Quotes about feelings
page 60

Peter Hitchens photo

“We cannot just give [our country] to complete strangers on an impulse because it makes us feel good about ourselves.”

Peter Hitchens (1951) author, journalist

2015-09-06
PETER HITCHENS: We won't save refugees by destroying our own country
Mail on Sunday
http://www.dailymail.co.uk/debate/article-3223828/PETER-HITCHENS-won-t-save-refugees-destroying-country.html

Arshile Gorky photo

“I have to go away, but with regrets and with the firm intention to come back soon. I consider most sound I am an individual Gorky – and it is my individual feeling which counts for the most. Why? I do not know nor do I wish to know. I accept it as a fact, which does not need explanation.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1930 - 1941, from 'Arshile Gorky, – Goats on the roof' (2009), p. 170: Gorky's quote in a letter to his future wife Agnes Magruder (Mougouch), 31 Mai 1941

Ward Cunningham photo
Hope Solo photo

“What I love about this team is the fact that you can feel the energy and trust - even after the defeat against Sweden. That's the really special thing about this group. Even when we were a player down and a goal behind in extra time, you sensed that something was going to happen. The team kept fighting. You can't teach that. It's a feeling - and we play with that feeling.”

Hope Solo (1981) American association football player

As quoted in "Brazil-USA Quotes: USA goalkeeper and Player of the Match Hope Solo" http://www.fifa.com/womensworldcup/matches/round=255995/match=300144440/quotes.html, fifa.com (July 10, 2011)
2010s

Martin Van Buren photo
Deendayal Upadhyaya photo
Shane Claiborne photo
Prince photo

“Happiness in it's uncut form
Is the feeling that I get, you're warm, warm
Happy's what I get when we do what we do
Happiness, mama, is being with u
Good lord.”

Prince (1958–2016) American pop, songwriter, musician and actor

Girls & Boys
Song lyrics, Parade Under the Cherry Moon (1986)

“So I feel that this is an encouragement to other writers in the region to persist in the their work, even if they feel that what they are doing is not popular, because in the long run it may tell on their behalf.”

Wilson Harris (1921–2018) Guyanese writer

Interview with Wilson Harris (2010) on being Knighted at Queen Elizabeth II Birthday Honours

Thomas Carlyle photo
Peter Sloterdijk photo

“Cynicism is enlightened false consciousness. It is that modernized, unhappy consciousness, on which enlightenment has labored both successfully and in vain. It has learned its lessons in enlightenment, but it has not, and probably was not able to, put them into practice. Well-off and miserable at the same time, this consciousness no longer feels affected by any critique of ideology; its falseness is already reflexively buffered.”

Peter Sloterdijk (1947) German philosopher

Zynismus ist das aufgeklärte falsche Bewußtsein, an dem Aufklärung zugleich erfolgreich und vergeblich gearbeitet hat. Es hat seine Aufklärungselektion gelernt, aber nicht vollzogen und wohl nicht vollziehen können. Gutsituiert und miserabel zugleich fühlt sich dieses Bewußtsein von keiner Ideologiekritik mehr betroffen; seine Falschheit ist bereits reflexiv gefedert.
Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), pp. 5-6

Nathaniel Hawthorne photo
Warren Farrell photo
Elaine Goodale Eastman photo
Kate Chopin photo
Arthur Guiterman photo
Warren Farrell photo
Charles Dudley Warner photo
Tom Stoppard photo
Kapil Dev photo
Roger Raveel photo

“Every day I make more progress in technique: understanding of color, the material and the line. [I] can even give better theoretical explanations. And moreover, gradually I live more and more connected with the matter of the profession. What I mean is that my thinking and feeling are more directly, more fundamentally connected with painting itself. No longer so much thinking and feeling get lost.”

Roger Raveel (1921–2013) painter

Steeds ga ik vooruit wat betreft tecniek: begrip van kleur, matérie, lijnen. Kan zelfs beter téoretisch uitleggingen geven. En wat meer is ik leef langs om meer méé met de materie van de stiel. Ik wil zeggen dat mijn denken en voelen directer, en wezenlijker in kontakt staat met schilderen. Er gaat niet meer zoveel denken en voelen verloren.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 5 March 1950; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 118 (translation: Fons Heijnsbroek)
1945 - 1960

Thomas Carlyle photo
Joshua Jackson photo
Kevin Rowland photo
Mo Yan photo
Henryk Sienkiewicz photo
Paul Laurence Dunbar photo
Bobby Robson photo
Jennifer Lopez photo

“I do recommend the vegan diet because you wake up and feel great!”

Jennifer Lopez (1969) American singer and actress

Interview with New York radio station Z100; as quoted in Jennifer Lopez Feels 'Great' on Vegan Diet! http://www.ecorazzi.com/2014/05/13/jennifer-lopez-feels-great-on-vegan-diet/ in Ecorazzi, 13 May 2014.

Käthe Kollwitz photo
Jack Benny photo

“Bob Hope: [on being on a CBS show] I feel like Zsa Zsa Gabor at a P. T. A. meeting.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Johann Wolfgang von Goethe photo
Fred Dibnah photo

“Height gives you a wonderful feeling of grandeur. You're the king of the castle up here.”

