Quotes about waterfall

A collection of quotes on the topic of waterfall, likeness, world, mountain.

Quotes about waterfall

Osamu Dazai photo
Terence McKenna photo
Nikola Tesla photo
Mark Twain photo
Rabindranath Tagore photo

“I touch God in my song
as the hill touched the far-away sea
with its waterfall.”

Rabindranath Tagore (1861–1941) Bengali polymath

42
Fireflies (1928)

Nikola Tesla photo
Nikola Tesla photo
Abraham Lincoln photo

“As leaving some grand waterfall,
We, lingering, list its roar —
So memory will hallow all
We've known, but know no more.”

Abraham Lincoln (1809–1865) 16th President of the United States

Canto I
1840s, My Childhood's Home I See Again (1844 - 1846)

Nikola Tesla photo
Mikhail Lermontov photo
Mel Brooks photo
Bashō Matsuo photo

“Mountain-rose petals
Falling, falling, falling now…
Waterfall music”

Bashō Matsuo (1644–1694) Japanese poet

Source: Japanese Haiku

Madeline Miller photo
Peter Matthiessen photo
James Howard Kunstler photo
Halldór Laxness photo
William Collins photo
Aldo Leopold photo

“There are those who are willing to be herded in droves through 'scenic' places; who find mountains grand if they be proper mountains, with waterfalls, cliffs, and lakes. To such the Kansas plains are tedious. They see the endless corn, but not the heave and grunt of ox teams breaking the prairie. History, for them, grows on campuses. They look at the low horizon, but they cannot see it, as de Vaca did, under the bellies of the buffalo.”

Aldo Leopold (1887–1948) American writer and scientist

" Country http://digicoll.library.wisc.edu/cgi-bin/AldoLeopold/AldoLeopold-idx?type=turn&entity=AldoLeopold.ALDeskFile.p0666&id=AldoLeopold.ALDeskFile&isize=XL" [1941]; Published in Round River, Luna B. Leopold (ed.), Oxford University Press, 1966, p. 32-33.
1940s

John Muir photo

“One shining morning, at the head of the Pacheco Pass, a landscape was displayed that after all my wanderings still appears as the most divinely beautiful and sublime I have ever beheld. There at my feet lay the great central plain of California, level as a lake thirty or forty miles wide, four hundred long, one rich furred bed of golden Compositae. And along the eastern shore of this lake of gold rose the mighty Sierra, miles in height, in massive, tranquil grandeur, so gloriously colored and so radiant that it seemed not clothed with light, but wholly composed of it, like the wall of some celestial city. Along the top, and extending a good way down, was a rich pearl-gray belt of snow; then a belt of blue and dark purple, marking the extension of the forests; and stretching along the base of the range a broad belt of rose-purple, where lay the miners' gold and the open foothill gardens — all the colors smoothly blending, making a wall of light clear as crystal and ineffably fine, yet firm as adamant. Then it seemed to me the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years in the midst of it, rejoicing and wondering, seeing the glorious floods of light that fill it, — the sunbursts of morning among the mountain-peaks, the broad noonday radiance on the crystal rocks, the flush of the alpenglow, and the thousand dashing waterfalls with their marvelous abundance of irised spray, — it still seems to me a range of light.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483)
1890s

Barend Cornelis Koekkoek photo

“.. on the banks of a very picturesque mountain stream that pours out its crystalline water in four or five waterfalls into the Dussel brook... Oh, in this cave, at this crystal flood, I often felt myself so well! Sensations frequently welled up in my bosom at this blessed place that ennoble the soul and make pour out joyful tombs; [they] give the heart impressions that neither greatness or honor can steal from us. An indomitable longing came to me, to learn more and more about these enchanting shades of beautiful and holy nature, and to transfer them on the canvas with my brush.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) ..aan den oever van eenen hoogst schilderachtigen bergstroom die zijn kristallijnen vocht door vier of vijf watervalletjes in de Dusselbeek uitstort.. .Oh, in deze grot, bij dezen kristallen vloed, gevoelde ik mij dikwijls zo wel! Gewaarwordingen, die den ziel veredelen, vreugdentranen uit het oog doen vloeijen, het hart indrukken geven, die grootheid noch eer ons kunnen ontvreemden, welden vaak in dit zalige oord in mijn boezem op. Een ontembare zucht greep mij aan, om die tooverachtige schakeringen der schoone en heilige natuur meer en meer te leren kennen, en die door mijn penseel op het doek over te brengen.
he frequently visited this location along the Düssel stream, as Koekoek's quote illustrates
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 37-38

Mike Oldfield photo

“Sunlight falling bright
Over village garden walls
Moonlight shower's gold
where leaving waterfalls
People walk in splendour
Under trees hung in starlight.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Children of the Sun (1969)

W. H. Auden photo

“Cold, impossible, ahead
Lifts the mountain's lovely head
Whose white waterfall could bless
Travellers in their last distress.”

