Quotes about drawing
page 13

“In what manner that power can be applied to draw water or ore from mines, to discharge iron bullets to a great distance, to propel ships against the wind, and to a multitude of other similar purposes, it would be too long here to detail; but each individual, according to the particular occasion, must select the construction of machinery appropriate to his purpose.”

Denis Papin (1647–1713) French physicist, mathematician and inventor

"A New Method of Obtaining Very Great Moving Powers at Small Cost" (1690)

Water

“All the world had been at cross-purposes, had misunderstood themselves and the situation, had followed wrong paths, drawn wrong conclusions, and had known none of the facts. One would have done better to draw no conclusions at all. One's diplomatic education was a long mistake.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

World, Education

“It is Vesalius' Anatomy of Birth -- a book of drawings and diagrams of human anatomy. Beautiful drawings but -- as the pages turn -- terrible in their frankness…”

Peter Greenaway (1942) British film director

Prospero's Books

Books, Beauty, Birth

“It is probable that one day we shall begin to draw organization charts as a series of linked groups rather than as a hierarchical structure of individual "reporting" relationships.”

Douglas McGregor (1906–1964) American professor

Source: The Human Side of Enterprise (1960), p. 175

“Lord Jesus Christ, our foolish minds are weak; they are more than willing to be drawn—and there is so much that wants to draw us to itself. There is pleasure with its seductive power, the multiplicity with its bewildering distractions, the moment with its infatuating importance and the conceited laboriousness of busyness and the careless time-wasting of light-mindedness and the gloomy brooding of heavy-mindedness—all this will draw us away from ourselves to itself in order to deceive us. But you, who are truth, only you, our Savior and Redeemer, can truly draw a person to yourself, which you have promised to do—that you will draw all to yourself. Then may God grant that by repenting we may come to ourselves, so that you, according to your Word, can draw us to yourself—from on high, but through lowliness and abasement.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1850s, Practice in Christianity (September 1850), p. 157

God, Pleasure, Truth, Light

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van. Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek) 1860's

Art, Cars, Motivation, Nature

“The design process involves a series of operations. In map design, it is convenient to break this sequence into three stages. In the first stage, you draw heavily on imagination and creativity. You think of various graphic possibilities, consider alternative ways…”

Arthur H. Robinson (1915–2004) American geographer

Source: Elements of Cartography (1953), p. 318

Way, Imagination, Thinking

“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use – I don't use the accident – 'cause I deny the accident.... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.”

Jackson Pollock (1912–1956) American artist

Source: 1950's, Interview by William Wright, Summer 1950, p. 144

Life, Sense, Painting

“The Art Perspective is necessary to all Arts… but it is more particularly necessary to the Art Painting… The Greatest Masters have been the most guilty… The great Occasion of this Fault, is certainly the wrong Method that generally is used in the Education of Persons to this Art: For the Young People are generally put immediately to Drawing, and when they have acquired a Facility in that, they are put to Colouring. And these things they learn by rote, and by Practice only; but are not at all instructed in any Rules of Art. By which means when they come to make any Designs of their own, tho' they… don t know how to govern their Inventions with Judgment, and become guilty of so many gross Mistakes, which prevent themselves, as well as others, from finding that Satisfaction, they otherwise would do in their Performances.”

Brook Taylor (1685–1731) English mathematician

New Principles of Linear Perspective (1715, 1749)

People, Education, Art, Learning

“The early cars
Already are
Drawing deep breaths past my door.
And last night's phrases,
Sick with lack of basis,
Are still writhing on my floor.And it doesn't seem fair
That your wicked words should work
In holding me down.
No, it doesn't seem right
To take information
Given at close range
For the gag
And the bind
And the ammunition round.”

Fiona Apple (1977) singer-songwriter, musician

Not About Love
Song lyrics, Extraordinary Machine (2005)

Cars, Past, Night

“All ye having business before this honorable Court draw nigh, give your attention and ye shall be heard. No, no. Draw nigh and bend over. They're going to rape you up the butt!”

Fred Phelps (1929–2014) American pastor and activist

As quoted in "The President of the United States gets his jollies masturbating horses" http://amagideon.blogspot.com/2006/08/president-of-united-states-gets-his.html (15 August 2006), Universal Armageddon. 2000s

Business

“I made it from just three lines in less than a minute. It was the first of the series [Water lily drawings, Kelly made in 1968; he admired the Waterlilies paintings of Monet that got the weight right. My eye followed my hand. Then I did all the others, but this was the best.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 26 : 'Notes from 1969'

Water, Painting

“Have always been at daggers-drawing,
And one another clapper-clawing.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto II, line 79
Source: Hudibras, Part II (1664)

“For a long time now there has been a rising tide of rebellion against this Western paramountcy, and a desire to reassert Muslim values and restore Muslim greatness. The Muslim has suffered successive stages of defeat. The first was his loss of domination in the world, to the advancing power of Russia and the West. The second was the undermining of his authority in his own country, through an invasion of foreign ideas and laws and ways of life and sometimes even foreign rulers or settlers, and the enfranchisement of native non-Muslim elements. The third—the last straw—was the challenge to his mastery in his own house, from emancipated women and rebellious children. It was too much to endure, and the outbreak of rage against these alien, infidel, and incomprehensible forces that had subverted his dominance, disrupted his society, and finally violated the sanctuary of his home was inevitable. It was also natural that this rage should be directed primarily against the millennial enemy and should draw its strength from ancient beliefs and loyalties.”

Bernard Lewis (1916–2018) British-American historian

Books, The Roots of Muslim Rage (1990)

Life, Women, Children, World

“The nearer any soul draws to God, the more humble will that soul lie before God…the most holy men have always been the most humble men…If the work be good, though never so low, humility will put a hand to it; so will not pride.”

Thomas Brooks (1608–1680) English Puritan

The Unsearchable Riches of Christ

Men, God, Lie, Soul

“The Mahabharata carries a complete picture of this cultural unity in its tîrtha-yãtrã-parva, which is part of the larger Vana-parva. The Pandavas accompany their Purohita, Dhaumya, on a long pilgrimage to all parts of Bharatavarsha. They pay their homage to many mountains, rivers, saMgamas, lakes, tanks, forest groves and other sacred shrines which had become hallowed by association with Gods and Goddesses, rishis and munis, satees and sãdhvees, heroes and heroines. And they feel fulfilled as they never did before or after in their long lives. The same Pandavas made an imperial conquest of the whole country, not once but twice and performed a rãjasûya yajña at the end of each triumph. But the Pandava empire is a faint memory of the forgotten past. On the other hand, the sacred spots which the Pandavas visited during their one and only pilgrimage, draw millions of devotees in our own days as they did in the distant past, long before the Pandavas appeared on the scene.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

God, Feeling, Mountain, Distant

“There was strong warrant for pretensions… As far back as 1493, Pope Alexander VI had settled disputes between Spain and Portugal arising out of their rivalry in the Orient and the Occident by drawing a line from pole to pole one hundred leagues west of the Azores, giving all west of it to the Spanish, all east of it to the Portuguese. Both these nations attempted more or less persistently to exercise the sway thus given over the oceans as well as over the continent. The Portuguese forbade under heavy penalties any person, whether native or alien, to pass through the waters off the African and Brazilian coasts without special permission; the Spanish were hardly less severe toward those who without leave approached their dependencies. But, though the realization of the earth's rotundity renewed the old difficulty, and Spain and Portugal discovered that the Papal decision was futile, since all their new dominions could be approached both from the east and the west, both nations continued to maintain, as best they could, their sovereignty over the vast oceans. Other nations followed these examples.”

