Quotes about music
page 14

“The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout.
Another, more fundamental statement in poetry, is made through the images themselves — those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 31

Idea, Time

“Indeed the influence of music on the development of religion is a subject which would repay a sympathetic study.”

James Frazer book The Golden Bough

Source: The Golden Bough (1890), Chapter 31, Adonis in Cyprus.

Religion, Study

“There are two types of composers. Like Stravinsky, some always are aware of the instrument that will be playing a given melody. However, other composers do work out the orchestration only after they have finished composing. I'm like Stravinsky. I always write music with specific instruments in mind.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

“It is a very helpful insight to say we are vehicles for our DNA, we are hosts for DNA parasites which are our genes. Those are insights which help us to understand an aspect of life. But it's emotive to say, that's all there is to it, we might as well give up going to Shakespeare plays and give up listening to music and things, because that's got nothing to do with it. That's an entirely different subject.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

An Interview by Sheena McDonald (1995)

Life, Understanding, Help

“Collections of all twelve pitch classes can be differentiated from one another only by assigning an order to the pitch classes or by partitioning them into mutually exclusive sub-collections. The ordering principle is the basis of the twelve-tone system formulated by Schoenberg, the partitioning principle the basis of the system formulated around the same time by Hauer. In Schoenberg's compositional practice, however, the concept of a segmental pitch-class content is represented as well, as a basis for the association of paired inversionally related set forms. On the relation between Schoenberg and Hauer see Bryan R. Simms, "Who First Composed Twelve-Tone Music, Schoenberg or Hauer?" Journal of the Arnold Schoenberg Institute X/2”

George Perle (1915–2009) American composer

November 1987
Page 101, note 2
The Listening Composer

Time

“Memorising notes as one memorises a speech in foreign language is bound to lead to memory lapses. YouTube is an invaluable tool; you can get to study your repertory with the best pianists of all times. Use it. If you are learning a piece, don’t hesitate to put your headphones on and just play along with your favourite recording. No matter how many times you hear the playing you will not grasp all the finer points if not directly measuring your inner hearing of music with the an interpretation you like.”

Valentina Lisitsa (1973) Ukrainian-American classical pianist

pianistmagazine.com https://www.pianistmagazine.com/News-and-Features/161/Exclusive_interview_with_pianist_Valentina_Lisitsa/.

Study, Learning, Memory, Time

“You can't be in an unconscious state and paint. Because whatever is in your mind, and not the subject matter, but the feelings that you have related to that subject matter, is what you're going to paint. So, the beginning is not actually painting, you know. The beginning of painting is not you put down green, and then you like pink, and you put down pink.
Painting's not about that anymore than music is about this sound and that sound.... And it's something that drives you to expression. And it's irresistible.”

Agnes Martin (1912–2004) American artist

1974
1970's, interview, K. Horsfield & L. Blumenthal

Feeling, Painting

“Metal is back. (concerning the music for the Hierarchy faction of Universe at War: Earth Assault)”

Frank Klepacki (1974) American musician, video game music composer and sound director

Petroglyph Video Podcast

War, Universe

“A singer who is able to sing even sixteen measures of good music in a natural and engaging way, effortlessly and in tune, without distending the phrase, without exaggerating accents to the point of caricature, without platitude, affectation, or coyness, without making grammatical mistakes, without illicit slurs, without hiatus or hiccup, without making insolent changes in the text, without barks or bleats, without sour notes, without crippling the rhythm, without absurd ornaments and nauseating appoggiaturas – in short, a singer able to sing these measures simply and exactly as the composer wrote them – is a rare, very rare, exceedingly rare bird.”

Hector Berlioz book À travers chants

Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare. <br class="br">À travers chants, ch. 8 http://www.hberlioz.com/Writings/ATC08.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 69.

Way, Nature, Bird, Change

“Who publishes the sheet-music of the winds, or the written music of water written in river-lines?”

John Muir (1838–1914) Scottish-born American naturalist and author

August 1875, page 220
John of the Mountains, 1938

Water

“[She was the first pop singer to perform for a Pope. ] And a woman at that. Apparently Pope John Paul II and his boys -- is that what you call them? -- loved one of my songs and thought I was puting spiritual messages in my music. I'm not religious as such. Dogma and I don't get along. They knew all that, but the Pope was celebrating 50 years as a priest, and he asked for me. Quite an audience -- bishops, cardinals, a handful of nuns -- and me, covered from neck to ankles.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Love, Boy

“About once a month I run across a person who radiates an inner light. These people can be in any walk of life. They seem deeply good. They listen well. They make you feel funny and valued. You often catch them looking after other people and as they do so their laugh is musical and their manner is infused with gratitude. They are not thinking about what wonderful work they are doing. They are not thinking about themselves at all.”

