Quotes about crying
page 12

Voltairine de Cleyre photo
Frank Buckles photo
Jaclyn Victor photo

“Our eyes have seen the skies burning red,
Angels singing, voices full of dread,
We see the lies but never ask why?
The seeds of sorrow the blood they cry.”

Jaclyn Victor (1978) Malaysian singer; Malaysian Idol winner

"Deep Down Inside", Dream.
Song Quotations

“An instance of callous and cold-blooded brutality is furnished by the incident that took place on December 20, 1949 in Kalshira under P. S. Mollarhat in the District of Khulna. … The police constable entered into the house and assaulted the wife of Joydev Brahma whose cry attracted her husband and a few companions who escaped from the house. They became desperate, re-entered the house, found 4 constables with one gun only. That perhaps might have encouraged the young men who struck a blow on an armed constable who died on the spot. … the assailants fled and the intelligent neighbours also fled away. But the bulk of the villagers remained in their houses as they were absolutely innocent and failed to realise the consequence of the happening. Subsequently, the S. P., the military and armed police began to beat mercilessly the innocents of the entire village, encouraged the neighbouring Muslims to take away their properties. A number of persons were killed and men and women were forcibly converted. House-hold deities were broken and places of worship desecrated and destroyed. Several women were raped by the police, military and local Muslims. Thus a veritable hell was let loose not only in the village of Kalshira which is 1-1/2 miles in length with a large population, but also in a number of neighbouring Namahsudra villages.”

Jogendra Nath Mandal (1904–1968) Pakistani politician

Excerpted from the resignation letter of J. N. Mandal, Minister for Law and Labour, Government of Pakistan, October 8, 1950. https://en.wikisource.org/wiki/Resignation_letter_of_Jogendra_Nath_Mandal https://biblio.wiki/wiki/Resignation_letter_of_Jogendra_Nath_Mandal

Isaac Rosenberg photo
Simone Weil photo

“Those who do not find a fountain through which to pour their tears, do not cry.”

Antonio Porchia (1885–1968) Italian Argentinian poet

No llora quien no encuentra uns fuente donde verter su llanto.
Voces (1943)

Ahad Ha'am photo
Charles Lamb photo
Sufjan Stevens photo

“Well you do enough talk
My little hawk, why do you cry? Tell me what did you learn
From the Tillamook burn
Or the Fourth of July?
We're all gonna die”

Sufjan Stevens (1975) American singer-songwriter and multi-instrumentalist

"Fourth of July"
Lyrics, Carrie and Lowell (2015)

Bert McCracken photo
George William Curtis photo

“The country does want rest, we all want rest. Our very civilization wants it — and we mean that it shall have it. It shall have rest — repose — refreshment of soul and re-invigoration of faculty. And that rest shall be of life and not of death. It shall not be a poison that pacifies restlessness in death, nor shall it be any kind of anodyne or patting or propping or bolstering — as if a man with a cancer in his breast would be well if he only said he was so and wore a clean shirt and kept his shoes tied. We want the rest of a real Union, not of a name, not of a great transparent sham, which good old gentlemen must coddle and pat and dandle, and declare wheedlingly is the dearest Union that ever was, SO it is; and naughty, ugly old fanatics shan't frighten the pretty precious — no, they sha'n't. Are we babies or men? This is not the Union our fathers framed — and when slavery says that it will tolerate a Union on condition that freedom holds its tongue and consents that the Constitution means first slavery at all costs and then liberty, if you can get it, it speaks plainly and manfully, and says what it means. There are not wanting men enough to fall on their knees and cry: 'Certainly, certainly, stay on those terms. Don't go out of the Union — please don't go out; we'll promise to take great care in future that you have everything you want. Hold our tongues? Certainly. These people who talk about liberty are only a few fanatics — they are tolerably educated, but most of 'em are crazy; we don't speak to them in the street; we don't ask them to dinner; really, they are of no account, and if you'll really consent to stay in the Union, we'll see if we can't turn Plymouth Rock into a lump of dough'. I don't believe the Southern gentlemen want to be fed on dough. I believe they see quite as clearly as we do that this is not the sentiment of the North, because they can read the election returns as well as we. The thoughtful men among them see and feel that there is a hearty abhorrence of slavery among us, and a hearty desire to prevent its increase and expansion, and a constantly deepening conviction that the two systems of society are incompatible. When they want to know the sentiment of the North, they do not open their ears to speeches, they open their eyes, and go and look in the ballot-box, and they see there a constantly growing resolution that the Union of the United States shall no longer be a pretty name for the extension of slavery and the subversion of the Constitution. Both parties stand front to front. Each claims that the other is aggressive, that its rights have been outraged, and that the Constitution is on its side. Who shall decide? Shall it be the Supreme Court? But that is only a co-ordinate branch of the government. Its right to decide is not mutually acknowledged. There is no universally recognized official expounder of the meaning of the Constitution. Such an instrument, written or unwritten, always means in a crisis what the people choose. The people of the United States will always interpret the Constitution for themselves, because that is the nature of popular governments, and because they have learned that judges are sometimes appointed to do partisan service.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Francis Escudero photo
Walter Slezak photo

