Quotes about nature
page 42

Enoch Powell photo
Emily Dickinson photo
Francis Bacon photo
Robert G. Ingersoll photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

James McCosh photo
Samuel Johnson photo

“Sherry is dull, naturally dull; but it must have taken him a great deal of pains to become what we now see him. Such an excess of stupidity, sir, is not in Nature.”

Samuel Johnson (1709–1784) English writer

July 28, 1763, p. 128
On Thomas Sheridan
Life of Samuel Johnson (1791), Vol I

Carl Linnaeus photo

“The Earth's Creation is the glory of God, as seen from the works of Nature by Man alone.”

In the Introitus (Preface) from his late editions.
Original in Latin: "Finis Creationis telluris est gloria Dei ex opere Naturae per Hominem solum"
Variant translation: "The purpose of Creation is the glory of God, as can be seen from the works in nature by man alone."
Systema Naturae

Richard Dawkins photo

“I can think of no moral objection to eating human road kills except for the ones that you mentioned like 'what would the relatives think about it?' and 'would the person themselves have wanted it to happen?', but I do worry a bit about slippery slopes; possibly a little bit more than you do.There are barriers that we have set up in our minds and certainly the barrier between Homo sapiens and any other species is an artificial barrier in the sense that its a kind of 'accident' that the evolutionary intermediates happen to be extinct. Never the less it exists and natural barriers that are there can be useful for preventing slippery slopes and therefore I think I can see an objection to breaching such a barrier because you are then in a weaker position to stop people going further.Another example might be suppose you take the argument in favour of abortion up until the baby was one year old, if a baby was one year old and turned out to have some horrible incurable disease that meant it was going to die in agony in later life, what about infanticide? Strictly morally I can see no objection to that at all, I would be in favour of infanticide but I think i would worry about/I think I would wish at least to give consideration to the person who says 'where does it end?'”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

"</p>
Peter Singer - The Genius of Darwin: The Uncut Interviews (2009)

W. Somerset Maugham photo

“There is no object to life. To nature nothing matters but the continuation of the species.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Source: A Writer's Notebook (1946), p. 38. Maugham says something similar in The Summing up, Ch 22: "Love was only the dirty trick nature played on us to achieve the continuation of the species"

Vanna Bonta photo

“Everything poetic exists as a subset of a whole, and within the authoritative system of Nature.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

John Adams photo

“Being inexhaustible, life and nature are a constant stimulus for a creative mind.”

Hans Hofmann (1880–1966) American artist

1970s and later

Jerry Coyne photo
Baruch Spinoza photo

“Now this structure of hope (among other things) is also what distinguishes philosophy from the special sciences. There is a relationship with the object that is different in principle in the two cases. The question of the special sciences is in principle ultimately answerable, or, at least, it is not un-answerable. It can be said, in a final way (or some day, one will be able to say in a final way) what is the cause, say, of this particular infectious disease. It is in principle possible that one day someone will say, "It is now scientifically proven that such and such is the case, and no otherwise." But […] a philosophical question can never be finally, conclusively answered. […] The object of philosophy is given to the philosopher on the basis of a hope. This is where Dilthey's words make sense: "The demands on the philosophizing person cannot be satisfied. A physicist is an agreeable entity, useful for himself and others; a philosopher, like the saint, only exists as an ideal." It is in the nature of the special sciences to emerge from a state of wonder to the extent that they reach "results." But the philosopher does not emerge from wonder.
Here is at once the limit and the measure of science, as well as the great value, and great doubtfulness, of philosophy. Certainly, in itself it is a "greater" thing to dwell "under the stars."”

Josef Pieper (1904–1997) German philosopher

But man is not made to live "out there" permanently! Certainly, it is a more valuable question, as such, to ask about the whole world and the ultimate nature of things. But the answer is not as easily forthcoming as for the special sciences!
The Dilthey quote is from Briefwechsel zwischen Wilhelm Dilthey und dem Grafen Paul Yorck v. Wartenberg, 1877–1897 (Hall/Salle, 1923), p. 39.
Source: Leisure, the Basis of Culture (1948), The Philosophical Act, pp. 109–111

Linda McCartney photo
Daisy Ashford photo
Louis-ferdinand Céline photo
Alfred Horsley Hinton photo
Arshile Gorky photo

“I was with Cézanne for a long time, and now naturally I am with Picasso”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Movements in art since 1945, p. 31: (in Gorky Memorial Exhibition, Schwabacher pp. 28)

Martin Luther King, Jr. photo
John W. Gardner photo
Tryon Edwards photo
Marcus Aurelius photo
James Weldon Johnson photo
Letitia Elizabeth Landon photo

“No one makes the heart of a little home circle entirely their own, without some very sweet gifts of nature — we must love to be beloved.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No. 2. Waverley — ROSE BRADWARDINE.
Literary Remains

“The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.”