Andrew Dickson White (1832–1918) American politician

Source: Seven Great Statesmen in the Warfare of Humanity with Unreason (1915), p. 60-61

Penalty, Exercises, Decision, Strong

“I, too, have made a wee-little book from the same materials, which I call the Philosophy of Jesus; it is a paradigma of his doctrines, made by cutting the texts out of the book, and arranging them on the pages of a blank book, in a certain order of time or subject. A more beautiful or precious morsel of ethics I have never seen; it is a document in proof that I am a real Christian, that is to say, a disciple of the doctrines of Jesus, very different from the Platonists, who call me infidel and themselves Christians and preachers of the gospel, while they draw all their characteristic dogmas from what its author never said nor saw. They have compounded from the heathen mysteries a system beyond the comprehension of man, of which the great reformer of the vicious ethics and deism of the Jews, were he to return on earth, would not recognize one feature.”

Thomas Jefferson book Jefferson Bible

Letter to Charles Thomson (9 January 1816), on his The Life and Morals of Jesus of Nazareth http://etext.lib.virginia.edu/etcbin/toccer-new2?id=JefJesu.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=all (the "Jefferson Bible"), which omits all Biblical passages asserting Jesus' virgin birth, miracles, divinity, and resurrection. Published in The Works of Thomas Jefferson in Twelve Volumes http://oll.libertyfund.org/ToC/0054.php, Federal Edition, Paul Leicester Ford, ed., New York: G. P. Putnam's Sons, 1904, Vol. 11 http://oll.libertyfund.org/Texts/Jefferson0136/Works/0054-11_Bk.pdf, pp. 498–499 1810s

Books, Beauty, Time

“Dissent, is like a Gurkha’s ‘khukri’, once it emerges form its sheath it must draw blood before it can be put away again.”

Shashi Tharoor book The Great Indian Novel

The Great Indian Novel (1989)

“We are approaching a millennium; the year 2000 draws on apace. The last time mankind had this experience a chaos comparable to our own was observable in many parts of the world; monsters and portents were reported from all quarters of the globe. We need not believe in these monsters and portents as actualities any more than we need believe the reports of flying saucers today; what is significant is that men yielded to an inner compulsion to fancy such things, and in this sense they were artistic creations rooted in fear much as are the pictures and images which we have been discussing.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Men, World, Fear, Sense

“When a San Shaman goes into a trance, he harnesses that power, becomes part of the world beyond, becomes invisible to the singers and dancers around him, and draws images on the rock face. Ask the San who drew the images, and they say the spirits. And the rock face is more than a surface for the paint; it is the boundary of this world and the world beyond. …part of the meaning of it all, and the rock shelter itself assumes a special status, a place of veneration.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

World, Parting, Painting

“Here I am quite alone amongst the Oaks and solitudes of Helmingham Park. I have taken quiet possession of the parsonage finding it quite empty. A woman comes up from the farm house (where I eat) and makes the bed; and I am left at liberty to wander were I please during the day. There are abundance of fine trees of all sort; through the place upon the whole affords good objects [rather] than fine scenery, but I can badly judge yet what I may have to shew You. I have made one of two… drawing that may be useful. I shall not come home yet.”

John Constable (1776–1837) English Romantic painter

Quote from Constable's letter to John Dunthorne on his drawing: 'Helmingham Dell,' 1800, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 391
1800s - 1810s

Home, Solitude, Tree, Housing

“And only the Master shall praise us, and only the Master shall blame;
And no one shall work for money, and no one shall work for fame,
But each for the joy of the working, and each, in his separate star,
Shall draw the Thing as he sees It for the God of Things as They Are!”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

L'Envoi, Stanza 3 (1896).
The Seven Seas (1896)

Money, God, Star, Joy

“[W]hen we examine the acts of an individual, we shall find them compulsory. He is compelled to do them and has no freedom of choice. In a sense, he is like a stew cooking on a stove; it has no choice but to cook. And it must cook because Providence has harnessed life with two chains: pleasure and pain (…) there is no difference here between man and animal. And if that is the case, there is no free choice whatsoever, but a pulling force, drawing them toward any bypassing pleasure and rejecting them from painful circumstances. And Providence leads them to every place it chooses by means of these two forces [i. e. pleasure and pain], without asking their opinion in the matter.”

Yehuda Ashlag (1886–1954) Orthodox Jewish Rabbi and Kabbalist

Assorted Themes, On Freedom

Life, Pain, Pleasure, Sense

“Existentialism is nothing else but an attempt to draw the full conclusions from a consistently atheistic position. Its intention is not in the least that of plunging men into despair. And if by despair one means as the Christians do – any attitude of unbelief, the despair of the existentialists is something different. Existentialism is not atheist in the sense that it would exhaust itself in demonstrations of the non-existence of God. It declares, rather, that even if God existed that would make no difference from its point of view. Not that we believe God does exist, but we think that the real problem is not that of His existence; what man needs is to find himself again and to understand that nothing can save him from himself, not even a valid proof of the existence of God. In this sense existentialism is optimistic. It is a doctrine of action, and it is only by self-deception, by confining their own despair with ours that Christians can describe us as without hope.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

Existentialism Is a Humanism, lecture (1946)

Men, God, Hope, Understanding

“Without rhetorical exaggeration, a simply truthful combination of the miseries that have overwhelmed the noblest of nations and polities, and the finest exemplars of private virtue, forms a picture of most fearful aspect, and excites emotions of the profoundest and most hopeless sadness, counterbalanced by no consolatory result. We endure in beholding it a mental torture, allowing no defence or escape but the consideration that what has happened could not be otherwise; that it is a fatality which no intervention could alter. And at last we draw back from the intolerable disgust with which these sorrowful reflections threaten us, into the more agreeable environment of our individual life the Present formed by our private aims and interests. In short we retreat into the selfishness that stands on the quiet shore, and thence enjoys in safety the distant spectacle of "wrecks confusedly hurled." But even regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimised the question involuntarily arises to what principle, to what final aim these. enormous sacrifices have been offered.”

Georg Wilhelm Friedrich Hegel book Lectures on the Philosophy of History

Geschichte Als Schlachtbank
Pt. III, sec. 2, ch. 24 Lectures on the History of History Vol 1 p. 22 John Sibree translation (1857), 1914
Lectures on the Philosophy of History (1832), Volume 1

Life, Wisdom, People, Truth

“I would never have taken up painting if women did not have breasts.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Tibballs Geoff, ‎Geoff Tibballs (2012) The Mammoth Book of Comic Quotes, p. 80
undated quotes

Women, Painting

“Thus, the way Romila Thapar equates Mahmud Ghaznavi with Harsha of Kashmir (twelfth century) as being both temple plunderers, can be shown up to be in gross conflict with the contemporary testimonies about the two….. Romila Thapar's explanation that Ghaznavi's behaviour was essentially the same as Harsha's, can only rest on an utter incompetence in reading the source material, or in a deliberate attempt to distort history. What is more, if at all one wants to compare Harsha's behaviour with that of the Muslim rulers, one should face the connection that the contemporary historian Kalhan explicitly makes. Commenting on Harsha's temple plundering, he writes :"Prompted by the Turks in his employ, he behaved like a Turk"…. Kalhan is simply saying that the very idea that a temple need not be respected, was borrowed by Harsha from the Muslim Turks. These already had a well-established reputation for temple desecration, and that is a fact to which the Nehruvian historians prefer not to draw the readers' attention….. So, here we have a case of a history professor who does not realize that the proofs he cites have hardly any logical connection with the thesis he proposes; or who is so assured about his eminence that he doesn't expect readers to notice the faulty reasoning.”

