Quotes about the past
page 17

Carlos Fuentes photo

“[The Mexican revolution] was a break with the past to recover the past. We were trying to deny we had an Indian and a black and a Spanish past. The Mexican Revolution accepted all heritages. It allowed Mexico to be mestizo.”

Carlos Fuentes (1928–2012) Mexican writer

Quoted in Anne-Marie O'Connor, "Novelist Carlos Fuentes confronts mortality and his country's future", http://www.latimes.com/news/obituaries/la-fuentes-profile-2006,0,4464743.story Los Angeles Times, 26 April 2006

Bram Stoker photo
Cormac McCarthy photo
Thomas Piketty photo
Ted Nugent photo
Robert Burns photo

“You can't fully enjoy THESE moments until you let go of past moments.”

Source: Life, the Truth, and Being Free (2010), p. 124

Terry Eagleton photo

“The truth is that the past exists no more than the future, even though it feels as though it does.”

Terry Eagleton (1943) British writer, academic and educator

Source: 2010s, Why Marx Was Right (2011), Chapter 4, p. 70

Christopher Titus photo
Erik Naggum photo
David Foster Wallace photo
John Bright photo
James McCosh photo
Joanne B. Freeman photo
Israel Zangwill photo
Mike Huckabee photo
Michael Moorcock photo
Charles Lyell photo
Lee Smolin photo
Peter F. Drucker photo
George Steiner photo
Felicia Hemans photo

“Come to the sunset tree!
The day is past and gone;
The woodman’s axe lies free,
And the reaper’s work is done.”

Felicia Hemans (1793–1835) English poet

Tyrolese Evening Song, st. 1.

Matthew Arnold photo

“The East bowed low before the blast,
In patient deep disdain;
She let the legions thunder past,
And plunged in thought again.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

Quoted from S.R. Goel, (1994) Heroic Hindu resistance to Muslim invaders, 636 AD to 1206 AD.

Heather Brooke photo
Sören Kierkegaard photo

“In vain do individual great men seek to mint new concepts and to set them in circulation — it is pointless. They are used for only a moment, and not by many, either, and they merely contribute to making the confusion even worse, for one idea seems to have become the fixed idea of the age: to get the better of one's superior. If the past may be charged with a certain indolent self-satisfaction in rejoicing over what it had, it would indeed be a shame to make the same charge against the present age (the minuet of the past and the gallop of the present). Under a curious delusion, the one cries out incessantly that he has surpassed the other, just as the Copenhageners, with philosophic visage, go out to Dyrehausen "in order to see and observe," without remembering that they themselves become objects for the others, who have also gone out simply to see and observe. Thus there is the continuous leap-frogging of one over the other — "on the basis of the immanent negativity of the concept", as I heard a Hegelian say recently, when he pressed my hand and made a run preliminary to jumping. — When I see someone energetically walking along the street, I am certain that his joyous shout, "I am coming over," is to me — but unfortunately I did not hear who was called (this actually happened); I will leave a blank for the name, so everyone can fill in an appropriate name.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Journals IA 328, 1835
1830s, The Journals of Søren Kierkegaard, 1830s

Umberto Boccioni photo

“.. since our past is the greatest in the world and thus all the more dangerous for our life!... We must smash, demolish and destroy our traditional harmony, which makes us fall into a 'gracefullness' created by timid and sentimental cubs”

Umberto Boccioni (1882–1916) Italian painter and sculptor

cubs refers sneering to the Cubists
as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008.
1912, Boccioni's 'Sculptural Manifesto', 1912,

Jane Roberts photo
Daniel Dennett photo
Francis Bacon photo
Peter Greenaway photo
Winston S. Churchill photo
Donald J. Trump photo
Charles Darwin photo
Nigel Cumberland photo

“Not allowing what happened in the past to determine your future starts in your mind. What you think and feel is key. Are you able to say and believe that you are creating your own future or, to paraphrase the William Ernest Henley poem ‘Invictus’, that you are the master of your fate?”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Atal Bihari Vajpayee photo

“In our search for a lasting solution to the Kashmir problem, both in its external and internal dimensions, we shall not traverse solely on the beaten track of the past. Mindsets will have to be altered and historical baggage jettisoned.”

