Quotes about pain

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William of Baskerville http://books.google.com/books?id=XY2vXKsHbzIC&q="There+is+only+one+thing+that+arouses+animals+more+than+pleasure+and+that+is+pain+Under+torture+you+are+as+if+under+the+dominion+of+those+grasses+that+produce+visions+Everything+you+have+heard+told+everything+you+have+read+returns+to+your+mind+as+if+you+were+being+transported+not+toward+heaven+but+towards+helll+Under+torture+you+say+not+only+what+the+inquisitor+wants+but+also+what+you+imagine+might+please+him+because+a+bond+this+truly+diabolical+is+established+between+you+and+him"&pg=PA73#v=onepage
The Name of the Rose (1980)

John Nuveen, as quoted in The Leadership Secrets of Billy Graham (2005) by Marshall Shelley, p. 303
Misattributed

"Adam Raised a Cain"
Song lyrics, Darkness on the Edge of Town (1978)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 600.

kākakāka kakākāka kukākāka kakāka ka ।
kukakākāka kākāka kaukākāka kukākaka ॥
Śrībhārgavarāghavīyam

Been Insane
Lyrics, Niandra Lades and Usually Just a T-Shirt (1994)

Fairness and Justice http://musingsbyken.blogspot.com/2009/06/fairness-and-justice.html. Musings Blog http://musingsbyken.blogspot.com. (2009-06-29). (Topic: Life)

A Letter to Sir John Scott https://books.google.com/books?id=L8NbAAAAcAAJ&pg=PA24&dq=%22Truth+can+never%22 (21 July 1798), page 24. Cf. Aeneid 4.174–177.

Source: Star Maker (1937), Chapter III: The Other Earth; 2. A Busy World (pp. 30-31)

Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 1 (p. 1)

Summations, Chapter 52

Sita Ram Goel: The Story of Islamic Imperialism in India

Hush, Don't Say Anything to God: Passionate Poems of Rumi (2000)

Vol. I, Book II, Ch. XI.
The Principles of Moral and Political Philosophy (1785)

Speech at Tufts University http://www.tufts.edu/home/feature/?p=commencement2007&p4=4
2007

Letter to Marin Mersenne (July 27, 1638) as quoted by Florian Cajori, A History of Mathematics (1893) letter dated in The Philosophical Writings of Descartes Vol. 3, The Correspondence (1991) ed. John Cottingham, Robert Stoothoff, Dugald Murdoch

In his blog, reported in Andrew Buncombe, "Slumdogs who seek success", The Independent (January 16, 2009), News, p. 30.

Vorkosigan Saga, Barrayar (1991)

Source: Don't Start the Revolution Without Me! (2008), Ch. 2 (p. 29)

"Lizzie Deignan: 10 ways to become a better cyclist this summer" https://www.telegraph.co.uk/health-fitness/body/lizzie-deignan-10-ways-become-better-cyclist-summer/, The Telegraph (30 June 2017).

Mutation. A Sonnet http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page73 (1824)

Himself (1983)

Translations and adaptations, If We Only Have Love (1968)

Letter to John Hugh Smith (12 February 1909), published in The Letters of Edith Wharton (1988)

Rabbit at Rest (1990)

Indian Political Thought, p. 191

Source: Why We Love Dogs, Eat Pigs, and Wear Cows (2010), pp. 142-143

The Informer (1925; London: New English Library, 1971) p. 139

Revelations of Divine Love (c. 1393), Chapter 3

"Bruce Jenner and Chris Kyle: is either a hero?" http://www.wnd.com/2015/04/bruce-jenner-and-chris-kyle-is-either-a-hero/ WorldNetDaily.com, April 30, 2015
2010s, 2015

Veronika Decides to Die (1998)

Stanza 1
Poems (1820), Ode to a Nightingale

The Eighth Revelation, Chapter 17

Appendix (p. 527)
The Coyote Kings of the Space-Age Bachelor Pad (2004)

"The Master Illusion" in the The American Mercury (March 1925), p. 319
1920s
Context: I have seen many theoretical objections to democracy, and sometimes urge them with such heat that it probably goes beyond the bound of sound taste, but I am thoroughly convinced, nonetheless, that the democratic nations are happier than any other. The United States today, indeed, is probably the happiest the world has ever seen. Taxes are high, but they are still well within the means of the taxpayer: he could pay twice as much and still survive. The laws are innumerable and idiotic, but only prisoners in the penitentiaries and persons under religious vows ever obey them. The country is governed by rogues, but there is no general dislike of rogues: on the contrary, they are esteemed and envied. Best of all, the people have the pleasant feeling that they can make improvements at any time they want to—... in other words, they are happy. Democrats are always happy. Democracy is a sort of laughing gas. It will not cure anything, perhaps, but it unquestionably stops the pain.

