. You take a beautiful orchestral composition, and they're doing different things are different levels. But they all flow together harmoniously, and you're right in the middle of that as a listener. And it fills you almost with a sense of religious awe, even if you're a punk rock nihilist. The reason for that is because the music is modeling the manner of Being that's harmonious. It's the proper way to exist. Religious writings, in the deepest sense, are guidelines to that mode of Being. They're not true like scientific knowledge is true. They're hyper true, or meta-true. It's like this: if you take the most true things about your life, and then you take the most true things about ten other people's lives, and then we amalgamate them into a single figure. That would be like a literary hero. And then we take a thousands literary heroes and we extract out from them what makes the most heroic person - that's a religious deity. That's what Christ is. He's a meta-hero. And that sits at the bottom of Western Civilization. Christ's archetypal mode of Being is True Speech. That's the fundamental idea of Western Civilization, and it's right.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Françoise Sagan photo
Antonin Artaud photo
Theodore Roosevelt photo
Leonardo Da Vinci photo
Bjarne Stroustrup photo
Gordon Lightfoot photo
Peter F. Drucker photo

“The worker's effectiveness is determined largely by the way he is being managed.”

Peter F. Drucker (1909–2005) American business consultant

Source: 1960s - 1980s, MANAGEMENT: Tasks, Responsibilities, Practices (1973), Part 2, p. 380

Kate Chopin photo
Eleanor Roosevelt photo
Plautus photo

“He gains wisdom in a happy way, who gains it by another’s experience.”
Feliciter is sapit, qui alieno periculo sapit.

Mercator, Act IV, scene 7, line 40
Mercator (The Merchant)

M. C. Escher photo
Jennifer Aniston photo
Jean Jacques Rousseau photo
Bidhan Chandra Roy photo
Napoleon I of France photo
Henry A. Wallace photo

“My first introduction to economics came by way of Professor B. H. Hibbard. I remember being asked in 1910, at the close of my college course, who had influenced me most, and I said Professor Hibbard. Later, of course, we came to disagree violently about the McNary-Haugen Bill and some other things; but I still think that Professor Hibbard is a very good teacher.”

Henry A. Wallace (1888–1965) Vice President of the United States

Henry Agard Wallace (1973), Democracy reborn, p. 96; cited in: Gerard F. Vaaughn, " Benjamin H. Hibbard: Scholar for Policy Making http://ageconsearch.umn.edu/bitstream/132025/2/BenjaminHibbard.pdf," in Choices, First Quarter 1998, p. 38.

Johan Cruyff photo
Theodore Roosevelt photo
Abraham Lincoln photo
L. S. Lowry photo

“I see lots of people everywhere, one lot going one way and the other lot going in the opposite way, as a rule.”

L. S. Lowry (1887–1976) British visual artist

Response in a letter to David Carr 9 Dec 1943 concerning his style L. S. Lowry - A Biography by Shelley Rhode Lowry Press 1999 ISBN 9781902970011.
Other

Theodore Roosevelt photo
Louis Armstrong photo

“The way they're treating my people in the South, the government can go to hell.”

Louis Armstrong (1901–1971) American jazz trumpeter, composer and singer

As quoted in The New York Times (19 September 1957)]

Archimedes photo
Livy photo

“Are you going to offer yourselves here to the weapons of the enemy, undefended, unavenged? Why is it then you have arms? And why have you undertaken an offensive war? You who are ever turbulent in peace, and laggard in war. What hopes have you in standing here? Do you expect that some god will protect you and bear you hence? A way is to be made with the sword. Come you, who wish to behold your homes, your parents, your wives, and your children; follow me in the way in which you shall see me lead you on. It is not a wall or rampart that blocks your path, but armed men like yourselves. Their equals in courage, you are their superiors by force of necessity, which is the last and greatest weapon.”
Vos telis hostium estis indefensi, inulti? quid igitur arma habetis, aut quid ultro bellum intulistis, in otio tumultuosi, in bello segnes? quid hic stantibus spei est? an deum aliquem protecturum uos rapturumque hinc putatis? ferro via facienda est. hac qua me praegressum uideritis, agite, qui uisuri domos parentes coniuges liberos estis, ite mecum. non murus nec uallum sed armati armatis obstant. virtute pares, necessitate, quae ultimum ac maximum telum est, superiores estis'.