Atal Bihari Vajpayee (1924–2018) 10th Prime Minister of India

Quoted in [Sumantra Bose, Kashmir: Roots of Conflict, Paths to Peace, http://www.questia.com/read/118148594/kashmir-roots-of-conflict-paths-to-peace, 2003, Harvard University Press, 1]

Mitt Romney photo
Margaret Atwood photo
Jane Roberts photo
William Blake photo

“Hear the voice of the Bard,
Who present, past, and future, sees;
Whose ears have heard
The Holy Word
That walked among the ancient trees.”

William Blake (1757–1827) English Romantic poet and artist

Introduction, st. 1
1790s, Songs of Experience (1794)

Rudolf Karl Bultmann photo

“The great attraction of cultural anthropology in the past was precisely that it seemed to offer such a richness of independent natural experiments; but unfortunately it is now clear that there has been a great deal of historical continuity and exchange among those "independent" experiments, most of which have felt the strong effect of contact with societies organized as modern states. More important, there has never been a human society with unlimited resources, of three sexes, or the power to read other people's minds, or to be transported great distances at the speed of light. How then are we to know the effect on human social organization and history of the need to scrabble for a living, or of the existence of males and females, or of the power to make our tongues drop manna and so to make the worse appear the better reason? A solution to the epistemological impotence of social theory has been to create a literature of imagination and logic in which the consequences of radical alterations in the conditions of human existence are deduced. It is the literature of science fiction. … [S]cience fiction is the laboratory in which extraordinary social conditions, never possible in actuality, are used to illumine the social and historical norm. … Science fiction stories are the Gedanken experiments of social science.”

Richard C. Lewontin (1929) American evolutionary biologist

" The Last of the Nasties? http://www.nybooks.com/articles/archives/1996/feb/29/the-last-of-the-nasties," The New York Review of Books, 29 February 1996;
Review of The Lost World by Michael Crichton

George Lincoln Rockwell photo
Daniel Drezner photo
Adolf Hitler photo
Francis Turner Palgrave photo

“The harvest-home or supper is a thing of the past. To those who feel the fascination of the past this may appear sad, but it is not so really for, even while it existed, this surface goodwill was often an empty show.”

Flora Thompson (1876–1947) English author and poet

August Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

Miguel de Unamuno photo
James Mattis photo

“For decades, Saddam Hussein has tortured, imprisoned, raped and murdered the Iraqi people; invaded neighboring countries without provocation; and threatened the world with weapons of mass destruction. The time has come to end his reign of terror. On your young shoulders rest the hopes of mankind. When I give you the word, together we will cross the Line of Departure, close with those forces that choose to fight, and destroy them. Our fight is not with the Iraqi people, nor is it with members of the Iraqi army who choose to surrender. While we will move swiftly and aggressively against those who resist, we will treat all others with decency, demonstrating chivalry and soldierly compassion for people who have endured a lifetime under Saddam’s oppression. Chemical attack, treachery, and use of the innocent as human shields can be expected, as can other unethical tactics. Take it all in stride. Be the hunter, not the hunted: never allow your unit to be caught with its guard down. Use good judgment and act in best interests of our Nation. You are part of the world’s most feared and trusted force. Engage your brain before you engage your weapon. Share your courage with each other as we enter the uncertain terrain north of the Line of Departure. Keep faith in your comrades on your left and right and Marine Air overhead. Fight with a happy heart and strong spirit. For the mission’s sake, our country’s sake, and the sake of the men who carried the Division’s colors in the past battles-who fought for life and never lost their nerve-carry out your mission and keep your honor clean.”

James Mattis (1950) 26th and current United States Secretary of Defense; United States Marine Corps general

Demonstrate to the world there is "No Better Friend, No Worse Enemy" than a U.S. Marine.
Mattis' words in a message to the 1st Marine Division in March 2003, on the eve of the Iraq War, as quoted in "Eve of Battle Speech" in The Weekly Standard (1 March 2003); also quoted in War Stories: Operation Iraqi Freedom (2003) by Oliver North, p. 53

