Quotes about waterfall
A collection of quotes on the topic of waterfall, likeness, world, mountain.
Quotes about waterfall

“I touch God in my song
as the hill touched the far-away sea
with its waterfall.”
42
Fireflies (1928)

"The Transmission of Electric Energy Without Wires" in Electrical World and Engineer (5 March 1904)

Canto I
1840s, My Childhood's Home I See Again (1844 - 1846)

“Mountain-rose petals
Falling, falling, falling now…
Waterfall music”
Source: Japanese Haiku

Samuel Johnson The Lives of the Most Eminent English Poets (1781), "William Collins" http://www.bookrags.com/ebooks/4678/50.html
Criticism

" Country http://digicoll.library.wisc.edu/cgi-bin/AldoLeopold/AldoLeopold-idx?type=turn&entity=AldoLeopold.ALDeskFile.p0666&id=AldoLeopold.ALDeskFile&isize=XL" [1941]; Published in Round River, Luna B. Leopold (ed.), Oxford University Press, 1966, p. 32-33.
1940s

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483)
1890s

(original Dutch, citaat van B.C. Koekkoek:) ..aan den oever van eenen hoogst schilderachtigen bergstroom die zijn kristallijnen vocht door vier of vijf watervalletjes in de Dusselbeek uitstort.. .Oh, in deze grot, bij dezen kristallen vloed, gevoelde ik mij dikwijls zo wel! Gewaarwordingen, die den ziel veredelen, vreugdentranen uit het oog doen vloeijen, het hart indrukken geven, die grootheid noch eer ons kunnen ontvreemden, welden vaak in dit zalige oord in mijn boezem op. Een ontembare zucht greep mij aan, om die tooverachtige schakeringen der schoone en heilige natuur meer en meer te leren kennen, en die door mijn penseel op het doek over te brengen.
he frequently visited this location along the Düssel stream, as Koekoek's quote illustrates
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 37-38

Song lyrics, Children of the Sun (1969)

First published in book form in Look, Stranger! (1936; US title On this Island)
Source: Autumn Song (1936), Lines 17–20

“Waterfall, nothing can harm me at all
My worries seem so very small
With my waterfall.”
May This Be Love
Song lyrics, Are You Experienced? (1967)

"Mythcon 35 Guest of Honor Speech", in Mythprint (October 2004) http://www.mythsoc.org.nyud.net:8090/mythcon/35/speech/

Source: 1890s, The Mountains of California (1894), chapter 1: The Sierra Nevada

attributed to a Muir "autobiographical notebook" in Linnie Marsh Wolfe, Son of the Wilderness: The Life of John Muir (1945), page 144
1870s
Source: A Language Older Than Words (2000), p. 361
The Four Banks of the River of Space (1990)

Miro describes his 'attacks' on the canvas
Quote of Miró in his 'Working notes, 1941 – 1942'; as cited in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 69
1940 - 1960

Source: A spiral model of software development and enhancement. (1988), p. 63

Source: A spiral model of software development and enhancement. (1988), p. 61

"Rough Country" http://www.danagioia.net/poems/roughcountry.htm
Poetry, The Gods of Winter (1991)
Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 1: The Approach to the Valley
1910s

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

Delusion for a Dragon Slayer (1966)
Context: Griffin stood silently, watching the waterfall, sensing more than he saw, understanding more than even his senses could tell him. This was, indeed, the Heaven of his dreams, a place to spend the rest of forever, with the wind and the water and the world another place, another level of sensing, another bad dream conjured many long times before. This was reality, an only reality for a man whose existence had been not quite bad, merely insufficient, tenable but hardly enriching. For a man who had lived a life of not quite enough, this was all there ever could be of goodness and brilliance and light. Griffin moved toward the falls.
The darkness grew darker.

“The stagewise and waterfall models.”
As early as 1956, experience on large software systems such as the Semi-Automated Ground Environment (SAGE) had led to the recognition of these problems and to the development of a stagewise model to address them.
Source: A spiral model of software development and enhancement. (1988), p. 63

Source: Red Mars (1992), Chapter 6, “Guns Under the Table” (p. 461)