Quotes about drawing
page 4

“Defeat I can endure with cheerfulness, my lady. But betrayal is like taking the wind from my sails, or the earth from beneath my feet. It chills my spirits like a rainy day, and all I can do is draw the curtains and cry into my pillow.”

Margaret George (1943) American writer

Source: Mary Queen of Scotland and The Isles

Betrayal, Cry

“Sometimes desire is air, sometimes desire is liquid. And every now and then, when everything else is air and liquid, desire solidifies, and the body is the magnet that draws its weight.”

David Levithan The Lover's Dictionary

Source: The Lover's Dictionary

“Live a balanced life — learn some and think some and draw and paint and sing and dance and play and work every day some.”

Robert Fulghum book All I Really Need to Know I Learned in Kindergarten

All I Really Need to Know I Learned in Kindergarten (1986)

Life, Thinking, Learning, Singing

“How we are almost nothing. We think, in our youth, we are the centre of the universe, but we simply respond, go this way or that by accident, survive or improve by the luck of the draw, with little choice or determination on our part.”

Michael Ondaatje book Divisadero

Source: Divisadero

Youth, Way, Thinking, Universe

“In those three years, (from fourteen to seventeen years old)… I came to understand the meaning of a drawing from the life, the synthesis of my art, and the rhythm of animais. I remember that a companion of those days,' of whom I hâve since lost sight, made me see, in a couple of hours, on a very true and simple principle, an observation of the necessary equilibria of movement not taught in the schools, the secret of the plans of a figure. That lesson has influenced my whole life. As for the ornament-maker, in whose workshop I earned a scanty wage, I long deplored being constrained to do so, but I hâve since thought with affection of it, understanding that there are as many sources of beauty in ornament as in the face.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 2-3

Life, Secret, School, Beauty

“The Chinese system must be classified as a syllabic system of writing. More specifically, it belongs to the subcategory that I have labeled meaning-plus-sound syllabic systems or morphosyllabic systems. I use the term morphosyllabic in two senses. The first applies to the Chinese characters taken as individual units. Individual characters are morphosyllabic in the sense that they represent at once a single syllable and a single morpheme (except for the 11 percent or so of meaningless characters that represent sound only). In this usage the term is intended to replace the more widely used expressions logographic, word-syllabic, and morphemic, all of which are applied to individual characters taken as a unit. The second sense of the term refers to the structure of Chinese characters and is intended to draw attention to the fact that, in most cases, a character is composed of two elements, a phonetic grapheme which suggests the syllabic pronunciation of the full character, and a semantic element which hints at its meaning.”

John DeFrancis (1911–2009) American linguist

Visible Speech: The Diverse Oneness of Writing Systems (1989, pp. 115-116) http://pinyin.info/readings/texts/visible/index.html Visible Speech: The Diverse Oneness of Writing Systems (1989)

Sense

“My work has a strong negative element. I have my own inner demons to deal with. Drawing is a way for me to articulate things inside myself that I can't otherwise grasp. What I don't want to do, what I dread more than anything, is to leave a legacy of crap. I don't want my work to be tossed in the dustbin of history, and become more of the second rate, mediocre junk that future connoisseurs will have to move out of the way so they can get at the good stuff.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 394

Way, History, Strong, Future

“Soldering things together, putting the chips together, designing them, drawing them on drafting tables — it was so much a passion in my life. And to this day, I'll go stay at the bottom of the org chart being an engineer, because that's where I want to be.”

Steve Wozniak (1950) American inventor, computer engineer and programmer

Steve Wozniak Debunks One of Apple's Biggest Myths - YouTube https://www.youtube.com/watch?v=pJif4i9NRdI Bloomberg Business interview (2014)

Life, Passion

“The Chinese and their government are wedded to a different conception of society and polity: community-based rather than individualist, state-centric rather than liberal, authoritarian rather than democratic. China has 2,000 years of history as a distinct civilization from which to draw strength. It will not simply fold under Western values and institutions.”

Dani Rodrik (1957) Turkish Economist

Will China Rule the World? http://www.project-syndicate.org/commentary/rodrik39

History, Communication, Wedding

“In cantoning the troops and drawing supplies for their subsistence, it may not be amiss to have an eye to the affair of next campaign. The expense and difficulty of transportation from the Western States, your Excellency is perfectly acquainted with. You are also sensible that the long tract of barren country, through which the supplies must come, will only admit of a certain quantity of transportation; therefore I conceive, that good policy points out the necessity of keeping as many stores in reserve in this State as possible. This is necessary, not only to be prepared for any emergency that may happen from the enemy's turning their force against the Eastern States, but to have a magazine in readiness for a secret purpose, which your Excellency hinted to me a few days since.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (November 1779)

Secret, Country

“"The free man… believes in destiny and believes that it has need of him," wrote Martin Buber, the great Jewish philosopher. "Destiny," added Marianne Moore, the spinster poet, when she quoted Buber. "Not fate." What is this distinction Moore takes such care to draw between destiny and fate?”

Fenton Johnson (1953) American novelist

"Going it alone" (2015)

Fate, Quotes

“If you refuse to study anatomy, the arts of drawing and perspective, the mathematics of aesthetics, and the science of color, let me tell you that this is more a sign of laziness than of genius.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 81

Art, Color, Mathematics, Study

“Christian — One who is willing to serve three Gods, but draws the line at one wife.”

H.L. Mencken (1880–1956) American journalist and writer

1940s–present, A Mencken Chrestomathy (1949)

God

“Science develops best when its concepts and conclusions are integrated into the broader human culture and its concerns for ultimate meaning and value. Scientists cannot, therefore, hold themselves entirely aloof from the sorts of issues dealt with by philosophers and theologians. By devoting to these issues something of the energy and care they give to their research in science, they can help others realize more fully the human potentialities of their discoveries. They can also come to appreciate for themselves that these discoveries cannot be a genuine substitute for knowledge of the truly ultimate. Science can purify religion from error and superstition; religion can purify science from idolatry and false absolutes. Each can draw the other into a wider world, a world in which both can flourish.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Letter to the Rev. George V. Coyne, S.J., Director of the Vatican Observatory, 1 June 1988
Source: [Russell, Robert J., Stoeger, William R., Pope John Paul II, Coyne, George V., 1990, John Paul II on science and religion: reflections on the new view from Rome, Vatican Observatory Publications]

World, Religion, Error, Knowledge

“The great British Library — an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or “pure English, undefiled” wherewith to swell their own scanty rills of thought.”

Washington Irving book The Sketch Book of Geoffrey Crayon, Gent.

"The Art of Book-Making".
The Sketch Book of Geoffrey Crayon (1819–1820)

Age, Literature, Reading

“There are elections and elections, there are many Arab presidents who are elected with 99.9, 94.7, 87.4 percent of the vote in elections but nobody believes these elections. They're not real elections and the election that's going to be held in Iraq in January, if it is held at all - and there is a big question mark over that – will not be a real election. How can you have a real election with hundreds of thousands of Crusader soldiers occupying the country, drawing up the electoral law, deciding who is allowed to take part in the elections, and utterly dominating the political life of the country?”

