Quotes about the dead
page 13

Franklin Pierce Adams photo
GG Allin photo

“GG Allin: If you think I'm into this for the money you're dead wrong because I'm not doing this for the money. I'm doing it because it lives inside of me.”

GG Allin (1956–1993) American singer-songwriter

GG Allin on The Jerry Springer Show, May 5. 1993.
On The Jerry Springer Show

Rudyard Kipling photo

“We have fed our sea for a thousand years
And she calls us, still unfed,
Though there's never a wave of all her waves
But marks our English dead.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Song of the Dead http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/volumeXI/songdead.html, II, Stanza 1 (1896).
The Seven Seas (1896)

Paul Klee photo
Edward Everett photo

“When I am dead, no pageant train
Shall waste their sorrows at my bier,
Nor worthless pomp of homage vain
Stain it with hypocritic tear.”

Edward Everett (1794–1865) American politician, orator, statesman

"The Dirge of Alaric, the Visigoth" In The New Monthly Magazine and Literary Journal Vol. V, No. 25 (January-June 1823), p. 64.

Dada Vaswani photo

“The very first right of every animal is the right to live. As you cannot give life to a dead creature, you do not have the right to take life away from a living one.”

Dada Vaswani (1918–2018) Spiritual leader

Source: http://www.beliefnet.com/faiths/hinduism/2005/06/the-world-needs-love.aspx

Ilana Mercer photo
Anthony Trollope photo
Elia M. Ramollah photo
Edvard Munch photo
Edwin Arnold photo
Carl Sagan photo
Cesare Pavese photo
Enoch Powell photo

“So long as the figures 'now superseded' and the academic projections based upon them held sway, it was possible for politicians to shrug their shoulders. With so much of immediate and indisputable importance on their hands, why should they attend to what was forecast for the end of the century, when most of them would be not only out of office but dead and gone? … It was not for them to heed the cries of anguish from those of their own people who already saw their towns being changed, their native places turned into foreign lands, and themselves displaced as if by a systematic colonisation. For these the much vaunted compassion of the parties and politicians was not available: the parties and the politicians preferred to be busy making speeches on race relations; and if any of their number dared to tell them the truth, even less than the whole truth, about what was happening and what would happen here in England, they denounced them as racialist and turned them out of doors. They could feel safe; for they said in their hearts: 'If trouble comes, it will not be in our time; let the next generation see to it!' … The explosive which will blow us asunder is there and the fuse is burning, but the fuse is shorter than had been supposed. The transformation which I referred to earlier as being without even a remote parallel in our history, the occupation of the hearts of this metropolis and of towns and cities across England by a coloured population amounting to millions, this before long will be past denying. It is possible that the people of this country will, with good or ill grace, accept what they did not ask for, did not want and were not told of. My own judgment— it is a judgment which the politician has a duty to form to the best of his ability— I have not feared to give: it is— to use words I used two years and a half ago— that 'the people of England will not endure it'.”

Enoch Powell (1912–1998) British politician

Speech to the Carshalton and Banstead Young Conservatives at Carshalton Hall (15 February 1971), from Still to Decide (Eliot Right Way Books, 1972), pp. 202-203.
1970s

Sinclair Lewis photo
James Montgomery photo

“The nursery of brooding Pelicans,
The dormitory of their dead, had vanish'd,
And all the minor spots of rock and verdure,
The abodes of happy millions, were no more.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

Canto VI, line 74.
The Pelican Island (1827)

Peter Kropotkin photo
Geert Wilders photo
Pentti Linkola photo
Octavia E. Butler photo

“We give our dead
To the orchards
And the groves.
We give our dead
To life.”

Source: Parable of the Talents (1998), Chapter 1 (p. 5)

Nat King Cole photo

“Rob: "So you're saying you're not gonna let a dead fish outsmart you."”

