Quotes about parting
page 41

Nastassja Kinski photo
Adam Smith photo

“For a very small expence the public can facilitate, can encourage, and can even impose upon almost the whole body of the people, the necessity of acquiring those most essential parts of education.”

Adam Smith (1723–1790) Scottish moral philosopher and political economist

Source: (1776), Book V, Chapter I, Part III, Article II, p. 847.

Michelle Phillips photo

“I've always had a reputation as the pretty girl. Pretty girls rarely get the good parts. We all have to do a film like The Burning Bed where we can really be degraded so that people think we can act.”

Michelle Phillips (1944) Singer, actress

The Chicago Tribune http://articles.chicagotribune.com/1986-07-05/entertainment/8602170918_1_michelle-phillips-mamas-papa-john (July 5, 1986)

Hillary Clinton photo

“You know, joining a gang is like having a family. It's feeling like you're part of something bigger than yourself. So we're either going to have gangs that murder and rob and do the things that are so destructive to the gang members and to the community. Or, we're going to have positive gangs. We're going to have positive alternatives for young people.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Clinton: We Need Positive Gangs https://www.youtube.com/watch?v=vVD0pvWL6R4; as quoted in * 2016-04-21
Clinton: We Could Have Positive Gangs
Chandler Gill
Free Beacon
http://freebeacon.com/culture/clinton-need-positive-gangs/.
Presidential campaign (April 12, 2015 – 2016)

Letitia Elizabeth Landon photo
David Haye photo

“I watched a TV documentary about how animals are farmed, killed and prepared for us to eat. I saw all those cows and pigs and realised I couldn’t be a part of it any more. It was horrible. I did some research to make sure I could still obtain enough protein to fight and, once satisfied that I could, I stopped [eating animal products]. I’ll never go back.”

David Haye (1980) British boxer

“PETA’s Sexiest Vegan Celebrities of 2014: Thandie Newton and David Haye Nab Top Honours!,” in Peta.org.uk (23 December 2014) http://www.peta.org.uk/blog/petas-sexiest-vegan-celebrities-2014-thandie-newton-david-haye-nab-top-honours/.

Margaret Mead photo
Edward R. Murrow photo
Charles Darwin photo
Lee Smolin photo
Alfred Horsley Hinton photo

“The sky is as much an essential part of the picture as any other part of it, and indeed, in very many instances, constitutes the key-note and important feature of the whole idea.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Clouds. Their use, and practical instructions as to how to photography them, p. 92

Elie Wiesel photo
Thomas Jefferson photo

“May it be to the world, what I believe it will be, (to some parts sooner, to others later, but finally to all), the signal of arousing men to burst the chains under which monkish ignorance and superstition had persuaded them to bind themselves, and to assume the blessings and security of self-government.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Roger C. Weightman, on the decision for Independence made in 1776, often quoted as if in reference solely to the document the Declaration of Independence (24 June 1826)
1820s

Maurice Glasman, Baron Glasman photo
Pierre de Coubertin photo
Bernhard Riemann photo

“Let us imagine that from any given point the system of shortest lines going out from it is constructed; the position of an arbitrary point may then be determined by the initial direction of the geodesic in which it lies, and by its distance measured along that line from the origin. It can therefore be expressed in terms of the ratios dx0 of the quantities dx in this geodesic, and of the length s of this line. …the square of the line-element is \sum (dx)^2 for infinitesimal values of the x, but the term of next order in it is equal to a homogeneous function of the second order… an infinitesimal, therefore, of the fourth order; so that we obtain a finite quantity on dividing this by the square of the infinitesimal triangle, whose vertices are (0,0,0,…), (x1, x2, x3,…), (dx1, dx2, dx3,…). This quantity retains the same value so long as… the two geodesics from 0 to x and from 0 to dx remain in the same surface-element; it depends therefore only on place and direction. It is obviously zero when the manifold represented is flat, i. e., when the squared line-element is reducible to \sum (dx)^2, and may therefore be regarded as the measure of the deviation of the manifoldness from flatness at the given point in the given surface-direction. Multiplied by -¾ it becomes equal to the quantity which Privy Councillor Gauss has called the total curvature of a surface. …The measure-relations of a manifoldness in which the line-element is the square root of a quadric differential may be expressed in a manner wholly independent of the choice of independent variables. A method entirely similar may for this purpose be applied also to the manifoldness in which the line-element has a less simple expression, e. g., the fourth root of a quartic differential. In this case the line-element, generally speaking, is no longer reducible to the form of the square root of a sum of squares, and therefore the deviation from flatness in the squared line-element is an infinitesimal of the second order, while in those manifoldnesses it was of the fourth order. This property of the last-named continua may thus be called flatness of the smallest parts. The most important property of these continua for our present purpose, for whose sake alone they are here investigated, is that the relations of the twofold ones may be geometrically represented by surfaces, and of the morefold ones may be reduced to those of the surfaces included in them…”