George Galloway (1954) British politician, broadcaster, and writer

Interview on Abu Dhabi TV http://www.memri.org/bin/articles.cgi?Page=archives&Area=sd&ID=SP91805, November 20, 2004.

Life, Law, Question, Parting

“Turtle on its back in the desert sea / and you look like a cool drink / just slightly out of reach / Draw myself into the shell / waiting on a sign from God / or a nod from hell”

Blake Schwarzenbach (1967) American singer

"Sea Anemone"
Orange Rhyming Dictionary (1998)

God, Hell, Drink, Waiting

“The penis -- if you think about it -- is the most enterprising engineering feat imaginable -- a cantilevered structure, hydraulics, propulsion, pistons, compression, inflation, heat sensitive -- practically every engineering characteristic -- towers, draw-bridges, rocket-ships -- no man-made engineering structure to match it.”

Peter Greenaway (1942) British film director

Philip
8 1/2 Women

Imagination, Thinking

“Neoclassical economic theory forms the central discourse and behavioral model of contemporary management education. Drawing on research and insights from game theory and behavioral economics we have argued that many of the core assumptions underlying this model are flawed. While we cannot say that the widespread reliance on the Homo economicus model has caused the highly level of observed managerial malfeasance, it may well have, and it surely does not act as a healthy influence on managerial morality. Students have learned this flawed model and in their capacity as corporate managers, doubtless act daily in conformance with it. This, in turn, may have contributed to the weakening of socially functional values and norms like honesty, integrity, self-restraint, reciprocity and fairness, to the detriment of the health of the enterprise. Simultaneously, this perspective has legitimized, or at least not delegitimized, such behaviors as material greed and optimizing with guile. We noted that this model has become highly institutionalized in business education. Fortunately, we believe that the potential for moving away from this flawed model is significant and thus can end this chapter on a more optimistic note for the future of business education.”

Rakesh Khurana (1967) American business academic

Herbert Gintis and Rakesh Khurana. " What Happened When Homo Economicus Entered Business School https://evonomics.com/what-happens-when-you-introduce-homo-economicus-into-business/," in: evonomics.com, July 14, 2016.

Health, Education, Behavior, Game

“Teaching people to draw is teaching people to look.”

David Hockney (1937) British artist

Interview with Jasper Gerard, "Taking the fight to the dreary people," The Sunday Times (London) (2 October 2005)
2000s

People

“He listened with the mild demeanour of a man who had waited eight years for his town council to draw up a specification for emergency repairs.”

Lindsey Davis book Shadows in Bronze

Shadows in Bronze

Waiting

“I came to the understanding that individually we are responsible for the way in which we live and for the care of our human frame by good nutrition, proper exercise and a balanced lifestyle. It is this, together with a strong focused mind, that enables us to draw from our vast inner resources and strength to make the most of our time on this planet. The changes in my life came by way of a massive physical and psychological shock and were implemented for the purpose of healing and motivating my recovery. A change in our diet and lifestyle of course can be started at any time, and is of interest to anybody wishing to maximise their health and vitality, leading to a more fulfilling life. This was how I discovered the benefits of cutting meat and dairy from my diet and then taking the correct care of my body’s nutritional requirements to help heal my mind, body and soul.”

Heather Mills (1968) former glamour model, activist

"Discovering Veganism", in heathermills.org (2016) http://www.heathermills.org/veganism/

Life, Health, Way, Exercises

“Mrs. Burgoyne passed the last twenty years of her life in a large, solemn-looking house at Kensington; it is now a mad-house. How curiously do these changes in dwelling places, once cheerful and familiar, bring the mutability of our existence home! It would be an eventful chronicle, the history of even a few of the old-fashioned houses in the vicinity of London. You ascended a flight of steps, with a balustrade and two indescribable birds on either side, and a large hall, which, strange to say, was more cheerful in winter than in summer. In summer the narrow windows, the black wood with which it was panelled, seemed heavy and dull; but in winter the huge fire gave its own gladness, and had besides the association with old English hospitality which a blazing grate always brings. You passed next through two long drawing-rooms, whose white wainscoting was almost covered with family portraits. There cannot be much said for the taste of Queen Anne's time downwards — bagged, wigged, and hooped; there was not a picture of which the African's question might not have been asked, "Pray tell me, white woman, if this is all you?””

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Life, Family, Home, History

“Did you know that in 1900 I had the bold idea of renewing German art?... First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.... and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.... and to these forms was added pure colour, as pure as the sun generates it.... in line with Goethe's theory [of colours]. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In a letter to Curt Valentin, 1937; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 38
1930's

Art, Color, Way, Idea

“If any common program is impossible, if there is no such thing as an education that everybody ought to have, then we must admit that any community is impossible. All men are different; but they are also the same. As we must all become specialists, so we must all become men. … The West needs an education that draws out our common humanity rather than our individuality. Individual differences can be taken into account in the methods that are employed and in the opportunities for specialization that may come later.”

Robert Maynard Hutchins (1899–1977) philosopher and university president

Great Books: The Foundation of a Liberal Education (1954)

Men, Education, Communication

“Of all those expensive and uncertain projects, however, which bring bankruptcy upon the greater part of the people who engage in in them, there is none perhaps more perfectly ruinous than the search after new silver and gold mines. It is perhaps the most disadvantageous lottery in the world, or the one in which the gain of those who draw the prizes bears the least proportion to the loss of those who draw the blanks: for though the prizes are few and the blanks are many, the common price of a ticket is the whole fortune of a very rich man.”

Adam Smith (1723–1790) Scottish moral philosopher and political economist

Source: (1776), Book IV, Chapter VII, Part First, p. 610.

People, World, Search, Loss

“By capitalist, I mean the investor who puts his money into a concern and draws profits there from without participating in the organisation or management of the business. Were all these to disappear in the night, leaving no trace behind, nothing would be changed.”

Keir Hardie (1856–1915) Scottish socialist and labour leader

Source: From Serfdom to Socialism (1907), p. 11

Money, Business, Change, Night

“In particular, this question, to the sculptor:
If a drawing is traced, even with the greatest precision, from another drawing, you will perceive that the one is a copy. Although the differences may deviate less than half a hair, recognizable only by perceptual sensitivity, unanimously we rule the work of the intruder's hand as non-art.
But where is the line of true art—when the sculptor's process often introduces the hands of a plaster caster, the mold maker, the grinder and the polisher, and the patina applier, all these processes and foreign hands intruding deviations upon what was once the original work?”

