Quotes about the night
page 19

Ray Charles photo
Joan Didion photo
Samuel Rogers photo
Percy Bysshe Shelley photo

“Rarely, rarely, comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
Many a weary night and day
'Tis since thou are fled away.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

St. 1
Song: Rarely, Rarely, Comest Thou http://www.poetryconnection.net/poets/Percy_Bysshe_Shelley/17889 (1821)

John Constable photo

“This appearance of the Evening was… just after a very heavy rain — more rain in the night and very — [? light] wind which continued all the — day following while making – this sketch observed the Moon easing – very beautifully… [in the] due East over the — heavy clouds from which the late showers – had fallen.”

John Constable (1776–1837) English Romantic painter

Inscription: 12 September, 1821, written on the back of 'Hampstead Heath, Sun setting over Harrow,' his sketch in oil on paper; as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London. 1993), p. 221
1820s

Robert Louis Stevenson photo
Albert Camus photo
Martin Buber photo
Ryan Adams photo
John Harvey Kellogg photo
Aleksis Kivi photo

“Grove of Tuoni, grove of night!
There thy bed of sand is light.
Thither my baby I lead.
Mirth and joy each long hour yields
In the Prince of Tuoni's fields
Tending the Tuonela cattle.
Mirth and joy my babe will know,
Lulled to sleep at evening glow
By the pale Tuonela maiden.
Surely joy hours will hold,
Lying in thy cot of gold,
Hearing the nightjar singing.
Grove of Tuoni, grove of peace!
There all strife and passion cease.
Distant the treacherous world.”

Aleksis Kivi (1834–1872) Finnish writer

"Tuonen lehto, öinen lehto! / Siell' on hieno hietakehto, / Sinnepä lapseni saatan. // Siell' on lapsen lysti olla, / Tuonen herran vainiolla / Kaitsea Tuonelan karjaa. // Siell' on lapsen lysti olla, / Illan tullen tuuditella / Helmassa Tuonelan immen. // Onpa kullan lysti olla, / Kultakehdoss' kellahdella, / Kuullella kehräjälintuu. // Tuonen viita, rauhan viita! / Kaukana on vaino, riita, / Kaukana kavala maailma." (Äiti Aleksis Kiven kuvaamana, koonnut Ukko Kivistö, Turussa, kustannusosakeyhtiö Aura 1948)

Davey Havok photo
James Thurber photo

“He picked out this sentence in a New Yorker casual of mine: "After dinner, the men moved into the living room," and he wanted to know why I, or the editors, had put in the comma. I could explain that one all night. I wrote back that this particular comma was Ross's way of giving the men time to push back their chairs and stand up.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

The Years with Ross (Little Brown & Co, 1957, pg.267)

Variant: From one casual of mine he picked this sentence. “After dinner, the men moved into the living room.” I explained to the professor that this was Ross’s way of giving the men time to push back their chairs and stand up. There must, as we know, be a comma after every move, made by men, on this earth.

Memo to The New Yorker (1959); reprinted in New York Times Book Review (4 December 1988); Harold Ross was the editor of The New Yorker from its inception until 1951, and well-known for the overuse of commas
From other writings

“Since taking this job things have happened. I've been spending my free time studying the Word. Each night the Lord seemed to get hold of me a little more. Night before last I was reading in Nehemiah. I finished the book, and read it through again. Here was a man who left everything as far as position was concerned to go do a job nobody else could handle. And because he went the whole remnant back in Jerusalem got right with the Lord. Obstacles and hindrances fell away and a great work was done. Jim, I couldn't get away from it. The Lord was dealing with me. On the way home yesterday morning I took a long walk and came to a decision which I know is of the Lord. In all honesty before the Lord I say that no one or nothing beyond Himself and the Word has any bearing upon what I've decided to do. I have one desire now - to live a life of reckless abandon for the Lord, putting all my energy into it. Maybe He'll send me someplace where the name of Jesus Christ is unknown. Jim, I'm taking the Lord at His word, and I'm trusting Him to prove His Word. It's kind of like putting all your eggs in one basket, but we've already put our trust in Him for salvation, so why not do it as far as our life is concerned? If there's nothing to this business of eternal life we might as well lose everything in one crack and throw our present life away with out life hereafter. But if there is something to it, then everything else the Lord says must hold true likewise. Pray for me, Jim.”