W. H. Auden (1907–1973) Anglo-American poet

First published in book form in Look, Stranger! (1936; US title On this Island)
Source: Autumn Song (1936), Lines 17–20

Jimi Hendrix photo

“Waterfall, nothing can harm me at all
My worries seem so very small
With my waterfall.”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

May This Be Love
Song lyrics, Are You Experienced? (1967)

Neil Gaiman photo
John Muir photo
Clive Staples Lewis photo
Han-shan photo
John Muir photo
Joan Miró photo
Barry Boehm photo
Phil Brooks photo

“Punk: [after hearing John Laurinaitis propose a WWE Championship match at Survivor Series against Alberto Del Rio] Okay, pardon me for not being all smiles, that's exactly what I want, but… what's the catch? You gonna make it a handicap match, or is Ricardo Rodriguez the special guest referee? No, are you gonna be the special guest ring announcer with your majestic voice?
Laurinaitis: Punk, there's only one thing you have to do.
Punk: There's one thing I have to do… for you. I have to do something for you to get a title shot? Let me guess—I gotta re-grip your skateboard, you need new ball bearings?
Laurinaitis: You know what, Punk? I know you don't like me, okay? And that's okay. I'm not playing the part of Executive Vice President of Talent Relations, I am the Executive Vice President of Talent Relations and the General Manager of Raw. So in order for me to make it official, you need to tell me in front of the WWE Universe that you respect me. Tell me that you respect me.
Punk: Are you Aretha Franklin? You want me to tell these people I respect you when I know clearly that you don't respect me 'cause I don't wear a bourgeois suit and I don't tow the company line? You wanna talk about respect? Respect, Johnny, is earned, it isn't just given. And you're gonna come out here and say that when you're in charge, this place… this place is just oh so run like a tight ship. Have you watched the product? We've got rings collapsing, you got Kevin Nash interfering in every other match of mine; this place isn't any better with you in charge. How's that for respect?
Laurinaitis: Punk, you're about to make a big mistake. Okay, swallow your pride, stand up like a man, and tell me that you respect me.
Punk: Okay. All right. Don't get hot. [Imitating Laurinaitis] I respect you, Funk-man. That all right? Was that good enough?
Laurinaitis: I tell you what, Punk. You've got one more chance to show me and tell me you respect me, and I mean it.
Punk: Okay, Mr. Laurinaitis, sir, Executive Vice President of Talent Relations and interim Raw General Manager. I respect you. I respect the fact that each week, you come out here in front of the millions of fans in the WWE Universe, live on the USA Network, with this awesome, completely lost deer-in-the-headlights look on your face; I respect the fact that you don't know how close to hold the microphone to your mouth when you speak; I respect the fact that you used to compete in this ring with your awesome Kentucky waterfall mullet, and you were never any good, but you somehow still ascended to the top of the WWE corporate structure, showing the world new-found levels of brown-nosery; but above all, I respect the fact that never before in this business has somebody with so little done so much! I respect you! How's that sound?! Does that sound good enough for you?!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 24, 2011
WWE Raw

Letitia Elizabeth Landon photo
Barry Boehm photo
Dana Gioia photo
David Frawley photo
John Muir photo
Roger Ebert photo

“Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

Harlan Ellison photo

“Griffin stood silently, watching the waterfall, sensing more than he saw, understanding more than even his senses could tell him.”

Harlan Ellison (1934–2018) American writer

Delusion for a Dragon Slayer (1966)
Context: Griffin stood silently, watching the waterfall, sensing more than he saw, understanding more than even his senses could tell him. This was, indeed, the Heaven of his dreams, a place to spend the rest of forever, with the wind and the water and the world another place, another level of sensing, another bad dream conjured many long times before. This was reality, an only reality for a man whose existence had been not quite bad, merely insufficient, tenable but hardly enriching. For a man who had lived a life of not quite enough, this was all there ever could be of goodness and brilliance and light. Griffin moved toward the falls.
The darkness grew darker.

Barry Boehm photo

“The stagewise and waterfall models.”

Barry Boehm (1935) American software engineer

As early as 1956, experience on large software systems such as the Semi-Automated Ground Environment (SAGE) had led to the recognition of these problems and to the development of a stagewise model to address them.
Source: A spiral model of software development and enhancement. (1988), p. 63

Russell Brand photo

“When people are content, they are difficult to maneuver. We are perennially discontent and offered placebos as remedies. My intention in writing this book is to make you feel better, to offer you a solution to the way you feel. I am confident that this is necessary. When do you ever meet people that are happy? Genuinely happy? Only children, the mentally ill, and daytime television presenters. My belief is that it is possible to feel happier, because I feel better than I used to. I am beginning to understand where the solution lies, primarily because of an exhausting process of trial and mostly error. My qualification to write a book on how to change yourself and change the world is not that I’m better than you, it’s that I’m worse. Not that I’m smarter, but that I’m dumber: I bought the lie hook, line, and sinker. My only quality has been an unwitting momentum, a willingness to wade through the static dissatisfaction that has been piped into my mind from the moment I learned language. What if that feeling of inadequacy, isolation, and anxiety isn’t just me? What if it isn’t internally engineered but the result of concerted effort, the product of a transmission? An ongoing broadcast from the powerful that has colonized my mind? Who is it in here, inside your mind, reading these words, feeling that fear? Is there an awareness, an exempt presence, gleaming behind the waterfall of words that commentate on every event, label every object, judge everyone you come into contact with? And is there another way to feel? Is it possible to be in this world and feel another way? Can you conceive, even for a moment, of a species similar to us but a little more evolved, that have transcended the idea that solutions to the way we feel can be externally acquired? What would that look like? How would that feel—to be liberated from the bureaucracy of managing your recalcitrant mind. Is it possible that there is a conspiracy to make us feel this way?”

Revolution (2014)

Chris Evans (actor) photo
Kim Stanley Robinson photo

“It was a world of acts, and words had no more influence on acts than the sound of a waterfall has on the flow of the stream.”

Kim Stanley Robinson (1952) American science fiction writer

Source: Red Mars (1992), Chapter 6, “Guns Under the Table” (p. 461)