Harsha of Kashmir

Koenraad Elst 1991: Ayodhya and after: issues before Hindu society.

Way, History, Idea, Reading

“By over-all planning, we mean planning which takes into consideration the interests of the 600 million people of our country. In drawing up plans, handling affairs or thinking over problems, we must proceed from the fact that China has a population of 600 million people, and we must never forget this fact.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On the Correct Handling of Contradictions Among the People

People, Problem, Thinking, Country

“Certainly this man, such as I have described him, this loner who is gifted with an active imagination, traversing forever the vast desert of men, has a loftier aim than that of a simple idler, an aim more general than the passing pleasure of circumstance. He is looking for what one might be allowed to call modernity; for no better word presents itself to express the idea in question. What concerns him is to release the poetry of fashion from its historical trappings, to draw the eternal out of the transient.”

Charles Baudelaire Le Peintre de la vie moderne

A coup sûr, cet homme, tel que je l'ai dépeint, ce solitaire doué d'une imagination active, toujours voyageant à travers le grand désert d'hommes, a un but plus élevé que celui d'un pur flâneur, un but plus général, autre que le plaisir fugitif de la circonstance. Il cherche ce quelque chose qu'on nous permettra d'appeler la modernité; car il ne se présente pas de meilleur mot pour exprimer l'idée en question. Il s'agit, pour lui, de dégager de la mode ce qu'elle peut contenir de poétique dans l'historique, de tirer l'éternel du transitoire. IV: "La modernité" http://fr.wikisource.org/wiki/La_Modernit%C3%A9 Le peintre de la vie moderne (1863)

Men, Pleasure, Imagination, Idea

“Drawing a comparison to football, it could be said that the Spanish economy has, during this legislature, into the Champions League of the world economy, however bad that may seem to some.”

José Luis Rodríguez Zapatero (1960) Former Prime Minister of Spain

11th Sept. 2007, during a speech by the PSOE in the Congress of Deputies. As President, 2007 Source: Zapatero: "El Gobierno ha situado a España en la Champions League de las economías del mundo" Cadena SER http://www.cadenaser.com/espana/articulo/zapatero-gobierno-ha-situado-espana/csrcsrpor/20070911csrcsrnac_5/Tes.

World, Football

“I had so many other interests at the time: drawing, tinkering, building, inventing, games, sports, climbing trees. It took me through high school, and then college to settle on photography. But a half-century later, I'm still staging my shots.”

Walter Wick (1953) American photographer and creator of children's books

My First Roll Of Film http://www.walterwick.com/blog/2016/3/2/my-first-roll-of-film-1 (March 2, 2016)

School, Game, Sport, Tree

“Trading forces someone to think hard; those who merely work hard generally lose their focus and intellectual energy. In addition, they end up drowning in randomness; work ethics draw people to focus on noise rather than the signal.”

Nassim Nicholas Taleb book Fooled by Randomness

Fooled by Randomness (2001)

People, Thinking

“The brutality of a man purely motivated by monetary considerations … often does not appear to him at all as a moral delinquency, since he is aware only of a rigorously logical behavior, which draws the objective consequences of the situation.”

Georg Simmel (1858–1918) German sociologist, philosopher, and critic

“Domination” (1908), in On Individuality and Social Forms (1971), p. 110

Behavior, Motivation, Appearance

“In the depth of the night not daring to let any one know
I secretly took a huge stone and dashed it against my arm.
For drawing the bow and waving the banner now wholly unfit;
I knew henceforward I should not be sent to fight in Yün-nan.
Bones broken and sinews wounded could not fail to hurt;
I was ready enough to bear pain, if only I got back home.
My arm—broken ever since; it was sixty years ago.
One limb, although destroyed,—whole body safe!
But even now on winter nights when the wind and rain blow
From evening on till day's dawn I cannot sleep for pain.
Not sleeping for pain
Is a small thing to bear,
Compared with the joy of being alive…”

Bai Juyi (772–846) Chinese poet of the Tang Dynasty

"The Old Man with the Broken Arm" (a satire on militarism)
Arthur Waley's translations

Pain, Home, Sleep, Winter

“Here, in the bare dark face of night
A calm unhurried eye draws sight
—We see in what we think we fear
The cloudings of our thought made clear”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 3 “Uninvited Guests” section IV (p. 104).

Fear, Thinking, Night

“Your letter became before I was up this morning – Yes nice to get. I recognize two of the drawings you speak of – Number one is the first of the dozen or more you speak of – number 2 came next The last – It didn't quite satisfy me so I tried again – the last one was so much worse than the one you like that I thought I had just about worn the idea out so quit... You ask me what I did with the rest of myself when I made number 2 -... I sat up almost all night one night this week and made the most infernally ugly little shape you ever saw – I wanted to break it when I got through – but didn't then next afternoon when I had time to look at it, it amused me so that I didn't – really its laughable – it's so ugly – and still some way it's quite beautiful – I don't know – I may break it up – or I may try to cast it just for fun – I have another idea that I'm in an awful stew to model – I am going to get a lot of patience so I can make all the little do-dangles I want to and won't have to break one up so I can make another – I want to make a big one..”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas, (September, 1916), p. 198
1915 - 1920, Letters to Anita Pollitzer' (1916)

Beauty, Way, Idea, Time

“"Noah is a revolutio of Adam, as Moses is a revolutio of Abel and Seth," says the Kabala; that is to say, a repetition or another version of the same story. The greatest proof of it is the distribution of the characters in the Bible. For instance, beginning with Cain, the first murderer, every fifth man in his line of descent is a murderer. Thus there come Enoch, Irad, Mehujael, Methuselah, and the fifth is Lamech, the second murderer, and he is Noah's father. By drawing the five-pointed star of Lucifer (which has its crown-point downward) and writing the name of Cain beneath the lowest point, and those of his descendants successively at each of the other points, it will be found that each fifth name — which would be written beneath that of Cain — is that of a murderer. In the Talmud this genealogy is given complete, and thirteen murderers range themselves in line below the name of Cain. This is no coincidence. Siva is the Destroyer, but he is also the Regenerator. Cain is a murderer, but he is also the creator of nations, and an inventor. This star of Lucifer is the same one that John sees falling down to earth in his Apocalypse.”

Helena Petrovna Blavatsky book Isis Unveiled

Source: Isis Unveiled (1877), Volume II, Chapter IX

Star, Success

“Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.”

Barbara Hepworth (1903–1975) English sculptor

Studio International 171 – June 1966, p. 280
1961 - 1975

“Recently, I was evicted of contempt of court over my online editorial about (bleep). I was sentenced to pay a $100,000 fine, or go to jail for 50 days. I believe this was the highest personal fine ever issued in Australia. Other websites, newspapers, and radio stations were not charged for similar or even more controversial material. Yet the judge attacked me for portraying myself as a scapegoat — a whipping boy — and he punished me accordingly. Now it is true, I have prior convictions. In 1987, I was fined $15,000 and jailed for exposing a paedophile priest Michael Glennon. Glennon had already been to jail for raping a 10-year-old girl, but was still running a camp for kids in country Victoria. And he was still a Catholic priest. He eventually went to jail, and he died behind bars several weeks ago. And to be honest, I feel good about that — he was an evil, evil man. I also spent five months under house arrest in 2011 for breaching court suppression orders, revealing the names of two serial sex offenders at a rally outside Victoria's Parliament House. About 4000 other people also shouted their names. That one cost me my radio job at 3AW. And I was fined and did 250 hours of community service for naming a judge who ruled that a man could not be charged for raping his wife under a 300-year-old British law. In Victoria, that law has since been changed. Now, here we go again. I have made a decision not taken lightly. On principle, I will not pay the $100,000 fine, which was due today. Instead, I'll go to jail. I'll go to jail for 50 days; to draw attention to all the suspended sentences for crimes of violence and child pornography; for the obscenely short sentences given to king hit killers; to draw attention to my campaign for a national register of convicted sex offenders. Already, 30,000 of you have signed up. I'm happy to serve just 50 days of the many years that the convicted paedophile ex-magistrate should be serving. That pervert, Simon Cooper, wasn't even put on the sex offenders register. If my going to jail draws attention to the judges and magistrates, out of touch with community expectations and your safety, then every one of my 50 days behind bars will be worth it. And so I'll go to jail.”