David Smith (1906–1965) American visual artist (1906-1965)

1950s Source: 'Questions to Students', one from a long list of questions, in an undated typescript among the David Smith Papers; probably written c. 1953-54; as quoted at website David Smith State http://www.davidsmithestate.org/statements.html

Art, Question

“I have a bit of a consummate victim in my head. That’s who I identify with throughout history. When I was 10 I would draw black eyes on myself because I thought it was cool. You’re so into people who are tragic. You want to be that so badly. But you probably aren’t really the tragic genius that you think you are.”

Peter Wentz (1979) American musician

"This Charming Man," interview, Out.com (August 2008)

People, History, Thinking

“I know no better way, my dearest Edward, of thanking you for your affectionate concern for me during my illness than by telling you myself, as soon as possible, that I continue to get better. I will not boast of my handwriting; neither that nor my face have yet recovered their proper beauty, but in other respects I am gaining strength very fast. I am now out of bed from 9 in the morning to 10 at night: upon the sofa, 'tis true, but I eat my meals with Aunt Cass in a rational way, and can employ myself, and walk from one room to another. Mr. Lyford says he will cure me, and if he fails, I shall draw up a memorial and lay it before the Dean and Chapter, and have no doubt of redress from that pious, learned, and disinterested body.”

Jane Austen (1775–1817) English novelist

Letter to J. Edward Austen (1817-05-27) [Jane Austen, Her Life and Letters: A Family Record]
Letters

Beauty, Way, Learning, Memory

“Dear Monsieur,
I can make a drawing for you; when you have time to see me we will talk about it. I am always at home during the day.
I have the honor of greeting you, h. Daumier.”

Honoré Daumier (1808–1879) French printmaker, caricaturist, painter, and sculptor

Quote of Daumier from his handwritten, undated letter, presumably to mr. Deschamps, probably Monday 20 December 1843; from website Daumier http://www.daumier.org/14.0.html#c760 1840's

Home, Time

“Ingres was one of those artists to whom the outline was something sacred and magical, and the reason is that it was the means of reconciling the major conflict in his art, the conflict between abstraction and sensibility. The difference between what we see and a sheet of white paper with a few thin lines on it is very great. Yet this abstraction is one which we seem to have adopted almost instinctively at an early stage in our development not only in Neolithic graffiti but in early Egyptian drawings. And in spite of its abstract character, the outline is responsive to the least tremor of sensibility.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 4: Ingres I: The Years of Inspiration

Art

“When Satan attempts to draw you to sin by presenting God as a God all made up of mercy, oh then reply, that though God's general mercy extend to all the works of his hand, yet his special mercy is confined to those who are divinely qualified, to those who love him and keep his commandments, to those who trust in him, that by hope hang upon him, and who fear him; and that you must be such a one here, or else you can never be happy hereafter; you must partake of his special mercy, or else eternally perish in everlasting misery, notwithstanding God's general mercy.”

Thomas Brooks (1608–1680) English Puritan

page 44
Precious Remedies Against Satan's Devices, 1652

God, Love, Hope, Fear

“Comedy is a game played to throw reflections upon social life, and it deals with human nature in the drawing-room of civilized men and women, where we have no dust of the struggling outer world, no mire, no violent crashes, to make the correctness of the representation convincing.”

George Meredith (1828–1909) British novelist and poet of the Victorian era

Prelude. The Egoist http://www.gutenberg.org/dirs/etext99/egost11.txt (1879)

Life, Women, Men, World

“Paul McCartney may be the closest thing our generation has produced to Franz Schubert -- a master of melody, writing tunes anyone can sing, songs that seem to have been there all along. Most people don't realize that "Ave Maria" and "Serenade" were written by Schubert (or that his "Moment Musical in F" so resembles "Martha My Dear"). McCartney writes with similar universality. His "Yesterday" has been recorded by more musicians than any other song in history. Its stepwise melody is deceptively complex, drawing from outside the diatonic scale so smoothly that anyone can sing it, yet few theorists can agree on exactly what it is that McCartney has done.”

Daniel Levitin (1957) American psychologist

The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html (June 1, 2007)

People, Music, History, Universe

“I am writing graffiti on your body.
I am drawing the story of how hard we tried.”

Ani DiFranco (1970) musician and activist

Both Hands
Song lyrics

“Ministers who deal with billions of dollars cannot be paid low salaries without risking a system malfunction. Low salaries will not attract able men who are or can be successful in their professions or business. Low salaries will draw in the hypocrites who sweet talk their way into power in the name of public services, but once in charge will show their true colour, and ruin the country. This has happened in many countries.”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

SM Lee Kuan Yew, Speech to the National Trade Union Congress at the Singapore Conference Hall, 19 July 1996 https://fcpp.org/pdf/SPEECH%20BY%20MR%20LEE%20KUAN%20YEW%202004.pdf 1990s

Men, Way, Business, Success

“Winter draws what summer paints.”

Elizabeth Bibesco (1897–1945) writer, actress; Romanian princess

Haven (1951)

Winter, Summer, Painting

“The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!”

Wassily Kandinsky (1866–1944) Russian painter

2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014 Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected 1910 - 1915

Children, People, Soul, Spring

“If one thinks that ideological conceptions are an important feature of modern societies, and that the analysis of ideologies will therefore have to be an integral component of any contemporary political philosophy, Rawls’s view is seriously deficient, because it does not thematise power. The idea that seems to be presupposed by the doctrine of the veil of ignorance—namely, that one can in some way get a better grasp or understanding of the power relations in society and how they work by covering them up, ignoring them, or simply wishing them away—seems very naïve. To the extent, then, to which Rawls draws attention away from the phenomenon of power and the way in which it influences our lives and the way we see the world, his theory is itself ideological. To think that an appropriate point of departure for understanding the political world is our intuitions of what is “just,” without reflecting on where those intuitions come from, how they are maintained, and what interests they might serve, seems to exclude from the beginning the very possibility that these intuitions might themselves be “ideological.””

Raymond Geuss book Philosophy and Real Politics

Source: Philosophy and Real Politics (2008), p. 90.

World, Way, Idea, Departure

“The notion of being an “enlightened” person does not reduce simply to that of being a person who has highly developed cognitive abilities or disposes of a vast stock of knowledge; neither does it reduce to the idea of being a morally good or socially useful person. “Enlightenment” is not a value-free concept because it is connected with some idea of devoting persistent, focused attention to that which is genuinely important in human life, rather than to marginal or subsidiary phenomena, to drawing the “correct” conclusions from attending to these important features—whatever they are—and to embodying these conclusions concretely in one’s general way of living. It involves a certain amount of sheer knowledge, an ability to concentrate and reflect, inventiveness in restructuring one’s psychic, personal, and social habits; but to be enlightened is not to “have” any bit of doctrine, but to have been (re)structured in a certain way.”

Raymond Geuss (1946) British philosopher

Source: Outside Ethics (2005), pp. 9-10.