Ed McCully (1927–1956) American Christian missionary
Anton Chekhov photo

“In order to cultivate yourself and to drop no lower than the level of the milieu in which you have landed, it is not enough to read Pickwick and memorize a monologue from Faust…. You need to work continually day and night, to read ceaselessly, to study, to exercise your will…. Each hour is precious.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to his brother, N.P. Chekhov (March 1886)
Original: Чтобы воспитаться и не стоять ниже уровня среды, в которую попал, недостаточно прочесть только Пикквика и вызубрить монолог из «Фауста». <…> Тут нужны беспрерывный дневной и ночной труд, вечное чтение, штудировка, воля… Тут дорог каждый час…

Ken Wilber photo

“My ankle hurts from dancing last night so there is pain. But the pain doesn't hurt me for there is no me.”

Ken Wilber (1949) American writer and public speaker

One Taste (2000)

Gloria Estefan photo

“My home is my paradise. When I come home at night, I feel an overall peaceful sensation. We will never give this place up.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

People en Espanol magazine (April, 2004)
2007, 2008

Corneliu Zelea Codreanu photo
Charles Grey, 2nd Earl Grey photo

“[The Spanish news] really keeps me awake at night and in the day I can think of nothing else. I did not think it possible that anything could have made me regret being out of office, but I now wish I was in a situation, in which it might be possible to assist this glorious cause.”

Charles Grey, 2nd Earl Grey (1764–1845) Prime Minister of the United Kingdom of Great Britain and Ireland

Letter to Lady Holland (2 July 1808), quoted in E. A. Smith, Lord Grey. 1764-1845 (Alan Sutton, 1996), p. 169.
1800s

Nathanael Greene photo
Will Rogers photo
Leo Tolstoy photo

“We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.
We know very well that we are only allowed to go on eating our dinner, to finish seeing the new play, or to enjoy to the end the ball, the Christmas fete, the promenade, the races or, the hunt, thanks to the policeman's revolver or the soldier's rifle, which will shoot down the famished outcast who has been robbed of his share, and who looks round the corner with covetous eyes at our pleasures, ready to interrupt them instantly, were not policeman and soldier there prepared to run up at our first call for help.
And therefore just as a brigand caught in broad daylight in the act cannot persuade us that he did not lift his knife in order to rob his victim of his purse, and had no thought of killing him, we too, it would seem, cannot persuade ourselves or others that the soldiers and policemen around us are not to guard us, but only for defense against foreign foes, and to regulate traffic and fetes and reviews; we cannot persuade ourselves and others that we do not know that the men do not like dying of hunger, bereft of the right to gain their subsistence from the earth on which they live; that they do not like working underground, in the water, or in the stifling heat, for ten to fourteen hours a day, at night in factories to manufacture objects for our pleasure. One would imagine it impossible to deny what is so obvious. Yet it is denied.”

Leo Tolstoy (1828–1910) Russian writer

Source: The Kingdom of God is Within You (1894), Chapter 12

Georges Bataille photo
Robert G. Ingersoll photo
Umberto Boccioni photo
Craig Ferguson photo

“…best night of my life.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

citation needed
The Late Late Show with Craig Ferguson (2005–2014), Commonly repeated

Alexander Maclaren photo
George Noory photo
Winston S. Churchill photo
Howard Cosell photo
John Dos Passos photo
Jeb Bush photo
Julio Cortázar photo

“"Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")


To combat pragmatism and the horrible tendency to achieve useful purposes, my elder cousin proposes the procedure of pulling out a nice hair from the head, knotting it in the middle and droping it gently down the hole in the sink. If the hair gets caught in the grid that usually fills in these holes, it will just take to open the tap a little to lose sight of it.