Thomas Francis Meagher photo

“We now look into history with the generous pride of the nationalist, not with the cramped prejudice of the partisan. We do homage to Irish valour, whether it conquers on the walls of Derry, or capitulates with honour before the ramparts of Limerick; and, sir, we award the laurel to Irish genius, whether it has lit its flames within the walls of old Trinity, or drawn its inspiration from the sanctuary of Saint Omer’s. Acting in this spirit, we shall repair the errors and reverse the mean condition of the past. If not, we perpetuate the evil that has for so many years consigned this Country to the calamities of war and the infirmities of vassalage, "We must tolerate each other," said Henry Grattan, the inspired preacher of Irish nationality — he whose eloquence, as Moore has described it, was the very music of Freedom — "We must tolerate each other, or we must tolerate the common enemy…"But, sir, whilst we must endeavour wisely to conciliate let us not, to the strongest foe, nor in the most tempting emergency, weakly capitulate…Let earnest truth, stern fidelity to principle, love for all who bear the name of Irishmen, sustain, ennoble and immortalise this cause. Thus shall we reverse the dark fortunes of the Irish race, and call forth here a new nation from the ruins of the old.Thus shall a Parliament moulded from the soil, pregnant with the sympathies and glowing with the genius of the soil, be here raised up. Thus shall an honourable kingdom be enabled to fulfil the great ends that a bounteous Providence hath assigned her—which ends have been signified to her in the resources of her soil and the abilities of her sons.”

Thomas Francis Meagher (1823–1867) Irish nationalist & American politician

Legislative "Union" with Greath Britain (1846)

Roberto Mangabeira Unger photo
David Bowie photo
Marianne von Werefkin photo
Paul Morphy photo
John Ogilby photo

“Dear Friends, for we have many Dangers past,
And greater, God these too will end at last.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Yuval Noah Harari photo
John F. Kennedy photo
Mary McCarthy photo

“Every age has a keyhole to which its eye is pasted.”

Mary McCarthy (1912–1989) American writer

"My Confession", p. 74. First published in two parts in The Reporter (December 22, 1953 and January 5, 1954)
On the Contrary: Articles of Belief 1946–1961 (1961)

Louis-ferdinand Céline photo

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

27
Journey to the End of the Night (1932)

David Brin photo

“Anyone who loves nature, as I do, cries out at the havoc being spread by humans, all over the globe. The pressures of city life can be appalling, as are the moral ambiguities that plague us, both at home and via yammering media. The temptation to seek uncomplicated certainty sends some rushing off to ashrams and crystal therapy, while many dive into the shelter of fundamentalism, and other folk yearn for better, “simpler” times. Certain popular writers urgently prescribe returning to ancient, nobler ways.
Ancient, nobler ways. It is a lovely image... and pretty much a lie. John Perlin, in his book A Forest Journey, tells how each prior culture, from tribal to pastoral to urban, wreaked calamities upon its own people and environment. I have been to Easter Island and seen the desert its native peoples wrought there. The greater harm we do today is due to our vast power and numbers, not something intrinsically vile about modern humankind.
Technology produces more food and comfort and lets fewer babies die. “Returning to older ways” would restore some balance all right, but entail a holocaust of untold proportion, followed by resumption of a kind of grinding misery never experienced by those who now wistfully toss off medieval fantasies and neolithic romances. A way of life that was nasty, brutish, and nearly always catastrophic for women.
That is not to say the pastoral image doesn’t offer hope. By extolling nature and a lifestyle closer to the Earth, some writers may be helping to create the very sort of wisdom they imagine to have existed in the past. Someday, truly idyllic pastoral cultures may be deliberately designed with the goal of providing placid and just happiness for all, while retaining enough technology to keep existence decent.
But to get there the path lies forward, not by diving into a dark, dank, miserable past. There is but one path to the gracious, ecologically sound, serene pastoralism sought by so many. That route passes, ironically, through successful consummation of this, our first and last chance, our scientific age.”

Afterword (p. 563)
Glory Season (1993)

Gabriele Münter photo
Samuel Bowles photo
Calvin Coolidge photo
Eduard Jan Dijksterhuis photo
Giovanni Gentile photo
Clement Attlee photo
Dan Rather photo
Tomas Kalnoky photo
Bob Seger photo
Thomas Szasz photo

“In the past, men created witches: now they create mental patients.”

Thomas Szasz (1920–2012) Hungarian psychiatrist

The Manufacture of Madness (1970) http://books.google.com/books?id=hpOcRRum3XEC&pg=PR24&q="In+the+past+men+created+witches+now+they+create+mental+patients".