Guardian Galenor in Ch 43 : various pursuits<!-- 418 -->
The Visitor (2002)
Context: People allow themselves to believe an event if it's called a miracle while disdaining the same event if it's called magic. Or vice versa. Life arises naturally; where life is, death is, joy is, pain is. Where joy and pain are, ecstasy and horror are, all part of the pattern. They occur as night and day occur on a whirling planet. They are not individually willed into being and shot at persons like arrows. Mankind accepts good fortune as his due, but when bad occurs, he thinks it was aimed at him, done to him, a hex, a curse, a punishment by his deity for some transgression, as though his god were a petty storekeeper, counting up the day's receipts…

Prologue, p. xvi
The Age of Fallibility (2006)
Context: The main obstacle to a stable and just world order is the United States. This is a harsh — indeed, for me, painful — thing to say, but unfortunately I am convinced it is true. The United States continues to set the agenda for the world in spite of its loss of influence since 9/11, and the Bush administration is setting the wrong agenda. The Bush agenda is nationalistic: it emphasizes the use of force and ignores global problems whose solution requires international cooperation. The rest of the world dances to the tune the United States is playing, and if that continues too long we are in danger of destroying our civilization. Changing the attitude and policies of the United States remains my top priority.

"The Miller's Daughter" (1832)

Strange Horizons interview (2008)
Context: The Inquisition, by defining and limiting knowledge, was evil. The Taliban, by defining truth and refusing girls an education, is evil. Any religion that says it knows the one and only truth is evil, because it limits knowledge. Any political body that says it owns the truth is evil. Same reason.
Any repressive regime that seeks to control exploration and experimentation is evil. Same reason. Any regime that defines truth as a set of beliefs and occurrences that cannot be questioned, that can neither be demonstrated nor proven is not only evil but ridiculous. This includes all mythologies, miracles, etc. because, if creation happened for a reason, if it was done by God, you'd better believe every part of it, including intelligence, was done for a reason ascertainable, eventually, by intelligence. We would not follow and adore a ruler who lied and tortured. Why would we worship a God who did either? God doesn't lie and he/she/it doesn't fool around!
Shutting down inquiry is evil. Causing pain purposefully for no reason is evil. Enjoying causing pain by shutting down inquiry is an absolute evil.

Vorkosigan Saga, Borders of Infinity (1989)
Context: The loonies who sought a glorious death in battle found it very early on. This rapidly cleared the chain of command of the accumulated fools. The survivors were those who learned to fight dirty, and live, and fight another day, and win, and win, and win, and for whom nothing, not comfort, or security, not family or friends or their immortal souls, was more important than winning. Dead men are losers by definition. Survival and victory. They weren't supermen, or immune to pain. They sweated in confusion and darkness. And … they won.

The Sixteenth Revelation, Chapter 76
Context: The soul that willeth to be in rest when other man’s sin cometh to mind, he shall flee it as the pain of hell, seeking unto God for remedy, for help against it. For the beholding of other man’s sins, it maketh as it were a thick mist afore the eyes of the soul, and we cannot, for the time, see the fairness of God, but if we may behold them with contrition with him, with compassion on him, and with holy desire to God for him. For without this it harmeth and tempesteth and hindereth the soul that beholdeth them. For this I understood in the Shewing of Compassion.

Source: In My Own Way: An Autobiography 1915-1965 (1972), p. 224

A Tree Telling of Orpheus (1968)
Context: And I
in terror
but not in doubt of
what I must do
in anguish, in haste,
wrenched from the earth root after root,
the soil heaving and cracking, the moss tearing asunder —
and behind me the others: my brothers
forgotten since dawn. In the forest
they too had heard,
and were pulling their roots in pain
out of a thousand years' layers of dead leaves,
rolling the rocks away,
breaking themselves
out of
their depths.