Without wasting an instant, must start the hair recovery task. The first operation is reduced to dismantling the siphon from the sink to see if the hair has become hooked in any of the rugosities of the drain. If it is not found, it is necessary to expose the section of pipe that goes from the siphon to the main drainage pipe. It is certain that in this part will appear many hairs and we will have to count on the help of the rest of the family to examine them one by one in search of the knot. If it does not appear, the interesting problem of breaking the pipe down to the ground floor will arise, but this means a greater effort, because for eight or ten years we will have to work in a ministry or trading house to collect enough money to buy the four departments located under the one of my elder cousin, all that with the extraordinary disadvantage of what while working during those eight or ten years, the distressing feeling that the hair is no longer in the pipes anymore can not be avoided and that only by a remote chance remains hooked on some rusty spout of the drain.


The day will come when we can break the pipes of all the departments, and for months to come we will live surrounded by basins and other containers full of wet hairs, as well as of assistants and beggars whom we will generously pay to search, assort, and bring us the possible hairs in order to achieve the desired certainty. If the hair does not appear, we will enter in a much more vague and complicated stage, because the next section takes us to the city's main sewers. After buying a special outfit, we will learn to slip through the sewers at late night hours, armed with a powerful flashlight and an oxygen mask, and explore the smaller and larger galleries, assisted if possible by individuals of the underworld, with whom we will have established a relationship and to whom we will have to give much of the money that we earn in a ministry or a trading house.


Very often we will have the impression of having reached the end of the task, because we will find (or they will bring us) similar hairs of the one we seek; but since it is not known of any case where a hair has a knot in the middle without human hand intervention, we will almost always end up with the knot in question being a mere thickening of the caliber of the hair (although we do not know of any similar case) or a deposit of some silicate or any oxide produced by a long stay against a wet surface. It is probable that we will advance in this way through various sections of major and minor pipes, until we reach that place where no one will decide to penetrate: the main drain heading in the direction of the river, the torrential meeting of detritus in which no money, no boat, no bribe will allow us to continue the search.


But before that, and perhaps much earlier, for example a few centimeters from the mouth of the sink, at the height of the apartment on the second floor, or in the first underground pipe, we may happen to find the hair. It is enough to think of the joy that this would cause us, in the astonished calculation of the efforts saved by pure good luck, to choose, to demand practically a similar task, that every conscious teacher should advise to its students from the earliest childhood, instead of drying their souls with the rule of cross-multiplication or the sorrows of Cancha Rayada.”

Julio Cortázar (1914–1984) Argentinian writer

Historias de Cronopios y de Famas (1962)

Robert G. Ingersoll photo
Bill McKibben photo
Sarah Palin photo
Bruce Springsteen photo
James Comey photo
John Muir photo

“When night was drawing near, I ran down the flowery slopes exhilarated, thanking God for the gift of this great day. The setting sun fired the clouds. All the world seemed new-born. Every thing, even the commonest, was seen in new light and was looked at with new interest as if never seen before.”

John Muir (1838–1914) Scottish-born American naturalist and author

Travels in Alaska http://www.sierraclub.org/john_muir_exhibit/writings/travels_in_alaska/ (1915), chapter 7: Glenora Peak
1910s

Sienna Guillory photo
Halldór Laxness photo
John Donne photo
Martin Luther King, Jr. photo
Thomas Haynes Bayly photo

“She wore a wreath of roses
The first night that we met.”

Thomas Haynes Bayly (1797–1839) English poet, songwriter, dramatist, and writer

She wore a Wreath, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Sarah Morgan Bryan Piatt photo
Fred Astaire photo
Cormac McCarthy photo
H. G. Wells photo

“Night, the mother of fear and mystery, was coming upon me.”

Book II, Ch. 8 (Ch. 25 in editions without Book divisions): Dead London
The War of the Worlds (1898)

George W. Bush photo
John Keats photo
Jason Mraz photo
Matt Taibbi photo
Henry Van Dyke photo
Felicia Hemans photo

“And the heavy night hung dark,
The hills and waters o'er,
When a band of exiles moored their bark
On the wild New England shore.”