David Brooks (1961) American journalist, commentator and editor

[David, Brooks, http://www.nytimes.com/2015/04/12/opinion/sunday/david-brooks-the-moral-bucket-list.html?smid=tw-nytdavidbrooks&seid=auto&_r=0, The Moral Bucket List, New York Times, April 11, 2015]
2010s

Life, People, Feeling, Thinking

“A short poem is often called a lyric, which originally meant a poem short enough to be set to music and sung for a moment's pleasure.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

Pleasure

“Where are the flowers, the beautiful flowers,
That haunted your homes and your hearts in the spring?
Where is the sunshine of earlier hours?
Where is the music the birds used to bring?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(9th May 1829) Change
(20th June 1829) Fame : An Apologue See The Vow of the Peacock, as The Three Brothers
(29th August 1829) First Grave See The Vow of the Peacock as The Single Grave
The London Literary Gazette, 1829

Beauty, Home, Spring, Flowers

“Whether a person is spiritual or not, we all seek to get away from the stress, anger, and anxiety of everyday life. Some people drink, do drugs, or do worse to escape, and they hurt themselves in the process. Some people listen to music, mine included, and feel better.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

Life, People, Feeling, Drink

“When they come together to make music, the Welsh sing their traditional songs, not in unison, as is done elsewhere, but in parts, in many modes and modulations. When a choir gathers to sing, which happens often in this country, you will hear as many different parts and voices as there are performers.”
In musico modulamine, non uniformiter, ut alibi, sed multipliciter, multisque modis et modulis, cantilenas emittunt. Adeo ut in turba canentium, sicut huic genti mos est, quot videas capita, tot audias carmina discriminaque vocum varia.

Gerald of Wales (1146) Medieval clergyman and historian

Book 1, chapter 13, p. 242.
Descriptio Cambriae (The Description of Wales) (1194)

Singing, Parting, Country

“We thought about the movie as a global piece of work, not picture, then voices, then music.”

François-Eudes Chanfrault (1974–2016) Composer and musician

Twitchfilm.com interview (September 10, 2008)

“Where painting is weakest, namely, in the expression of the highest moral and spiritual ideas, there music is sublimely strong.”

Harriet Beecher Stowe (1811–1896) Abolitionist, author

Attributed

Idea, Strong, Painting

“There was no use in pretending,
No magic left to hear.
All the music gave me
Was a craving for light beer.”

Tom Petty (1950–2017) American musician

Money Becomes King
Lyrics, The Last DJ (2002)

Beer, Light

“Music is nothing but ratios and harmonic math, anyways.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

“Peace of mind is very essential in anything that you do--particularly in music. But in my case, it was just the opposite. What new things could I learn when I was constantly disturbed and unhappy? And I tell you, this whole concept of getting lost in music and forgetting the world around you, is a myth. In my case, I can openly say that my troubles and problems were not forgotten by just holding the tanpura in my hand. When I would sit down for riyaz, I would, on the contrary, break down and cry over the daily scene. Over the question of just surviving through the next day. And it wasn't for me that I was worried, but for the entire family that I supported. I personally never thought of becoming rich, of having a new car or house. Those ambitions never entered my mind. All I knew then was the money was not enough. There were many humiliations I had to face because of this. A certain lady musician in Pune invited me over to her house one day. Her mother asked how much I charged for a concert. I told her Rs 125. She suggested that I move over to Pune and accept all her daughter's rejected programmes. They knew I was very badly off. I was insulted by this suggestion and left their house immediately. But later I thought that maybe they were trying to be helpful.”

Gangubai Hangal (1913–2009) Indian singer

In "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".

Money, World, Family, Peace

“And we danced;
Out there on that empty hardwood floor.
The chairs up and the lights turned way down low
The music played, we held each other close.
And we danced.Like no one else had ever danced before.
I can't explain what happened on that floor.
But the music played,
We held each other close,
And we danced.
Yeah, we danced.”

Brad Paisley (1972) American country music singer

We Danced, written by Brad Paisley and Chris DuBois.
Song lyrics, Who Needs Pictures (1999)

Way, Light, Dance

“The enormity of the universe revealed by science cannot readily be grasped by the human brain, but the music of The Planets enables the mind to acquire some comprehension of the vastness of space where rational understanding fails.”

Gustav Holst (1874–1934) English composer

Quoted in Michael Short, Gustav Holst 1874-1934: A Centenary Documentation

Understanding, Universe, Science

“"Tell me if you had music lessons at school?"
"Yes, I had."
"Do you remember this school's address? Go there and set fire to it. They taught you nothing."”

Kuba Wojewódzki (1963) Polish journalist

"Powiedz mi, czy ty miałaś wychowanie muzyczne w szkole?"
"Tak."
"Pamiętasz adres szkoły? Pójdź i podłóż ogień, niczego cię nie nauczyli."
To Idol contestants

School

“He enter'd now the garden, and a fall
Of singing, voice and lute, sank on his ear :
At first it seem'd thrice sweet and musical,
But it grew sadder as he came more near.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

9th September 1826) Metrical Fragments No. IV. - The Redeemed Captive (under the pen name Iole
(16th September 1826) Metrical Fragments No. V. - The Frozen Ship (under the pen name Iole) see The Vow of the Peacock
The London Literary Gazette, 1826

Singing

“And we would play together,
like fine musicians should,
And it would sound like music,
and the music would sound good.
But in real life I'm stuck with
that same old formula,
me and my monophonic symphony,
six string orchestra.”

Harry Chapin (1942–1981) American musician

Six String Orchestra
Song lyrics, Verities & Balderdash (1974)

Life

“It's hard to quantify a 'top ten' list of songs for many reasons. I like many styles of music, and it's difficult to compare radically divergent types of music with each other.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

““You like music, Mr. Gurgeh?” Hamin asked, leaning over to the man.
Gurgeh nodded. “Well, a little does no harm.””