As quoted in Contemporary Authors New Revision Series: A Bio-Bibliographical Guide to Current Writers in Fiction, General Non-Fiction, Poetry, Journalism, Drama, Motion Pictures, Television, & Other Fields (1982) by Ann Evory
Context: I talk about the things people have always talked about in stories: pain, hate, truth, courage, destiny, friendship, responsibility, growing old, growing up, falling in love, all of these things. What I try to write about are the darkest things in the soul, the mortal dreads. I try to go into those places in me that contain the cauldrous. I want to dip up the fire, and I want to put it on paper. The closer I get to the burning core of my being, the things which are most painful to me, the better is my work. … It is a love/hate relationship I have with the human race. I am an elitist, and I feel that my responsibility is to drag the human race along with me — that I will never pander to, or speak down to, or play the safe game. Because my immortal soul will be lost.

Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985)
Context: What causes us the most misery and pain... has nothing to do with the sort of information made accessible by computers. The computer and its information cannot answer any of the fundamental questions we need to address to make our lives more meaningful and humane. The computer cannot provide an organizing moral framework. It cannot tell us what questions are worth asking. It cannot provide a means of understanding why we are here or why we fight each other or why decency eludes us so often, especially when we need it the most. The computer is... a magnificent toy that distracts us from facing what we most need to confront — spiritual emptiness, knowledge of ourselves, usable conceptions of the past and future.

Review of Magnolia (1999), in review for Great Movies (27 November 2008) http://www.rogerebert.com/reviews/great-movie-magnolia-1999
Reviews, Four star reviews
Context: Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing https://www.youtube.com/watch?v=aNmKghTvj0E Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices.
And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins.
Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know.

Nam petere imperium quod inanest nec datur umquam,
atque in eo semper durum sufferre laborem,
hoc est adverso nixantem trudere monte
saxa quod tamen e summo iam vertice rursum
volvitur et plani raptim petit aequora campi.
Book III, lines 998–1002 (tr. Frank O. Copley)
De Rerum Natura (On the Nature of Things)

Response to AIDS activist Bob Rafsky at the Laura Belle nightclub in Manhattan (March 27, 1992)
1990s

An Essay on the Art of Decyphering (1737)
Context: Partly out of my owne Curiosity, partly to satisfy the Gentleman's Importunity that did request it, I resolved to try what I could do in it: And having projected the best Methods I could think of for the effecting it, I found yet so hard a Task, that I did divers Times give it over as desperate: Yet, after some Intermissions, resuming it againe, I did at last overcome the Difficulty; but with so much Paines and Expense of Time as I am not willing to mention; though yet I did not repent of that Labour, when I had discovered thereby, that it was a Businesse, which though with much Difficulty, was yet capable to bee effected.<!--p.13

1920s, Ways to Peace (1926)
Context: Our experience in that respect ought not to lead us too hastily to assume that we have been therefore better than other people, but certainly we have been more fortunate. We came on the stage at a later time, so that this country had presented to it, already attained, a civilization that other countries had secured only as a result of a long and painful struggle. Of the various races of which we are composed, substantially all have a history for making warfare which is oftentimes hard to justify, as they have come up through various degrees of development. They bore this burden in ages past in order that this country might be freed from it. Under the circumstances it behooves us to look on their record of advance through great difficulties with much compassion and be thankful that we have been spared from a like experience, and out of our compassion and our thankfulness constantly to remember that because of greater advantages and opportunities we are charged with superior duties and obligations. Perhaps no country on earth has greater responsibilities than America.

Source: Our Enemy, the State (1935), p. 49
Context: It may now be easily seen how great the difference is between the institution of government, as understood by Paine and the Declaration of Independence, and the institution of the State. … The nature and intention of government … are social. Based on the idea of natural rights, government secures those rights to the individual by strictly negative intervention, making justice costless and easy of access; and beyond that it does not go. The State, on the other hand, both in its genesis and by its primary intention, is purely anti-social. It is not based on the idea of natural rights, but on the idea that the individual has no rights except those that the State may provisionally grant him. It has always made justice costly and difficult of access, and has invariably held itself above justice and common morality whenever it could advantage itself by so doing.

1770s, "Give me liberty, or give me death!" (1775)
Context: It is natural for man to indulge in the illusions of hope and pride. We are apt to shut our eyes against a painful truth, and listen to the song of that siren till she transforms us into beasts. Is this the part of wise men, engaged in a great and arduous struggle for liberty? Are we disposed to be the number of those who, having eyes, see not, and having ears, hear not, the things which so nearly concern their temporal salvation? For my part, whatever anguish of spirit it may cost, I am willing to know the whole truth; to know the worst, and to provide for it.