Life, Way, Idea, Knowledge

“.. by going on drawing those types of working people, etc., I hope to arrive at the point of being able to do illustration work for papers and books.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to brother Theo, from Brussels, Belgium (January 1881, letter 140); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 19 being art student in Brussels 1880s, 1881

People, Books, Hope

“Thus when Plotinus speaks of "the flight of the alone to the Alone," and the positivist or the empiricist asserts that these words are meaningless, he is right. Yet this does not import that the words are nonsense locutions, mere senseless noises which a man makes like a cough or a sneeze though it is possible that this is what the positivist intends. If this were so, it would be impossible to explain why generations of men have quoted those famous words. The explanation is that the words evoke in us a measure of the same experience which the author of them had. Our experience may be but a dim reflection of what was in him bright and clear. Our spirits vibrate faintly in unison with the soul of the great mystic, as a tuning fork vibrates faintly in response to the sound of the clear bell. But it is our own spontaneous experience which is evoked; it is not his experience which is communicated to us. His words are as grappling irons let down into the depths of our subconsciousness, which draw our own inner experiences nearer to the conscious threshold. But they are not, for most of us, drawn above the threshold. They remain below the surface faintly visible. Therefore they appear at the upper levels of our consciousness as faint hints, glimpses, and sometimes as mere vague feelings.”

Walter Terence Stace (1886–1967) British civil servant, educator and philosopher.

p. 91-92.

Men, Feeling, Quotes, Soul

“I am going to do some drawings or paintings…in the mirror of my wardrobe.. with myself as a figure doing something.”

Gwen John (1876–1939) Welsh painter

Letter to Rodin (circa 1905)

Painting

“They [his own fantasies he made in strange pencil drawings then] hover before me now in drifting color, more beautiful than I can possibly paint them.... I yearn for the day when I will have found my color harmonies, my harmonies.”

Emil Nolde (1867–1956) German artist

Quote of Nolde's letter, 1902, to Hans Fehr; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35
During the next few years, Nolde virtually commuted between Copenhagen and Berlin; in the fishing village of Lildstand on Jutland's northern coast, he produced strange pencil drawings, as he wrote to Fehr
1900 - 1920

Beauty, Color, Painting

“Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.”

T.S. Eliot (1888–1965) 20th century English author

Ash-Wednesday (1930)

Dreams, Time

“What of this God whom we command, to bless our coloured flag and land, so busy drawing lines in sand that we don’t think and understand.”

Dawud Wharnsby (1972) Canadian musician

"What Has Become"
For Whom The Troubadour Sings (2010)

God, Understanding, Business, Thinking

“A mere savage, ignorant and brutal, and the creature of appetite alone, can never rise from his degradation, until he has learned to draw from the mineral kingdom the instruments of arts and civilization, or, at least, to use the aids that are thus obtained. The axe, the hoe, the plough, the loom, are inseparable means and companions of his advancement.”

Gideon Mantell (1790–1852) British scientist and obstetrician

Vol. 1
The Wonders of Geology (1839)

Art, Learning

“Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition. Ruskin said in his Elements of Drawing, "Give me some mud off a city crossing, some ochre out of a gravel-pit, a little whitening, and some coal dust, and I will paint you a luminous picture, if you give me time to gradate my mud, and subdue my dust."”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

In many works by the greatest colourists — Rembrandt and Watteau are examples — there are very few identifiable colours.
Source: The Romantic Rebellion (1973), Ch. 10: Turner II: The Liberation of Colour

Beauty, Time, Parting, Painting

“I think that for me any picture that works even if it is in the guise of pure color application, if it works, involved drawing. That is falt space on a flat surface. And for me, and I always say this, whether it's a Titian or a [Kenneth] Noland, the ones that come off work in that depth and the color perhaps it is divine and the thing that makes it work, but it is line color. If it doesn't work then it's decorative or dead or just applied colors on a surface. That's what wallpaper is. And that's the difference between the striped wallpaper and a great Noland.”

Helen Frankenthaler (1928–2011) American artist

quote about drawing in a picture
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Color, Thinking, Dead

“Not only the artist but everyone "becomes someone else" in becoming someone. One is thought about, thus invented. Or as Steinberg put it with memorable succinctness in his Cogito drawings, "I think, therefore Descartes is." One creates not oneself but another. Being is in the act.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art & Other Serious Matters, (1985), p. 196, "Saul Steinberg"

Thinking

“Well, at first I wanted to put blinds on the building [of the outdoor-sculpture Josef Strau did for her recently]. But when I do something I've already done before, I sometimes have a certain feeling of uncertainty. Although I am falling back on something that I know is safe and pretty good. But then it was all too expensive. I had seen glowing green, fresh bamboo at the KaDeWe store. It had attracted my attention and I thought it would be nice to do something with it. Back home, sitting over the photo, drawing some things on it, I remembered this lovely green bamboo again and also that there was this fascist building – or partly fascist building – next to the store, a theater, an ugly building. And then I thought, bamboo is politically correct, that's just the thing. But I also think it's visually beautiful. Simple. The work is called 'Haare wachsen wie sie wollen”

Isa Genzken (1948) German sculptor

'Hair grows the way it wants'
2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Love, Beauty, Way, Feeling

“This conscious self is only one aspect of our greater reality, however; the part that springs into earthknowing. It can be called the "focus personality," because through it we perceive our three-dimensional life. It contains within it, however, traces of the unknown or "source self" out of which it constantly emerges. The source self is the fountainhead of our present physical being, but it exists outside of that frame of reference. We are earth versions of ourselves, beautifully turned into corporal experience. Our known consciousness is filtered through perceptive mechanisms that are a part of what they perceive. We are the instruments through which we know the earth. In other terms, we are particles of energy, flowing from the source self into physical materialization. Each source self forms many such particles or "Aspect selves" that impinge upon three-dimensional reality, striking our space-time continuum. Others are not physical at all, but have their existence in completely different systems of reality. Each Aspect self is connected to the other, however, through the common experience of the source self, and can come to some degree to draw on the knowledge, abilities, and perceptions of the other Aspects. Psychologically, these other Aspects appear within the known self as personality traits, characteristics, and talents that are uniquely ours. The individual is the particle or focus personality, formed by the intersection of the unknown self with space and time. We can follow any of our traits or emotions back to this source self, or at least to a recognition of its existence.”