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 2 (p. 277).

“According to the generation is the music thereof.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

A Gilgul fun a Nign, 1901. Alle Verk, vi. 73.

“I have absolutely no difficulty in coming out and saying Bach and Beethoven are great composers. You must school young people into great classical music, but you must also allow them to hear other music as well. At one point classical music colonised the high ground. Now we're reaping the backlash for that.”

Joanna MacGregor (1959) British musician

The Times, 21/04/2006
On Classical Music

People, School

“The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music…. The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is…devestating.”

Susan McClary (1946) American musicologist

McClary, Susan (1991). Feminine Endings: Music, Gender, and Sexuality, p. 128-129. Minnesota: University of Minnesota Press. ISBN 0816618984.

History

“I didn't use the music from the scene in which Godzilla dies in GODZILLA - KING OF THE MONSTERS for the one in which he does actually meltdown because Godzilla was not what I was trying to focus on this time. Instead, I tried to focus on the dark side of humanity, which lead to the creation of atomic weapons, and Godzilla.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

Time

“For art, the intervention of capital always signals a further degree of mediation. To say that art is commodified is to say that a mediation, or standing-in-between, has occurred, & that this betweenness amounts to a split, & that this split amounts to "alienation". Improv music played by friends at home is less "alienated" than music played "live" at the Met, or music played through media (whether PBS or MTV or Walkman). In fact, an argument could be made that music distributed free or at cost on cassette via mail, is less alienated than live music played at some huge We Are The World spectacle or Las Vegas niteclub, even though the latter is live music played to a live audience (or at least so it appears), while the former is recorded music consumed by distant & even anonymous listeners.”

Hakim Bey (1945) American political writer, poet and essayist

Immediatism (AK Press: 1994)

World, Art, Home, Distant

“The achievement of such a change of register through a sequential progression is a familiar procedure in the music of the "common practice." The significant distinction is that where Berg subdivides the registral span into equal, i. e., cyclic, intervals, his tonal predecessors subdivide it, in changing register through sequential transference, into the unequal intervals of the diatonic scale. As I pointed out in my last lecture, however, the qualitative transformation in the language of music which we have experienced in our century has a long prehistory. Beginning with Schubert, we occasionally find normal diatonic functions questioned in changes of key that progress along the intervals of the whole-tone scale, or the diminished-7th chord, or the augmented triad. An even more radical example of a cyclic progression in a tonal composition is…from Wagner”

George Perle (1915–2009) American composer

Die Walkure, Act III
Page 96
The Listening Composer

Question, Change

“Thy light alone like mist o'er mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life's unquiet dream.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

St. 3
Hymn to Intellectual Beauty (1816)

Life, Truth, Dreams, Mountain

“Fidel made it clear in his opening remarks that the parents were important but not nearly as important as the baby. In some pictures Fidel had a big patch of wet saliva on his uniform because he had come over early to cuddle the baby.

A very warm and charming man — I enjoyed him.

I am very proud that Canada helped facilitate this; we have long, trusted ties.... This is good news and I celebrate with the Cuban people.

It was very kind of him, he was very proud of what he was doing with their children in establishing them as strong citizens.

What a fabulous place. The people are filled with life and music and happy in spite of very difficult times. Some of them work four jobs to support their families. They are wonderful people and I think this is an opportunity for them to really evolve as they need to.”

Margaret Trudeau (1948) ex-wife of the late Canadian prime minister Pierre Trudeau

per 19 December 2014 article in National Post http://nationalpost.com/news/canada/margaret-trudeau-fondly-remembers-1976-trip-to-cuba-and-the-charming-dictator-who-cuddled-her-baby

Life, Happiness, Children, People

“The crucial and monumental development in the art music of our century has been the qualitative change in the foundational premises of our musical language--the change from a highly chromaticized tonality whose principle functions and operations are still based on a limited selection, the seven notes of the diatonic scale, from the universal set of twelve pitch classes to a scale that comprehends the total pitch-class content of that universal set. We can point to the moment of that change with some precision. It occurs most obviously in the music of Scriabin and the Vienna circle, Schoenberg, Webern, and Berg, in 1909-1910, and very soon afterwards, though less obviously, in the music of Bartok and Stravinsky. I think it is safe to say that nothing of comparable significance for music has ever occurred, because the closing of the circle of fifths gives us a symmetrical collection of all twelve pitch classes that eliminates the special structural function of the perfect fifth itself, which has been the basis of every real musical system that we have hitherto known.”

George Perle (1915–2009) American composer

Pages 42-43
The Listening Composer

Art, Thinking, Universe, Change

“Music is a kind of harmonious language.”

Gioachino Rossini (1792–1868) Italian composer

Zanolini, Biografia di Gioachino Rossini (1875)

“It is not, however, the unfamiliarity or strangeness of a work or of a composer's manner that is a bar to understanding, but rather the disappearance of the familiar, the ongoing disappointment of the expectations and hopes fostered by the musical tradition in which we have grown up.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

Hope, Disappointment, Understanding

“Fancy demanding feeling from poetry! That's not the main thing at all. Radiant words, words of light, full of rhythm and music, that's poetry.”