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 ·  Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor
Gustave Moreau (1972)

Comparing his dueling days with commando tactics, as quoted in Skorzeny (1972) by Charles Whiting, p. 17.
Context: My knowledge of pain, learned with the sabre, taught me not to be afraid. And just as in dueling when you must concentrate on your enemy's cheek, so, too, in war. You cannot waste time on feinting and sidestepping. You must decide on your target and go in.

Book II, 11
Adversus Jovinianum

Some Reasons Why (1881)
Context: My great objection to the Old Testament is the cruelty said to have been commanded by God. All these cruelties ceased with death. The vengeance of Jehovah stopped at the tomb. He never threatened to punish the dead; and there is not one word, from the first mistake in Genesis to the last curse of Malachi, containing the slightest intimation that God will take his revenge in another world. It was reserved for the New Testament to make known the doctrine of eternal pain. The teacher of universal benevolence rent the veil between time and eternity, and fixed the horrified gaze of man upon the lurid gulf of hell. Within the breast of non-resistance coiled the worm that never dies. Compared with this, the doctrine of slavery, the wars of extermination, the curses, the punishments of the Old Testament were all merciful and just.

Interview on Larry King Live (15 October 2002) http://edition.cnn.com/TRANSCRIPTS/0210/15/lkl.00.html
Context: I work for the United Nations. I go to places where enormous upheaval and pain and anguish exist. And a lot of it exists based upon American policy. Whom we support, whom we support as heads of state, what countries we've helped to overthrow, what leaders we've helped to diminish because they did not fit the mold we think they should fit, no matter how ill advised that thought may be.

Source: Discipline and Punish (1977), Chapter Two, Generalized Punishment, pp. 101

Source: Locksley Hall Sixty Years After (1886), Line 197

Source: Bernard Shaw in Twilight (1943), II
Context: Shaw knows at any moment, on any subject, what he thinks, what you will think, what others have thought, what all this thinking entails; and he takes the most elaborate pains to bring these thoughts to light in a form which is by turns abstract and familiar, conciliatory and aggressive, obvious and inferential, comic and puzzling. In a word, Shaw is perhaps the most consciously conscious mind that has ever thought — certainly the most conscious since Rousseau; which may be why both of them often create the same impression of insincerity amounting to charlatanism.
Yet it is by excess of honesty that Shaw himself lent color to his representation as an inconsequential buffoon bent on monopolizing the spotlight.

1960s, Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1966)
Context: My face looked like it had been jammed into the spokes of a speeding Harley, and the only thing keeping me awake was the spastic pain of a broken rib. It had been a bad trip... fast and wild in some moments, slow and dirty in others, but on balance it looked like a bummer. On my way back to San Francisco, I tried to compose a fitting epitaph. I wanted something original, but there was no escaping the echo of Mistah Kurtz' final words from the heart of darkness: "The horror! The horror!... Exterminate all the brutes!"

The Philosophy of Paine (1925)
Context: Tom Paine has almost no influence on present-day thinking in the United States because he is unknown to the average citizen. Perhaps I might say right here that this is a national loss and a deplorable lack of understanding concerning the man who first proposed and first wrote those impressive words, 'the United States of America.' But it is hardly strange. Paine's teachings have been debarred from schools everywhere and his views of life misrepresented until his memory is hidden in shadows, or he is looked upon as of unsound mind.
We never had a sounder intelligence in this Republic. He was the equal of Washington in making American liberty possible. Where Washington performed Paine devised and wrote. The deeds of one in the Weld were matched by the deeds of the other with his pen.

"Ars Poetica?"
Context: There was a time when only wise books were read
helping us to bear our pain and misery.
This, after all, is not quite the same
as leafing through a thousand works fresh from psychiatric clinics. And yet the world is different from what it seems to be
and we are other than how we see ourselves in our ravings.