Darby Conley (1970) American cartoonist

Groovitude, page 218
Bucky Katt, Dialogue

Ralph Chaplin photo
Eino Leino photo
Robert Charles Wilson photo
Letitia Elizabeth Landon photo

“Let music make less terrible
The silence of the dead;
I care not, so my spirit last
Long after life has fled.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Source: The Venetian Bracelet (1829), Lines of Life

Marcus Aurelius photo
Li Minqi photo

“The Revolution is dead. Long Live the Revolution”

Li Minqi (1969) Chinese economist

Source: The Rise of China and the Demise of the Capitalist World-Economy (2008), Chapter Two, "Accumulation, Basic Needs, and Class Struggle: the Rise of Modern China"

Jacques Bertin photo
Clifford D. Simak photo
Elsa von Freytag-Loringhoven photo
Philip Pullman photo

“She is the goddess of the dead. She comes to you smiling and kindly, and you know it is time to die.”

Source: His Dark Materials, The Golden Compass (1995), Ch. 18 : Fog and Ice

Elbert Hubbard photo

“Our admiration is so given to dead martyrs that we have little time for living heroes.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

The Note Book of Elbert Hubbard (1927)

Mickey Spillane photo

“Only the dead are free of the influence of others.”

Karl Schroeder (1962) Author. Technology consultant

Source: Lady of Mazes (2005), Chapter 24 (p. 266).

Walker Percy photo
Orson Scott Card photo

“I'll be dead and you'll think about this day and wonder which of us was more the slave, you or me!”

Orson Scott Card (1951) American science fiction novelist

Homecoming saga, Earthborn (1995)

R. A. Salvatore photo
John Fante photo
Wu Jingzi photo
Antonin Scalia photo

“I am left to defend the 'dead' Constitution.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

On a living Constitution: Speech at Marquette University in Milwaukee (13 March 2001).
2000s

Michel De Montaigne photo
Ingmar Bergman photo
Cyrano de Bergerac photo
Kent Hovind photo
James Macpherson photo
Gerald Kaufman photo
David Lynch photo

“I don't think about technique. The ideas dictate everything. You have to be true to that or you're dead.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

As quoted in "Dark Lens on America" in The New York Times Magazine (14 January 1990)

Neil Gaiman photo
José Ortega Y Gasset photo
Russell Hoban photo
Hannah Arendt photo

“The cultural treasures of the past, believed to be dead, are being made to speak, in the course of which it turns out that they propose things altogether different than what had been thought.”

Hannah Arendt (1906–1975) Jewish-American political theorist

"Martin Heidegger at Eighty," in Heidegger and Modern Philosophy: Critical Essays (1978) by Michael Murray, p. 294.

Nastassja Kinski photo
Cass Elliot photo
James, son of Zebedee photo
Joe Haldeman photo
Jean Dubuffet photo

“Every piece of information about these statues is totally useless... What. import is it to us if their author was a bureaucrat or a cowherd, an old man or a young person? It is very unfounded to pay attention to these meager ircumstances. There is no difference between an old and young man. Not the least in any domain. Or if he was from Burgundy or Auvergne it's the same. And if he is alive or dead for who knows how long it is the same to us. Between a contemporary and someone from the last century, or a companion of Clovis or the big prehistoric reptiles? No difference whatsoever. We are completely wrong to take interest in these details.”

Jean Dubuffet (1901–1985) sculptor from France

Quote in Dubuffet's 1947 Entry on an anonymous sculptor, associated with the Swiss collector O.J. Müller; from: Jean Dubuffet, Les Barbus Müller et Autres Pièces de la Statuaire Provinciale(1947), in Prospectus I, pp. 498-49 (transl. Kent Minturn)
remark about the publication of biographically based texts on individual art brut artists; according to Dubuffet: veritable history of art without 'names,' 'dates,' or 'histories'.
1940's

“It is never the machines that are dead.
It is only the mechanically-minded men that are dead.”

