Quotes about television
page 7

Ken Thompson photo

“The press, television, and movies make heroes of vandals by calling them whiz kids.”

Ken Thompson (1943) American computer scientist, creator of the Unix operating system

"Reflections on Trusting Trust" http://cm.bell-labs.com/who/ken/trust.html, 1983 Turing Award Lecture http://cm.bell-labs.com/who/ken/trust.html,Communications of the ACM 27 (8), August 1984, pp. 761-763.
Context: The press, television, and movies make heroes of vandals by calling them whiz kids.... There is obviously a cultural gap. The act of breaking into a computer system has to have the same social stigma as breaking into a neighbor's house. It should not matter that the neighbor's door is unlocked.

Phil Ochs photo

“Before the days of television and mass media, the folksinger was often a traveling newspaper spreading tales through music.”

Phil Ochs (1940–1976) American protest singer and songwriter

Introduction to "(The Marines Have Landed on the Shores of) Santo Domingo," Phil Ochs in Concert (1966)
Context: Before the days of television and mass media, the folksinger was often a traveling newspaper spreading tales through music. There is an urgent need for Americans to look deeply into themselves and their actions, and musical poetry is perhaps the most effective mirror available. Every newspaper headline is a potential song.

Douglas Adams photo

“The kid was deliberately and maliciously watching television at him.”

Source: The Long Dark Tea-Time of the Soul (1988), Ch. 6
Context: Dirk was unused to making such a minuscule impact on anybody. He checked to be sure that he did have his huge leather coat and his absurd red hat on and that he was properly and dramatically silhouetted by the light of the doorway.
He felt momentarily deflated and said, "Er..." by way of self-introduction, but it didn't get the boy's attention. He didn't like this. The kid was deliberately and maliciously watching television at him.

Art Buchwald photo

“Every time you think television has hit its lowest ebb, a new…program comes along to make you wonder where you thought the ebb was.”

Art Buchwald (1925–2007) journalist, humorist, United States Marine

Have I Ever Lied to You? (1968).

“Children come to school having been deeply conditioned by the biases of television.”

Neil Postman (1931–2003) American writer and academic

Technopoly: the Surrender of Culture to Technology (1992)
Context: In the United States, we can see such collisions everywhere... but... most clearly in the schools, where two great technologies confront each other in uncompromising aspect for the control of students' minds. On the one hand, there is the world of the printed word with its emphasis on logic, sequence, history, exposition, objectivity, detachment, and discipline. On the other there is the world of television with its emphasis on imagery, narrative, presentness, simultaneity, intimacy, immediate gratification, and quick emotional response. Children come to school having been deeply conditioned by the biases of television.... children who cannot organize their thought into logical structure even in a simple paragraph, children who cannot attend to lectures or oral explanations for more than a few minutes at a time... They are failures because there is a media war going on, and they are on the wrong side — at least for the moment.

Howard Zinn photo

“It is easy to become discouraged observing this, especially since this is what the press and television insist that we look at, and nothing more.
But there is also the bubbling of change under the surface of obedience: the growing revulsion against endless wars, the insistence of women all over the world that they will no longer tolerate abuse and subordination…”

1999 edition, p. 661
A People's History of the United States (1980)
Context: There is the past and its continuing horrors: violence, war, prejudices against those who are different, outrageous monopolization of the good earth's wealth by a few, political power in the hands of liars and murderers, the building of prisons instead of schools, the poisoning of the press and the entire culture by money. It is easy to become discouraged observing this, especially since this is what the press and television insist that we look at, and nothing more.
But there is also the bubbling of change under the surface of obedience: the growing revulsion against endless wars, the insistence of women all over the world that they will no longer tolerate abuse and subordination… There is civil disobedience against the military machine, protest against police brutality directed especially at people of color.

Alan Moore photo

“Hollywood, television and film is not my prime area of interest.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)
Context: Hollywood, television and film is not my prime area of interest. Because I would never have any control, working in those areas. It’s nice to get the money from a Hollywood project, but whatever they do with it, it would be their piece of work, and not mine.

Chuck Palahniuk photo

“No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted.”

Source: Lullaby (2002), Chapter 3
Context: No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline

Alan Moore photo

“Reality, at first glance, is a simple thing: the television speaking to you now is real.”

Alan Moore (1953) English writer primarily known for his work in comic books

What Is Reality?
Context: Reality, at first glance, is a simple thing: the television speaking to you now is real. Your body sunk into that chair in the approach to midnight, a clock ticking at the threshold of awareness. All the endless detail of a solid and material world surrounding you. These things exist. They can be measured with a yardstick, a voltammeter, a weighing scale. These things are real.

Edward R. Murrow photo

“This instrument can teach, it can illuminate; yes, and even it can inspire. But it can do so only to the extent that humans are determined to use it to those ends. Otherwise it's nothing but wires and lights in a box. There is a great and perhaps decisive battle to be fought against ignorance, intolerance and indifference. This weapon of television could be useful.”

Edward R. Murrow (1908–1965) Television journalist

RTNDA Convention Speech (1958)
Context: This instrument can teach, it can illuminate; yes, and even it can inspire. But it can do so only to the extent that humans are determined to use it to those ends. Otherwise it's nothing but wires and lights in a box. There is a great and perhaps decisive battle to be fought against ignorance, intolerance and indifference. This weapon of television could be useful.
Stonewall Jackson, who knew something about the use of weapons, is reported to have said, "When war comes, you must draw the sword and throw away the scabbard." The trouble with television is that it is rusting in the scabbard during a battle for survival.