The Paris Review interview (1958)
Context: I'm an American, and always will be. I happen to love that big, awkward, sprawling country very much — and its big, awkward, sprawling people. Anyway, I don't like politics; and I don't make "political gestures," as you call it. I don't even believe in politics. To me, politics is like one of those annoying, and potentially dangerous (but generally just painful) chronic diseases that you just have to put up with in your life if you happen to have contracted it. Politics is like having diabetes. It's a science, a catch-as-catch-can science, which has grown up out of simple animal necessity more than anything else. If I were twice as big as I am, and twice as physically strong, I think I'd be a total anarchist. As it is, since I'm physically a pretty little guy... no, in fact, one reason I left was because I believe it is good for an American writer to get outside his country — outside his continent — and see it from a vantage point outside its pervading emotional climate.

Verses Written on a Window in Scotland.
Context: Tender-handed stroke a nettle,
And it stings you for your pains;
Grasp it like a man of mettle,
And it soft as silk remains.’Tis the same with common natures:
Use ’em kindly, they rebel;
But be rough as nutmeg-graters,
And the rogues obey you well.

Variant: Look upon him, O my Thebans, on your king, the child of fame!
This mighty man, this Œdipus the lore far-famed could guess,
And envy from each Theban won, so great his lordliness—
Lo to what a surge of sorrow and confusion hath he come!
Let us call no mortal happy till our eyes have seen the doom
And the death-day come upon him—till, unharassed by mischance,
He pass the bound of mortal life, the goal of ordinance.
[ Tr. E. D. A. Morshead http://books.google.com/books?id=i7wXAAAAYAAJ (1885)]
Variant: People of Thebes, my countrymen, look on Oedipus.
He solved the famous riddle, with his brilliance,
he rose to power, a man beyond all power.
Who could behold his greatness without envy?
Now what a black sea of terror has overwhelmed him.
Now as we keep our watch and wait the final day,
count no man happy till he dies, free of pain at last.
[quoted by Thomas Cahill in Sailing the Wine-Dark Sea]
Source: Oedipus Rex, Line 1529, Choragos.

"The Wet Dream Film Festival" (1971), p. 57
The Madwoman's Underclothes (1986)

The Eighth Revelation, Chapter 18
Context: Here saw I a great oneing betwixt Christ and us, to mine understanding: for when He was in pain, we were in pain.
And all creatures that might suffer pain, suffered with Him: that is to say, all creatures that God hath made to our service. The firmament, the earth, failed for sorrow in their Nature in the time of Christ’s dying. For it belongeth naturally to their property to know Him for their God, in whom all their virtue standeth: when He failed, then behoved it needs to them, because of kindness, to fail with Him, as much as they might, for sorrow of His pains.

Source: Locksley Hall Sixty Years After (1886), Line 198

Statement in Spring of 1972, while participating in the presidential campaign of George McGovern; as quoted at the official Cass Elliot website.
Context: Our job as entertainers is to ease some pain. So to begin with, you have to know what and where the pain is. I've never campaigned before and I wanted to be damn sure before putting my name behind anyone. I wrote to all the campaign officers to find out what they were. My issue is that it's all very well to sit back and complain but when it's your country you have a responsibility.

As quoted in Contemporary Authors New Revision Series: A Bio-Bibliographical Guide to Current Writers in Fiction, General Non-Fiction, Poetry, Journalism, Drama, Motion Pictures, Television, & Other Fields (1982) by Ann Evory
Context: I talk about the things people have always talked about in stories: pain, hate, truth, courage, destiny, friendship, responsibility, growing old, growing up, falling in love, all of these things. What I try to write about are the darkest things in the soul, the mortal dreads. I try to go into those places in me that contain the cauldrous. I want to dip up the fire, and I want to put it on paper. The closer I get to the burning core of my being, the things which are most painful to me, the better is my work. … It is a love/hate relationship I have with the human race. I am an elitist, and I feel that my responsibility is to drag the human race along with me — that I will never pander to, or speak down to, or play the safe game. Because my immortal soul will be lost.

Source: Seven Great Statesmen in the Warfare of Humanity with Unreason (1915), p. 167
Context: The French philosophy of the eighteenth century was in full strength. Those were the years in which Voltaire ruled European opinion, and Turgot could not but take account of his influence. Yet no one could apparently be more unlike those who were especially named as the French philosophers of the eighteenth century. He remained reverential; he was never blasphemous, never blatant; he was careful to avoid giving needless pain or arousing fruitless discussion; and, while the tendency of his whole thinking was evidently removing him from the orthodoxy of the Church, his was a broader and deeper philosophy than that which was then dominant.