V.S. Pritchett (1900–1997) British writer and critic

"Boris Pasternak: Unsafe Conduct", p. 14
The Myth Makers: European and Latin American Writers (1979)

Benvenuto Cellini photo

“All works of nature created by God in heaven and on earth are works of sculpture.”

Benvenuto Cellini (1500–1571) Florentine sculptor and goldsmith

Tutte le opera, che si veggono fatte dallo Iddio della Natura in cielo ed in terra, sono tutte di Scultura.
Treatise on Sculpture (1564), opening words, cited from G. P. Carpani (ed.) Vita di Benvenuto Cellini (Milano: Nicolo Bettoni, 1821) vol. 3, p. 199; translation from Jean Paul Richter (ed.) The Literary Works of Leonardo da Vinci (London: Phaidon, 1970) vol. 1, p. 90.

John Constable photo

“England, with her climate of more than vernal freshness, and in whose summer skies, and rich autumnal clouds, the observer of Nature may daily watch her endless varieties of effect.... to one brief moment caught [by the artist] from fleeting time..”

John Constable (1776–1837) English Romantic painter

Quote from Constable's Introduction of the 1833 edition of English landscape scenery, as cited in Constable's English Landscape Scenery, Andrew Wilton, British Museum Prints and Drawings Series, 1979; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 368
Constable expressed - in his Introduction to the 1833 edition of English landscape scenery - similar sentiments as contemporary landscape-painter Turner, according to Andrew Wilton
1830s

Herbert Marcuse photo
Robert Charles Wilson photo
Edward Young photo

“Man makes a death which Nature never made.”

Source: Night-Thoughts (1742–1745), Night IV, Line 15.

William John Macquorn Rankine photo
Marcus Tullius Cicero photo

“In short, enjoy the blessing of strength while you have it and do not bewail it when it is gone, unless, forsooth, you believe that youth must lament the loss of infancy, or early manhood the passing of youth. Life's race-course is fixed; Nature has only a single path and that path is run but once, and to each stage of existence has been allotted its own appropriate quality; so that the weakness of childhood, the impetuosity of youth, the seriousness of middle life, the maturity of old age—each bears some of Nature's fruit, which must be garnered in its own season.”
Denique isto bono utare, dum adsit, cum absit, ne requiras: nisi forte adulescentes pueritiam, paulum aetate progressi adulescentiam debent requirere. cursus est certus aetatis et una via naturae eaque simplex, suaque cuique parti aetatis tempestivitas est data, ut et infirmitas puerorum et ferocitas iuvenum et gravitas iam constantis aetatis et senectutis maturitas naturale quiddam habet, quod suo tempore percipi debeat.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

section 33 http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2007.01.0039%3Asection%3D33
Cato Maior de Senectute – On Old Age (44 BC)

Hermann Weyl photo

“It is not because there is a God outside me. But that I find the true Buddha-nature of my own heart.”

Richard Gombrich (1937) British Indologist

"When I say I'm a Buddhist"[citation needed]

Edward Hall Alderson photo

“Human nature is imperfect.”

Edward Hall Alderson (1787–1857) Lawyer and jurist

Howard v. Gosset (1844), 6 St. Tr. (N. S.) 365.

Lee Smolin photo
Hermann Göring photo
William James photo
Paul Klee photo

“Van Gogh is congenial to me, 'Vincent' in his letters. Perhaps nature does have something. There is no need, after all, to speak of the smell of earth; it has too peculiar a savor. The words we use to speak about it, I mean, have too peculair a savor. Too bad that the early Van Gogh was so fine a human being, but not so good as a painter, and that the later, wonderful artist is such a marked man. A mean should be found between these four points pf comparison: then, yes!”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 808, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910

Maria Mitchell photo
Mata Amritanandamayi photo
Max Stirner photo
Neil Peart photo
Lysander Spooner photo
Frank Wilczek photo

“The whole idea of science is really to listen to nature, in her own language, as part of a continuing dialogue.”

Frank Wilczek (1951) physicist

Source: Longing for the Harmonies: Themes and Variations from Modern Physics (1987), Ch.32 Hidden Harmonies

Calvin Coolidge photo
Robert Cecil, 1st Viscount Cecil of Chelwood photo

“Patriotism or any other version of the herd instinct seems to me an entirely inadequate basis of virtue. Christianity is from that point of view an explanation of and a support for an essential ingredient in man's nature—far the best, though necessarily imperfect.”