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Ayumi Hamasaki photo
Katy Perry photo

“I had this lump in my throat, but I couldn't even cry. I thought, I shouldn't have gotten my hopes up. I was just sitting there in my car that I was two months behind on payments for, knowing I didn't have money for rent.”

Katy Perry (1984) American singer, songwriter and actress

On not getting signed by Capitol Records, after months of negotiations, in 2007.
Cosmopolitan magazine (2009)

Henry Fielding photo
Wisława Szymborska photo
Theodore Roszak photo
Jopie Huisman photo

“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

D. L. Hughley photo

“Debbie Reynolds died a day after her daughter [Carrie Fisher] did! Black Mama's don't die cuz they kids do! They cry and say God don't make no mistakes!”

D. L. Hughley (1963) American actor and comedian

Commenting on the death of Carrie Fisher, and the death one day later of her mother Debbie Reynolds.
Source: [http://www.usatoday.com/story/life/people/2016/12/29/dl-hughley-slammed-for-debbie-reynolds-tweet/95954690/

Martin Luther King, Jr. photo
Donald J. Trump photo
George Berkeley photo

“Truth is the cry of all, but the game of the few.”

Paragraph 368.
Siris (1744)

Roger Ebert photo
Roman Vishniac photo

“Concentration camp money… It was a German sadism that invented it. Can you do anything with it? Yes, you can cry.”

Roman Vishniac (1897–1990) American photographer

Testament to a Lost People

Siobhan Fahey photo

“Music bypasses the intellect, it makes you laugh, makes you cry, makes you want to dance, makes you want to have sex.”

Siobhan Fahey (1958) singer and songwriter in Banarama and Shakespears Sister

G3 interview (2002)

Billy Joel photo
Jacopone da Todi photo

“Now, a new creature, I in Christ am born,
The old man stripped away; -- I am new-made;
And mounting in me, like the sun at morn,
Love breaks my heart, even as a broken blade:
Christ, First and Only Fair, from me hath shorn
My will, my wits, and all that in me stayed,
I in His arms am laid,
I cry and call --
O Thou my All,
O let me die of Love!”

Jacopone da Todi (1236–1306) Italian Franciscan mystic

From All Saints: Daily Reflections on Saints, Prophets, and Witnesses for Our Time, As air becomes the medium for light when the sun rises, and as wax melts from the heat of fire, so the soul drawn to that light is resplendent, feels self melt awayby Robert Ellsberg

Harper Lee photo
John Newton photo
Mike Scott photo
Jim Butcher photo
Buddy Holly photo

“That'll be the day — when you say goodbye.
That'll be the day — when you make me cry.
You say you're gonna leave — you know it's a lie, 'cause
That'll be the day when I die.”