Ch. XXXII : The Barbarians , p. 282 https://books.google.com/books?id=EyrQAAAAMAAJ&pg=PA282
This and That and the Other (1912)
Context: The Barbarian hopes — and that is the very mark of him — that he can have his cake and eat it too. He will consume what civilisation has slowly produced after generations of selection and effort but he will not be at pains to replace such goods nor indeed has he a comprehension of the virtue that has brought them into being. Discipline seems to him irrational, on which account he is for ever marvelling that civilisation should have offended him with priests and soldiers.

Letter to Sister Mary James Power (1 October 1934); published in The Wild God of the World : An Anthology of Robinson Jeffers (2003), edited by Albert Gelpi, p. 189 - 190
Context: I think that one may contribute (ever so slightly) to the beauty of things by making one's own life and environment beautiful, as far as one's power reaches. This includes moral beauty, one of the qualities of humanity, though it seems not to appear elsewhere in the universe. But I would have each person realize that his contribution is not important, its success not really a matter for exultation nor its failure for mourning; the beauty of things is sufficient without him.
(An office of tragic poetry is to show that there is beauty in pain and failure as much as in success and happiness.)

Interview by Brendan Maher http://www.gottfried-helnwein-interview.com/index.html, Start, Ireland, November 24, 2004
Context: When I started to paint, I painted children because I just felt that I wanted to take their side. What always upset me was how children are getting abused simply because they are physically weaker and not capable of defending themselves – how they get raped, enslaved and killed. I never understood why some people seemed to have fun causing pain to someone smaller.

And Thou Too (1888)
Context: Ah, not to a blaze of light I go,
Nor shouts of a triumph train;
I go down to kiss the dregs of woe,
And drink up the Cup of Pain. And whether a scaffold or crucifix waits
'Neath the light of my silver star,
I know and I care not: I only know
I shall pause not though it be far.

2013, "Satyameva Jayate: Truth Alone Triumphs", 2013
Context: Those who derive satisfaction by perpetuating pain in others will probably not stop their tirade against me. I do not expect them to. But, I pray in all humility, that they at least now stop irresponsibly maligning the 6 crore people of Gujarat.

Why I Am an Agnostic (1896)
Context: The truth is that this belief in eternal pain has been the real persecutor.... It has darkened the lives of many millions. It made the cradle as terrible as the coffin. It enslaved nations and shed the blood of countless thousands. It sacrificed the wisest, the bravest and the best. It subverted the idea of justice, drove mercy from the heart, changed men to fiends and banished reason from the brain. Like a venomous serpent it crawls and coils and hisses in every orthodox creed. It makes man an eternal victim and God an eternal fiend. It is the one infinite horror. Every church in which it is taught is a public curse. Every preacher who teaches it is an enemy of mankind. Below this Christian dogma, savagery cannot go. It is the infinite of malice, hatred, and revenge. Nothing could add to the horror of hell, except the presence of its creator, God.

To Mary Boyle, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Book I, ch. 6.
Discourses

Book II, ch. 1 http://classics.mit.edu/Epictetus/discourses.2.two.html
Discourses
Variant: For death or pain is not formidable, but the fear of pain or death.

Sermons, Sermon 3
Context: The second stage is like this: When God has drawn a person so far away from all things, and he is no longer a child and he has been strengthened with the comfort of sweetness. Then indeed one gives him coarse rye bread. He has become a man and has reached maturity. Solid, strong food is what is good and useful for a grown man. He Here a person becomes so divinized that everything he is and does, God does and is in him shouldn't be given milk and soft bread any longer, and such is withheld from him. He is then led on a terribly wild path, very gloomy and forsaken. And on this path God takes back from him everything that he had ever given him. Then and there the person is left so completely to himself that he loses all notion of God and gets into such a distressful state that he cannot remember whether things had ever gone right for him, so as not to know any more if he were ever on the right path, whether he has a God or not, nor does he know if God does or does not exist, or if he is alive or dead and whether he is the same person; and he suffers such incredible pain that this whole wide world is too confining for him. A very strange sorrow comes over him that makes him think that the whole world in its expanse oppresses him. He neither has any feeling for nor knowledge of God, and he has no liking for any other things and even all the rest seems repugnant to him, so that it seems that he is a prisoners between two walls. It seems to him that he is suspended between two walls with a sword in back of him and a sharp spear in front. What does he do then? He can go neither forward nor back. He can only sit down and say, "Hail, bitterer bitterness, full of grace!" If there could be hell in this life, this would seem to be more than hell - to be bereft of loving and the good thing loved. Anything that one might say to such a person would console him about as much as a stone. And he could stand even less hearing about He is lifted up so far above his natural state that he becomes through Grace what God in his essence is by nature. In this state a person feels and is aware that he has lost himself and does not at all feel himself or is he aware of himself. He is aware of nothing but one simple Being creatures. The more the sense of and feel for God stood formerly in the foreground, the greater and more unendurable are the bitterness and misery of this abandonment.