Livy (-59–17 BC) Roman historian

Book IV, sec. 28
History of Rome

Eugene O'Neill photo
G. K. Chesterton photo
U.G. Krishnamurti photo
Mark Twain photo

“He [George Washington Cable] has taught me to abhor and detest the Sabbath day and hunt up new and troublesome ways to dishonor it.”

Mark Twain (1835–1910) American author and humorist

Letter to William Dean Howells, 27 February 1885, in Albert Bigelow Paine, Mark Twain's letters: Arranged with Comment (1917), Vol. 2, p. 450 http://books.google.com/books?id=4KZhv9y8sMIC&pg=PA450&lpg=PA450

Max Scheler photo
Frank Zappa photo
Kathrine Switzer photo
C.G. Jung photo

“The wise man who is not heeded is counted a fool, and the fool who proclaims the general folly first and loudest passes for a prophet and Führer, and sometimes it is luckily the other way round as well, or else mankind would long since have perished of stupidity.”

Mysterium Coniunctionis http://books.google.com/books?id=fqt-AAAAMAAJ&q=%22The+wise+man+who+is+not+heeded+is+counted+a+fool+and+the+fool+who+proclaims+the+general+folly+first+and+loudest+passes+for+a+prophet+and%22+%22and+sometimes+it+is+luckily+the+other+way+round+as+well+or+else+mankind+would+long+since+have+perished+of+stupidity%22&pg=PA549#v=onepage (1955)

Anthony Giddens photo
Karl Marx photo

“But take a brief glance at real life. In present-day economic life you will find, not only competition and monopoly, but also their synthesis, which is not a formula but a movement. Monopoly produces competition, competition produces monopoly. That equation, however, far from alleviating the difficulties of the present situation, as bourgeois economists suppose, gives rise to a situation even more difficult and involved. Thus, by changing the basis upon which the present economic relations rest, by abolishing the present mode of production, you abolish not only competition, monopoly and their antagonism, but also their unity, their synthesis, the movement whereby a true balance is maintained between competition and monopoly.

Let me now give you an example of Mr Proudhon's dialectics. Freedom and slavery constitute an antagonism. There is no need for me to speak either of the good or of the bad aspects of freedom. As for slavery, there is no need for me to speak of its bad aspects. The only thing requiring explanation is the good side of slavery. I do not mean indirect slavery, the slavery of proletariat; I mean direct slavery, the slavery of the Blacks in Surinam, in Brazil, in the southern regions of North America. Direct slavery is as much the pivot upon which our present-day industrialism turns as are machinery, credit, etc. Without slavery there would be no cotton, without cotton there would be no modern industry. It is slavery which has given value to the colonies, it is the colonies which have created world trade, and world trade is the necessary condition for large-scale machine industry. Consequently, prior to the slave trade, the colonies sent very few products to the Old World, and did not noticeably change the face of the world. Slavery is therefore an economic category of paramount importance. Without slavery, North America, the most progressive nation, would he transformed into a patriarchal country. Only wipe North America off the map and you will get anarchy, the complete decay of trade and modern civilisation. But to do away with slavery would be to wipe America off the map. Being an economic category, slavery has existed in all nations since the beginning of the world. All that modern nations have achieved is to disguise slavery at home and import it openly into the New World. After these reflections on slavery, what will the good Mr Proudhon do? He will seek the synthesis of liberty and slavery, the true golden mean, in other words the balance between slavery and liberty. Mr Proudhon understands perfectly well that men manufacture worsted, linens and silks; and whatever credit is due for understanding such a trifle! What Mr Proudhon does not understand is that, according to their faculties, men also produce the social relations in which they produce worsted and linens. Still less does Mr Proudhon understand that those who produce social relations in conformity with their material productivity also produce the ideas, categories, i. e. the ideal abstract expressions of those same social relations. Indeed, the categories are no more eternal than the relations they express. They are historical and transitory products. To Mr Proudhon, on the contrary, the prime cause consists in abstractions and categories. According to him it is these and not men which make history. The abstraction, the category regarded as such, i. e. as distinct from man and his material activity, is, of course, immortal, immutable, impassive. It is nothing but an entity of pure reason, which is only another way of saying that an abstraction, regarded as such, is abstract. An admirable tautology! Hence, to Mr Proudhon, economic relations, seen in the form of categories, are eternal formulas without origin or progress. To put it another way: Mr Proudhon does not directly assert that to him bourgeois life is an eternal truth; he says so indirectly, by deifying the categories which express bourgeois relations in the form of thought. He regards the products of bourgeois society as spontaneous entities, endowed with a life of their own, eternal, the moment these present themselves to him in the shape of categories, of thought. Thus he fails to rise above the bourgeois horizon. Because he operates with bourgeois thoughts and assumes them to be eternally true, he looks for the synthesis of those thoughts, their balance, and fails to see that their present manner of maintaining a balance is the only possible one.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Letter to Pavel Vasilyevich Annenkov, (28 December 1846), Rue d'Orleans, 42, Faubourg Namur, Marx Engels Collected Works Vol. 38, p. 95; International Publishers (1975). First Published: in full in the French original in M.M. Stasyulevich i yego sovremenniki v ikh perepiske, Vol. III, 1912