Buddy Holly (1936–1959) American singer-songwriter

That'll Be the Day, written by Buddy Holly, Jerry Allison, and Norman Petty
Song lyrics, The "Chirping" Crickets (1957)

Daniel Handler photo
Archibald Primrose, 5th Earl of Rosebery photo

“It is by self-reliance, humanly speaking, by the independence which has been the motive and impelling force of our race, that the Scots have thriven in India and in Canada, in Australia and New Zealand, and even in England, where at different times they were banned. As things are we in Scotland do not take much or even ask much from the State, but the State invites us every day to lean upon it. I seem hear the wheedling and alluring whisper, "Sound you may be; we bid you be a cripple. Do you see? Be blind. Do you hear? Be deaf. Do you walk? Be not venturesome; here is a crutch for one arm. When you get accustomed to it you will soon want another, the sooner the better." The strongest man, if encouraged, may soon accustom himself to the methods of an invalid; he may train himself to totter or to be fed with a spoon. The ancient sculptors represent Hercules leaning on his club; our modern Hercules would have his club elongated and duplicated and resting under his arms. (Laughter.) The lesson of our Scottish teaching was "Level up"; the cry of modern civilization is "Level down; let the Government have a finger in every pie," probing, propping, disturbing. ("Hear, hear," and laughter.) Every day the area for initiative is being narrowed, every day the standing ground for self-reliance is being undermined, every day the public infringes, with the best intentions, no doubt, on the individual. The nation is being taken into custody by the State. Perhaps the current cannot now be stemmed; agitation or protest may be alike unavailing; the world rolls on, it may be part of its destiny, a necessary phase in its long evolution, a stage in its blind, toilsome progress to an invisible goal. I neither affirm nor deny. All in the long run is doubtless for the best; but, speaking as a Scotsman to Scotsmen, I plead for our historical character, for the maintenance of those sterling national qualities which have meant so much to Scotland in the past.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Cheers.
Speech to Glasgow University (12 June 1908), reported in The Times (13 June 1908), p. 12.

William Morley Punshon photo
Ossip Zadkine photo
Amir Taheri photo

“The cry of equality pulls everyone down.”

Iris Murdoch (1919–1999) British writer and philosopher

Quoted in The Observer September 13, 1987.

Elie Wiesel photo
William Blake photo

“The harlot's cry from street to street
Shall weave old England's winding sheet.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1800s, Auguries of Innocence (1803), Line 115

Mary Pickford photo

“Make them laugh, make them cry, and back to laughter. What do people go to the theater for? An emotional exercise. And no preachment.”

Mary Pickford (1892–1979) Canadian-American actress

Kevin Brownlow, The Parade's Gone By ... (1968), p. 134

Thomas Carlyle photo
Lester del Rey photo
Agatha Christie photo
John Milton photo

“License they mean when they cry, Liberty!
For who loves that must first be wise and good.”

John Milton (1608–1674) English epic poet

On the Detraction which followed upon my writing certain Treatises, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

William T. Sherman photo
Van Morrison photo
George Eliot photo
David Hume photo
Firuz Shah Tughlaq photo

“A report was brought to the Sultan that there was in Delhi an old Brahman (zunar dar) who persisted in publicly performing the worship of idols in his house; and that people of the city, both Musulmans and Hindus, used to resort to his house to worship the idol. The Brahman had constructed a wooden tablet (muhrak), which was covered within and without with paintings of demons and other objects. On days appointed, the infidels went to his house and worshipped the idol, without the fact becoming known to the public officers. The Sultan was informed that this Brahman had perverted Muhammadan women, and had led them to become infidels. An order was accordingly given that the Brahman, with his tablet, should be brought into the presence of the Sultan at Firozabad. The judges and doctors and elders and lawyers were summoned, and the case of the Brahman was submitted for their opinion. Their reply was that the provisions of the Law were clear: the Brahman must either become a Musulman or be burned. The true faith was declared to the Brahman, and the right course pointed out, but he refused to accept it. Orders were given for raising a pile of faggots before the door of the darbar. The Brahman was tied hand and foot and cast into it; the tablet was thrown on top and the pile was lighted. The writer of this book was present at the darbar and witnessed the execution. The tablet of the Brahman was lighted in two places, at his head and at his feet; the wood was dry, and the fire first reached his feet, and drew from him a cry, but the flames quickly enveloped his head and consumed him. Behold the Sultans strict adherence to law and rectitude, how he would not deviate in the least from its decrees!”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Delhi. Tarikh-i-Firuz Shahi, Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. Elliot and Dowson. Vol. III, p. 365 ff https://archive.org/stream/cu31924073036737#page/n379/mode/2up Quoted in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.