"The Sententious Man," ll. 31-36
Words for the Wind (1958)
Context: p>Is pain a promise? I was schooled in pain,
And found out what I could of all desire;
I weep for what I'm like when I'm alone
In the deep center of the voice and fire.I know the motion of the deepest stone.
Each one's himself, yet each one's everyone.</p

The Fifteenth Revelation, Chapter 63
Context: It is more blissful that man be taken from pain, than that pain be taken from man; for if pain be taken from us it may come again: therefore it is a sovereign comfort and blissful beholding in a loving soul that we shall be taken from pain. For in this behest I saw a marvellous compassion that our Lord hath in us for our woe, and a courteous promising of clear deliverance. For He willeth that we be comforted in the overpassing; and that He shewed in these words: And thou shalt come up above, and thou shalt have me to thy meed, and thou shalt be fulfilled of joy and bliss.

Introduction to Absurd Drama (1965)
Context: The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.

A Few Thoughts for a Young Man (1850)
Context: Whether a young man shall reap pleasure or pain from winning the objects of his choice, depends, not only upon his wisdom or folly in selecting those objects, but upon the right or wrong methods by which he pursues them. Hence, a knowledge what to select and how to pursue, is as necessary to the highest happiness as virtue herself. Virtue is an angel, but she is a blind one, and must ask of Knowledge to show her the pathway that leads to her goal. <!-- p. 9

Source: Guide for the Perplexed (c. 1190), Part III, Ch.12
Context: Those who are ignorant and perverse in their thought are constantly in trouble and pain, because they cannot get as much of the superfluous things as a certain other person possesses. They as a rule expose themselves to great dangers... for the purpose of obtaining that which is superfluous and not necessary. When they thus meet with the consequences of the course which they adopt, they complain of the decrees and the judgements of God; they begin to blame the time, and wonder at the want of justice in its changes; that it has not enabled them to acquire great riches... for the purpose of driving themselves to voluptuousness beyond their capacities, as if the whole Universe existed only for the purpose of giving pleasure to these low people.

Book II, lines 14–19 (tr. Rouse)
De Rerum Natura (On the Nature of Things)

Finding Life after Death
What About the Big Stuff (2002)

"A Way to Love God", New and Selected Poems 1923–1985 (1985)
Context: I cannot recall what I started to tell you, but at least
I can say how night-long I have lain under the stars and
Heard mountains moan in their sleep. By daylight,
They remember nothing, and go about their lawful occasions
Of not going anywhere except in slow disintegration. At night
They remember, however, that there is something they cannot remember.
So moan. Their's is the perfected pain of conscience that
Of forgetting the crime, and I hope you have not suffered it. I have.

"The Holy Dimension", p. 334
Moral Grandeur and Spiritual Audacity: Essays (1997)
Context: Only those who are spiritually imitators, only people who are afraid to be grateful and too weak to be loyal, have nothing but the present moment. The mark of nobility is inherited possession. To a noble person it is a holy joy to remember, an overwhelming thrill to be grateful, while to a person whose character is neither rich nor strong, gratitude is a most painful sensation. The secret of wisdom is never to get lost in a momentary mood or passion, never to forget a friendship over a momentary grievance, never to lose sight of the lasting values over a transitory episode.

D-503
We (1921)

"Handy tips on how to behave at the death of the world" in Whole Earth Review (Spring 1995), p. 88 http://archive.is/20120715140307/findarticles.com/p/articles/mi_m1510/is_n85/ai_16816244
Context: Eschew blandness. Eschew causing others pain. We are all the target so wear bright colors and dance with those you love. Falling in love has always been a bit too much to apply to one person. Falling in love is appropriate for now, to love all these things which are about to leave. The rocks are watching, and the squirrels and the stars and the mlklk tired people in the street. If you love them, let them know, with grace and non-invasive extravagance. Care about the beings you care about in gorgeous and surprising ways. Color outside the lines. Practice random kindness and senseless acts of beauty. This is your last chance.