Théophile Gautier Paris

Demander à la poésie du sentimentalisme…ce n'est pas ça. Des mots rayonnants, des mots de lumière…avec un rythme et une musique, voilà ce que c'est, la poésie.
Remark, June 22, 1863, reported in the Journal des Goncourts (Paris: Bibliothèque-Charpentier, 1888) vol. 2, p. 123, (ellipses in the original); Arnold Hauser (trans. Stanley Godman and Arnold Hauser) The Social History of Art (London: Routledge & Kegan Paul, 1951) vol. 2, p. 684.

Feeling, Light

“The producer orders a certain title.
The musical director orders a certain rhythm.
The dance director orders a certain number of bars.
And the composer orders a certain number… of aspirin.”

Frank Loesser (1910–1969) American songwriter

on working in Hollywood
Reported by musician Michael Feinstein, transcript of * Fresh Air Celebrates Frank Loesser's 100th Birthday
http://www.npr.org/2010/06/29/128169934/fresh-air-celebrates-frank-loesser-s-100th-birthday
Fresh Air
http://www.npr.org/programs/fresh-air/
Host: Terry Gross, Guest: Michael Feinstein
NPR
WHYY
Philadelphia
2009-06-29
2:34
http://www.npr.org/templates/transcript/transcript.php?storyId=128169934

Dance

“It’s important to understand how we got where we are today. In 1966, the unthinkable happened: a madman climbed the University of Texas clock tower and opened fire, killing more than a dozen people. It was the first mass shooting in the age of television, and it left a real impression on the country. It was the kind of terror we didn’t expect to ever see again. But around 30 years ago, we started to see an uptick in these types of shootings, and over the last decade they’ve become the new norm.
In July 2012, a gunman walked into a darkened theater in Aurora and shot 12 people to death, injuring 70 more. One of his weapons was an assault rifle. The sudden and utterly random violence was a terrifying sign of what was to come.
In December 2012, a young man entered an elementary school in Newtown and murdered six educators and 20 young children. One of his weapons was an assault rifle. Watching the aftermath of these young babies being gunned down was heartrending.
In June 2016, a gunman entered a nightclub in Orlando and sprayed revelers with gunfire. The shooter fired hundreds of rounds, many in close proximity, and killed 49. Many of the victims were shot in the head at close range. One of his weapons was an assault rifle.
Last month, a gunman opened fire on concertgoers in Las Vegas, turning an evening of music into a killing field. All told, the shooter used multiple assault rifles fitted with bump-fire stocks to kill 58 people. The concert venue looked like a warzone.
Over the weekend in Sutherland Springs, 26 were killed by a gunman with an assault rifle. The dead ranged from 17 months old to 77 years. No one is spared with these weapons of war. When so many rounds are fired so quickly, no one is spared. Another community devastated and dozens of families left to pick up the pieces.
These are just a few of the many communities we talk about in hushed tones—San Bernardino, Littleton, Aurora, towns and cities across the country that have been permanently scarred.”

Dianne Feinstein (1933) American politician

[Senators Introduce Assault Weapons Ban, November 8, 2017, w:Diane Feinstein, Diane, Feinstein, https://www.feinstein.senate.gov/public/index.cfm/2017/11/senators-introduce-assault-weapons-ban]
On the introduction of the Assault Weapons Ban of 2017

Death, War, Children, People

“In 1885 we invented music television. We just didn't bother telling anybody.”

Patrick Allen (1927–2006) Film, television and voice actor

E4, E4 Music Trails

“We celebrated a little early at the White House this year, on quatro de Mayo, with a fiesta on the South Lawn. With the mariachi music, folklorika dancing and an ample supply of Mexican food. For a little while, it was just like being in Texas again.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Radio address (May 2001)

Food, Dance, Housing

“No doubt my poetry errs on the side of oddness. I hope in time to have a more balanced and Miltonic style. But as air, melody, is what strikes me most of all in music, and design in painting, so design, pattern, or what I am in the habit of calling inscape is what I above all aim at in poetry. Now it is the virtue of design, pattern, or inscape to be distinctive, and it is the vice of distinctiveness to become queer. This vice I cannot have escaped.”

Gerard Manley Hopkins (1844–1889) English poet

Letter to Robert Bridges (15 February 1879)
Letters, etc

Hope, Time, Painting

“There would be dreamers of dreams and seers of visions and hearers of voices; readers of the entrails of beasts and interpreters of the flight of birds; there would be burning bushes and stone tablets on mountain-tops, and inspired words dictated to aged disciples on lonely islands. There would arise special castes of men and women, learned in these sacred matters; and these priestly castes would naturally emphasize the importance of their calling, would hold themselves aloof from the common herd, endowed with special powers and entitled to special privileges. They would interpret the oracles in ways favorable to themselves and their order; they would proclaim themselves friends and confidants of the god, walking with him in the night-time, receiving his messengers and angels, acting as his deputies in forgiving offenses, in dealing punishments and in receiving gifts. They would become makers of laws and moral codes. They would wear special costumes to distinguish them, they would go through elaborate ceremonies to impress their followers, employing all sensuous effects, architecture and sculpture and painting, music and poetry and dancing, candles and incense and bells and gongs.”