Frank Stella photo
Socrates photo
William Wilberforce photo
Mark Twain photo
Hans Kelsen photo
Karl Marx photo
Barack Obama photo
Barack Obama photo
Michael Moore photo
Ronald Reagan photo
Caspar David Friedrich photo

“The beauty, the spirit of Germany, its sun, moon, stars, rocks, seas and rivers can never be expressed this way..”

Caspar David Friedrich (1774–1840) Swedish painter

Quote of Friedrich, shortly after his return in 1798; as quoted in C. D. Friedrich by H.W. Grohn; Kindlers Malerei Lexicon, Zurich, 1965, II p. 46; as cited & transl. by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 17
Friedrich's quote is referring to the typical landscape and atmosphere of Denmark, he intensively experienced for four years. In 1798 Friedrich left Copenhagen and returned to Germany, to Dresden
1794 - 1840

Jim Caviezel photo
Barack Obama photo

“The presidency has a funny way of making a person feel the need to pray.”

Barack Obama (1961) 44th President of the United States of America

National Prayer Breakfast http://www.whitehouse.gov/the-press-office/2011/02/03/remarks-president-national-prayer-breakfast, , quoted in * 2011-02-03
Cathy Lynn
Grossman
Obama's prayer: 'To walk closer with God'
USA Today
http://content.usatoday.com/communities/Religion/post/2011/02/obama-christian-prayer-breakfast-doubt/1
2012-11-07
2011