Bernhard Riemann (1826–1866) German mathematician

On the Hypotheses which lie at the Bases of Geometry (1873)

Philip K. Dick photo
Adam Smith photo
George Gordon Byron photo

“Maid of Athens, ere we part,
Give, oh give me back my heart!”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Maid of Athens http://readytogoebooks.com/MOA43.htm, st. 1 (1810).

Raymond Chandler photo
Gottfried Feder photo
John Kenneth Galbraith photo

“There's a certain part of the contented majority who love anybody who is worth a billion dollars.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

The Guardian [UK] (23 May 1992)

Colley Cibber photo

“We shall find no fiend in hell can match the fury of a disappointed woman,—scorned, slighted, dismissed without a parting pang.”

Love's Last Shift, Act IV (1696). Compare: "Heav'n has no Rage, like Love to Hatred turn'd,
Nor Hell a Fury, like a Woman scorn'd", William Congreve, The Mourning Bride (1697), Act III, scene viii (often paraphrased: "Hell hath no fury like a woman scorned").

Curt Flood photo
Henry Campbell-Bannerman photo
Oliver Cowdery photo
Stanley Baldwin photo

“The characteristic of the organism is first that it is more than the sum of its parts and second that the single processes are ordered for the maintenance of the whole.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Source: 1920s, Kritische Theorie der Formbildung (1928, 1933), p. 305; as cited in: Cliff Hooker ed. (2011) Philosophy of Complex Systems. p. 189

Konstantin Tsiolkovsky photo

“Nothing exists, save atoms and their combinations. There is no atom, which wouldn't periodically take part in life.”

Konstantin Tsiolkovsky (1857–1935) Russian and Soviet rocket scientist and pioneer of the astronautic theory

Ничего нет, кроме атомов и их сочетаний. Нет атома, который периодически не принимал бы участия в жизни
from Новая этика (из монизма) http://tsiolkovsky.org/ru/kosmicheskaya-filosofiya/novaya-etika-iz-monizma/

Ray Charles photo

“But now if I can wrap myself up in that song, and when that song gets to be a part of me, and affects me emotionally, then the emotions that I go through, chances are I’ll be able to communicate to you. Make the people out there become a part of the life of this song that you’re singing about. That’s soul when you can do that.”

Ray Charles (1930–2004) American musician

http://interview.sweetsearch.com/2010/11/ray-charles.html
A symposium on soul, Pop Chronicles, Show 15: The Soul Reformation http://digital.library.unt.edu/explore/partners/UNTML/browse/?start=14&fq=untl_collection%3AJGPC, interview recorded 3.8.1968 http://web.archive.org/web/20100116003442/http://www.library.unt.edu/music/special-collections/john-gilliland/index-to-interviews.