Fred Dibnah (1938–2004) English steeplejack and television personality, with a keen interest in mechanical engineering

Unsourced

Anton Mauve photo
Robert M. Sapolsky photo
Kathy Ireland photo
Gloria Estefan photo

“However long we live here, however much I feel at home in Miami, I -- like everyone else -- am an exile, an exile who cannot go home.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

cubanet.org (May 15, 2000)
2007, 2008

James MacDonald photo

“Sometimes it feels like God backs away from you when you hit hard times, but that’s not true. (see Psalm 34:18)”

James MacDonald (1960) American pastor

Source: Always True (Moody, 2011), p. 35

Jim Starlin photo
Klaus Kinski photo
David Cameron photo
Dana Gioia photo
Mahatma Gandhi photo

“Now when we talk of brotherhood of men, we stop there and feel that all other life is there for man to exploit for his own purposes. But Hinduism excludes all exploitation.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Young India (26 December 1926)
1920s

Dave Matthews photo
Winston S. Churchill photo
Hillary Clinton photo

“To LGBT men and women worldwide, let me say this: wherever you live and whatever the circumstances of your life, whether you are connected to a network of support or feel isolated and vulnerable, please know that you are not alone.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Remarks in Recognition of International Human Rights Day (December 6, 2011) http://www.state.gov/secretary/20092013clinton/rm/2011/12/178368.htm
Secretary of State (2009–2013)

Neal Stephenson photo
Paula Modersohn-Becker photo
Garth Brooks photo
Newton Lee photo
Joseph Beuys photo
Jane Roberts photo
Ellen Willis photo
Thomas Henry Huxley photo
Anton Mauve photo

“I've got a special liking for stables. I find them so very suitable for creating an artistique feeling, and then those stables from Oosterbeek! (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Ik heb er bijzondere voorliefde voor stallen gekregen. Ik vind zee zoo heel geschikt om een artistique gevoel te [te?] komen, en dan die stallen.
In a letter to Willem Maris, 1863; as cited Anton Mauve, exhibition catalog of Teylers Museum, Haarlem / Laren, Singer, ed. De Bodt en Plomp, 2009, p. 43
1860's

Gaio Valerio Catullo photo

“I hate and love. Why I do so, perhaps you ask. I know not, but I feel it, and I am in torment.”
Odi et amo. quare id faciam, fortasse requiris. nescio, sed fieri sentio et excrucior.

Odi et amo. quare id faciam, fortasse requiris.
nescio, sed fieri sentio et excrucior.
LXXXV, lines 1–2
Carmina

Anand Patwardhan photo
Art Blakey photo
Caspar David Friedrich photo

“Sometimes I try to think and nothing comes out of it; but it happens that I doze off and suddenly feel as though someone is rousing me. I am startled, open my eyes, and what my mind was looking for stands before me like an apparition - at once I seize my pencil to draw; the main thing has been done.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote of Friedrich, recorded by Vasily Zhukovsky, c. 1821; cited by Sigrid Hinz, Caspar David Friedrich in Briefen und Bekenntnissen; Henschelverlag Kunst und Gesellchaft, Berlin ,1968 p. 239; as cited in 'The Phantasmatic in romantic subjective experience and aesthetics' - Master's Thesis http://lup.lub.lu.se/luur/download?func=downloadFile&recordOId=1667795&fileOId=2224083 by Adrian Gerardo de Jong; Helsingborg Sweden, Sept. 2010, pp. 46-47
1794 - 1840

“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

Paul LePage photo

“I apologize to Jewish Americans if they feel offended. But I also apologize to Japanese Americans that were put in prison during World War II, and I also apologize to those people that were accused of being communists during McCarthyism, because that's not the American way.”

Paul LePage (1948) American businessman, Republican Party politician, and the 74th Governor of Maine

About LePage's statements on the IRS. As quoted by Seven Days. http://7d.blogs.com/blurt/2012/07/maine-gov-paul-lepage-doubles-down-on-gestapo-comment-after-brock-fundraiser.html (July 12, 2012)

“Wherever you go in the world, it’s always nice to feel like you’re supposed to be there. Whether in a city or the woods, West or East, we all have someplace to be. You’ll know it when you arrive.”

John M. Rodgers (1928–2012) American politician

“ Two Homes, a World Apart http://www.nytimes.com/2012/05/31/opinion/two-homes-a-world-apart.html.” The New York Times. 30 May 2012.

Immortal Technique photo

“I'm like the legs of a paraplegic really? Cuz I'm still part of you even if you cant feel me.”

