Quotes about light
page 21

Frank Wilczek photo
Jean-Baptiste-Camille Corot photo
Bruno Schulz photo
Jeanette Winterson photo
Henry Edward Manning photo
George William Russell photo
Mark Steyn photo
Marie Windsor photo
Ralph Vary Chamberlin photo
Charlotte Brontë photo
David Brooks photo
Nathanael Greene photo
Matthew Perry (actor) photo

“I have a dark side; it's been pretty well documented. It wouldn't be bad to show that in some light in my work…It's something I no longer fear doing and am actually excited about doing.”

Matthew Perry (actor) (1969) American actor

Lawrie Masterson (October 10, 2004) "Prime Time", The Sunday Telegraph, News Limited, p. V05.

Henry Wadsworth Longfellow photo
Ian McDonald photo
W. Somerset Maugham photo
Bill Bryson photo
Peter Weiss photo
André Maurois photo
Don Willett photo
Anne Brontë photo
Cormac McCarthy photo
McDonald Clarke photo
Tom Petty photo

“There was no use in pretending,
No magic left to hear.
All the music gave me
Was a craving for light beer.”

Tom Petty (1950–2017) American musician

Money Becomes King
Lyrics, The Last DJ (2002)

William Morris photo
Stephen King photo
Brad Paisley photo

“Sage's light
Oh and Edison
He made two sparks ignite
All you do
It's a scientific chain reaction”

Laura Nyro (1947–1997) American musician and songwriter

"Light" (Pop's Principle)
Lyrics

Vitruvius photo
Avner Strauss photo

“The blind man sits in the dark, but for guests he turns on the light.”

Avner Strauss (1954) Israeli musician

12 Years Before Now, In Jerusalem, the Skies are Lower (1991).

Thomas Carlyle photo
Woody Guthrie photo
Varadaraja V. Raman photo
Michael Chabon photo
John Wilmot, 2nd Earl of Rochester photo

“Reason, an Ignis fatuus of the Mind,
Which leaves the light of Nature, Sense, behind.”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

ll. 12-13.
A Satire Against Mankind (1679)

Emil M. Cioran photo
Harun Yahya photo

“Muslims turn fire into light, wrath into mercy.”

Harun Yahya (1956) Turkish author

16 June 2013.
A9 TV addresses, 2013

Phillis Wheatley photo
Frederick Douglass photo

“But are there not reasons against all this? Is there not such a law or principle as that of self-preservation? Does not every race owe something to itself? Should it not attend to the dictates of common sense? Should not a superior race protect itself from contact with inferior ones? Are not the white people the owners of this continent? Have they not the right to say what kind of people shall be allowed to come here and settle? Is there not such a thing as being more generous than wise? In the effort to promote civilization may we not corrupt and destroy what we have? Is it best to take on board more passengers than the ship will carry? To all this and more I have one among many answers, altogether satisfactory to me, though I cannot promise it will be entirely so to you. I submit that this question of Chinese immigration should be settled upon higher principles than those of a cold and selfish expediency. There are such things in the world as human rights. They rest upon no conventional foundation, but are eternal, universal and indestructible. Among these is the right of locomotion; the right of migration; the right which belongs to no particular race, but belongs alike to all and to all alike. It is the right you assert by staying here, and your fathers asserted by coming here. It is this great right that I assert for the Chinese and the Japanese, and for all other varieties of men equally with yourselves, now and forever. I know of no rights of race superior to the rights of humanity, and when there is a supposed conflict between human and national rights, it is safe to go the side of humanity. I have great respect for the blue-eyed and light-haired races of America. They are a mighty people. In any struggle for the good things of this world, they need have no fear, they have no need to doubt that they will get their full share. But I reject the arrogant and scornful theory by which they would limit migratory rights, or any other essential human rights, to themselves, and which would make them the owners of this great continent to the exclusion of all other races of men. I want a home here not only for the negro, the mulatto and the Latin races, but I want the Asiatic to find a home here in the United States, and feel at home here, both for his sake and for ours.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

Charles Dickens photo
Ursula K. Le Guin photo
Mike Oldfield photo
Emily Brontë photo
Robert Chambers (publisher, born 1802) photo
Jerome K. Jerome photo
Ursula K. Le Guin photo

“They can keep their God, they can keep their Light. I want the world back. I want questions, not the answer. I want my own life back, and my own death!”