John Calvin photo
Lucian photo
Kalki Koechlin photo

“It's all a part of this world where we're all kind of mixing a lot, and… in that way we're all a bit confused about who we are, where we belong, where's home, and … who is important to us…”

Kalki Koechlin (1984) Indian actress

Interview with Olivia Bannock at the Toronto International Film Festival, on the subject of her work with Anurag Kashyap, in That Girl in Yellow Boots, for myETVmedia with Kalki Koechlin (28 September 2010) http://www.youtube.com/watch?v=v1z-_AJiCVE

Jean-Baptiste Say photo

“To have never done anything but make the eighteenth part of a pin, is a sorry account for a human being to give of his existence.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter VIII, p. 98 (See also: Adam Smith)

Norman Tebbit photo
Tsunetomo Yamamoto photo
Cees Nooteboom photo
Malcolm Muggeridge photo
Paul A. Samuelson photo
Guillaume de Salluste Du Bartas photo
William Lane Craig photo
Manuel Valls photo
Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

Lloyd Kenyon, 1st Baron Kenyon photo
Friedrich Bauer photo

“Software engineering is the part of computer science which is too difficult for the computer scientist.”

Friedrich Bauer (1924–2015) German computer scientist

Bauer (1971) "Software Engineering." Information Processing: Proceedings of the IFIP Congress 1971, Ljubljana, Yugoslavia, August 23-28, 1971.

Fritz Todt photo
George W. Bush photo
James Comey photo
Thomas Kuhn photo

“I rapidly discovered that Aristotle had known almost no mechanics at all. … How could his characteristic talents have deserted him so systematically when he turned to the study of motion and mechanics? Equally, if his talents had so deserted him, why had his writings in physics been taken so seriously for so many centuries after his death? … I was sitting at my desk with the text of Aristotle's Physics open in front of me… Suddenly the fragments in my head sorted themselves out in a new way, and fell into place together. My jaw dropped, for all at once Aristotle seemed a very good physicist indeed, but of a sort I'd never dreamed possible. Now I could understand why he had said what he'd said, and what his authority had been. Statements that had previously seemed egregious mistakes, now seemed at worst near misses within a powerful and generally successful tradition. That sort of experience -- the pieces suddenly sorting themselves out and coming together in a new way -- is the first general characteristic of revolutionary change that I shall be singling out after further consideration of examples. Though scientific revolutions leave much piecemeal mopping up to do, the central change cannot be experienced piecemenal, one step at a time. Instead, it involves some relatively sudden and unstructured transformation in which some part of the flux of experience sorts itself out differently and displays patterns that were not visible before.”

Thomas Kuhn (1922–1996) American historian, physicist and philosopher

Source: The Road Since Structure (2002), p. 16-17; from "What Are Scientific Revolutions?" (1982)

Johann Gottlieb Fichte photo
Curt Flood photo
Sri Aurobindo photo
Roger Waters photo

“"Perfect Sense (part I)" on Amused to Death (Roger Waters, 1992)”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Variant: "Perfect Sense" on Amused to Death (Roger Waters, 1992)

Harry V. Jaffa photo
Nicholas Sparks photo
Ihara Saikaku photo
George Eliot photo
Joe Biden photo

“But I respectfully suggest, Major, that the responsibility is slightly above your pay grade, to decide whether to take the nation to war alone, or to take the nation to war part way, or to take the Nation to work half-way. That is a real tough decision.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

To Scott Ritter, in hearings about the disarmament process, before the Senate Committee on Armed Services (September 1998), quoted in * 2020-01-07 Joe Biden, five years before invasion, said the only way of disarming Iraq is "taking Saddam down" Ryan Grim The Intercept https://theintercept.com/2020/01/07/joe-biden-iraq-war-history/
1990s

Gaston Bachelard photo
Indra Nooyi photo

“India needs to grow at 7 to 8 per cent to ensure full employment and we all will do our part to invest in India to make sure India achieves its growth potential.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

Narendra Modi question elicits 'no comment' from PepsiCo chief Indra Nooyi

Rousas John Rushdoony photo
Henry Mintzberg photo

“Anecdotal data is not incidental to theory development at all, but an essential part of it”

Henry Mintzberg (1939) Canadian busines theorist

Source: Managers Not MBAs (2005), p. 362

Richard Pryor photo

“Rosa Parks showed us all that one little person can make a whole bunch of noise without so much as a whisper. She showed the world that the color of your skin shouldn't determine what part of the bus you sit in… as you ride through life.”