Bill Cosby photo

“I am not interested in statistics that tell me things are not as bad as they seem. Things are horrible. I have met people crying about what is happening, but there is no solution yet. Our children are trying to tell us something, and we are not listening. I don't care what the statistics say.”

Bill Cosby (1937) American actor, comedian, author, producer, musician, activist

"Paths to Success: A Forum on African American Men" panel discussion (July 18, 2006), quoted in [Fulbright, Leslie, http://www.nospank.net/n-q19r.htm, Cosby, Others Say Black Men Still in Crisis, San Francisco Chronicle, (July 19, 2006)]

Smokey Robinson photo
Arthur Ponsonby photo
Christopher Golden photo
John Toland photo
Gillian Anderson photo

“Above anything else, stay true to yourself. Whether that means for you that you like to have blue hair, or you don't like to drink, or you are attracted to the same sex, or you want to remove yourself from Facebook, or you've got 3 different kids from 3 different dads but you know you're a really good mom, or you cry for a week because your turtle died. Whatever your truth is, stay true to yourself. But be a good person while you're at it.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

When asked what advice would she give young feminist — Reddit "Sunday morning with Gillian Anderson. Grab a cup of coffee and A Vision of Fire. AMA." https://www.reddit.com/r/IAmA/comments/2j12o1/sunday_morning_with_gillian_anderson_grab_a_cup#cl7c2ps (October 12, 2014)
2010s

Muhammad photo
Kurt Schwitters photo
Pauline Johnson photo

“The pine trees whispering, the gerons cry
The plover's passing wing, his lullaby”

Pauline Johnson (1861–1913) Canadian poet and performer

from The Camper

Pauline Kael photo
Charles Grandison Finney photo
Nick Cave photo
Michael von Faulhaber photo
Marie de France photo

“It is likewise with the proud, rich man: he will never have mercy on the poor man because of his hue or his cry, but if the poor man could wreak vengeance on him, then you would see the rich man bow.”

Marie de France medieval poet

Si est del riche orguillus:
Ja del povre n'avra merci
Pur sa pleinte ne pur sun cri;
Mes se cil s'en peüst vengier,
Dunc le verreit l'um suzpleier.
Fables, no. 10, "The Fox and the Eagle", line 18; cited from Mary Lou Martin (trans.) The Fables of Marie de France (Birmingham, Alabama: Summa, 1984) pp. 54-6. Translation from the same source, p. 55.

Theodore L. Cuyler photo
Dylan Moran photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Johnny Cash photo
John Bunyan photo
Katie Melua photo
John Fante photo
Samson Raphael Hirsch photo
Richard F. Pettigrew photo
Richard Henry Dana Jr. photo
Jeffrey Moussaieff Masson photo
Eino Leino photo
Tim Powers photo
Vilna Gaon photo
Corey Feldman photo
Stephen Colbert photo

“Don't cry over spilled milk. By this time tomorrow, it'll be free yogurt.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

"The Colbert Report," November 12, 2009.