Sri Aurobindo photo

“Revolutions hew the past to pieces and cast it into a cauldron, but what has emerged is the old Aeson with a new visage.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Aphorisms (1913), Karma

James Baldwin photo
Neil Gorsuch photo
Alison Bechdel photo
Margaret Sanger photo
Enoch Powell photo

“Now, at present Britain has no V. A. T., and the questions whether this new tax should be introduced, how it should be levied, and what should be its scope, would be matters of debate in the country and in Parliament. The essence of parliamentary democracy lies in the power to debate and impose taxation: it is the vital principle of the British House of Commons, from which all other aspects of its sovereignty ultimately derive. With Britain in the community, one important element of taxation would be taken automatically, necessarily and permanently out of the hands of the House of Commons…Those matters which sovereign parliaments debate and decide must be debated and decided not by the British House of Commons but in some other place, and by some other body, and debated and decided once for the whole Community…it is a fact that the British Parliament and its paramount authority occupies a position in relation to the British nation which no other elective assembly in Europe possesses. Take parliament out of the history of England and that history itself becomes meaningless. Whole lifetimes of study cannot exhaust the reasons why this fact has come to be, but fact it is, so that the British nation could not imagine itself except with and through its parliament. Consequently the sovereignty of our parliament is something other for us than what your assemblies are for you. What is equally significant, your assemblies, unlike the British Parliament, are the creation of deliberate political acts, and most of recent political acts. The notion that a new sovereign body can be created is therefore as familiar to you as it is repugnant, not to say unimaginable, to us. This deliberate, and recent, creation of sovereign assemblies on the continent is in turn an aspect of the fact that the continent is familiar, and familiar in the recent past, with the creation of nation states themselves. Four of the six members of the Community came into existence as such no more than a century or a century and a half ago – within the memory of two lifetimes.”

Enoch Powell (1912–1998) British politician

Speech in Lyons (12 February 1971), from The Common Market: The Case Against (Elliot Right Way Books, 1971), pp. 65-68.
1970s

Danny Tidwell photo

“The ‘Romeo and Juliet’ story, we’re so past that. I have a very deep respect for art, but I also think we have a lot to learn from pop culture. And that is the future. Either you can ignore it and be stuck in the past, or you can learn from it.”

Danny Tidwell (1984) American dancer

In response to critics and ballet fans who say Tidwell "sold-out" by auditioning on So You Think You Can Dance
La Rocco Claudia. "TV Viewers Discover Dance, and the Debate Is Joined" http://www.nytimes.com/2007/09/21/arts/dance/21revo.html?ref=dance#, The New York Times, September 21, 2007

Anthony Watts photo

“I would say that the polar ice has disappeared in the past. Certainly there seems to be evidence of past climate situations where we may have had virtually no or none during the summertime. In the immediate future, however, I don't think we are going to see that. In fact, we're going through a rebound right now.”

Anthony Watts (1958) American television meteorologist

Talking Climate Change with Anthony Watts http://townhall.com/columnists/billsteigerwald/2009/04/20/talking_climate_change_with_anthony_watts/page/full/ townhall.com, Apr 20, 2009.
2009

Henry Van Dyke photo

“I know that Europe’s wonderful, yet something seems to lack;
The Past is too much with her, and the people looking back.”

Henry Van Dyke (1852–1933) American diplomat

Source: America for Me (1909), Lines 17-18.

John Kenneth Galbraith photo
James Salter photo
William Frederick Halsey, Jr. photo
Connie Willis photo
Captain Beefheart photo

“Pena
Her little head clinking
Like a barrel of red velvet balls
Full past noise
Treats filled her eyes
Turning them yellow like enamel coated tacks
Soft like butter hard not to pour”

Captain Beefheart (1941–2010) musician

Pena, sung by Jeff Cotton, better known as Antennae Jimmy Semens
Trout Mask Replica (1969)

Winston S. Churchill photo

“We have differed and quarrelled in the past but now one bond unites us all—to wage war until victory is won, and never to surrender ourselves to servitude and shame, whatever the cost and the agony must be.”

Broadcast (19 May 1940), quoted in Martin Gilbert, Finest Hour: Winston S. Churchill, 1939–1941 (London: Heinemann, 1983), p. 364
The Second World War (1939–1945)

Ben Witherington III photo