Derryn Hinch (1944) New Zealand–Australian media personality

Today Tonight, 16 January 2014.

People, Law, Sex, Feeling

“I have endeavour'd to make every thing so plain, that a very little Skill in Geometry may be sufficient to enable one to read this Book by himself. And upon this occasion I would advise all my Readers, who desire to make themselves Masters of this Subject, not to be contented with the Schemes they find here; but upon every Occasion to draw new ones of their own, in all the Variety of Circumstances they can think of. This will take up a little more Time at first; but in a little while they will find the vast Benefit of it, by the extensive Notions it will give them of the Nature of these Principles.”

Brook Taylor (1685–1731) English mathematician

New Principles of Linear Perspective (1715, 1749)

Books, Nature, Thinking, Time

“Thus, Grünendahl has noted Pollock's tendency to develop broad narratives without any supporting evidence. Moreover, he draws attention to Pollock's messianism in promoting American scholarship…., casting doubt on Pollock's attempt to analyse Sanskrit objectively. He raises the pertinent question as to whether Pollock is providing the intellectual foundations for America's 'New Raj', to replace the dead British Raj - i. e., whether American imperialism is replacing the dead British imperialism.”

Rajiv Malhotra book The Battle for Sanskrit

The Battle for Sanskrit (2016)

Question, Support, Dead

“I already see things backwards! You see, in printmaking everything comes out backwards so printing is an absolute natural for me. It is difficult for a lot of artists to do prints because they draw one way and can’t imagine it the other way. I always had trouble reading as a child. Every few minutes my mind would shift and I would pick out all the o's, than all the letter a's on a page.”

Robert Rauschenberg (1925–2008) American artist

Source: 21st Century, Robert Rauschenberg, Works, Writings and Interviews, 2006, p. 28

Way, Imagination, Nature, Reading

“The professor was a bore on a Guggenheim, a long-range drone, and international ballistic fossil. I spent the whole hour drawing little pictures of hanged men.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, May Week Was in June (1990), p. 120

Men

“Her reasoning is full of tricks
And butterfly suggestions,
I know no point to which she sticks;
She begs the simplest questions,
And, when her premises are strong
She always draws her inference wrong.”

Alfred Cochrane (1865–1948) English cricketer

Upon Lebia Arguing, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Question, Strong

“[One thing] underpins, makes consistent, and gives meaning to all our other activities on behalf of animals. This one thing is that we take responsibility for our own lives, and make them as free of cruelty as we can. The first step is that we cease to eat animals. Many people who are opposed to cruelty to animals draw the line at becoming a vegetarian. It was of such people that Oliver Goldsmith, the eighteenth-century humanitarian essayist, wrote: "They pity, and they eat the objects of their compassion."”

Peter Singer book Animal Liberation

Source: Animal Liberation: A New Ethics for our Treatment of Animals (1975), Ch. 4: Becoming a Vegetarian

People, Animals

“For a while I was most well known for that [the Janis Joplin album cover], and for “Keep on Truckin’.” That was a drawing that came out of LSD trips, and the words came from a Blind Boy Fuller song from 1935. I drew it in my sketchbook and then for Zap. It sort of caught the popular imagination. It became a horrible popular thing.”

Robert Crumb (1943) American cartoonist

"R. Crumb, The Art of Comics No. 1" http://www.theparisreview.org/interviews/6017/the-art-of-comics-no-1-r-crumb, The Paris Review, Summer 2010, No. 193.

Imagination, Boy

“Traslation: Now it happens that turtles are great speed enthusiasts, which is natural.
The esperanzas know that and don't bother themselves about it.
The famas know it, and make fun of it.
The cronopios know it, and each time they meet a turtle, they haul out the box of colored chalks, and on the rounded blackboard of the turtle's shell they draw a swallow.”

Julio Cortázar (1914–1984) Argentinian writer

'Ahora pasa que las tortugas son grandes admiradoras de la velocidad, como es natural. Las esperanzas lo saben, y no se preocupan. Los famas lo saben, y se burlan. Los cronopios lo saben, y cada vez que encuentran una tortuga, sacan la caja de tizas de colores y sobre la redonda pizarra de la tortuga dibujan una golondrina.'
Historias de Cronopios y de Famas (1962)

Color, Nature, Time, Speed

“Men are often capable of greater things than they perform. They are sent into the world with bills of credit, and seldom draw to their full extent.”

Horace Walpole (1717–1797) English art historian, man of letters, antiquarian and Whig politician

As quoted in "The Works of Horace Walpole, Earl of Orford" in The Monthly Review, or, Literary Journal, Vol. 27 (1798) edited by Ralph Griffiths, p. 187

Men, World

“In quotation not only does language turn on itself, but it does so word by word and expression by expression, and this reflexive twist is inseparable from the convenience and universal applicability of the device. Here we already have enough to draw the interest of the philosopher of language.”

Donald Davidson (philosopher) (1917–2003) scriitor amator

Donald Davidson. "Quotation" in: Theory and Decision, March 1979, Vol. 11, Iss. 1, pp 27-40; Cited by Willis Goth Regier, Quotology, (2010), p. 4

Universe

“I would like to draw a white line covering the complete Greenwich meridian.”

Piero Manzoni (1933–1963) Italian artist

Source: De Tweede Helft', Ad de Visser, 1998, p. 160

“When Heracles was quite a young man and was nearly of the age at which you yourselves are now, while he was deliberating which of the two roads he should take, the one leading through toils to virtue, or the easiest, two women approached him, and these were Virtue and Vice. Now at once, although they were silent, the difference between them was evident from their appearance. For the one had been decked out for beauty through the art of toiletry, and was overflowing with voluptuousness, and she was leading a whole swarm of pleasures in her train; now these things she displayed, and promising still more than these she tried to draw Heracles to her. But the other was withered and squalid, and had an intense look, and spoke quite differently; for she promised nothing dissolute or pleasant, but countless sweating toils and labours and dangers through every land and sea. But the prize to be won by these was to become a god, as the narrative of Prodicus expressed it; and it was this second woman that Heracles in the end followed.”

Basil of Caesarea (329–379) Christian Saint

Source: On Greek Literature, p. 399

Women, God, Pleasure, Age

“People should be very free with sex, but they should draw the line at goats.”

Elton John (1947) English rock singer-songwriter, composer and pianist

from 1976 interview with Rolling Stone magazine
Sixty things for Sir Elton's 60th (2007)

People, Sex

“Ah God! she settles down we say;
It means her powers slip away
It means she draws back day by day
From good or bad.”