Cat Stevens photo
Ahmed Shah Durrani photo

“Next morning the sun revealed a horrid spectacle on the vast plain south of PAnipat. On the actual field of the combat thirty-one distinct heaps of the slain were counted, the number of bodies in each ranging from 500 upwards to 1000 and in four up to 1500 a rough total of 28,000. In addition to these, the ditch round the Maratha camp was full of dead bodies, partly the victims of disease and famine during the long siege and partly wounded men who had crawled out of the fighting to die there. West and south of PAnipat city, the jungle and the road in the line of MarAtha retreat were littered with the remains of those who had fallen unresisting in the relentless DurrAni pursuit or from hunger and exhaustion. Their number - probably three-fourths non-combatants and one-fourth soldiers - could not have been far short of the vast total of those slain in the battlefield. 'The hundreds who lay down wounded, perished from the severity of the cold.'….
'After the havoc of combat followed massacre in cold blood. Several hundreds of MarAthas had hidden themselves in the hostile city of PAnipat through folly or helplessness; and these were hunted out next day and put to the sword. According to one plausible account, the sons of Abdus Samad Khan and Mian Qutb received the DurrAni king's permission to avenge their father's death by an indiscriminate massacre of the MarAthas for one day, and in this way nearly nine thousand men perished; these were evidently non-combatants. The eyewitness Kashiraj Pandit thus describes the scene: 'Every Durrani soldier brought away a hundred or two of prisoners and slew them in the outskirts of their camp, crying out, When I started from our country, my mother, father, sister and wife told me to slay so may kafirs for their sake after we had gained the victory in this holy war, so that the religious merit of this act [of infidel slaying] might accrue to them. In this way, thousands of soldiers and other persons were massacred. In the Shah's camp, except the quarters of himself and his nobles, every tent had a heap of severed heads before it. One may say that it was verily doomsday for the MarAtha people.'….
The booty captured within the entrenchment was beyond calculation and the regiments of Khans [i. e. 8000 troopers of AbdAli clansmen] did not, as far as possible, allow other troops like the IrAnis and the TurAnis to share in the plunder; they took possession of everything themselves, but sold to the Indian soldiers handsome Brahman women for one tuman and good horses for two tumans each.' The Deccani prisoners, male and female reduced to slavery by the victorious army numbered 22,000, many of them being the sons and other relatives of the sardArs or middle class men. Among them 'rose-limbed slave girls' are mentioned.' Besides these 22,000 unhappy captives, some four hundred officers and 6000 men fled for refuge to ShujA-ud-daulah's camp, and were sent back to the Deccan with monetary help by that nawab, at the request of his Hindu officers. The total loss of the MarAthas after the battle is put at 50,000 horses, captured either by the AfghAn army or the villagers along the route of flight, two hundred thousand draught cattle, some thousands of camels, five hundred elephants, besides cash and jewellery. 'Every trooper of the Shah brought away ten, and sometimes twenty camels laden with money. The captured horses were beyond count but none of them was of value; they came like droves of sheep in their thousands.”

Ahmed Shah Durrani (1722–1772) founder of the Durrani Empire, considered founder of the state of Afghanistan

Jadunath Sarkar, Fall of the Mughal Empire, Volume II, Fourth Edition, New Delhi, 1991, p.210-11

Rukmini Devi Arundale photo
Katie Melua photo

“Dancing is an important function of music, but so is crying.”

Katie Melua (1984) British singer-songwriter

[Jasper Gerard, Me and my motors, http://driving.timesonline.co.uk/tol/life_and_style/driving/features/article522083.ece, The Sunday Times, 2005-05-19]

“I've got tears in my ears from lyin' on my back
In my bed while I cry over you.
And the tears in my ears, they're off the beaten track
Since you said "It's goodbye, we are through."”

Song; the title is variously given as Tears in my ears, I've got tears in my ears and I've got tears in my ears from lyin' on my back in my bed while I cry over you.

Sam Cooke photo
Peter Greenaway photo
Smokey Robinson photo

“Ooo la la la la
I did you wrong; my heart went out to play.
But in the game I lost you.
What a price to pay, hey I'm crying.

Ooo baby baby.
Ooo baby baby.”

Smokey Robinson (1940) American R&B singer-songwriter and record producer

Ooo Baby Baby, written by Smokey Robinson and Pete Moore (1965)
Song lyrics, With The Miracles

Martin Luther King, Jr. photo