Letter to Gerald "Ching" Tyrrell, (11 November 1956), p. 28
1990s, The Proud Highway : The Fear and Loathing Letters Volume I (1997)
Context: Hopes rise and dreams flicker and die. Love plans for tomorrow and loneliness thinks of yesterday. Life is beautiful and living is pain. The sound of music floats down a dark street.

The Foundling, pp. 25–27
The Foundling and Other Tales of Prydain (1973)
Context: ... the book told him of other ways of the world; of cruelty, suffering, and death. He read of greed, hatred, and war; of men striving against one another with fire and sword; of the blossoming earth trampled underfoot, of harvests lost and lives cut short...
But now his heart lifted. These pages told not only of death, but of birth as well; how the earth turns in its own time and in its own way gives back what is given to it; how things lost may be found again; and how one day ends for another to begin. He learned that the lives of men are short and filled with pain, yet each one a priceless treasure, whether it be that of a prince or a pig-keeper. And, at the last, the book taught him that while nothing was certain, all was possible.

Farewell to Hollywood's Great White House Romance (2016)
Context: It took her husband's long illness and her grace in caring for him to show her critics what she was made of. Rarely did she spend more than an hour or two away from him, and during the decade of his decline, she guarded his image, his legacy, and his dignity. As his cognitive powers slipped away, eldest son Michael reminded him that he used to be president. "How did I do?" Reagan replied, his characteristic humor and humility intact. In the 1994 letter to the American people in which the former president revealed his illness, he wrote, "I only wish there was some way I could spare Nancy from this painful experience. When the time comes I am confident that with your help she will face it with faith and courage." In their life together, Ronald Reagan never worried about anything; Nancy worried about everything, carrying a burden few appreciated until the end. She didn't have his gift for storytelling, but she made sure all the parts were in place, and by honoring him, she was true to herself, a woman for all times.

The Caesars (c. 361)
Context: "It is the season of the Kronia, during which the god allows us to make merry. But, my dear friend, as I have no talent for amusing or entertaining I must methinks take pains not to talk mere nonsense."
"But, Caesar, can there be anyone so dull and stupid as to take pains over jesting? I always thought that such pleasantries were a relaxation of the mind and a relief from pains and cares."
"Yes, and no doubt your view is correct, but that is not how the matter strikes me. For by nature I have no turn for raillery, or parody, or raising a laugh."

Revolution (2014)
Context: Who does a baby think he is before he can recognize his face in a mirror, before he’s taught his name, before he’s drummed into stagnant separation, cordoned off from the infinite oneness? Love is innate. We must be taught to hate, and now we must unlearn it, as the Buddhists say; let it burn, that which needs to burn, let it burn. The class system isn’t fair on them either, poor little sods—packed off to school, weaned on privatized maternity shopped in from a northern spinster. Trying to find love in the tangle of dismantled family. No one can be happy imbibing a poisoned brew. It’s poisonous for us all. They’ll gratefully sigh when we unlock them from their opulent penitentiaries, they’ll be grateful when their fallow lords and empty chambers feed the hungry and house the poor. They know contentment cannot be enjoyed when stolen. They need the Revolution as much as we do. The whole of human history is nothing new, the whole of your personal story is nothing true, you can do with it whatever you want to do—flick a switch, scratch the record off, look behind the veil. Anything you don’t want, discard; anything that hurts, let go. None of it’s real, you know—all that pain, all that regret, all that doubt, not thin enough, not a good enough mum, not a good enough son, not a good enough bum. You are enough; you’re enough; there’s nothing you can buy or try on that’s going to make you any better, because you couldn’t be any better than you are. Drag your past around if you like, an old dead decaying ox of what you think they might’ve thought or what might’ve been if you’d done what you ought. That which needs to burn, let it burn. If the idea doesn’t serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.

κρεῖσσον γὰρ εἰσάπαξ θανεῖν
ἢ τὰς ἁπάσας ἡμέρας πάσχειν κακῶς.
Variant translation by John Stuart Blackie (1850):
"Life and life's sorrows? Once to die is better
Than thus to drag sick life."
Source: Prometheus Bound, lines 750–751