Upton Sinclair book The Profits of Religion

Book One : The Church of the Conquerors, "The Priestly Lie"
The Profits of Religion (1918)

Women, Men, God, Age

“The divorce of poetry and music was first reflected by the printed page.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 227

“Europe' in anything other than the geographical sense is a wholly artificial construct. It makes no sense at all to lump together Beethoven and Debussy, Voltaire and Burke, Vermeer and Picasso, Notre Dame and St Paul's, boiled beef and bouillabaisse, and portray them as elements of a 'European' musical, philosophical, artistic, architectural or gastronomic reality. If Europe charms us, as it has so often charmed me, it is precisely because of its contrasts and contradictions, not its coherence and continuity.”

Margaret Thatcher book Statecraft: Strategies for a Changing World

Source: Statecraft: Strategies for a Changing World, p. 328

Reality, Sense

“Long long ago, before the days of Islam, Sikander e Aazem came to India. The Two Horned one whom you British people call Alexander the Great. He conquered the world, and was a very great man, brave and dauntless and generous to his followers. When he left to go back to Greece, some of his men did not wish to go back with him but preferred to stay here. Their leader was a general called Shalakash (Seleucus). With some of his officers and men, he came to these valleys and they settled here and took local women, and here they stayed. We, the Kalash, the Black Kafir of the Hindu Kush, are the descendants of their children. Still some of our words are the same as theirs, our music and our dances, too; we worship the same gods. This is why we believe the Greeks are our first ancestors…”

Michael Wood (1948) English historian and broadcaster

Statement made by a Kalash named Kazi Khushnawaz, "Footsteps of Alexander the Great p. 8
i.e.: Seleucus was one of the Generals of Alexander the Great. He was born in 358 or 354 BC in the town of Europos, Macedonia and died in August/September 281 BC near Lysimathia, Thrace.

Women, Men, God, Children

“Music is therapy for me. It's my outlet for every negative thing I've ever been through. It lets me turn something bad into something beautiful.”

Amy Lee (1981) American singer-songwriter and pianist

Explaining her song "Call Me When You're Sober" in "Evanescence: Amy Lee Explains the New Songs" at VH1 News (18 September 2006) http://www.vh1.com/news/articles/1540914/story.jhtml

Beauty

“I'd never heard anything like it before. It was like banshee music. This absolutely otherworldly voice, singing about a book, and as a bookish kid, I was always fascinated by anything, any music that seems to be about or inspired by books.”

Neil Gaiman (1960) English fantasy writer

On the song "Wuthering Heights"
The Kate Bush Story (2014)

Books, Singing

“The usual problem with progressive rock is that the band can get so wrapped up in their own fantasy land that their music becomes completely inaccessible. "Wanky", if you will.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Problem

“"I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work."
He shrugged. "Maybe the occasional wailing chorus of the damned."”

Cassandra Clare The Mortal Instruments

Clary and Jace, pg. 172
The Mortal Instruments, City of Bones (2007)

Life, Thinking, Time

“(When asked to reflect on his career) Music is the emotion of the experience. Regarding whether someone knows composers by name, it comes down to how much the music had touched someone that they then care enough to find out who composed it. Myself as an example, I get a dozen or so fan emails every single day, from all over the globe. Most of the time it's new people that are just now figuring out who I am after all their years of playing games I've done, and that I composed some of their favorite game music or just their favorite game in particular. And it never gets old even though I've been reading them and answering them ever since I launched my website www. frankklepacki. com about seven years ago. You can't beat knowing you've had that kind of impact on people on a regular basis. I am always very grateful for it. Some of my fans cared enough to spread the word about my career that they made a full feature article on Wikipedia. That blew me away!”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

People, Game, Time, Reading

“Music is like a language: you cannot understand it unless you learn it, or more accurately, are born into it.”

Jack Vance book Space Opera

Source: Space Opera (1965), Chapter 1 (p. 12)

Understanding, Learning

“I have grown weary of the winds of heaven.
I will not be a reed to hold the sound
Of whatsoever breath the gods may blow,
Turning my torment into music for them.
They gave me life; the gift was bountiful,
I lived with the swift singing strength of fire,
Seeking for beauty as a flame for fuel —
Beauty in all things and in every hour.
The gods have given life — I gave them song;
The debt is paid and now I turn to go.”

Sara Teasdale (1884–1933) American writer and poet

"Sappho (Rivers to the Sea)"
Rivers to the Sea (1915)

Life, God, Beauty, Singing

“Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Western Culture and the so-called Revolution.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Life, Personality

“My friends, the apples that I love for their delightful red, yellow, mauve and green clothing cease to be apples for me when I see them against this or that background, in such or such surroundings... And they resound in my sight like a music, reproducing this or that mood of my soul, this or that fleeting contact with the soul of things... To reproduce the things which exist without being, to reveal them to other people, by passing them through my sympathetic understanding, by revealing them in the passion I feel for hem, that is the goal of my artistic existence. To me apples, trees, human faces are not more than hints as to what else I should seen in them: the life of colour, comprehended by a passionate lover.”