Gerald Stanley Lee (1862–1944) Americna minister

Book II, Chapter V.
Crowds (1913)

Nalo Hopkinson photo
Orson Scott Card photo
Margaret Atwood photo
Gillian Anderson photo
Alan Charles Kors photo
Lewis Mumford photo

“A certain amount of opposition is a great help to a man. Kites rise against, not with, the wind. Even a head wind is better than none. No man ever worked his passage anywhere in a dead calm.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

John Neal, as quoted in The Journal of Education for Upper Canada Vol. III (1850)
Misattributed

Emanuel Lasker photo
Suzanne Collins photo
Tanith Lee photo
Calvin Coolidge photo
Samuel Butler photo
Roger Scruton photo
Garth Nix photo

“For me, the historian's principal task should be to raise the dead to life.”

Thomas Cahill (1940) American scholar and writer

Introduction
Sailing the Wine-Dark Sea: Why the Greeks Matter (2003)

Elizabeth May photo

“All quiet along the Potomac to-night,
No sound save the rush of the river,
While soft falls the dew on the face of the dead—
The picket ’s off duty forever.”

Ethel Lynn Beers (1827–1879) American writer

"All Quiet Along the Potomac Tonight" (first published in Harper's Weekly on November 30, 1861 under the title The Picket Guard).

James Russell Lowell photo

“The foolish and the dead alone never change their opinions.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

My Study Windows (1871)

Charles Taze Russell photo
William A. Dembski photo
Al Gore photo
Dinah Craik photo
Clifford D. Simak photo
Edgar Rice Burroughs photo
Cesare Pavese photo
Anthony Bourdain photo
Ernst Kaltenbrunner photo
Sarah Chang photo
Letitia Elizabeth Landon photo
Neil Young photo

“Tin soldiers and Nixon's comin'.
We're finally on our own.
This summer I hear the drummin'.
Four dead in Ohio.”

Neil Young (1945) Canadian singer-songwriter

Ohio, from 4 Way Street (1971)
Song lyrics, With Crosby, Stills & Nash

Hendrik Werkman photo

“the art-critic has provided the products of my lab with a (new) label: 'abracadabra'.... [but] one can not speak about abracadabra-ism, and that is its advantage on all –isms: it doesn't know time and limits and especially not the 'periods of time' [but] only seasons.... all -isms are dead, blown away, sprayed in the air, gone (here imagery does not fit, imagery is always wrong) - only for the 'abracadabra' is the future wall, the coming wall in the next house - how much the 'peinture' of other fabrics is curving and folding itself, polished or blown-up, it's all for nothing... We are not addressing those offspring but only the artists in this world..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): de critiek heeft de producten van mijn laboratorium voorzien van een (nieuw) etiket: abracadabra.. ..van abacadabraïsme kan men niet spreken en dat is haar voorsprong op alle ismen: het kent geen tijd en geen grenzen en vooral geen 'perioden' [maar] slechts jaargetijden.. ..alle ismen zijn dood, verwaaid, verstoven, weg (hier past beeldspraak niet, beeldspraak is altijd valsch) slechts voor het abracadabra is de toekomstige wand, de komende wand in het komende huis hoe ook de peintuur van ander maaksel zich kromt en plooit, poets of opblaast, het is al om niet.. ..wij richten ons immers niet tot deze nakomers maar uitsluitend tot de artisten op deze globe..
Quote of Werkman from his 'Proclamatie / Procamation 2. Nov. 1932, published at nr. 13, at the left border of the river Aa'; print on paper; (transl. Fons Heijnsbroek) - from the collection of Gemeentemuseum The Hague
Werkman is referring to an article by nl:Johan Dijkstra in the 'Provinciale Groninger Courant' who called Werkman's art-works 'abacadraba', but meant in a rather positive sense, because Dijkstra missed it at the exhibition of De Ploeg, Autumn 1932
1930's

Gerhard Richter photo