Felicia Hemans (1793–1835) English poet

Stanza 2.
The Landing of the Pilgrim Fathers http://www.poetry-archive.com/h/landing_of_the_pilgrim_fathers.html (1826)

John Keats photo
Bill Clinton photo

“Now, I have to go back to work on my State of the Union speech. And I worked on it until pretty late last night. I want to say one thing to the American people. I want you to listen to me. I'm going to say this again. I did not have sexual relations with that woman, Miss Lewinsky. I never told anybody to lie, not a single time, never. These allegations are false, and I need to go back to work for the American people.”

Bill Clinton (1946) 42nd President of the United States

Clinton denying that he had sexual relations with Monica Lewinsky http://www.youtube.com/watch?v=YSDAXGXGiEw.
Remarks on the After-School Child Care Initiative, Roosevelt Room, White House Remarks on the After-School Child Care Initiative http://www.presidency.ucsb.edu/ws/index.php?pid=56257 (January 26, 1998)
1990s

Langston Hughes photo

“I was so sick last night I
Didn't hardly know my mind.
So sick last night I
Didn't know my mind.
I drunk some bad licker that
Almost made me blind.”

Langston Hughes (1902–1967) American writer and social activist

"Morning After," (l. 1-6), from Shakespeare in Harlem (1942)

Letitia Elizabeth Landon photo
Prince photo

“And I said, baby don't waste your time
I know what's on your mind
U wouldn't be satisfied with a one night stand
And I could never take the place of your man.”

Prince (1958–2016) American pop, songwriter, musician and actor

I Could Never Take the Place of Your Man
Song lyrics, Sign O' the Times (1987)

“A good night for the fireplace to be
crackling with flames - or so he figured,
Crumpling the papers he could only see
As testimonials to long plateaus of emptiness.”

Weldon Kees (1914–1955) American artist

The Heat in the Room (Jarkko Laine: Amerikan Cowboy. Helsinki: Otava, 1981. ISBN 951-1-06597-1

André Breton photo
Bliss Carman photo

“Here’s to the day
That wondrous May,
A-roaming through the heather,
When her little shoes
And my big boots
Were out on the hills together.

And here’s to the night
Of our delight,
That held the stars in tether,
When her little shoes
And my big boots
Were under the bed together.”

Bliss Carman (1861–1929) author

The full toast, as reported in New York Sun. Quoted in John Coldwell Adams, Confederation Voices http://www.uwo.ca/english/canadianpoetry/confederation/John%20Coldwell%20Adams/Confederation%20Voices/chapter%203.html, 2007.

Nick Drake photo
Randy Pausch photo
Joe Hill photo

“Long-haired preachers come out every night,
Try to tell you what's wrong and what's right;
But when asked how 'bout something to eat
They will answer with voices so sweet:

You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You'll get pie in the sky when you die.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

"The Preacher and the Slave" http://en.wikisource.org/wiki/The_Preacher_and_the_Slave (1911)

Joe Biden photo
Dan Rather photo
Vladimir Putin photo

“I have worked like a galley slave throughout these eight years, morning till night, and I have given all I could to this work. I am happy with the results.”

Vladimir Putin (1952) President of Russia, former Prime Minister

Quoted in The Truth About Putin and Medvedev http://www.nybooks.com/articles/21353, last annual press conference.
2006- 2010

Bruno Schulz photo
Gillian Anderson photo
Paul Simon photo
Karel Appel photo

“[Karel Appel called out to 'his Night':] You, Beauty! And since I have to account for a body, I have handed this torture over to the executioner”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

CF,28; p. 219
Karel Appel, a gesture of colour' (1992/2009)