Alexej von Jawlensky (1864–1941) Russian painter

Quote of Jawlensky, c. 1903; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 115
1900 - 1935

Love, Life, People, Feeling

“Some day, even the experts will figure out, that crime is not caused by rap music…or even my music, but by a power structure of self-absorbed property owners so brain dead and stupid they won't even see that if you're too goddamn greedy to pay taxes for schools and services, they're not going to be any good any more! And that uneducated time bombs are a very poor investment as a future work force. And if you go on teaching people that life is cheap, and leave them to rot in ghettos and jails, they may one day feel justified in coming back to rob and kill you. Duh!”

Jello Biafra (1958) singer and activist

"Rob Now, Pay Later", Home Alive: The Art of Self Defense (1996)

Life, People, Stupidity, School

“What did you do today?
—Went to the grocery store and Xeroxed a box of English muffins, two pounds of ground veal and an apple. In flagrant violation of the Copyright Act.
—You had your nap, I remember that—
—I had my nap.
—Lunch, I remember that, there was lunch, slept with Susie after lunch, then your nap, woke up, right?, went Xeroxing, right?, read a book not a whole book but part of a book—
—Talked to Happy on the telephone saw the seven o’clock news did not wash dishes want to clean up some of this mess?
—If one does nothing but listen to the new music, everything else drifts, frays. Did Odysseus feel this way when he and Diomedes decided to steal Athene’s statue from the Trojans, so that they would become dejected and lose the war? I don’t think so, but who is to know what effect the new music of that remote time had on its hearers?
—Or how it compares to the new music of this time?
—One can only conjecture.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“The New Music”, opening
Great Days (1979)

War, Happiness, Books, Way

“I and Nicky have got a lot of disagreements, but they are nearly always associated to music. Because we both are very strong-willing persons, we might sit in the opposite corners in the studio argueing about things. One does never know beforehand, whose idea works the best way.”

Enya (1961) Irish singer, songwriter, and musician

Anna interview (2005)

Way, Idea, Strong, Personality

“One thing I learned a long time ago was my fretboard, in terms of all the scales in all the positions…You have to learn it - there are no two ways about it. I shift between positions so easily now that I really don't have to think about them much…I would suggest starting your scale education with the major and minor scales, and after that, diminished, augmented and whole-tone. Then depending on what kind of music you want to play, the modes should be learned. My theory about this kind of thing is that you should learn it all. Once you've learned it you can play whatever you want to play, and I think that your playing will be more advanced, and you'll have a better understanding of the instrument.”

Al Di Meola (1954) guitarist

[Denyer, Ralph, The Guitar Handbook, 2002, 102, 0-679-74275-1]

Education, Way, Understanding, Thinking

“You don't rely on a great army of people to spoon-feed you. Today's classical-music world is very self-defeating. I love the fact that all these corporations are falling apart. They're sinking millions into acts and getting it wrong. And I know why - it's not about the music, or the audiences. So in many ways this is a very encouraging time.”

Joanna MacGregor (1959) British musician

The Independent, 23/06/2003
On Classical Music

Love, People, World, Way

“The general misunderstanding of a work of art is often due to the fact that the key to its spiritual content and technical means is missed. Unless the observer is trained to a certain degree in the artistic idiom, he is apt to search for things which have little to do with the aesthetic content of a picture. He is likely to look for pure representational values when the emphasis is really upon music-like relationships.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 56
Search for the Real and Other Essays (1948)

Art, Search, Training

“We may compare this sum of the life forces, which we call heredity, to the character of a sensitive plate in the camera. Outside pictures impress themselves more or less distinctly on the sensitive plate… Stored within heredity are all joys, sorrows, loves, hates, music, art, temples, palaces, pyramids, hovels, kings, queens, paupers, bards, prophets and philosophers, oceans, caves, volcanoes, floods, earthquakes, wars, triumphs, defeats, reverence, courage, wisdom, virtue, love and beauty, time, space, and all the mysteries of the universe. The appropriate environments will bring out and intensify all these general human hereditary experiences and quicken them again into life and action, thus modifying for good or evil, character—heredity—destiny.”

Luther Burbank (1849–1926) American botanist, horticulturist and pioneer in agricultural science

p, 125
The Training of the Human Plant (1907)

Love, Life, Wisdom, Hate

“For it is a plain fact that, most certainly in the West, the writings, works of art, musical compositions which are of central reference, comport that which is "grave and constant" (Joyce's epithets) in the mystery of our condition.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), III: Presences, Ch. 6 (p. 224).

Art

“The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get 'em up dancin.' It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience's mind with their pieties and their sense of "community," i. e., ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.”

Lester Bangs (1948–1982) American music critic and journalist

"James Taylor Marked for Death" (1971), p. 67
Psychotic Reactions and Carburetor Dung (1988)

Way, Home, Communication, Sense

“I got very frustrated when I was reading so-called classic books or films, or listening to underground music which is trying to tell you something. it´s all nonsense, and it´s disillusioning. So it would be a paradox for me to then decide I´m going to communicate something.”

Robert Smith (musician) (1959) English singer, songwriter and musician

Sounds, August 24, 1985

Books, Communication, Reading

“Nowadays, all students have access to and indeed most own computers and are comfortable with the software used to compose music. There are probably too many musical options for them now and the trick is to limit the number of musical ideas so as to develop structure and continuity in their work.”