Jane Roberts (1929–1984) American Writer

Source: Adventures In Consciousness: An Introduction to Aspect Psychology (1975), pp.118-119

Life, Spring, Knowledge, Reality

“And my aim in my life is to make picture and drawings, as many and as well as I can, then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking: "Oh, pictures I might have made!" Theo, I declare I prefer to think how arms, legs, head are attached to the trunk, rather than whether I myself am or am not more or less an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 338) p. 21 1880s, 1883

Love, Life, Hope, Thinking

“How do you stand this? I don't care who you are; man, woman, gay, straight, black, white, Jew, gentile, it doesn't make any difference - how do you stand this? I can't. I can not…I can't handle this- You wanna know how I deal with this? When I finish these topics, or these letters, or these diaries, or these reports, and the show's over, I have to blank my mind - literally. Can you do that? I can, I have learned how to do that. I blank it out. I don't know where Israel is, I don't know what Palestinian means, I don't know what burned and mutilated children have to do with anything - it means nothing, it goes away. I must draw a dark black curtain in my consciousness. I can not deal with this, how do you? I have children, I've had children, I have grand-children, I have a four-and-a-half year-old… This is not right! This is not right…”

Mike Malloy (1942) American radio broadcaster

Mike cuts feed to music early
http://youtube.com/watch?v=mWemE3fcVXo
On the conflict in Gaza

Children, Music, Learning

“There are buildings which will hold a few, but which will break down under the weight of a crowd. The ice of the river may be strong enough to bear a man, but would break through under the weight of an elephant. The ice under us in this country is very thin, and is made very weak by the warm fogs of prejudice… Our policy should be to unite with the great mass of the American people in all their activities, and resolve to fall or flourish with our common country. We cannot afford to draw the color-line in politics, trade, education, manners, religion, fashion, or civilization. Especially we cannot afford to draw the color-line in politics. No folly could be greater. A party acting on that basis would be not merely a misfortune, but a dire calamity to our people.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://teachingamericanhistory.org/library/document/the-nations-problem/

People, Education, Religion, Color

“The abstracts are the opposite to work on. That process is more like walking, step by step, without an intention, until you discover where you are going. When I paint a landscape from a photograph or an image like this one, I can see the end point before I start, although in fact it always turns out slightly different than I imagined. What I have is not facility, because this really doesn't take skill. I have an eye. I couldn't make a drawing of you sitting here right now. I would love to have that ability, in the same way that I would love to play the piano. Virtuosity is a precondition for pianists, but in addition you have to be good. These are not the same thing.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Love, Way, Imagination, Painting

“.. in our civilized society I must lead the life of a savage. I must free myself even from governments. My sympathies lies with the people; I must go to them directly. I must draw my wisdom from them, and they must give me life. For that reason I have just embarked on the grand, independent and vagabond life of the bohemian.”

Gustave Courbet (1819–1877) French painter

In a letter, (1850) to his friend Francis Wey; as quoted in 'Gustave Courbet', by Georges Riat, Parkstone International, 15 Sep 2015,
1840s - 1850s

Life, Wisdom, People

“.. he [is Kirchner, writing about himself] was especially interested in the naturally naked human being. He knowingly broke the traditional manner of the nude study and created for himself in his studio [in his Brücke-years in Berlin] a circle of young women, whom he studied in their free movement. Thousands of drawings and hundreds of paintings and studies resulted from this. A beautiful, healthy, blossoming sensuality that never turns base emanates from these works.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Kirchner; as quoted in Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen, Andreas Gabelmann (Claire Louise Albiez, translation); Hatje Cantz Verlag, Ostfildern, Germany 2010, p. 28
undated

Women, Beauty, Nature, Study

“We will not be picking up axes and breaking into people's homes. But we will not remain silent either. Moderation in the face of evil is not what our age needs. As Ronald Reagan declared, "The future doesn't belong to the fainthearted." We must uncap our pens; we must speak words of truth. We are facing a determined enemy who is striving through all means to destroy the West and snuff out our traditions of free thought, free speech, and freedom of religion. Make no mistake: if we fail, we will be enslaved. We must not let the violent fanatics dictate what we draw, what we say, and what we read. We must rebel against their suffocating rules and thuggish demands at every turn. You can help the fight just by reading this book, which explains the many ways in which Islam has marked for death not just me, but all of Western civilization. We must, in the words of Revolutionary War veteran General John Stark, "Live free or die."”

Geert Wilders (1963) Dutch politician

Source: 2010s, Marked for Death (2012), Ch. 1, p. 6

Death, War, People, Truth

“I perceive the backs of young ladies' drawings, like the postscripts of their letters, are the most important and interesting part of the concern.”

Anne Brontë book The Tenant of Wildfell Hall

Source: The Tenant of Wildfell Hall (1848), Ch. XVIII : The Miniature; Arthur Huntingdon

Parting

“I was brought up under a system in which discretion when given was practically absolute. It was the unbroken tradition of Westminster Hall. I believe that system worked justice and saved expense. I hope I may be forgiven if, with what energy remains to me, I strive after many years' experience and drawing near the close of my judicial career, to preserve this unfettered discretion which in my opinion, was given me by Parliament, and which I have never, at least intentionally abused.”

John Coleridge, 1st Baron Coleridge (1820–1894) British lawyer, judge and Liberal politician

Huxley v. West London Extension Railway Co. (1886), L. R. 17 Q. B. D. 383.

Justice, Hope

“We trust the good Maker has opened your eyes to the wrongs which you and your fathers have done to me and my fathers, in making us toil for you for generations without recompense. Here I draw my wages every Saturday night; but in Tennessee there was never any pay-day for the negroes any more than for the horses and cows. Surely there will be a day of reckoning for those who defraud the laborer of his hire.”

Jordan Anderson (1825–1907) Freed slave

"Letter from a Freedman to His Old Master"

Horse, Night

“A gun, no matter how rare, a dog, no matter how brilliant, cannot mean fulfillment without keenness in the man. It takes the sportsman’s edge honed fine, an “eye,” a sense of what is good, the ear for what is right – the heart. There is something about the wilderness, something in the blood that draws nourishment from the game.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

Dogs, Game, Sense, Heart

“Our little drawing Room [Constable's lodgings at Hamptstead with a view on London] commands a view unequalled in Europe — from Westminster Abbey to Gravesend — the dome of St Paul's in the Air — realizes Michael Angelo's Idea on seeing that of the Pantheon — 'I will build such a thing in the Sky.”

