Quotes about villa

A collection of quotes on the topic of villa, housing, house, likeness.

Quotes about villa

“I, Pancho Villa, was a loyal man that destiny brought the world to fight for the good of the poor and that I will never betray nor forget my duty.”

Pancho Villa (1878–1923) Mexican revolutionary

World, Fight, Forgetting

“I was obliged to retract, like a good Catholic, this opinion of mine; and as a punishment my dialogue was prohibited; and after five months being dismissed from Rome (at the time that the city of Florence was infected with plague), the habitation which with generous pity was assigned to me, was that of the dearest friend I had in Siena, Monsignor the Archbishop Piccolomini, whose most agreeable conversation I enjoyed with such quite and satisfaction of mind, that having there resumed my studies, I discovered and demonstrated a great number on the mechanical conclusions on the resistance of solids … after about five months, the pestilence having ceased, the confinement of that house was changed by His Holiness for the freedom of the country so agreeable to me, whence I returned to the villa of Bellosguardo, and afterwards to Arcetri, where I still breathe salubrious air near my dear native-country Florence. Stay sane.”

Galileo Galilei (1564–1642) Italian mathematician, physicist, philosopher and astronomer

Source: Letter to Fr. Vincenzo Renieri (c. 1633), p. 251-253

Study, Freedom, Change, Time

“Men will not forget that Pancho Villa was loyal to the cause of the people.”

Pancho Villa (1878–1923) Mexican revolutionary

As quoted in Pancho Villa: Rebel of the Mexican Revolution (2006) by Mary Englar

Men, People, Forgetting

“I am living at the Villa Borghese. There is not a crumb of dirt anywhere, nor a chair misplaced. We are all alone here and we are dead.”

Henry Miller book Tropic of Cancer

Source: Tropic of Cancer

Dead

“Kafka could never have written as he did had he lived in a house. His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he’d never have written a word.”

Alan Bennett (1934) English actor, author

Diary entry for June 27, 1988, p. 177.
Writing Home (1994)

Life, Housing

“Even today I wonder why those Germans didn't wait for me at the villa and send someone to look for me in Turin. It is because of their failure that I am still free and up here. Why I should have been saved and not Gallo, or Tono, or Cate, I don't know. Perhaps because I'm supposed to suffer for others? Because I'm the most useless and don't deserve anything, not even punishment? Because I went into a church that time? The experience of danger creates more cowards every day. It makes one stupid. I have reached the point of being alive only by chance, when many better men than I are dead, I don't like it, it's not enough. At time, after having listened to the useless radio and looked through the windows at the empty vineyards, I think that living by accident is not living, and I wonder if have really escaped.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

Source: The house on the hill (1949), Chapter 16, p. 144

Men, Stupidity, Failure, Thinking

“Villa could struggle to get fourth - and there’s stiff competition too from Liverpool, Everton…and, dare I say it…Man City!”

Simon Hill (1967) Australian television presenter

From Live Q&A with Simon Hill Fri 25 Jan 08
Quotes from His time at Foxsports

“It's the seed of life we carry about with us like our skeletons, each one of us unconsciously pregnant with desirable villa residences. There's no escape. As individuals we simply do not exist. We are just potential home builders, beavers, and ants. How do we come into being? What is birth?”

Evelyn Waugh book Decline and Fall

Part One, Chapter XII
Decline and Fall (1928)

Life, Home, Birth, Parting

“Out of the seventy movies I’ve written some ten of them were not entirely waste product. These were Underworld, The Scoundrel, Wuthering Heights, Viva Villa, Scarface, Specter of the Rose, Actors and Sin, Roman Holiday, Spellbound, Nothing Sacred.”

Ben Hecht (1894–1964) American screenwriter

from "Elegy for Wonderland", by Ben Hecht, Esquire Magazine, March 1959

Holiday

“Oh Brancepeth,’ said the girl, her voice trembling, ‘why haven’t you any money? If only you had the merest pittance - enough for a flat in Mayfair and a little weekend place in the country somewhere and a couple of good cars and a villa in the South of France and a bit of trout fishing on some decent river, I would risk all for love.”

P.G. Wodehouse book Lord Emsworth and Others

Lord Emsworth and Others (1937)

Love, Money, Cars, Girl

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

Gerald Durrell book My Family and Other Animals

My Family and Other Animals (1956)

Star, Flowers, Lying, Parent

“In the villa of Ormen, in the villa of Ormen
Stands a solitary candle, ah-ah, ah-ah
In the centre of it all, in the centre of it all
Your eyes”

David Bowie (1947–2016) British musician, actor, record producer and arranger

"Blackstar" · Video at YouTube https://www.youtube.com/watch?v=kszLwBaC4Sw <br class="br">Song lyrics, Blackstar (2016)

“But the dwellers in the country have little understanding of, and therefore little sympathy with, the longing for green fields which haunts the dweller in towns. The secret dream of almost every inhabitant in those dusky streets where even a fresh thought would scarcely seem to enter, is to realise an independence, and go and live in the country. Where is every holiday spent but in the country! What do the smoky geraniums, so carefully tended in many a narrow street and blind alley attest, but the inherent love of the country! To whom do the blooming and sheltered villas, which are a national feature in English landscape, belong, but to men who pass the greater part of their lives in small dim counting-houses! This love of nature is divinely given to keep alive, even in the most toiling and world-worn existence, something of the imaginative and the apart. It is a positive good quality; and one good quality has some direct, or indirect tendency to produce another.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Love, Men, Secret, World

“This was a wonderful role. I played a Sicilian baron. They had incredible locations, for instance this majestic castle, I couldn't believe how beautiful it was! We also shot a scene in Hadrian's Villa, in a place called Sanctuario di Ercole. I had a great costume - the costume designers also worked on Visconti's GATTOPARDO. It's a mystery to me why they wouldn't let the film out. It's terrible for an actor: You think you have a big break, then the film just rots on the shelf! Also, the director was a very likeable person, very calm on the set. A wonderful movie.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Beauty, Thinking, Personality