Jon Appleton (1939) American composer

"The Decline of Academic Freedom at Dartmouth College", 20 October 2005.
Letter published in "Appleton Leaves Dartmouth", 2005

Idea

“I am not sure if I have heard a description of my music that would have been 100% accurate. I just make the kind of music I like myself, it is up to other people to find words that describe it.”

Jaani Peuhu (1978) Finnish musician

SuomiRocks.com, 2004 http://suomirocks.com/cms/index.php?page=iconcrash,

People

“There is in souls a sympathy with sounds;
And as the mind is pitched the ear is pleased
With melting airs or martial, brisk, or grave:
Some chord in unison with what we hear
Is touched within us, and the heart replies.
How soft the music of those village bells
Falling at intervals upon the ear
In cadence sweet!”

William Cowper The Task

Source: The Task (1785), Book VI, Winter Walk at Noon, Line 1.

Soul, Heart

“"Business is about to pick up here!" (usually said when someone music/pyro hits)”

Jim Ross (1952) American professional wrestling commentator, professional wrestling referee, and restaurateur

Commentary Quotes

Business

“People who talk of the spread of music in England and the increasing love of it, rarely seem to know where the growth of the art is really strong and properly fostered: some day the press will awake to the fact, already known abroad and to some few of us in England, that the living centre of music in Great Britain is not London, but somewhere further North.”

Edward Elgar (1857–1934) English composer

Letter to Canon Gorton, organizer of the Morecambe Music Festival, published in The Musical Times, July 1903.

Love, People, Art, Strong

“That all men are created equal does not mean that human beings are the same, or equal, in size, strength, beauty, virtue, or intelligence. There are obviously great differences in individual aptitudes and talents in sports, music, mathematics, speaking, and writing. They are also unequal in the virtues, among them courage, temperance, and justice. But as Jefferson once said, the fact that Sir Isaac Newton may be the most intelligent of living human beings does not give him any right whatever to my person or my property.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, God Bless America (2008), The American Proposition

Men, Justice, Beauty, Intelligence

“It is a tough act to follow, for sure. As I’m hearing him talk through some of the things I’m realizing why our partnership works, because we both think the world of one another. Scott is the most disciplined, driven athlete I’ve ever met. There’s a fierce competitor deep within and the passion and the raw talent that is there — the ability to move and hear music and interpret it — is unlike anyone else I’ve ever seen on the ice. And I think because he wears his heart on his sleeve people feel so drawn in and captivated by his performances. He’s generous, thoughtful and extremely insightful. He’s able to understand the glide of the blade differently.”

Scott Moir (1987) Canadian figure skater

Tessa Virtue, Interview for Sportsnet.ca (January 2018)
Partnership with Tessa Virtue, Tessa Virtue about Moir

People, World, Feeling, Understanding

“I had seen … the mistreatment and abuse of these elephants … and I was brought to tears. When you look at something like the circus and everyone's laughing and there's color and there's music and everything seems so great, but when you go right behind that door and they're in these crates all day long and then they're getting shocked and beat just so they can get up and dance around on a ball — it was just so sickening. … Stop going to the circus, don’t buy real fur, don’t buy a dog, go rescue a dog. You can’t keep supporting people who are doing this to helpless animals, at all.”

Olivia Munn (1980) American actress, comedian, model, television personality and author

“Olivia Munn's Exclusive Interview for PETA,” video on PETA's YouTube channel (27 April 2010) https://www.youtube.com/watch?v=v9Qcq2j2tKA.

People, Dogs, Color, Support

“The Appalling Popularity of Music.”

Constant Lambert (1905–1951) British composer and conductor

Source: Music, Ho! (1934), Chapter-heading, p. 200.

“Mona said, 'Did you see Gore's new play The Best Man when you were in New York?' 'Of course not.'…'Don't like plays, only shows.”

Edward VIII of the United Kingdom (1894–1972) king of the United Kingdom and its dominions in 1936

He meant musical comedies."
In conversation with Mona Bismarck and Gore Vidal (Vidal, Palimpsest, 206)

“As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Secret, Flowers, Light

“Everyone in the band wore their influences on their sleeves and there was not a bit of the typical L. A. vibe going on where the goal is to court a record deal. There was no concern for the proper poses or goofy choruses that might spell pop-chart success; which ultimately guaranteed endless hot chicks. That type of calculated rebellion wasn't an option for us; we were too rabid a pack of musically like-minded gutter rats. We were passionate, with a common goal and a very distinct sense of integrity. That was the difference between us and them.”

Slash (musician) book Slash

Source: Slash (2007) by Anthony Bozza & Mason Segal,, p. 99.

Sense, Passion, Success

“If you think this was an isolated incident, let me paraphrase Pastor Martin Niemoller, "First they came for the music faculty and I did not speak out because I was not a musician. Then they came for the psychologists and I did not speak out because I was not a psychologist. Then they came for the biologists and I did not speak out because I was not a biologist. Then they came for me and there was no one left to speak out for me."”

Jon Appleton (1939) American composer

"The Decline of Academic Freedom at Dartmouth College", 20 October 2005.
Letter published in "Appleton Leaves Dartmouth", 2005

Thinking

“O Music! sphere-descended maid,
Friend of Pleasure, Wisdom's aid!”