Ursula K. Le Guin (1929–2018) American writer

“The Field of Vision” p. 243 (originally published in Galaxy, October 1973)
Short fiction, The Wind’s Twelve Quarters (1975)

Murasaki Shikibu photo
Bernard of Clairvaux photo
Julian of Norwich photo
Eric Frein photo
Bram van Velde photo
Percy Bysshe Shelley photo
Théophile Gautier photo

“Fancy demanding feeling from poetry! That's not the main thing at all. Radiant words, words of light, full of rhythm and music, that's poetry.”

Demander à la poésie du sentimentalisme…ce n'est pas ça. Des mots rayonnants, des mots de lumière…avec un rythme et une musique, voilà ce que c'est, la poésie.
Remark, June 22, 1863, reported in the Journal des Goncourts (Paris: Bibliothèque-Charpentier, 1888) vol. 2, p. 123, (ellipses in the original); Arnold Hauser (trans. Stanley Godman and Arnold Hauser) The Social History of Art (London: Routledge & Kegan Paul, 1951) vol. 2, p. 684.

James A. Garfield photo
Ernest Barnes photo
Harry Chapin photo
Willem de Kooning photo
Tim Powers photo
Théodore Rousseau photo

“Do not be anxious about [an ordered painting] 'La Ferme' my dear Mr. Hartmann, I am anxious to establish in this picture such a decision deformed, that it may exist, independently of the caprices of the light, and of the influence of the hours of the day. I am regulating it, absolutely as a watchmaker regulates a watch after he has finished it.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

In a letter to Mr. Hartmann, c. 1865; as quoted in The Painters of Barbizon I – Millet, Rousseau and Diaz, by John W. Mollett, B.A.; publ. Sampton Low, Marston, Searle & Rivington, Limited, London, 1890, p. 81
Mr. Hartmann, who had bought this and two other pictures had waited for them fifteen years, at last became impatient, and wrote Rousseau: 'I shall only enjoy my pictures in my extreme old age, when I shall have become too blind to see them'. his biographer/friend Alfred Sensier wrote: this seemed to Mr. Hartmann 'as the reasoning of a troubled mind.' https://archive.org/details/souvenirssurthr00sensgoog?q=Theodore+Rousseau
1851 - 1867

Esaias Tegnér photo
John Muir photo

“One shining morning, at the head of the Pacheco Pass, a landscape was displayed that after all my wanderings still appears as the most divinely beautiful and sublime I have ever beheld. There at my feet lay the great central plain of California, level as a lake thirty or forty miles wide, four hundred long, one rich furred bed of golden Compositae. And along the eastern shore of this lake of gold rose the mighty Sierra, miles in height, in massive, tranquil grandeur, so gloriously colored and so radiant that it seemed not clothed with light, but wholly composed of it, like the wall of some celestial city. Along the top, and extending a good way down, was a rich pearl-gray belt of snow; then a belt of blue and dark purple, marking the extension of the forests; and stretching along the base of the range a broad belt of rose-purple, where lay the miners' gold and the open foothill gardens — all the colors smoothly blending, making a wall of light clear as crystal and ineffably fine, yet firm as adamant. Then it seemed to me the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years in the midst of it, rejoicing and wondering, seeing the glorious floods of light that fill it, — the sunbursts of morning among the mountain-peaks, the broad noonday radiance on the crystal rocks, the flush of the alpenglow, and the thousand dashing waterfalls with their marvelous abundance of irised spray, — it still seems to me a range of light.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483)
1890s

Karl Mannheim photo
Joss Whedon photo

“The actors can make up their dialogue. I'm bushed, and they're all funny, and the hell with it. Maybe I'll give them a premise to work off of, like "You're all in trouble" or "Wash has a thing."”