Robert Cecil, 1st Viscount Cecil of Chelwood (1864–1958) lawyer, politician and diplomat in the United Kingdom

Letter to Gilbert Murray (25 October 1948), quoted in Gilbert Murray : An Unfinished Autobiography (1960) edited by Jean Smith and Arnold Toynbee, p. 179

“Study the old masters. Look at nature. Watch out for armpits'. [in 1956, Reinhardt is quoting Paul Cézanne here freely]”

Ad Reinhardt (1913–1967) American painter

1956 - 1967
Source: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 150

Samuel Butler photo
Edmund Hillary photo

“Better if he had said something natural like, "Jesus, here we are."”

Edmund Hillary (1919–2008) New Zealand mountaineer

On Neil Armstrong’s famous first words on stepping on the surface of the moon, "That’s one small step for [a] man, one giant leap for mankind." The Sunday Times [London] (21 July 1974)

Adlai Stevenson photo

“Nature is indifferent to the survival of the human species, including Americans.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Radio address (29 September 1952)

Max Müller photo

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

African Spir photo
Gilbert du Motier, Marquis de Lafayette photo

“I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts made in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.”

Source: The Culture of Make Believe (2003), p. 69

Narendra Modi photo

“In 2014, one of the key agendas of the BJP’s election campaign was highlighting the dismal management of the Indian economy, ironically under an ‘economist’ prime minister and a ‘know-it-all’ finance minister. We all knew that the economy was in the doldrums but since we were not in government, we naturally did not have the complete details of the state of the economy. But, what we saw when we formed the government left us shocked! The state of the economy was much worse than expected. Things were terrible. Even the budget figures were suspicious. When all of this came to light, we had two options – to be driven by Rajneeti (political considerations) or be guided by Rashtraneeti (putting the interests of India First)… Rajneeti, or playing politics on the state of the economy in 2014, would have been extremely simple as well as politically advantageous for us. We had just won a historic election, so obviously the frenzy was at a different level. The Congress Party and their allies were in big trouble. Even for the media, it would have made news for months on end. On the other hand, there was Rashtraneeti, where more than politics and one-upmanship, reform was needed. Needless to say, we preferred to think of ‘India First’ instead of putting politics first. We did not want to push the issues under the carpet, but we were more interested in addressing the issue. We focused on reforming, strengthening and transforming the Indian economy. The details about the decay in the Indian economy were unbelievable. It had the potential to cause a crisis all over. In 2014, industry was leaving India. India was in the Fragile Five. Experts believed that the ‘I’ in BRICS would collapse. Public sentiment was that of disappointment and pessimism.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi, Swarajya Interviews Prime Minister Modi, Interview, R Jagannathan- Jul 02, 2018 https://swarajyamag.com/economy/swarajya-interviews-prime-minister-modi-the-state-of-indian-economy
2018

Sir Alexander Cockburn, 12th Baronet photo
Simon Blackburn photo

“It can seem an amazing fact that laws of nature keep on holding, that the frame of nature does not fall apart.”

Simon Blackburn (1944) British academic philosopher

Source: Think (1999), Chapter Five, God, p. 162

Jonas Salk photo
Elizabeth Stuart Phelps photo
Viktor Schauberger photo
Joanna MacGregor photo
Daniel Dennett photo

“As Akins observes, it is not the point of our sensory systems that they should detect "basic" or "natural" properties of the environment, but that they should serve our "narcissistic" purposes in staying alive; nature doesn't build epistemic engines.”

citing Kathleen Akins. "On Piranhas, Narcissism and Mental Representations: An Essay on Intentionality and Naturalism" (1989)
Consciousness Explained (1991)

Samuel Vince photo

“I have lately spent some Thoughts relative to the Nature of Light, whether it be subject to the common Laws of Motion. In this particular Newton seems to contradict himself. For in his Principia Sect. 14th he applies the common Laws of Motion to account for Reflection and Refraction, as he does also in one Part of his Optics where he proves the Sine of Incid. to Sine Refr, in a given in a given Ratio. But in another Part he says, “nothing more is requisite for producing all the Variety of Colours and Degrees of Refrangibility than that the Rays of Light be Bodies of different Sizes, the least of which may make Violet, and the Greatest the Red"; this manifestly is not consistent with the Theory of Motion applied to Bodies, where the Magnitude of the Bodies is of no Consequence. Now it is evident that if the common Theory of Motion can be applied to Light, the Red Light must have had the greatest Velocity before Incidence, as it suffers the least Deviation, for if the Vels of all the Difft colour'd Light were equal before Incidence, they must by Newton's Principia Sect. Sect. 8. Prop. 1. have continued equal after, and therefore must have suffered the same Deviation. The Determination of this Point seems to be of considerable Importance, as we so often apply the Theory of Motion to Light.”