Aurangzeb photo

“The infidels demolished a mosque that was under construction and wounded the artisans. When the news reached Shah Yasin, he came to Banaras from Mandyawa and collecting the Muslim weavers, demolished the big temple. A Sayyid who was an artisan by profession agreed with one Abdul Rasul to build a mosque at Banaras and accordingly the foundation was laid. Near the place there was a temple and many houses belonging to it were in the occupation of the Rajputs. The infidels decided that the construction of a mosque in the locality was not proper and that it should be razed to the ground. At night the walls of the mosque were found demolished. Next day the wall was rebuilt but it was again destroyed. This happened three or four times. At last the Sayyid hid himself in a corner. With the advent of night the infidels came to achieve their nefarious purpose. When Abdul Rasul gave the alarm, the infidels began to fight and the Sayyid was wounded by Rajputs. In the meantime, the Musalman resident of the neighbourhood arrived at the spot and the infidels took to their heels. The wounded Muslims were taken to Shah Yasin who determined to vindicate the cause of Islam. When he came to the mosque, people collected from the neighbourhood. The civil officers were outwardly inclined to side with the saint, but in reality they were afraid of the royal displeasure on account of the Raja, who was a courtier of the Emperor and had built the temple (near which the mosque was under construction). Shah Yasin, however, took up the sword and started for Jihad. The civil officers sent him a message that such a grave step should not be taken without the Emperor's permission. Shah Yasin, paying no heed, sallied forth till he reached Bazar Chau Khamba through a fusillade of stones' The, doors (of temples) were forced open and the idols thrown down. The weavers and other Musalmans demolished about 500 temples. They desired to destroy the temple of Beni Madho, but as lanes were barricaded, they desisted from going further.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Varanasi (Uttar Pradesh) Ganj-i-Arshadi, cited in : Sharma, Sri Ram, Religious Policy of the Mughal Emperors, Bombay, 1962. p. 144-45
Quotes from late medieval histories

John McLaughlin photo

“…The music was evolving with society, and society, if you recall, there was a narcissism that entered society in the 80s. Saturday Night Fever, you know, hey! This whole LOOK, the LOOK about things, and the look almost became more important of the content…”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On music and society in the 1980s, as quoted in "John McLaughlin: Challenges to creative music", by The Snapshots Foundation, YouTube, Nov 8, 2016 https://www.youtube.com/watch?v=5iubDTkT3Y4

Thomas De Witt Talmage photo

“In the Far West, the United States of America openly claimed to be custodians of the whole planet. Universally feared and envied, universally respected for their enterprise, yet for their complacency very widely despised, the Americans were rapidly changing the whole character of man’s existence. By this time every human being throughout the planet made use of American products, and there was no region where American capital did not support local labour. Moreover the American press, gramophone, radio, cinematograph and televisor ceaselessly drenched the planet with American thought. Year by year the aether reverberated with echoes of New York’s pleasures and the religious fervours of the Middle West. What wonder, then, that America, even while she was despised, irresistibly moulded the whole human race. This, perhaps, would not have mattered, had America been able to give of her very rare best. But inevitably only her worst could be propagated. Only the most vulgar traits of that potentially great people could get through into the minds of foreigners by means of these crude instruments. And so, by the floods of poison issuing from this people’s baser members, the whole world, and with it the nobler parts of America herself, were irrevocably corrupted.
For the best of America was too weak to withstand the worst. Americans had indeed contributed amply to human thought. They had helped to emancipate philosophy from ancient fetters. They had served science by lavish and rigorous research. In astronomy, favoured by their costly instruments and clear atmosphere, they had done much to reveal the dispositions of the stars and galaxies. In literature, though often they behaved as barbarians, they had also conceived new modes of expression, and moods of thought not easily appreciated in Europe. They had also created a new and brilliant architecture. And their genius for organization worked upon a scale that was scarcely conceivable, let alone practicable, to other peoples. In fact their best minds faced old problems of theory and of valuation with a fresh innocence and courage, so that fogs of superstition were cleared away wherever these choice Americans were present. But these best were after all a minority in a huge wilderness of opinionated self-deceivers, in whom, surprisingly, an outworn religious dogma was championed with the intolerant optimism of youth. For this was essentially a race of bright, but arrested, adolescents. Something lacked which should have enabled them to grow up. One who looks back across the aeons to this remote people can see their fate already woven of their circumstance and their disposition, and can appreciate the grim jest that these, who seemed to themselves gifted to rejuvenate the planet, should have plunged it, inevitably, through spiritual desolation into senility and age-long night.”