Djuna Barnes (1892–1982) American Modernist writer, poet and artist

From Third Avenue On
The Book of Repulsive Women (1915)

God

“Mind from its object differs most in this:
Evil from good; misery from happiness;
The baser from the nobler; the impure
And frail, from what is clear and must endure.
If you divide suffering and dross, you may
Diminish till it is consumed away;
If you divide pleasure and love and thought,
Each part exceeds the whole; and we know not
How much, while any yet remains unshared,
Of pleasure may be gained, of sorrow spared:
This truth is that deep well, whence sages draw
The unenvied light of hope; the eternal law
By which those live, to whom this world of life
Is as a garden ravaged, and whose strife
Tills for the promise of a later birth
The wilderness of this Elysian earth.”

Percy Bysshe Shelley Epipsychidion

Source: Epipsychidion (1821), l. 174

Love, Life, Pleasure, Truth

“In mirth that after no repenting draws.”

John Milton (1608–1674) English epic poet

To Cyriack Skinner, upon His Blindness (c. 1655)

“This increase in the life span and in the number of our senior citizens presents this Nation with increased opportunities: the opportunity to draw upon their skill and sagacity — and the opportunity to provide the respect and recognition they have earned. It is not enough for a great nation merely to have added new years to life — our objective must also be to add new life to those years.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Special message to the Congress on the needs of the nation’s senior citizens (21 February 1963); in Public Papers of the Presidents of the United States: John F. Kennedy, 1963, p. 189
1963

Life

“And the eyes of all look upward seeing sign-word drawing nigh,
The stony wings of Egypt coming back across the sky;

We hear the clinking tamborine of Miriam anew;
We believe in every miracle since Lindbergh flew the blue —

The wonder of the long draw when the bowstring is a thread —
The beauty of a courage that can raise the wings of lead.”

Nathalia Crane (1913–1998) American writer

Venus Invisible and Other Poems (1928), The Wings of Lead

Beauty, Courage

“Once a scientific question is settled, it remains interesting and alive only if it draws attention to new questions; every conclusion is meant as a transition to a new beginning.”

Adrienne von Speyr (1902–1967) Swiss doctor and mystic

Source: Lumina and New Lumina (1969), p. 20

Question

“I think to be an artist it means a certain sensitivity, because I believe in evolution. I believe the more sensitive you are the more you draw from this One Mind; which is part of the whole, part of everything. I think we all have that ability to be tuned in, but I think great artists are just more tuned in. One who's expressing God to the fullest, that's an artist.”

Peggy Moran (1918–2002) actress

Interview with Monster Kid Magazine

God, Thinking, Parting

“The ages roll
Forward; and forward with them draw my soul
Into Time’s infinite sea.
And to be glad or sad I care no more;
But to have done and to have been before
I cease to do and be!”

Robert Bulwer-Lytton, 1st Earl of Lytton (1831–1891) English statesman and poet

The Wanderer, Book iv, Stanza 9, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Age, Sadness, Soul, Time

“That painting with that man - that drunken man - was first a soup-distribution [on the streets], which I had seen, and for which I also made those studies of which you speak. Also failed; simply due to lack of perseverance. I have made another drawing of it, which V. Wisselingh found quite good and he afterwards sold to an American, and he does not know where it has gone.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Dat schilderij met die man, die dronken man was eerst een soep-uitdeeling, die ik gezien had, en waarvoor ik ook die studies gemaakt heb, waarover je spreekt. Ook mislukt, eenvoudig door gebrek aan doorzetten. Ik heb nog wel een teekening van gemaakt, die V. Wisselingh nogal goed vond en naderhand aan een Amerikaan heeft verkocht, en niet weet waar gebleven is”, aldus Breitner.
In Breitner's letter to Jan Veth, 1901, RKD Den Haag; as cited in Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 67
1900 - 1923

Study, Painting, Perseverance

“.. in my ideal of a good painting; there's unity. The drawing and the colour are no longer distinct; as soon as you paint you draw; the more the colours harmonize, the more precise the drawing becomes. I know that from experience. When the colour is at its richest, the form is at its fullest.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 221 in: 'What he told me – III. The Studio'

Painting

“Too often, though, the beauty that is thrust upon us is illusory and deceitful, superficial and blinding, leaving the onlooker dazed; instead of bringing him out of himself and opening him up to horizons of true freedom as it draws him aloft, it imprisons him within himself and further enslaves him, depriving him of hope and joy. It is a seductive but hypocritical beauty that rekindles desire, the will to power, to possess, and to dominate others, it is a beauty which soon turns into its opposite, taking on the guise of indecency, transgression or gratuitous provocation. Authentic beauty, however, unlocks the yearning of the human heart, the profound desire to know, to love, to go towards the Other, to reach for the Beyond.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

in Meeting with Artists http://www.vatican.va/holy_father/benedict_xvi/speeches/2009/november/documents/hf_ben-xvi_spe_20091121_artisti_en.html (21 November 2009) 2009

Love, Beauty, Hope, Freedom

“Blanket compassion will shift the distribution decisively towards the manipulative end of the spectrum, and may paradoxically decrease the compassion with which the genuinely despairing are treated: for they are apt to get lost in the great mass of pseudo-distress and manipulation, and often their conduct draws less attention precisely because it is less attention-seeking.”

Theodore Dalrymple (1949) English doctor and writer

Theodore Dalrymple on Terence Rattigan, Suicide and Prison - or how incontinent compassion has become a Keynesian stimulus to the economy of the caring profession http://www.socialaffairsunit.org.uk/blog/archives/001768.php (April 18, 2008). The Social Affairs Unit (2006 - 2008)

Decision, Despair

“I think the purpose of the actor is to illuminate the human condition. When you go to a film and you see a good actor, it's because you identify with them—you know what they're feeling—and a good actor draws, I believe, from their own experience. And when it's true for him, it's true for you. If a director imposes a performance or you try to mimic somebody, it can be funny or brilliant, but it isn't moving.”

Shelley Winters (1920–2006) actress

On acting, interview https://www.youtube.com/watch?v=lWftZbSG-lY with Skip E. Lowe (1989)

Feeling, Thinking

“President Obama keeps insisting that ISIS is not Islamic. Well, maybe they don't practice the Muslim faith the same way he does, but if vast numbers of Muslims across the world believe, and they do, that humans deserve to die for merely holding a different idea, or drawing a cartoon, or writing a book, or eloping with the wrong person, not only does the Muslim world have something in common with ISIS, it has too much in common with ISIS. There's so much talk … about wiping out ISIS. You can't, not with bombs. You can only expose that something is a bad idea … Cultures are different. It's okay to judge that rule of law isn't just different than theocracy, it's better. If you don't see that, you're either a religious fanatic or a masochist, but one thing you certainly are not is a liberal. To count yourself as a liberal, you have to stand up for liberal principles. Free speech, separation of church and state, freedom to practice any religion or no religion without the threat of violence. Respect for minorities including homosexuals, equality for women.”

Bill Maher (1956) American stand-up comedian

http://www.realclearpolitics.com/video/2014/09/27/maher_rips_liberals_over_islam_if_were_giving_no_quarter_to_intolerance_shouldnt_we_start_with_honor_killers.html September 26, 2014. Real Time with Bill Maher

Women, Books, World, Faith

“This book [Zen in the Art of Archery], by Herrigel, which I discovered a few years ago, seems to me fundamental to our profession as photographers. Matisse wrote similarly about drawing: set a discipline, make rigor a rule, forget oneself completely. And in photography the attitude must be the same: detach oneself, do not try to prove anything at all. My sense of freedom is the same: a frame that allows any variation. This is the basis of Zen Buddhism, the evidence: that you go in with great force and then you succeed in forgetting yourself.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 65

Books, Art, Sense, Freedom

“It is always dangerous to draw too precise parallels between one historical period and another; and among the most misleading of such parallels are those which have been drawn between our own age in Europe and North America and the epoch in which the Roman empire declined into the Dark Ages. Nonetheless certain parallels there are. A crucial turning point in that earlier history occurred when men and women of good will turned aside from the task of shoring up the Roman imperium and ceased to identify the continuation of civility and moral community with the maintenance of that imperium. What they set themselves to achieve instead - often not recognizing fully what they were doing - was the construction of new forms of community within which the moral life could be sustained so that both morality and civility might survive the coming ages of barbarism and darkness. If my account of our moral condition is correct, we ought also to conclude that for some time now we too have reached that turning point.”