John Constable (1776–1837) English Romantic painter

Letter to Rev. John Fisher (26 August 1827); as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 473
1820s

Idea

“Primarily, they (ideas) come from daydreaming or every day occurrences. I try to get out and about, especially new places to let the environment inspire me. I start an illustration of a building I see and then the elements of different characters will populate in my mind like a set and actors on a stage. If nothing comes up I continue to draw until something unfolds.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Regarding how he comes up with ideas for his comic strips The Goodbye Family and The Noodle Rut (1 June 2017). Source: Lorin Morgan-Richards Newsletter #2, Us6.campaign-archive2.com, 2017-06-26 http://us6.campaign-archive2.com/?u=51e751ef352e602deca0ecdc7&id=2e82f26313,

Idea

“It took only a few days to block off the little room on the third floor back of the Piquette Avenue plant and to set up a few simple power tools and Joe Galamb's two blackboards. The blackboards were a good idea. They gave a king-sized drawing which, when all initial refinements had been made, could be photographed for two purposes: as a protection against patent suits attempting to prove prior claim to originality and as a substitute for blueprints. A little more than a year later Model T, the product of that cluttered little room, was announced to the world. But another half year passed before the first Model T was ready for what had already become a clamorous market…”

Charles E. Sorensen (1881–1968) American businessman

Source: My Forty Years with Ford, 1956, p. 97 ; As cited in: EyeWitness to History (2005)

World, Idea

“If you push it, it feels good; I don’t know what it is. It must have something to do with kinesthesia. I feel now that I am painting I'm not drawing anything, or even representing non-objective art. You know, you can represent abstract art, too, as well as heads figures, nudes. A lot of abstract artists are just representational painters, you know that. And a lot of figurative artists are very abstract. I don't feel as if I'm doing that. I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me. I always thought I am a very spiritual man, not interested in paint, and now I discover myself to be very physical and very involved with matter. I want to be involved with how heavy things are, a balloon, how light things are, things levitating, pushing forms, make me feel as if my hand is pushing in a head, bulges out here and pushes there.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75

Art, Feeling, Light, Painting

“Actually I don't have any painting at home…. they take away everything from me, almost before it's finished… That Jewish scribe there, is sold to [Dutch art-seller] Buffa, and it isn't finished at all yet. And this 'Kolen lossen' is also sold… Then I have here 'The Mowers' - just set up… And that drawing here, will be a good piece too!.. That will become a large painting: a 'Jewish Wedding' - at the moment the groom puts the ring on the finger of his bride…. you can't see very much yet, do you? (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in Dutch (citaat van Jozef Israëls, in het Nederlands): Ik heb eigenlijk niets in huis.. ..ze halen de boel bij me weg, haast nog voordat het àf is.. .Die Joodsche Wetschrijver daar, is aan Buffa verkocht, en hij is nog lang niet hàlf af. En die 'Kolen lossen' is ook al weg.. Dàn heb ik daar ' De Maaiers', pas opgezet.. .En die teekening hier, die zal óók wel goed worden!.. .Dat wordt een groot schilderij: een 'Joodsche Bruiloft', - het moment dat de bruidegom zijn bruid den ring aan den vinger steekt.. .Je ziet [er] nog niet veel àn, vin-je wel?.
Quote of Israëls, 1901-02; as cited by N.H. Wolf, in 'Bij onze Nederlandsche kunstenaars. IV. - Jozef Israëls, Grootmeester der Nederlandsche Schilders', in Wereldkroniek, 8 Feb. 1902
Wolf was visiting Israëls in his studio in The Hague as preparation for his coming article on the old artist
Quotes of Jozef Israels, after 1900

Art, Home, Wedding, Painting

“How dull, how impossible life would be without dreams — waking dreams, I mean — the dreams that we call "castles in the air," built by the kindly hands of Hope! Were it not for the mirage of the oasis, drawing his footsteps ever onward, the weary traveler would lie down in the desert sand and die. It is the mirage of distant success, of happiness that, like the bunch of carrots fastened an inch beyond the donkey's nose, seems always just within our reach, if only we will gallop fast enough, that makes us run so eagerly along the road of Life.”

Jerome K. Jerome (1859–1927) English humorist

Dreams http://www.gutenberg.org/dirs/etext97/jjdrm10.txt

Life, Lie, Dreams, Hope

“For instance the idea of intuition, imagination, inspiration.... is related in the principle to an invisible world.... when I call these drawings 'The Secret Block' then I try to stress this part of reality as the most important part because spiritual existence is firstly... I find if we are only confronted with this hard part of the world, this already done part of the world, we are not.... related to the whole idea of reality.... the mission of the art is to make visible the whole reality..”

Joseph Beuys (1921–1986) German visual artist

Quote from 'A. Beuys in the wilderness', 1974 (lecture at the Ulster Museum); as cited in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 198
1970's

Secret, World, Art, Imagination

“He [ Marcel Duchamp ] entered this object [the 'Urinal' ready-made] into the museum and noticed that its transportation from one place to another made it into art. But he failed to draw the clear and simple conclusion that every man is an artist.”

Joseph Beuys (1921–1986) German visual artist

as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, by Victoria Walters, LIT Verlag Münster, 2012, p. 206
Quotes after 1984, posthumous published

Art

“While I expected serious, rigorous evaluation of my work, I was totally unprepared for the hostility and contempt shown me by women whom I did not and do not see as enemies. Despite their responses I share with them an ongoing commitment to feminist struggle. To me this does not mean that we must approach feminism from the same perspective. It does mean we have a basis for communication, that our political commitments should lead us to talk and struggle together. Unfortunately it is often easier to ignore, dismiss, reject, and even hurt one another rather than engage in constructive confrontation. Were it not for the overwhelmingly positive responses to the book from black women who felt it compelled them to either re-think or think for the first time about the impact of sexism on our lives and the importance of feminist movement, I might have become terribly disheartened and disillusioned. Thanks to them and many other women and men this book was not written in isolation. … Such encouragement renews my commitment to feminist politics and strengthens my conviction that the value of feminist writing must be determined not only by the way a work is received among feminist activists but by the extent to which it draws women and men who are outside feminist struggle inside.”

Bell Hooks book Feminist Theory: From Margin to Center

Acknowledgments https://books.google.com/books?id=ClWvBAAAQBAJ&pg=PT8. Feminist Theory: From Margin to Center (1984)

Women, Men, Hostility, Books

“I took down my portfolio, to select a drawing to copy in oil. He had never seen my works before, and appeared astonished as his eyes ranged over the sheets. He expressed the warmest admiration, and said, "How hopeless must be the task of my giving any instruction to one who can draw like this?" I pointed out to him that nature is the great study for the artist, and assured him that the reason why my works pleased him was because they are all exact copies of the works of God, — who is the great Architect and perfect Artist; and impressed on his mind this fact, that nature indifferently copied is far superior to the best idealities.”

John James Audubon (1785–1851) American ornithologist, naturalist, and painter

On a meeting with a young artist, Mr. J. B. Kidd, Ch. X, p. 140
The Life and Adventures of John James Audubon, the Naturalist (1868)

God, Nature, Study, Appearance

“The artificial intelligence approach may not be altogether the right one to make to the problem of designing automatic assembly devices. Animals and machines are constructed from entirely different materials and on quite different principles. When engineers have tried to draw inspiration from a study of the way animals work they have usually been misled; the history of early attempts to construct flying machines with flapping wings illustrates this very clearly.”

Maurice Wilkes (1913–2010) British computer scientist

Sect. 4: Design and Assembly
"Computers Then and Now" (1968)

Way, History, Intelligence, Problem

“Dear Richard, I was just coming home from [painting] an interior [with people! ]. It was terribly dark today and yesterday, but today I made a pretty good study. I still sleep badly and feel nervous because of that... I don't need to come to The Hague for my drawing lessons... How long we will stay here [in nl:Heeze ], I don't know. I will write you at least in advance. If I don't start sleeping better I will not stay much longer, I think.”