“I, Patrick, a sinner, a most simple countryman, the least of all the faithful and most contemptible to many, had for father the deacon Calpurnius, son of the late Potitus, a priest, of the settlement of Bannavem Taburniae; he had a small villa nearby where I was taken captive. I was at that time about sixteen years of age. I did not, indeed, know the true God; and I was taken into captivity in Ireland with many thousands of people, according to our deserts, for quite drawn away from God, we did not keep his precepts, nor were we obedient to our priests who used to remind us of our salvation. And the Lord brought down on us the fury of his being and scattered us among many nations, even to the ends of the earth, where I, in my smallness, am now to be found among foreigners.”

Saint Patrick (385–461) 5th-century Romano-British Christian missionary and bishop in Ireland

The Confession (c. 452?)

God, People, Age, Faith

“Class, conservatives insist, is not really about money or birth or even occupation. It is primarily a matter of authenticity, that most valuable cultural commodity. Class is about what one drives and where one shops and how one prays, and only secondarily about the work one does or the income one makes. What makes one a member of the noble proletariat is not work per se, but unpretentiousness, humility, and the rest of the qualities that our punditry claims to spy in the red states that voted for George W. Bush. The nation’s producers don’t care about unemployment or a dead-end life or a boss who makes five hundred times as much as they do. No. In red land both workers and their bosses are supposed to be united in disgust with those affected college boys at the next table, prattling on about French cheese and villas in Tuscany and the big ideas for running things that they read in books.This sounds like a complicated maneuver, but it should be quite familiar after all these years. We see it in its most ordinary, run-of-the-mill variety every time we hear a conservative pundit or politician deplore "class warfare"”

Thomas Frank book What's the Matter with Kansas?

meaning any talk about the failures of free-market capitalism — and then, seconds later, hear them rail against the "media elite" or the haughty, Volvo driving "eastern establishment."
Part II: The Fury Which Passeth All Understanding, Chapter Six: Persecuted, Powerless, and Blind (pp. 113-114).
What's the Matter with Kansas? (2004)

Life, Money, Boy, Idea

“I'm the first to admit that there's something unnatural… something unseemly… about rock stars mounting the pulpit and preaching at presidents, and then disappearing to their villas in the South of France. Talk about a fish out of water. It was weird enough when Jesse Helms showed up at a U2 concert… but this is really weird, isn't it?”

Bono (1960) Irish rock musician, singer of U2

National Prayer Breakfast (2006)

Star, Fish, Water

“villas with columns in different styles [in Louisiana, America] painted white, in gardens of magnolias, orange trees, banana trees, negroes in old clothes like characters from La Belle Jardiniere.... rosy white children in black [negro] arms.... a brilliant light which streams my eyes.... the Negresses of all shades, holding in their arms little white babies, so white, against white houses with columns of fluted wood and in gardens of orange trees.”

Edgar Degas (1834–1917) French artist

quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

Children, Quotes, Tree, Light

“When we all got back to camp, our General communicated by heliograph through a distant mountain top with Sir valley and lay it waste with fire and sword in vengeance. This accordingly we did, but with great precautions. We proceeded systematically, village by village, and we destroyed the houses, filled up the wells, blew down the towers, cut down the great shady trees, burned the crops and broke the reservoirs in punitive devastation. So long as the villages were in the plain, this was quite easy. The tribesmen sat on the mountains and sullen watched the destruction of their homes and means of livelihood. When however we had to attack the villas on the sides of the mountains they resisted fiercely, and we lost for every village two or three British officers and fifteen or twenty native soldiers. Whether it was worth it, I cannot tell. At any rate, at the end of a fortnight the valley was a desert, and honour was satisfied.”

Winston S. Churchill book My Early Life

My Early Life: A Roving Commission (1930)
Source: https://books.google.com/books?id=ooFGl74WbXsC&pg=PT149

Home, Mountain, Communication, Tree

“On the whole [the alignment of a series of stained glass windows with the interior of a villa in The Hague] I have thought about all the time... I want to focus more on the architecture of the interior in general and that should we do together [with architect Buys]... Now I was already thinking, the enormous color effect that the window will generate - and that will certainly become powerful - must be accompanied with strong colors - the hall -, otherwise the window itself will be too much isolated. For instance the staircase, could it be painted in strong colors and not [in] oak.... deep ultramarine blue or green, with a beautiful colorful carpet.... I feel I must make designs for carpets, to create in that way a beautiful unity with the stained glass as a whole.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jacoba van Heemskerck, in het Nederlands: Over het geheel [de afstemming van een serie aan Jacoba opgedragen glasramen met het interieur van een villa in Den Haag] heb ik steeds loopen denken.. ..ik wil mij veel meer op de architectuur van het binnenhuis in het algemeen toeleggen en dat moeten wij samen doen [met architect Buys].. .Nu heb ik al gedacht het enorme kleur-effekt dat het raam zal maken en dat zal zeker machtig werken, moet gedragen worden door sterke kleuren - de hal - anders staat het teveel alleen; zou de trap b.v. in de verf een sterke kleur kunnen krijgen en niet [in] eikenhout.. ..diep ultramarijn blauw of groen en dan een prachtige kleurige loper.. ..ik voel dat ik ontwerpen voor tapijten moet maken om zoo met het glas in lood een mooi geheel te hebben.
Quote in een brief van Jacoba aan architect J. Buys, 28 April 1920 in archief N.D.B., Amsterdam; as cited by Herbert Henkels, in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 42
1920's

Beauty, Color, Way, Feeling