Samuel Vince (1749–1821) British mathematician, astronomer and physicist

As quoted in: Russell McCormmach (2011) Weighing the World: The Reverend John Michell of Thornhill. p. 193

William Shenstone photo

“Oft has good nature been the fool's defence,
And honest meaning gilded want of sense.”

William Shenstone (1714–1763) English gardener

To a Lady (1736)

“Lysenkoism is held up by bourgeois commentators as the supreme demonstration that conscious ideology cannot inform scientific practice and that "ideology has no place in science." On the other hand, some writers are even now maintaining a Lysenkoist position because they believe that the principles of dialectical materialism contradict the claims of genetics. Both of these claims stem from a vulgarisation of Marxist philosophy through deliberate hostility, in the first case, or ignorance, in the second. Nothing in Marx, Lenin or Mao contradicts the particular physical facts and processes of a particular set of natural phenomena in the objective world, because what they wrote about nature was at a high level of abstraction. The error of the Lysenkoist claim arises from attempting to apply a dialectical analysis of physical problems from the wrong end. Dialectical materialism is not, and has never been, a programmatic method for solving particular physical problems. Rather, dialectical analysis provides an overview and a set of warning signs against particular forms of dogmatism and narrowness of thought. It tells us, "Remember that history may leave an important trace. Remember that being and becoming are dual aspects of nature. Remember that conditions change and that the conditions necessary to the initiation of some process may be destroyed by the process itself. Remember to pay attention to real objects in space and time and not lose them utterly in idealized abstractions. Remember that qualitative effects of context and interaction may be lost when phenomena are isolated."”

Richard C. Lewontin (1929) American evolutionary biologist

And above all else, "Remember that all the other caveats are only reminders and warning signs whose application to different circumstances of the real world is contingent."
"The Problem of Lysenkoism" by Richard Lewontin and Richard Levins, in Hilary and Steven Rose (eds.), The Radicalisation of Science, Macmillan, 1976, p. 58.

Vincent Van Gogh photo

“There is a saying by Gustave Dore which I have always admired: "J'ai la patience d'un boeuf." [I have the patience of an ox]. I find in it a certain goodness, a certain resolute honesty, more, it has a deep meaning that saying, it is the word of a real artist. When one thinks of the men from whose heart such a saying sprang, all the arguments one too often hears of art dealers about "natural gifts", seem to become a terrible raven's croaking.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 336) p. 34
1880s, 1883

Pierre-Auguste Renoir photo

“You haven't time to think about the composition. In working directly from nature, the painter ends up by simply aiming at an effect, and not composing the picture at all; and he soon becomes monotonous.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

(before 1880) As quoted in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 176
undated quotes, Renoir – his life and work, 1975

Karen Blixen photo
Nicholas Murray Butler photo

“There is, I venture to think, no ground for the ordinarily accepted statement of the relation of philosophy to theology and religion. It is usually said that while^hilosophy is the creation of an individual mind, theology or religion is, like folk-lore and language, the product of the collective mind of a people or a race. This is to confuse philosophy with philosophies, a conmion and, it must be admitted, a not unnatural confusion. But while a philosophy is the creation of a Plato, an Aristotle, a Spinoza, a Kant, or a Hegel, ^hilosophy itself is, like religion, folk-lore and language, a product of the collective mind of humanity. It is advanced, as these are, by individual additions, interpretations and syntheses, but it is none the less quite istinct from such individual contributions. philosophy is humanity's hold on Totality, and it becomes richer and more helpful as man's intellectual horizon widens, as his intellectual vision grows clearer, and as his insights become more numerous and more sure. Theology is philosophy of a particular type. It is an interpretation of Totality in terms of God and His activities. In the impressive words of Principal Caird, that philosophy which is theology seeks "to bind together objects and events in the links of necessary thought, and to find their last ground and reason in that which comprehends and transcends all— the nature of God Himself." Religion is the apprehension and the adoration of the Grod Whom theology postulates.
If the whole history of philosophy be searched for material with which to instruct the beginner in what philosophy really is and in its relation to theology and religion, the two periods or epochs that stand out above all others as useful for this purpose are Greek thought from Thales to Socrates, and that interpretation of the teachings of Christ by philosophy which gave rise, at the hands of the Church Fathers, to Christian theology. In the first period we see the simple, clear-cut steps by which the mind of Europe was led from explanations that were fairy-tales to a natural, well-analyzed, and increasingly profound interpretation of the observed phenomena of Nature. The process is so orderly and so easily grasped that it is an invaluable introduction to the study of philosophic thinking. In the second period we see philosophy, now enriched by the literally huge contributions of Plato, Aristotle and the Stoics, intertwining itself about the simple Christian tenets and building the great system of creeds and thought which has immortalized the names of Athanasius and Hilary, Basil and Gregory, Jerome and Augustine, and which has given color and form to the intellectual life of Europe for nearly two thousand years. For the student of today both these developments have great practical value, and the astonishing neglect and ignorance of them both are most discreditable.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