H.P. Lovecraft photo

“Your wonderment 'what I have against religion' reminds me of your recent Vagrant essay… To my mind, that essay misses one point altogether. Your "agnostic" has neglected to mention the very crux of all agnosticism—namely that the Judaeo-Christian mythology is NOT TRUE. I can see that in your philosophy truth per se has so small a place, that you can scarcely realise what it is that Galpin and I are insisting upon. In your mind, MAN is the centre of everything, and his exact conformation to certain regulations of conduct HOWEVER EFFECTED, the only problem in the universe. Your world (if you will pardon my saying so) is contracted. All the mental vigour and erudition of the ages fail to disturb your complacent endorsement of empirical doctrines and purely pragmatical notions, because you voluntarily limit your horizon—excluding certain facts, and certain undeniable mental tendencies of mankind. In your eyes, man is torn between only two influences; the degrading instincts of the savage, and the temperate impulses of the philanthropist. To you, men have but two types of emotion—lovers of the self and lovers of the race…. You are forgetting a human impulse which, despite its restriction to a relatively small number of men, has all through history proved itself as real and as vital as hunger—as potent as thirst or greed. I need not say that I refer to that simplest yet most exalted attribute of our species—the acute, persistent, unquenchable craving TO KNOW. Do you realise that to many men it makes a vast and profound difference whether or not the things about them are as they appear?… If TRUTH amounts to nothing, then we must regard the phantasma of our slumbers just as seriously as the events of our daily lives…. I recognise a distinction between dream life and real life, between appearances and actualities. I confess to an over-powering desire to know whether I am asleep or awake—whether the environment and laws which affect me are external and permanent, or the transitory products of my own brain. I admit that I am very much interested in the relation I bear to the things about me—the time relation, the space relation, and the causative relation. I desire to know approximately what my life is in terms of history—human, terrestrial, solar, and cosmical; what my magnitude may be in terms of extension,—terrestrial, solar, and cosmical; and above all, what may be my manner of linkage to the general system—in what way, through what agency, and to what extent, the obvious guiding forces of creation act upon me and govern my existence. And if there be any less obvious forces, I desire to know them and their relation to me as well.”

H.P. Lovecraft (1890–1937) American author

Letter to Maurice W. Moe (15 May 1918), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 60
Non-Fiction, Letters

Gottlob Frege photo

“A scientist can hardly meet with anything more undesirable than to have the foundations give way just as the work is finished. I was put in this position by a letter from Mr. Bertrand Russell when the work was nearly through the press.”

Gottlob Frege (1848–1925) mathematician, logician, philosopher

Note in the appendix of Grundlagen der Arithmetik (Vol. 2) after Frege had received a letter of Bertrand Russell in which Russell had explained his discovery of, what is now known as, Russell's paradox.
Grundgesetze der Arithmetik, 1893 and 1903

Isaac Bashevis Singer photo
Origen photo
Theodore Roosevelt photo
Theodore Roosevelt photo
Shigeru Miyamoto photo
Ozzy Osbourne photo
Kurt Vonnegut photo
John Locke photo
Barack Obama photo
Robert A. Dahl photo
Ludwig Wittgenstein photo

“Burning in effigy. Kissing the picture of one's beloved… it aims at nothing at all; we just behave this way and then we feel satisfied.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Source: 1930s-1951, Philosophical Occasions 1912-1951 (1993), Ch. 7 : Remarks on Frazer's Golden Bough, p. 123

Maria Callas photo

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Eckhart Tolle photo
Friedrich Nietzsche photo
Eugène Terre'Blanche photo

“Our nation is unique. We grew out of a desire to worship God in a certain way; we grew from a number of other nations who were being prosecuted because of their faith. We have a wonderful culture, a wonderful, vibrant language. I want my people to be proud of who they are again.”

Eugène Terre'Blanche (1941–2010) South African police officer, farmer, political activist, white supremacist

Interview by Antoinette Keyser http://www.mg.co.za/articlePage.aspx?articleid=249083&area=/insight/insight__national/, (25 August 2005).

Langston Hughes photo

“Way Down South in Dixie
(Break the heart of me)
They hung my black young lover
To a cross roads tree.”

Langston Hughes (1902–1967) American writer and social activist

"Song for a Dark Girl" (l. 1-4), from Fine Clothes to the Jew (1927)

William Greenough Thayer Shedd photo
H.P. Lovecraft photo

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

Emil M. Cioran photo

“Self-conscious rejection of the absolute is the best way to resist God; thus illusion, the substance of life, is saved.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Tears and Saints (1937)

Jordan Peterson photo

“Part of the Act of Faith is to affirm: There's no better way to bring a better Being into Being than to speak the Truth.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Joseph Heller photo
Pablo Picasso photo

“To contradict. To show one eye full face and one in profile. Nature does many things the way I do, but she hides them! My painting is a series of non-sequiturs. …”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quoted in: Pierre Cabanne (1977), Pablo Picasso: His Life and Times, p. 268.
Quotes, 1970's

G. H. Hardy photo