Joss Whedon (1964) American director, writer, and producer for television and film

They could maybe light it too.
"This explains Joss perfectly." at Whedonesque.com (15 February 2006) http://whedonesque.com/comments/9548

Robert Skidelsky photo
George William Russell photo
Walter Scott photo
Joni Mitchell photo
John Lancaster Spalding photo
Erich Fromm photo
Jim Morrison photo
Sri Aurobindo photo

“It is not by these means [modern humanism and humanitarianism, idealism, etc. ] that humanity can get that radical change of its ways of life which is yet becoming imperative, but only by reaching the bed-rock of Reality behind,… not through mere ideas and mental formations, but by a change of the consciousness, an inner and spiritual conversion. But that is a truth for which it would be difficult to get a hearing in the present noise of all kinds of many-voiced clamour and confusion and catastrophe…. Science has missed something essential; it has seen and scrutinised what has happened and in a way how it has happened, but it has shut its eyes to something that made this impossible possible, something it is there to express. There is no fundamental significance in things if you miss the Divine Reality; for you remain embedded in a huge surface crust of manageable and utilisable appearance. It is the magic of the Magician you are trying to analyse, but only when you enter into the consciousness of the Magician himself can you begin to experience the true origination, significance and circles of the Lila…. Another danger may then arise [once materialism begins to give way]… not of a final denial of the Truth, but the repetition in old or new forms of a past mistake, on one side some revival of blind fanatical obscurantist sectarian religionism, on the other a stumbling into the pits and quagmires of the vitalistic occult and the pseudo-spiritual'mistakes that made the whole real strength of the materialistic attack on the past and its credos. But these are phantasms that meet us always on the border line or in the intervening country between the material darkness and the perfect Splendour. In spite of all, the victory of the supreme Light even in the darkened earth-consciousness stands as the one ultimate certitude….”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Undated
India's Rebirth

“Even
After
All this time
The Sun never says to the Earth,"You owe me."Look
What happens
With a love like that,
It lights the whole sky.”

Daniel Ladinsky (1948) American poet

From Daniel Ladinsky, The Gift: Poems by Hafiz https://books.google.com/books?id=_cdWZkYE_ZQC (1999), p. 34.

Helen Keller photo
William Carlos Williams photo
Letitia Elizabeth Landon photo
Alice Cary photo

“My soul is full of whispered song,—
My blindness is my sight;
The shadows that I feared so long
Are full of life and light.”

Alice Cary (1820–1871) American writer

"Dying Hymn", in Ballads, Lyrics, and Hymns (1866) p. 326.

Paul Simon photo

“If the answer is infinite light,
Why do we sleep in the dark?”

Paul Simon (1941) American musician, songwriter and producer

How Can You Live In The Northeast?
Song lyrics, Surprise (2006)

Ronnie James Dio photo

“If there isn't light when no one sees
Than how can I know what you might believe?…”

Ronnie James Dio (1942–2010) American singer

"The Sign of the Southern Cross" on Mob Rules (1981)
Lyrics

Van Morrison photo
William John Macquorn Rankine photo
James K. Morrow photo

““In the end Humankind destroyed the heaven and the earth,” Soapstone began…
“And Humankind said, ‘Let there be security,’ and there was security. And Humankind tested the security, that it would detonate. And Humankind divided the U-235 from the U-238. And the evening and the morning were the first strike.” Soapstone looked up from the book. “Some commentators feel that the author should have inserted, ‘And Humankind saw the security, that it was evil.’ Others point out that such a view was not universally shared.”…
Casting his eyes heavenward, Soapstone continued. “And Humankind said, ‘Let there be a holocaust in the midst of the dry land.’ And Humankind poisoned the aquifers that were below the dry land and scorched the ozone that was above the dry land. And the evening and the morning were the second strike.”…
“And Humankind said, ‘Let the ultraviolet light destroy the food chains that bring forth the moving creature!’ And the evening and the morning—”…
“And Humankind said, ‘Let there be rays in the firmament to fall upon the survivors!’ And Humankind made two great rays, the greater gamma radiation to give penetrating whole-body doses, and the lesser beta radiation to burn the plants and the bowels of animals! And Humankind sterilized each living creature, saying, ‘Be fruitless, and barren, and cease to—’””