William Collins (1721–1759) English poet, born 1721

Source: The Passions, an Ode for Music (1747), Line 95.

Wisdom, Pleasure

“Language is a gift that puts lyrics to the music of our lives. Without spoken language we wouldn’t be able to say, ‘I love you’. We’d have to say ‘uuurrrgghh’ or hold up a sign. And whether it’s one person’s gentle English or another’s muddy, arrogant French, it’s our language that makes us unapproachable and difficult to understand.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Love, Understanding, Personality

“So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Music as an Aspect of the Human Spirit (1954).

“I love all those great 'f' words - feminism, folk music..”

Ani DiFranco (1970) musician and activist

from a 2003 interview with MuchMusic

Love

“"Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for--they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad."”

Afrika Bambaataa (1957) American DJ, record producer and activist

Afrika Bambaataa, quoted in David Toop (1991). Rap Attack 2: African Rap To Global Hip Hop, p.60. New York. New York: Serpent's Tail. .

Waiting, Parting, Madness

“With all your music, loud and lustily,
With every dainty joy of sight and smell,
Prepare a banquet meet to entertain
The Lord of Thunder, that hath set you free
From old oppression.”

Hartley Coleridge (1796–1849) British poet, biographer, essayist, and teacher

Sylphs
Poems (1851), Prometheus

Joy

“Rammstein is an award-winning music-based German-teaching system for American goths.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

lecture performance at Mueumsquartier, Vienna, 2016

“I found some consolation or narcotic. Sometimes it was a woman, sometimes a good friend — yes, you too once helped me that way — at other times it was music or applause in the theater. But now these things no longer give me pleasure and that is why I drink. I could never sing without first having a couple of drinks, but now I can also not think, talk, live and feel tolerably well without first having a couple of drinks.”

Hermann Hesse book Gertrud

Source: Gertrude (1910), p. 225

Pleasure, Way, Feeling, Drink

“I think, fundamentally music is something inherently people love and need and relate to, and a lot of what's out right now feels like McDonalds. It's quick-fix. You kind of have a stomachache afterwards. It's not wholly satisfying. And it's fake. I would hope that the music that inspired me, that got me going, that talked to me, felt like it was coming from some place that had some true emotion and true integrity behind it. I think that can reemerge.”

Trent Reznor (1965) American musician

Tribune Interview https://web.archive.org/web/20131216215825/http://www.sltrib.com/themix/ci_3069586 (29 September 2005).

Love, People, Hope, Feeling

“I met Sophie Taeuber in Zurich in 1915. Even then she already knew how to give direct and palpable shape to her inner reality. In those days this kind of art was called 'abstract art'. Now it is known as 'concrete art,' for nothing is more concrete than the psychic reality it expresses. Like music this art is tangible inner reality she was already dividing the surface of a watercolor into squares and rectangles which she juxtaposed horizontally and perpendicularly. She constructed her painting like a work of masonry. The colors are luminous, going from rawest yellow to deep red or…. blue.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp's quote on his wife, in 'Sophie Taeuber-Arp', Hans Arp; in Arp on Arp: Poems, Essays, Memories, ed. Marcel Jean, transl. Joachim Neugroschel; Viking Press, New York 1972, p. 222
1910-20s

Art, Color, Reality, Painting

“I have tried… believe me, I have tried to like rap music. It makes me feel so very, very old. I have tried to get home with the downies.”

Dylan Moran (1971) Irish actor and comedian

Monster (2004)

Feeling, Home

“Anybody who wants to be a real musician must be able to set a menu to music.”

Richard Strauss (1864–1949) German composer and orchestra director

Other sources

“When I’m creating at the piano, I tend to feel happy; but - the eternal dilemma - how can we be happy amid the unhappines, of other? I’d do everything I could to give everyone a moment of happines. That’s what’s at the heart of my music.”

Nino Rota (1911–1979) Italian composer

http://www.exnovoensemble.it/files/rotanoteEng.shtml

Happiness, Feeling, Heart

“Scotty and I became good friends. We had an immediate musical rapport that was sensational. We did a lot of listening and talking. Besides technique, he had governing, control. I think he was the first bass player who was fleet-footed in the musical sense.
[…]
What a trauma! It struck me right down—that someone I was developing such a relationship with would suddenly not be there.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

On bassist Scott LaFaro and his premature demise, as quoted in Jade Visions: The Life and Music of Scott LaFaro https://books.google.com/books?id=KnTSqVu9Zr4C&pg=PA67&dq=%22Clare+relates%22+intitle:Jade&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMI-9Dphf_kxgIVCGk-Ch3DaQiT#v=onepage&q=%22Clare%20relates%22%20intitle%3AJade&f=false (2009) by Helene LaFaro-Fernandez, pp. 67-68

Thinking, Sense

“I think a life in music is a life beautifully spent and this is what I have devoted my life to.”

Luciano Pavarotti (1935–2007) Italian operatic tenor

Penso che una vita per la musica sia una vita spesa bene ed è a questo che mi sono dedicato. <br class="br">As quoted at a tribute page on his official website, lucianopavarotti.com (September 2007) http://www.lucianopavarotti.com

Life, Thinking