" Philosophy" (a lecture delivered at Columbia University in the series on science, philosophy and art, March 4, 1908) https://archive.org/details/philosophyalect00butlgoog"

John F. Kennedy photo

“Where nature makes natural allies of us all, we can demonstrate that beneficial relations are possible even with those with whom we most deeply disagree-and this must someday be the basis of world peace and world law.”

John F. Kennedy (1917–1963) 35th president of the United States of America

First State of the Union Address (30 January 1961)
1961, State of the Union

Frederick Douglass photo
Martin Firrell photo

“It is in the nature of truth not to be at fault.”

Martin Firrell (1963) British artist and activist

Quoted in The International Herald Tribune (19 September 2005).

William John Macquorn Rankine photo

“The objects of instruction in purely scientific mechanics and physics are, first, to produce in the student that improvement of the understanding which results from the cultivation of natural knowledge, and that elevation of mind which flows from the contemplation of the order of the universe”

William John Macquorn Rankine (1820–1872) civil engineer

"On the Harmony of Theory and Practice in Mechanics" (Jan. 3, 1856)
Context: The objects of instruction in purely scientific mechanics and physics are, first, to produce in the student that improvement of the understanding which results from the cultivation of natural knowledge, and that elevation of mind which flows from the contemplation of the order of the universe; and secondly, if possible, to qualify him to become a scientific discoverer.<!--p. 176

John Constable photo

“I know very well what I am about, & that my skies have not been neglected, though they often failed in execution — and often, no doubt, from an over-anxiety about them — which will alone destroy that easy appearance which nature always has — in all her movements.”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Rev. John Fisher (23 October 1821), from John Constable's Correspondence, part 6, pp. 76-78
1820s

Rousas John Rushdoony photo
James Monroe photo

“The mention of Greece fills the mind with the most exalted sentiments and arouses in our bosoms the best feelings of which our nature is capable.”

James Monroe (1758–1831) American politician, 5th President of the United States (in office from 1817 to 1825)

Message to Congress (December 1822)

David Orrell photo

“To build a genuinely sustainable economy, we need to recognize and embrace the dynamic nature of the world, and free ourselves from the dead holds of static dogma.”

David Orrell (1962) Canadian mathematician

Source: The Other Side Of The Coin (2008), Chapter 6, At Rest Versus In Motion, p. 200

Tomáš Baťa photo
Thomas Carlyle photo
Vincent Van Gogh photo

“What surprising fellows those French painters are. A Millet, Delacroix, Corot, Troyon, Daubigny, Rousseau, and a Daumier.... Something else about Delacroix - he had a discussion with a friend about the question of working absolutely from nature, and said on that occasion that one should take one's 'studies' from nature - but that the 'actual painting' had to be made 'by heart'. This friend was walking along the boulevard when they had this discussion - which was already fairly heated. When they parted the other man was still not entirely persuaded. After they parted, Delacroix let him stroll on for a bit - then (making a trumpet of his two hands) bellowed after him in the middle of the street - to the consternation of the worthy passers-by:
'By heart! By heart!”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

(Par coeur! Par coeur!)
I can't tell you how much I enjoyed reading this article and some other things about Delacroix..
In his letter to Anthon van Rappard, from Nuenen, The Netherlands, 8 and c. 15 August 1885 - original manuscript, letter 526, at Van Gogh Museum, location Amsterdam - inv. nos. b8390 V/2006, http://vangoghletters.org/vg/letters/let526/letter.html
See for this anecdote, taken from Charles Blanc, Les artistes de mon temps, letter 496, n. 7.
1880s, 1885