Richard Pryor (1940–2005) American stand-up comedian, actor, social critic, writer, and MC

Post http://www.richardpryor.com/forums/msgs.cfm?msg=38560&forum=6 on US civil rights activist Rosa Parks.
Web-posts

Gabrielle Roy photo
E. W. Hobson photo
Gabrielle Roy photo
Zooey Deschanel photo

“My eyes are so bleary
I guess I'm young but I feel so weary
I've tried to express it
But I think its all a bore
Its at the heart of me,
A very part of me”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Black Hole".
She & Him : Volume One (2008)

“Animals are among the first inhabitants of the mind's eye. They are basic to the development of speech and thought. Because of their part in the growth of consciousness, they are inseparable from the series of events in each human life, indispensable to our becoming human in the fullest sense.”

Paul Shepard (1925–1996) American human ecologist

Thinking Animals: Animals and the Development of Human Intelligence (1978), University of Georgia Press, 1998, Chapter 1, p. 2 https://books.google.it/books?id=rSu9AQAAQBAJ&pg=PA2.

Semyon Timoshenko photo
David Brooks photo

“Are we really here? Is this really happening? Is this America? Are we a great country talking about trying to straddle the world and create opportunity in this country? It's just mind-boggling. And we have sort of become acculturated, because this campaign has been so ugly. We have become acculturated to sleaze and unhappiness that you just want to shower from every 15 minutes. The Trump comparison of the looks of the wives, he does have, over the course of his life, a consistent misogynistic view of women as arm candy, as pieces of meat. It’s a consistent attitude toward women which is the stuff of a diseased adolescent. And so we have seen a bit of that show up again. But if you go back over his past, calling into radio shows bragging about his affairs, talking about his sex life in public, he is childish in his immaturity. And his — even his misogyny is a childish misogyny. And that’s why I do not think Republicans, standard Republicans, can say, yes, I’m going to vote for this guy because he’s our nominee. He’s of a different order than your normal candidate. And this whole week is just another reminder of that… The odd thing about his whole career and his whole language, his whole world view is there is no room for love in it. You get a sense of a man who received no love, can give no love, so his relationship with women, it has no love in it. It’s trophy. And his relationship toward the world is one of competition and beating, and as if he’s going to win by competition what other people get by love. And so you really are seeing someone who just has an odd psychology unleavened by kindness and charity, but where it’s all winners and losers, beating and being beat. And that’s part of the authoritarian personality, but it comes out in his attitude towards women.”

David Brooks (1961) American journalist, commentator and editor

David Brooks, as quoted in "Shields and Brooks on Trump-Cruz wife feud, ISIS terror in Brussels" http://www.pbs.org/newshour/bb/shields-and-brooks-on-trump-cruz-wife-feud-isis-terror-in-brussels/ (25 March 2016), PBS NewsHour
2010s

“A Broadway play is so much an event, designed down to the bit parts to explode in your face on one particular night, that it is hard to judge any one of them fairly from the scrawny instructions known as a script.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

Clare Boothe Luce http://books.google.com/books?id=mVYfAQAAMAAJ&q=%22A+Broadway+play+is+so+much+an+event+designed+down+to+the+bit+parts+to+explode+in+your+face+on+one+particular+night+that+it+is+hard+to+judge+any+one+of+them+fairly+from+the+scrawny+instructions+known+as+a+script%22&pg=PA69#v=onepage (1982)

Tony Abbott photo

“Fire is a part of the Australian experience.”