Source: Last and First Men (1930), Chapter II: Europe’s Downfall; Section 1, “Europe and America” (p. 33)

Théodore Guérin photo
Janet Jackson photo

“I feel asleep late last night
Crying like a newborn child
Holding myself close
Pretending my arms are yours
I want no one but you.”

Janet Jackson (1966) singer from the United States

I Get Lonely
The Velvet Rope (1997)

Michael O'Leary (businessman) photo
Thomas Gray photo

“From toil he wins his spirits light,
From busy day the peaceful night;
Rich, from the very want of wealth,
In heaven's best treasures, peace and health.”

Thomas Gray (1716–1771) English poet, historian

Source: Ode on the Pleasure Arising from Vicissitude http://www.thomasgray.org/cgi-bin/display.cgi?text=oopv (1754), Line 93

Jimmy Kimmel photo

“I'm on the Internet a lot more than I watch TV and most everybody I know is, and yet if you watch most late-night talk shows, it's as if it doesn't even exist. So the Internet, it's just something I wanted to make use of in some way. I was fascinated by what appeared to be a child singing this song. It just struck me as funny.”

Jimmy Kimmel (1967) American talk show host and comedian

On his initial impression of Andy Milonakis — reported in Susan Carpenter, Tribune Newspapers: Los Angeles Times (May 3, 2006) "Making a fool of himself for video - Andy Milonakis' success story", Chicago Tribune, p. 8A.

Miley Cyrus photo

“I always love coming to Disneyland but celebrating my birthday here with my family, friends and the kids from YSA is really awesome!, this is a night I'll never forget.”

Miley Cyrus (1992) American actor and singer-songwriter

MarketWatch http://www.marketwatch.com/news/story/hannah-montanas-miley-cyrus-celebrates/story.aspx?guid={E11F09FF-BA05-49D1-A779-53357962A1D7}&dist=hppr (October 5, 2008)

Ted Hughes photo

“Nobody knew the Iron Man had fallen.
Night passed.”

Source: The Iron Man (1968), Ch. 1 : The Coming of the Iron Man

Robert Graves photo
Mark Knopfler photo
Brad Paisley photo
Ada Leverson photo
Philip Massinger photo
John Fante photo
Greg Egan photo

“Every night, at exactly a quarter past three, something dreadful happens on the street outside our bedroom window. We peek through the curtains, yawning and shivering in the life-draining chill, and then we clamber back beneath the blankets without exchanging a word, to hug each other tightly and hope for sound sleep before it's time to rise.

Usually what we witness verges on the mundane. Drunken young men fighting, swaying about with outstretched knives, cursing incoherently. Robbery, bashings, rape. We wince to see such violence, but we can hardly be shocked or surprised any more, and we're never tempted to intervene: it's always far too cold, for a start! A single warm exhalation can coat the window pane with mist, transforming the most stomach-wrenching assault into a safely cryptic ballet for abstract blobs of light.

On some nights, though, when the shadows in the room are subtly wrong, when the familiar street looks like an abandoned film set, or a painting of itself perversely come to life, we are confronted by truly disturbing sights, oppressive apparitions which almost make us doubt we're awake, or, if awake, sane. I can't catalogue these visions, for most, mercifully, are blurred by morning, leaving only a vague uneasiness and a reluctance to be alone even in the brightest sunshine.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988)
Fiction

David Lloyd George photo
Epes Sargent photo

“The cold blast at the casement beats;
The window-panes are white;
The snow whirls through the empty streets;
It is a dreary night!”

Epes Sargent (1813–1880) American editor, poet and playwright

The Heart's Summer, reported in Bartlett's Familiar Quotations, 10th ed. (1919).