Immortal Technique (1978) American rapper and activist

"Death March:
Albums, The 3rd World (2008)

Bouck White photo
Cassandra Clare photo
Bill Maher photo
Florian Cajori photo
S. I. Hayakawa photo
Karl Jaspers photo
Henry Rollins photo
Phillip Guston photo
Meagan Duhamel photo
Vincent Gallo photo
Richard Dawkins photo

“Yet scientists are required to back up their claims not with private feelings but with publicly checkable evidence. Their experiments must have rigorous controls to eliminate spurious effects. And statistical analysis eliminates the suspicion (or at least measures the likelihood) that the apparent effect might have happened by chance alone.Paranormal phenomena have a habit of going away whenever they are tested under rigorous conditions. This is why the £740,000 reward of James Randi, offered to anyone who can demonstrate a paranormal effect under proper scientific controls, is safe. Why don't the television editors insist on some equivalently rigorous test? Could it be that they believe the alleged paranormal powers would evaporate and bang go the ratings?Consider this. If a paranormalist could really give an unequivocal demonstration of telepathy (precognition, psychokinesis, reincarnation, whatever it is), he would be the discoverer of a totally new principle unknown to physical science. The discoverer of the new energy field that links mind to mind in telepathy, or of the new fundamental force that moves objects around a table top, deserves a Nobel prize and would probably get one. If you are in possession of this revolutionary secret of science, why not prove it and be hailed as the new Newton? Of course, we know the answer. You can't do it. You are a fake.Yet the final indictment against the television decision-makers is more profound and more serious. Their recent splurge of paranormalism debauches true science and undermines the efforts of their own excellent science departments. The universe is a strange and wondrous place. The truth is quite odd enough to need no help from pseudo-scientific charlatans. The public appetite for wonder can be fed, through the powerful medium of television, without compromising the principles of honesty and reason.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

[Human gullibility beyond belief,— the “paranormal” in the media, The Sunday Times, 1996-08-25]

“How much freer and happier we would feel, and how much more powerful we would be, if only we stopped struggling against the grain of our natural gifts and inclinations, stopped trying to be what we are not, and instead used willpower to stay true to an exciting and joyful life purpose.”

Charles Eisenstein (1967) American writer

The Yoga of Eating: Transcending Diets and Dogma to Nourish the Natural Self (2003)
The Yoga of Eating: Transcending Diets and Dogma to Nourish the Natural Self (2003)

Mark Heard photo
Lana Turner photo
Leopoldo Galtieri photo
Nick Cave photo

“King Ink feels like a bug,
Swimming in a soup-bowl.”

Song lyrics, Prayers on Fire (1981), King Ink

Tommy Franks photo

“Another hallway led to a green steel door. "This is the execution chamber," the officer said. "The day of the execution, we take the man through this door." He opened the green door, and we blinked at the bright lights inside. A big chair filled the room. I could smell leather. "All right, boys," he said. "Line up." The kids made a straight line that led out the green door, then moved ahead, one at a time, to sit in the big wooden chair. "This is the electric chair, Tommy Ray," my dad explained. "It's where murderers are executed." The boys inched forward. Some sat longer in the chair than others. Executed meant killed, that much I knew. "This is the ultimate consequence for the ultimate act of evil," my father told the troop. When all the boys had sat in the chair, it was my turn. I reached up and felt the smooth wood, the leather straps with cold metal buckles. There was a black steel cap dangling up there like a lamp without a bulb. "Up you go, Tommy Ray," Dad said, hoisting me into the chair. The boys were staring at me. But I wasn't even a little bit afraid. My father stood right beside me. I could feel his warm hand next to the cool metal buckle. As the school bus rumbled out of the prison parking lot that afternoon, I stared back at the high walls. I had learned another important lesson. A consequence was what followed what you did. If you did good things, you'd be rewarded with further good things. If you broke the law, you'd have to pay the price. I have never forgotten that lesson.”

Tommy Franks (1945) United States Army general

Source: American Soldier (2004), p. 8

Alexander Lukashenko photo

“I look at Obama, a young man, a good-looking person. That is my first impression, I feel sorry for him. He looks 100% like Lukashenko, when I came to power after the downfall of the Soviet Union. The store shelves were empty, a severe financial crisis.”

Alexander Lukashenko (1954) President of Belarus since 20 July 1994

As quoted in The Wall Street Journal - Belarus President Seeks to Deploy Russia Missiles (14 November 2008) http://online.wsj.com/article/SB122662176384426603.html?mod=googlenews_wsj.

John Fante photo
Noel Gallagher photo
Harry Harrison photo
Théodore Rousseau photo

“If my painting depicts faithfully and without over-refinement the simple and true character of the place you have frequented, if I succeed.... in giving its own life to that world of vegetation, then you will hear the trees moaning under the winter wind, the birds that call their young and cry after their dispersion; you will feel the old chateau tremble; it will tell you that, as the wife you loved, it too will.... disappear and be reborn in multiple forms.. One does not copy with mathematical precision what one sees, but one feels and interprets a real world, all of whose fatalities hold you fast bound.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote in a letter to M. Guizot, c. 1839-41; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye publisher, A. Wessels Company, New York, July 1902, pp. 172-173
The Duke de Broglie had ordered of Rousseau a painting of the 'Chateau de Broglie', for his friend M. Guizot. Madame Guizot had died there, and The Duke de Broglie urged Rousseau to make the painting grave and sad.. The quote presents Rousseau’s responding
1830 - 1850

Paul Rée photo