Suze Robertson (1855–1922) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Suze Robertson's brief:) Lieve Richard, Zo eeven kom ik thuis van een interieur [met mensen!]. Het was vandaag en gisteren vreeslijk donker toch heb ik vandaag nogal een goede studie gemaakt. Ik slaap altijd nog slecht en voel me daardoor zenuwachtig.. .Ik hoef nu niet voor lessen [tekenlessen die ze geeft] naar Den Haag te komen.. .hoe lang we hier [in Heeze] blijven, weet ik niet. Ik schrijf het je in elk geval vooruit. Als ik niet beter slaap denk ik voor mij niet lang meer.
Quote of a letter of Suze Robertson from Heeze, July/August 1904, to her husband Richard Bisschop in The Hague; as cited in Suze Robertson 1855-1922 – Schilderes van het harde en zware leven, exhibition catalog, ed. Peter Thoben; Museum Kemperland, Eindhoven, 2008, p. 11
1900 - 1922

People, Feeling, Home, Thinking

“Men and women, in and of themselves, are desirable. There can not be too many inhabitants of the right kind, distributed in the right place. Great work, there is for each and every one of them to perform. The country needs all the intelligence, and skill, and strength of mind and body it can get. whether we draw such from those within our gates, or from those without, seeking entrance. But since we are confronted by the clamor of multitudes who desire the opportunity offered by American life, we must face the situation unflinchingly, determined to relinquish not one iota of our obligations to others, yet not so sentimental as to overlook our obligations to ourselves.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Whose Country Is This? (1921)

Life, Women, Men, Intelligence

“My troubles started there. It blighted my personality permanently. I have spent all my emotional life searching for my grandfather and in my formative years no one was there to take his place.
It is the custom up there in Fraserburgh that when there is a death in a household they draw the blinds and curtains. When my grandfather died it seemed that these blinds had been drawn across my life… Relatives would pretend that he had gone to a 'better place'. 'Why', I thought, 'should he go to a better place and not take me with him?”

Dennis Nilsen (1945–2018) British serial killer

'So death was a nice thing,' I thought. 'Then why does it make me miserable?'
As quoted by Brian Masters (2011), Killing for Company, Random House, p. 46, ISBN 1446428737

Life, Death, Search, Personality

“We're facing the greatest challenge there is in football: to play against an Italian team that only needs a draw.”

Jürgen Klopp (1967) German association football player and manager

Klopp before second leg clash against Juventus in the Champions League.

Football

“I have always directed my attempts at the figurative representation of objects by way of summary and not very descriptive brushstrokes, diverging greatly from the real objective measurements of things, and this has led many people to talk about childish drawing.... this position of seeing them [the objects] without looking at them too much, without focusing more attention on them than any ordinary man would in normal everyday life..”

Jean Dubuffet book Prospectus et tous écrits suivants

Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 105

Life, People, Way

“Tibet is a special case. Tibet was deliberately set aside by the Empire as free and neutral territory, a Switzerland for the spirit where there is no extradition, and Alp-Himalayas to draw the soul upward, and danger rare enough to tolerate.”

Thomas Pynchon book Gravity's Rainbow

Gravity's Rainbow (1973)

Soul

“With respect to the use of this sparkling coloured material [butterfly wings, around 1955] – the constituent parts of which remain indistinguishable – with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.”

Jean Dubuffet book Prospectus et tous écrits suivants

Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 116

Life, Universe, Parting, Painting

“As I admired it [a red pencil and chalk drawing by Degas of a young mother, nursing her child] he showed me a whole series done from the same model and with the same sort of rhythm. He is a draughtsman of the first order; it would be interesting to show all these preparatory studies for a painting to the public, which generally imagines that the impressionists work in a very casual way. I do not think it possible to go further in the rendering of form.”

Berthe Morisot (1841–1895) painter from France

note in Berthe's Journal, Jan. 1886; as quoted in The Private Lives of the Impressionists, Sue Roe; Harper Collins Publishers, New York, 2006, pp. 262-263
Berthe visited Degas in his studio
1881 - 1895

Way, Imagination, Thinking, Study

“You rebel not only for what you can achieve, but for who you become. In the end, those who rebel require faith — not a formal or necessarily Christian, Jewish or Muslim orthodoxy, but a faith that the good draws to it the good. That we are called to carry out the good insofar as we can determine what the good is.”

Chris Hedges (1956) American journalist

as interviewed by Elias Isquith, salon.com http://www.salon.com/2015/06/04/we_are_in_a_revolutionary_moment_chris_hedges_explains_why_an_uprising_is_coming_%E2%80%94_and_soon/

Faith

“Unity is this: that a man feel himself to be gathered together with all his powers in the unity of his heart. Unity brings inward peace and restfulness of heart. Unity of heart is a bond which draws together body and soul, heart and senses, and all the outward and inward powers and encloses them in the union of love.”

John Ruysbroeck (1293–1381) Flemish mystic

Quoted in Message of the East, Vol. 15 (1926) by Cohasset Vedanta Centre, p. 212

Love, Peace, Feeling, Soul

“It is widely supposed that the naked human body is in itself an object upon which the eye dwells with pleasure and which we are glad to see depicted. But anyone who has frequented art schools and seen the shapeless, pitiful model that the students are industriously drawing will know this is an illusion. The body is not one of those objects which can be made into art by direct transcription — like a tiger or a snowy landscape. Often in looking at the natural and animal world we joyfully identify ourselves with what we see and from this happy union create a work of art. This is the process students of aesthetics call empathy, and it is at the opposite pole of creative activity to the state of mind that has produced the nude. A mass of naked figures does not move us to empathy, but to disillusion and dismay.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. 1: The Naked and the Nude

Pleasure, World, School, Art

“I have tried to draw realistically and not ideally… It may be a defect, for I have no mercy on warts, and I like adorning them with wanton hairs, rounding them off and giving them a bright surface… - A painter in embryo….- Write me a line soon. I am feverish with anxiety.”

Henri de Toulouse-Lautrec (1864–1901) French painter

Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 60 - quote in a letter to his friend Etienne Devismes, Summer of 1881
his friend Etienne Devismes had just finished a novel 'Cocotte', and asked Lautrec to illustrate it. Lautrec made twenty-three pen and ink drawings and sent them to Devismes with a letter

“Lloyd George suggested a compromise. If France relinquished her claims on the Rhine, Britain and the United States would guarantee France's boundary against future German aggression. Wilson agreed and treaties to that effect were drawn up. Marshall Foch, pressed by the uncompromising Poincaré, (former French Premier), made one last desperate effort to save for France the only natural barrier there was against the hereditary enemy. On March 31, he demanded to be heard in person by the Big Four, Wilson, Lloyd George, Clemenceau, and the Italian premier, Orlando, who were responsible for drawing up the peace terms.”