Alasdair MacIntyre book After Virtue

Source: After Virtue (1981), p. 263

Life, Women, Men, Age

“First, the eight rules of tolerance: 1. Stay out of the way. 2. Don't pick a fight. 3. If challenged, walk away. 4. Avoid eye contact. 5. If your enemy is diurnal, learn to be nocturnal. 6. Vice versa. 7. Possess nothing the other wants. 8. Draw the line at hurting kids: I will fight to the death.
After tolerance is achieved comes play. Here are the nine rules of play: 1. Know when to quit. 2. Learn how to handicap. 3. Learn what frightens the other (cat claws). 4. Don't let it get to you. It's just a game; you mustn't take it seriously (cats have trouble with this one—escalation is always a risk in cat games). 5. Don't eat your playmate. 6. Pay attention to the signals on the other side—for instance, “enough” and “quit.” 7. Don't suddenly change the rules. 8. Don't be a sore loser. 9. Remember: It's only a game.
And if play succeeds, we can move on to the eight rules of friendship: 1. Learn the rules of your opposite number. 2. Recognize that danger is no longer relevant. 3. Take your time. 4. One step at a time. 5. Apologize often by learning the other's words, gestures, sounds, or postures for “I'm sorry.””

Jeffrey Moussaieff Masson (1941) American writer and activist

6. Acknowledge mistakes. 7. Make the offer of friendship more than once. 8. Express curiosity about what the other is like.
Source: Raising the Peaceable Kingdom (2005), Ch. 5

Death, Friendship, Way, Game

“Undoubtedly it is our duty, and for our best good, that we occupy and improve the faculties, with which our creator has endowed us, but so far as prejudice, or prepossession of opinion prevails over our minds, in the same proportion, reason is excluded from our theory or practice. Therefore if we would acquire useful knowledge, we must first divest ourselves of those impediments and sincerely endeavor to search out the truth: and draw our conclusions from reason and just argument, which will never conform to our inclination, interest or fancy but we must conform to that if we would judge rightly.”

Ethan Allen (1738–1789) American general

Source: Reason: The Only Oracle Of Man (1784), Ch. XIII Section II - Of The Importance of the Exercise of Reason, and Practice of Morality, in order to the Happiness of Mankind

Truth, Search, Knowledge, Sincerity

“The war was a “tragic error,” but not “fundamentally wrong or immoral” (as the overwhelming majority of the American people continue to believe), and surely not criminal aggression - the judgment that would be reached at once on similar evidence if the responsible agent were not the USA, or an ally or client. Our point is not that the retrospectives fail to draw what seem to us, as to much of the population, the obvious conclusions; the more significant and instructive point is that principled objection to the war as “fundamentally wrong and immoral,” or as an outright criminal aggression - a war crime - is inexpressible. It is not part of the spectrum of discussion. The background for such a principled critique cannot be developed in the media, and the conclusions cannot be drawn. It is not present even to be refuted. Rather, the idea is unthinkable. All of this reveals with great clarity how foreign to the mobilized media is a conception of the media as a free system of information and discussion, independent of state authority and elite interests.”

Edward S. Herman book Manufacturing Consent: The Political Economy of the Mass Media

Source: Manufacturing Consent, with Noam Chomsky, 1988, p. 252.

War, People, Error, Idea

“If hope be fixed on Christ as the Rock of Ages, a rock rent, if we may use the expression, on purpose that there might be a holding-place for the anchors of a perishing world, it may well come to pass that we enjoy a calm as we journey through life, and draw near the grave.”

Henry Melvill (1798–1871) British academic

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 101.

Life, Age, World, Hope

“There is a branch of painting next in profit to Portrait and quite within your power without any more drawing them I'm answer for you having, which is Drapery & Land-skip.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in: Undated letters to Jackson, in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
undated, Undated letters to William Jackson

Painting

“Crookebackt hee was, toothshaken, and blere eyed,
Went on three feete, and somtyme, crept on fowre,
With olde lame boanes, that ratled by his syde,
His scalpe all pild, and hee with eld forlore:
His withred fist still knocking at Death's dore,
Fumbling, and driveling, as hee drawes his breath,
For briefe, the shape and messenger of Death.”

Thomas Sackville, 1st Earl of Dorset (1536–1608) English politician and poet

Source: The Induction (1563), Line 330, p. 322

Death

“Quote of Rembrandt's, from his short poem, 1634; on his own drawing of a lord with beard, very probably representing the court-master Burchard Grossmann in his 'album amicorum' (translation from the original Dutch: Anne Porcelijn)”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

1630 - 1640

Quotes

“The techniques for making art thus morally acceptable, of drawing its fangs, are endless; and each generation finds its own. Just now the democratic machinery for rendering art safe is so efficient that it seems that the system can absorb anything. It would be exciting to think that somewhere in Europe there was a man making art which was so violent and true that the system could not take it.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)

Art, Thinking

“Works that have a certain imperfection to them have an appeal for that you're attracted to Soseki's The Miner. There's something in it that draws you in, more than more fully realized novels like Kokoro or Sanshiro. You discover something about that work that tugs at your heart-or maybe we should say that work discovers you.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 13, Schubert

Heart

“Autograph inscription on Rembrandt's drawing of the old City hall of Amsterdam, 9 July 1652; Benesch 1278 (translation from the original Dutch: Anne Porcelijn)”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt made this drawing two days after the old Town-hall at Dam square in Amsterdam was burned out; the spotlight attracted a lot of attention and various artists have drawn the remains of the historic building. Two days after the fire, Rembrandt laid down the ruins of the building in a drawing. He made the sketch on the spot, standing or seated at (or in) the old daring building on the Dam, as he himself wrote in the inscription. http://remdoc.huygens.knaw.nl/#/document/remdoc/e1643 1640 - 1670

“I will soon have finished another drawing [= watercolor], in the spirit as Den Tessaro [art-seller in Antwerp] wished another one, that is 'airy' and 'thin', with 'lots of space', etc.-. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik zal binnenkort eene andere teekening [= aquarel] gereed hebben, in den geest zoals Den Heer Tessaro [kunst-handelaar in Antwerpen] er nog een wenschte, namenlijk 'luchtig' en 'dun', met 'veel ruimte', etc.-.
In a letter to art-seller Frans Buffa in Amsterdam, 1874; ; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum - ISBN13 * 978 90 6868 4322, 2006, p. 57
1870's

Art

“Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.”

DJ Shadow (1972) American trip-hop musician

http://to-the-quick.binghamton.edu/issue%202/sampling.html
On Sampling

Past

“There is no question that the adult caregivers play an important role in the baby's life. It is from these older people that babies learn their first language, have their first experiences in forming and maintaining relationships, and get their first lessons in following rules. But the socialization researchers go on to draw other conclusions: that what children learn in the early years about relationships and rules sets the pattern for later relationships and later rule-following, and hence determines the entire course of their lives. I used to think so too. I still believe that children need to learn about relationships and rules in their early years; it is also important that they acquire a language. But I no longer believe that this early learning, which in our society generally takes place within the home, sets the pattern for what is to follow. Although the learning itself serves a purpose, the content of what children learn may be irrelevant to the world outside their home. They may cast it off when they step outside as easily as the dorky sweater their mother made them wear.”