James K. Morrow (1947) (1947-) science fiction author

Source: This Is the Way the World Ends (1986), Chapter 9, “In Which by Taking a Step Backward the City of New York Brings Our Hero a Step Forward” (pp. 115-116; ellipses not in the original)

“That guy is so quick, he can switch off the light and get into bed before the room is dark.”

Jack Gibson (1929–2008) Australian rugby league player and coach

Gibson making an assessment on fast winger Andrew Ettingshausen during his summary of a match on television.

Eddie Izzard photo
Dave Eggers photo
Seal (musician) photo

“For the future I cease, Death approaches with little delay,
Since the dragons of Laune and Lane and Lee are destroyed;
I’ll follow the heroes far from the light of day,
The princes my ancestors followed before Christ died.”

Egan O'Rahilly (1670–1726) Irish poet

Closing lines of his last known poem (c.1729)
Translated from the Irish by Owen Dudley Edwards, as quoted in Webster's New World Dictionary of Quotations (2005), p. 626

John Constable photo
Richard Henry Stoddard photo

“It beckons, I follow.
Good-by to the light,
I am going, O whither?
Out into the night.”

Richard Henry Stoddard (1825–1903) American poet

The Messenger at Night.
Bartlett's Familiar Quotations, 10th ed. (1919)

Bernard Lewis photo

“There are other difficulties in the way of accepting imperialism as an explanation of Muslim hostility, even if we define imperialism narrowly and specifically, as the invasion and domination of Muslim countries by non-Muslims. If the hostility is directed against imperialism in that sense, why has it been so much stronger against Western Europe, which has relinquished all its Muslim possessions and dependencies, than against Russia, which still rules, with no light hand, over many millions of reluctant Muslim subjects and over ancient Muslim cities and countries? And why should it include the United States, which, apart from a brief interlude in the Muslim-minority area of the Philippines, has never ruled any Muslim population? The last surviving European empire with Muslim subjects, that of the Soviet Union, far from being the target of criticism and attack, has been almost exempt. Even the most recent repressions of Muslim revolts in the southern and central Asian republics of the USSR incurred no more than relatively mild words of expostulation, coupled with a disclaimer of any desire to interfere in what are quaintly called the "internal affairs" of the USSR and a request for the preservation of order and tranquillity on the frontier.
One reason for this somewhat surprising restraint is to be found in the nature of events in Soviet Azerbaijan. Islam is obviously an important and potentially a growing element in the Azerbaijani sense of identity, but it is not at present a dominant element, and the Azerbaijani movement has more in common with the liberal patriotism of Europe than with Islamic fundamentalism. Such a movement would not arouse the sympathy of the rulers of the Islamic Republic. It might even alarm them, since a genuinely democratic national state run by the people of Soviet Azerbaijan would exercise a powerful attraction on their kinsmen immediately to the south, in Iranian Azerbaijan.
Another reason for this relative lack of concern for the 50 million or more Muslims under Soviet rule may be a calculation of risk and advantage. The Soviet Union is near, along the northern frontiers of Turkey, Iran, and Afghanistan; America and even Western Europe are far away. More to the point, it has not hitherto been the practice of the Soviets to quell disturbances with water cannon and rubber bullets, with TV cameras in attendance, or to release arrested persons on bail and allow them access to domestic and foreign media. The Soviets do not interview their harshest critics on prime time, or tempt them with teaching, lecturing, and writing engagements. On the contrary, their ways of indicating displeasure with criticism can often be quite disagreeable.”

Bernard Lewis (1916–2018) British-American historian

Books, The Roots of Muslim Rage (1990)