William L. Shirer book The Collapse of the Third Republic

The Collapse of the Third Republic (1969)

Peace, Nature, Effort, Future

“Thus attired, with smiles assumed at the door, the young ladies entered the drawing-room in the full fervour of sisterly animosity.”

Robert Smith Surtees (1805–1864) English writer

Source: Mr. Sponge's Sporting Tour (1853), Ch. 16

Smile

“Merchants have no country. The mere spot they stand on does not constitute so strong an attachment as that from which they draw their gains.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Horatio G. Spafford (17 March 1814)
1810s

Strong, Country

“Critics argue that Hayek mixed a number of ethical and political philosophies in constructing his system, positions that do not necessarily cohere one with another and all of which have been independently criticized. … There are evident tensions as well between his earlier advocacy of planning a framework of law and his later enthusiasm for the gradual evolution of judge-made common law. Finally, Hayek's opinion that judges operating under the common law tradition are bound to draw "conclusions that follow from the existing body of rules and the particular facts of the case" has struck more than one observer as naive. If one is judging his work against the standard of whether he provided a finished political philosophy, Hayek clearly did not succeed.”

Bruce Caldwell (economist) (1952) economic historian

Source: Hayek's Challenge: An Intellectual Biography of F. A. Hayek (2004), Ch. 14 : Journey’s End—Hayek’s Multiple Legacies

Law

“I would like to thank the people who encouraged me to draw army cartoons at a time when the gag man's conception of the army was one of mean ole sergents and jeeps which jump over mountains.”

Bill Mauldin (1921–2003) American editorial cartoonist

Up Front (1945)

People, Mountain, Time

“.. and the first thing for he artists [of Die Brücke ] was free drawing from the free human figure in the freedom of nature... We drew and we painted. Hundreds of paintings a day, with talk and fooling in between, the artists joining the models before the easel and vice versa. All the encounters of everyday life were incorporated in our memories in this way. The studio became the home of the people who were being drawn; they learned from the artists and the painters from them. The picture [ made] took on immediate and abundant life.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Quote from Kirchner's Diary, 1923; as cited in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 28-29
1920's

Life, People, Fools, Way

“Your honoured letter regarding suppression of the Jats has arrived. Allah is merciful, and it is hoped that he will crush the enemy. You should rest assured… You should forge unity with Musa Khan and other Muslim groups, and put to use this friendship and unity for facing the enemies. I hope for sure that on account of this unity among Muslims and their nobility, victory will be achieved.
The reason for the rise of enemies and the fall of Muslims is nothing except that, led by their lower nature, Muslims have shared their (Muslims’) concerns with Hindus. It is obvious that Hindus will not tolerate the suppression of non-Muslims. Being farsighted and practising patience are praiseworthy things, but not to the extent that non-Muslims take possession of Muslim cities, and go on occupying one (such) city every day… This is no time for farsightedness and patience. This is the time for putting trust in Allah, for manifesting the might of the sword, and for arousing the Muslim sense of honour. If you will do that, it is possible that winds of favour will start blowing. Whatever this recluse knows is this that war with the Jats is a magic spell which appears fearful at first but which, if you depend fully on the power of Allah and draw His attention towards this (war), will turn out to be no more than a mere show. Let me hope that you will keep me informed of developments and the faring of your arms…”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Taj Muhammad Khan Baluch Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, pp. 150-51.
From his letters

Friendship, War, Fear, Hope

“In the evening I study a fair.... if you could see the pomp and luxury of the merry-go-round and the stands and booths. Everything is decorated in Baroque-style, all gold and silver; there are mirrors, fabrics, and electric lightning. By night the whole thing is fantastic and rowdy. First of all I shall make a small picture and some drawings for illustrations.”

Giacomo Balla (1871–1958) Italian artist

quote c. 1900, in: Giacomo Balla (1871 – 1951), ed. Fagiolo dell'Arco, exh. catalogue, Galleria Nationale d'Arte Moderna, Rome, 1971 Balla studied a fair for his later painting ' Luna park in Paris https://www.wikiart.org/en/giacomo-balla/luna-park-par-s-1900,' he painted in 1900

Study, Night

“It's no more daunting in there than in a Georgian drawing room. You sit on a supremely comfortable chair- it'd be even better if it were a wingback, I'm surprised it's not- overlooking acres of leather and wood. You're never tempted, as you are in a Maybach, to push a button just to find out what it does. And then having to spend the rest of the journey trying to find which button undoes whatever the first button did. This makes for a hugely relaxing drive. So relaxing, in fact, that you sometimes forget that you're in a car. I did.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Rolls-Royce, p. 25
I Know You Got Soul (2004)

Cars, Forgetting

“Experience has convinced me that the proper way of teaching is to bring together that which is simple from all quarters, and, if I may use such a phrase, to draw upon the surface of the subject a proper mean between the line of closest connexion and the line of easiest deduction. This was the method followed by Euclid, who, fortunately for us, never dreamed of a geometry of triangles, as distinguished from a geometry of circles, or a separate application of the arithmetics of addition and subtraction; but made one help out the other as he best could.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

Advertisement, p.4
The Differential and Integral Calculus (1836)

Dreams, Way, Help

“I usually let them [his drawings] lies around for a long time. I have to get to really like it. And then when I do the painting I have to get to like that too. Sometimes I stay with the sketch, sometimes I follow the original idea exactly if the idea is solved. But most of the time there have to be adjustments during the painting. Through the painting of it I find the color and I work the form and play with it and it adjusts itself.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

In an interview by Henry Geldzahler, 'Art International 1.', February 1964, p. 48
1950 - 1968

Color, Idea, Time, Painting

“Just six kilometers – never my world was bigger than that, actually. That starting time [of his painting & drawing, c. 1946], to which I return now; watercolor; I prefer a bit foggy, a small world - and not the cows themselves, but only their traces in the mist. The tenderness... I am currently [1993] deeply immersed in little trees and in the reeds. You have to experience it as mysticism, as a miracle. And afterwards: passing it on..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Maar een straal van zes kilometer, groter is mijn wereld eigenlijk nooit geweest. Die begintijd [c. 1946], waar ik nu [1993] weer naar terugkeer; waterverf; het liefst een beetje mistig, een klein wereldje, en dan niet de koeien zelf, maar hun sporen in die damp. De tederheid.. .Ik verdiep me op het moment erg in boompjes, en in het riet. Dat moet je als mystiek, als een wonder ondergaan. En vervolgens doorgeven.
Mens & Gevoelens: Jopie Huisman', 1993

World, Tree, Time, Painting

“Jeeves," I said, and I am free to admit that in my emotion I bleated like a lamb drawing itself to the attention of the parent sheep, "what the dickens is all this?”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

Parent

Quotes about drawing page 4

Quotes about drawing
page 4