Judith Rich Harris book The Nurture Assumption

The Nurture Assumption, chapter 1. http://www.nytimes.com/books/first/h/harris-nurture.html

Life, Children, People, World

“I began [to portray president Kennedy ] with fragmentary sketches—first in charcoal, then in casein, sometimes just heads, sometimes the whole figure. For the first session (during a Medicare conference), I sat on top of a 6-foot ladder to get an unimpeded view of him. Concentrating on bone structure, most of my first sketches of him made him look twenty years younger. This was also because the positions he assumed were those of a college athlete. I made about thirty sketches at the first session and rushed back to a big studio that had been turned over to me by the Norton Gallery, made further drawing combining different aspects, and finally, after a couple days, decided on the proportions and size of the first canvas—4 by 8 feet. In succeeding sessions of sketching, I was struck by the curious faceted structure of light over his face and hair—a quality of transparent ruddiness. This play of light contributed to the extraordinary variety of expressions.”

Elaine de Kooning (1918–1989) American painter

n.p.
1950 - 1971, Painting a Portrait of the President', Elaine de Kooning (1964)

Light

“Conditions to the north of us, in the Voronezh and Steppe Fronts zone of action, and our offensive on Kharkov demands that we not lose time and we commit all forces so that we can draw off as many divisions as possible from Kharkov. And even if we do not draw them off, at least we will not give Manstein the ability to take any of his units from our part of the front. If we attract one or two German tank divisions - it will be the best contribution to the defeat of the enemy in the south.”

Aleksandr Vasilevsky (1895–1977) Soviet military commander

To Vasily Chuikov. Quoted in "Soviet Military Deception in the Second World War" - Page 228 - by David M. Glantz - History - 1989.

Time, Parting

“Ronnie Bosch sat in his studio, stared long and hard at his drawing board, and groaned.”

Tom Holt (1961) British writer

Faust Among Equals (1994)

“Last Saturday it was a rainy evening. I took advantage of that to draw once again the whole evening at Dam Square all over and Sunday I repainted my painting [of Dam square] completely, that yellow nasty color has disappeared now completely. The work has become much broader, and I believe it is really finished now. When my model came, the change struck her so strongly that she said, 'sir, the painting has become beautifully now'. I myself am very happy with it, because I believe it is really good.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Zaterdag avond was het een regenachtige avond. Ik heb daarvan geprofiteerd en [om] de heele avond op de Dam alles nog eens goed over te teekenen en Zondag mijn schilderij heelemaal overgeschilderd, de geele nare kleur is er heelemaal uit. Het is veel ruimer geworden, en ik geloof dat het er nu is. Toen mijn modelletje kwam, trof haar de verandering zoo erg dat het zei, hè meneer, nou is het schilderij mooi geworden. Ik zelf ben er erg mee in mijn schik, want het is geloof ik, heel goed. quote of Breitner in a letter to his friend Herman van der Weele, Amsterdam, 14 June 1893; original letter in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/54 1890 - 1900

Color, Change, Painting, Happiness

“When we met in Berlin [1910], I arranged with Heckel and Kirchner that the three of us would go and work together on the lakes of Moritzburg near Dresden. We had long been familiar with the region, and we knew that we would have the opportunity tp paint nudes in the open air without interference... We had to find two or three people who were not professional models and would therefore pose for us without falling into studio routines.... we artists set out early every morning, laden with our equipment, followed by the models with bags full of good things toe at and drink. We lived in complete harmony, we worked and went swimming.... each of us [three] executed a great number of paintings and drawings.”

Max Pechstein (1881–1955) German artist

Pechstein is recalling the Summer of 1910; as quoted in Expressionism, Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 30

People, Drink, Painting

“It is with blows dealt by public contempt that a husband kills his wife in the nineteenth century; it is by shutting the doors of all the drawing-rooms in her face.”

Stendhal book The Red and the Black

C'est à coups de mépris public qu'un mari tue sa femme au XIXe siècle; c'est en lui fermant tous les salons.
Vol. I, ch. XXI
Le Rouge et le Noir (The Red and the Black) (1830)

“If I were a better artist, I'd be a painter, and if I were a better writer, I'd write books — but I'm not, so I draw cartoons!”

Charles M. Schulz (1922–2000) American cartoonist

1992, as quoted by Tom Tomorrow in his comic strip This Modern World (21 February 2000) http://archive.salon.com/comics/tomo/2000/02/21/tomo/index.html

Books

“To stop using the word "free" now would be a mistake; we need more, not less, talk about freedom.
If those using the term "open source" draw more users into our community, that is a contribution, but the rest of us will have to work even harder to bring the issue of freedom to those users' attention. We have to say, "It's free software and it gives you freedom!"”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

more and louder than ever before.
1990s, Why "Free Software" is better than "Open Source" (1998)

Communication, Freedom

“So in the midnight shadows of the grove did they two meet and draw nigh each other, awe-struck, like silent first or motionless cypresses, when the mad South wind hath not yet intertwined their boughs.”
Haud secus in mediis noctis nemoris que tenebris inciderant ambo attoniti iuxtaque subibant abietibus tacitis aut immotis cyparissis adsimiles, rapidus nondum quas miscuit Auster.

Gaius Valerius Flaccus book Argonautica

Source: Argonautica, Book VII, Lines 403–406

Madness

“What! when it is necessary to take the most simple resolve, we are under the domination of our habitudes, our wants, our social relations, and a host of causes which, all of them, draw us about in a hundred different ways. These influences are so powerful, that we have no difficulty in telling, even when referring to persons whom we are scarcely acquainted with, or even know not at all, what is the resolution to which they will lead such parties. Whence, then, this certainty of foresight, exemplified by you daily, if you were not convinced, at the outset, that it is extremely probable the empire of causes will carry it over free-will. In considering the moral world a priori, you give to this free-will the most entire latitude; and when you come to practice, when you speak of what passes around you, you constantly fall into contradiction with yourselves.”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Preface of M. Quetelet
A Treatise on Man and the Development of His Faculties (1842)

World, Way, Personality

“A cartoonist is someone who has to draw the same thing day after day without repeating himself.”