Tony Abbott (1957) Australian politician

Quoted in "UN official 'talking through her hat' on bushfires and climate change, says Tony Abbott" http://www.smh.com.au/federal-politics/political-news/un-official-talking-through-her-hat-on-bushfires-and-climate-change-says-tony-abbott-20131023-2w0mz.html in the Sydney Morning Herald, October 23, 2013.
2013

Maurice Wilkes photo
Joseph Massad photo
Yasser Arafat photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Russell L. Ackoff photo
Robert Jordan photo
Thomas Chalmers photo
Charles Sanders Peirce photo

“The Protestant churches generally hold that the elements of the sacrament are flesh and blood only in a tropical sense; they nourish our souls as meat and the juice of it would our bodies. But the Catholics maintain that they are literally just that; although they possess all the sensible qualities of wafer-cakes and diluted wine. But we can have no conception of wine except what may enter into a belief, either —
# That this, that, or the other, is wine; or,
# That wine possesses certain properties.
Such beliefs are nothing but self-notifications that we should, upon occasion, act in regard to such things as we believe to be wine according to the qualities which we believe wine to possess. The occasion of such action would be some sensible perception, the motive of it to produce some sensible result. Thus our action has exclusive reference to what affects the senses, our habit has the same bearing as our action, our belief the same as our habit, our conception the same as our belief; and we can consequently mean nothing by wine but what has certain effects, direct or indirect, upon our senses; and to talk of something as having all the sensible characters of wine, yet being in reality blood, is senseless jargon. Now, it is not my object to pursue the theological question; and having used it as a logical example I drop it, without caring to anticipate the theologian's reply. I only desire to point out how impossible it is that we should have an idea in our minds which relates to anything but conceived sensible effects of things. Our idea of anything is our idea of its sensible effects; and if we fancy that we have any other we deceive ourselves, and mistake a mere sensation accompanying the thought for a part of the thought itself. It is absurd to say that thought has any meaning unrelated to its only function. It is foolish for Catholics and Protestants to fancy themselves in disagreement about the elements of the sacrament, if they agree in regard to all their sensible effects, here or hereafter.
It appears, then, that the rule for attaining the third grade of clearness of apprehension is as follows: Consider what effects, which might conceivably have practical bearings, we conceive the object of our conception to have. Then, our conception of these effects is the whole of our conception of the object.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

The final sentence here is an expression of what became known as the Pragmatic maxim, first published in "Illustrations of the Logic of Science" in Popular Science Monthly, Vol. 12 (January 1878), p. 286

Ian Kershaw photo
John Gray photo
Goran Višnjić photo
Susan Sontag photo

“Since it is hardly likely that contemporary critics seriously mean to bar prose narratives that are unrealistic from the domain of literature, one suspects that a special standard is being applied to sexual themes. … There is nothing conclusive in the well-known fact that most men and women fall short of the sexual prowess that people in pornography are represented as enjoying; that the size of organs, number and duration of orgasms, variety and feasibility of sexual powers, and amount of sexual energy all seem grossly exaggerated. Yes, and the spaceships and the teeming planets depicted in science-fiction novels don’t exist either. The fact that the site of narrative is an ideal topos disqualifies neither pornography or science-fiction from being literature. … The materials of the pornographic books that count as literature are, precisely, one of the extreme forms of human consciousness. Undoubtedly, many people would agree that the sexually obsessed consciousness can, in principle, enter into literature as an art form. … But then they usually add a rider to the agreement which effectively nullifies it. They require that the author have the proper “distance” from his obsessions for their rendering to count as literature. Such a standard is sheer hypocrisy, revealing one again that the values commonly applied to pornography are, in the end, those belonging to psychiatry and social affairs rather than to art. (Since Christianity upped that ante and concentrated on sexual behavior as the root of virtue, everything pertaining to sex has been a “special case” in our culture, evoking particularly inconsistent attitudes.) Van Gogh’s paintings retain their status as art even if it seems his manner of painting owed less to a conscious choice of representational means than to his being deranged and actually seeing reality the way he painted it. … What makes a work of pornography part of the history of art rather than of trash is not distance, the superimposition of a consciousness more conformable to that of ordinary reality upon the “deranged consciousness” of the erotically obsessed. Rather, it is the originality, thoroughness, authenticity, and power of that deranged consciousness itself, as incarnated in a work.”

“The Pornographic Imagination,” pp. 45-47
Styles of Radical Will (1966)

Gopal Krishna Gokhale photo
David Attenborough photo