Charles M. Schulz Peanuts

You Don't Look 35, Charlie Brown! (1985) ISBN 0030056241

“Let me remind you that science is not necessarily wisdom. To know, is not the sole nor even the highest office of the intellect; and it loses all its glory unless it act in furtherance of the great end of man's life. That end is, as both reason and revelation unite in telling us, to acquire the feelings and habits that will lead us to love and seek what is good in all its forms, and guide us by following its traces to the first Great Cause of all, where only we find it pure and unclouded.
If science be cultivated in congruity with this, it is the most precious possession we can have— the most divine endowment. But if it be perverted to minister to any wicked or ignoble purpose — if it even be permitted to take too absolute a hold of the mind, or overshadow that which should be paramount over all, the perception of right, the sense of Duty — if it does not increase in us the consciousness of an Almighty and All-beneficent presence, — it lowers instead of raising us in the great scale of existence.
This, however, it can never do but by our fault. All its tendencies are heavenward; every new fact which it reveals is a ray from the origin of light, which leads us to its source. If any think otherwise, their knowledge is imperfect, or their understanding warped, or darkened by their passions. The book of nature is, like that of revelation, written by God, and therefore cannot contradict it; both we are unable to read through all their extent, and therefore should neither wonder nor be alarmed if at times we miss the pages which reconcile any seeming inconsistence. In both, too, we may fail to interpret rightly that which is recorded; but be assured, if we search them in quest of truth alone, each will bear witness to the other, — and physical knowledge, instead of being hostile to religion, will be found its most powerful ally, its most useful servant. Many, I know, think otherwise; and because attempts have occasionally been made to draw from astronomy, from geology, from the modes of the growth and formation of animals and plants, arguments against the divine origin of the sacred Scripture, or even to substitute for the creative will of an intelligent first cause the blind and casual evolution of some agency of a material system, they would reject their study as fraught with danger. In this I must express my deep conviction that they do injury to that very cause which they think they are serving.
Time will not let me touch further on the cavils and errors in question; and besides they have been often fully answered. I will only say, that I am here surrounded by many, matchless in the sciences which are supposed so dangerous, and not less conspicuous for truth and piety. If they find no discord between faith and knowledge, why should you or any suppose it to exist? On the contrary, they cannot be well separated. We must know that God is, before we can confess Him; we must know that He is wise and powerful before we can trust in Him, — that He is good before we can love Him. All these attributes, the study of His works had made known before He gave that more perfect knowledge of himself with which we are blessed. Among the Semitic tribes his names betoken exalted nature and resistless power; among the Hellenic races they denote his wisdom; but that which we inherit from our northern ancestors denotes his goodness. All these the more perfect researches of modern science bring out in ever-increasing splendour, and I cannot conceive anything that more effectually brings home to the mind the absolute omnipresence of the Deity than high physical knowledge. I fear I have too long trespassed on your patience, yet let me point out to you a few examples.
What can fill us with an overwhelming sense of His infinite wisdom like the telescope? As you sound with it the fathomless abyss of stars, till all measure of distances seems to fail and imagination alone gauges the distance; yet even there as here is the same divine harmony of forces, the same perfect conservation of systems, which the being able to trace in the pages of Newton or Laplace makes us feel as if we were more than men. If it is such a triumph of intellect to trace this law of the universe, how transcendent must that Greatest over all be, in which it and many like it, have their existence! That instrument tells us that the globe which we inhabit is but a speck, the existence of which cannot be perceived beyond our system. Can we then hope that in this immensity of worlds we shall not be overlooked? The microscope will answer. If the telescope lead to one verge of infinity, it brings us to the other; and shows us that down in the very twilight of visibility the living points which it discloses are fashioned with the most finished perfection, — that the most marvellous contrivances minister to their preservation and their enjoyment, — that as nothing is too vast for the Creator's control, so nothing is too minute or trifling for His care. At every turn the philosopher meets facts which show that man's Creator is also his Father, — things which seem to contain a special provision for his use and his happiness : but I will take only two, from their special relation to this very district. Is it possible to consider the properties which distinguish iron from other metals without a conviction that those qualities were given to it that it might be useful to man, whatever other purposes might be answered by them. That it should. be ductile and plastic while influenced by heat, capable of being welded, and yet by a slight chemical change capable of adamantine hardness, — and that the metal which alone possesses properties so precious should be the most abundant of all, — must seem, as it is, a miracle of bounty. And not less marvellous is the prescient kindness which stored up in your coalfields the exuberant vegetation of the ancient world, under circumstances which preserved this precious magazine of wealth and power, not merely till He had placed on earth beings who would use it, but even to a late period of their existence, lest the element that was to develope to the utmost their civilization and energy migbt be wasted or abused.
But I must conclude with this summary of all which I would wish to impress on your minds—* that the more we know His works the nearer we are to Him. Such knowledge pleases Him; it is bright and holy, it is our purest happiness here, and will assuredly follow us into another life if rightly sought in this. May He guide us in its pursuit; and in particular, may this meeting which I have attempted to open in His name, be successful and prosperous, so that in future years they who follow me in this high office may refer to it as one to be remembered with unmixed satisfaction.”

Thomas Romney Robinson

Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.

Love, Life, Wisdom, Men

“It cannot be emphasized too strongly that playing can pull many a director and cast out of a tight spot, freeing all of them from the fear-producing trap of memorizing, characterizing and interpreting. This playing draws upon a very important, almost forgotten, little understood or utilized, and greatly maligned life-giving force --- passion!”

Viola Spolin (1906–1994) American academic and acting theorist

Theater Games for Rehearsal - A Director's Handbook(1988), Northwestern University Press, Preface

Life, Fear, Passion

“As far as I can remember, it was before my twelfth year that I was sketching cows in the mornings before and afternoons after school, and because my brothers were 4 and 6 years older than me – naturally I got from them my first teachings in drawing and later in painting.”

Willem Maris (1844–1910) Dutch landscape painter of the Hague School (1844-1910)

translation from original Dutch, Fons Heijnsbroek, 2018 version in original Dutch / origineel citaat van Willem Maris: Voor zover ik mij herinneren kan, was ik voor mijn twaalfde jaar 's Morgens voor, en 's middags na schooltijd al in de weilanden aan 't teekenen van koeien en daar mijn broers 4 en 6 jaar ouder waren als ik - genoot ik natuurlijk van hen het eerste onderwijs in het teekenen en later in het schilderen. Quote of Willem Maris, in his letter in 1901; as cited in 'Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850', Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 36

School, Nature, Painting

“It is moreover extremely indecent to spit, cough, and expectorate (as it were) in company, as some hearty fellows are apt to do: and more so, when you have blown your nose, to draw aside and examine the contents of your handkerchief; as if you expected pearls or rubies to distil from your brain.”

Giovanni della Casa (1503–1556) Roman Catholic archbishop

Source: Galateo: Or, A Treatise on Politeness and Delicacy of Manners, p. 15

“While the visible victims may draw the headlines and attract indignant protests from so-called "pro-life" organizations, the invisible victims are people like you and me who will suffer from diseases that are never cured because funds are being poured down a healthcare sieve in order to maintain permanently-unconscious bodies on complex and costly forms of life support.”

Jacob M. Appel (1973) American author, bioethicist, physician, lawyer and social critic

"Rational Rationing vs. Irrational Rationing" http://www.huffingtonpost.com/jacob-m-appel/rational-rationing-vs-irr_b_622057.html, The Huffington Post (2010-06-23)

Life, People, Disease, Support

“A honeymoon is wonderful, of course. It's the time two people go off alone and do their utmost to remain alone. Not only because they are so new and exciting to each other. But because it's their chance to draw closer and prepare for the intimacy of the every day married life which lies ahead of them. However, feverishly romantic though it may be, it's also apt to be something of a strain. Because the two people haven't yet learned to relax with each other. Because they haven't had time to become truly good friends. Because they don't know all the little things about each other which only the intimacy and affectionate understanding of years brings.”

Irene Dunne (1898–1990) American actress

[http://www.irenedunnesite.com/press/modern-screen-august-1935/ The Modern screen *August 1935).

Life, People, Understanding, Learning

“Christ prayed that He should be in us, and we in Him. This we find in many passages in the Gospel. And this is the union that is without intermediary, for the love of God is not only out-flowing, but it is also drawing into unity. And those who feel and experience this become interior, enlightened men. There the faculties are raised above all practices to the bareness of their very essence. There the faculties become simplified above reason in their essence and because of this they are filled and overflowing. For in this simplicity the spirit finds itself united with God without intermediary. And this union, together with the exercise, which is proper to it, will endure eternally, as I have already said.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Love, Men, God, Feeling

Quotes about drawing page 13

Quotes about drawing
page 13