Alan Watts photo

“Furthermore, the younger members of our society have for some time been in growing rebellion against paternal authority and the paternal state. For one reason, the home in an industrial society is chiefly a dormitory, and the father does not work there, with the result that wife and children have no part in his vocation. He is just a character who brings in money, and after working hours he is supposed to forget about his job and have fun. Novels, magazines, television, and popular cartoons therefore portray "Dad" as an incompetent clown. And the image has some truth in it because Dad has fallen for the hoax that work is simply something you do to make money, and with money you can get anything you want.
It is no wonder that an increasing proportion of college students want no part in Dad's world, and will do anything to avoid the rat-race of the salesman, commuter, clerk, and corporate executive. Professional men, too—architects, doctors, lawyers, ministers, and professors—have offices away from home, and thus, because the demands of their families boil down more and more to money, are ever more tempted to regard even professional vocations as ways of making money. All this is further aggravated by the fact that parents no longer educate their own children. Thus the child does not grow up with understanding of or enthusiasm for his father's work. Instead, he is sent to an understaffed school run mostly by women which, under the circumstances, can do no more than hand out mass-produced education which prepares the child for everything and nothing. It has no relation whatever to his father's vocation.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 111

Robert F. Kennedy photo

“We glorify killing on movie and television screens and call it entertainment.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

On the Mindless Menace of Violence (1968)
Context: Yet we seemingly tolerate a rising level of violence that ignores our common humanity and our claims to civilization alike. We calmly accept newspaper reports of civilian slaughter in far-off lands. We glorify killing on movie and television screens and call it entertainment. We make it easy for men of all shades of sanity to acquire whatever weapons and ammunition they desire.

Michael Moore photo

“I think filmmakers are wrong about this. I think sharing's a good thing. … They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

On the posting of his film SiCKO on the Internet, prior to its official release, as quoted in "Michael Moore Takes on His Pirates!" by Edward Douglas (19 June 2007) http://www.comingsoon.net/news/movienews.php?id=21141
2007
Context: The film that's leaked onto the Internet is not taken at a movie theatre with a little home video camera, right? The way it's usually done? This is an inside job... Now, if you were a police detective, one of the first questions you'd ask is motive. Who has a vested interest in destroying the opening weekend's box office of this movie? If I were the police or the FBI investigating this felony that's taken place, that's where I would look.
Having said that, I'm glad that people were able to see my movie. … I'm not a big believer in our copyright laws. I think they're way too restrictive. … I've never supported this concept of going after Napster. I think the rock bands who fought this were wrong. I think filmmakers are wrong about this. I think sharing's a good thing. … They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't. People want to get out of the house and go to the movies! Nothing's ever going to kill that, and I really hope people will do that on opening weekend.

P. J. O'Rourke photo
Reza Pahlavi photo

“I remember sometimes growing up I would feel ashamed of my mom or my dad if they came to pick us up at school, because they never looked like all the other mothers and fathers; they were always dirty because they had been out in the fields, drove in to pick us up at 3:00 so we could go to work…So I remember when I heard Chávez speak, when I saw him on television, I remember thinking that my mom and dad had actually contributed to the wealth of this country and I shouldn’t feel embarrassed by them or feel bad for them.”

Malaquías Montoya (1938) American artist

On how his viewpoint of his parents changed after the advent of César Chávez (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)

Benjamin Bratt photo

“Television has lapped theater in a lot of storytelling techniques — realism, depth of character, complicated storytelling…What we have that’s different in the theater is the audience in the space with us. And I’m not interested in ignoring the space between us.”

Kristoffer Diaz American writer

On how theater differs from television in “Playwright Kristoffer Diaz steps into the ring” https://www.latimes.com/entertainment/la-xpm-2011-aug-21-la-ca-chad-deity-20110821-story.html in the Los Angeles Times (2011 Aug 21)

“If you’re a playwright who doesn’t want to do people-on-a-couch plays, there are not a lot of avenues…You can go and do television, or you can stay and fight with organizations that aren’t really equipped to support work by people of color or experiment with form.”

Kristoffer Diaz American writer

On experimenting as a playwright in “Playwright Kristoffer Diaz steps into the ring” https://www.latimes.com/entertainment/la-xpm-2011-aug-21-la-ca-chad-deity-20110821-story.html in the Los Angeles Times (2011 Aug 21)

“Television is art by committee…I’m lucky to have worked on some really interesting shows, but in film, you’re there to fulfill the director’s vision. If you get to work with great directors, you become a vehicle for that work.”

Raúl Castillo (1977) American actor, writer

On television versus film work in “After ‘Looking’ and ‘We the Animals,’ Raul Castillo Is Ready to Be a Movie Star” https://www.indiewire.com/2019/01/raul-castillo-interview-we-the-animals-looking-1202029967/ in IndieWire (2019 Jan 2)

Vladimir Putin photo
Zhao Ziyang photo

“Shortly before 5 am on 19 May, Zhao appeared in Tiananmen Square and wandered among the crowd of protesters. Using a bullhorn, he delivered a now-famous speech to the students gathered at the square. It was first broadcast through China Central Television nationwide. Here is a translated version.”

Zhao Ziyang (1919–2005) former General Secretary of the Communist Party of China

Source: Zhao Ziyang's Tiananmen Square speech, Chua, Dan-Chyi, February 2009, Asia! Magazine, 23 June 2009 http://www.theasiamag.com/cheat-sheet/zhao-ziyangs-tiananmen-square-speech,; also available in the original Chinese at Archived copy, 23 June 2009, yes, https://web.archive.org/web/20090523155929/http://www.chengmingmag.com/t285/select/285sel06.html, 23 May 2009, dmy-all http://www.chengmingmag.com/t285/select/285sel06.html, (broken link)

Lucy Liu photo

“Growing up as somebody from another country, really, not what you see on television, I never saw myself in the forefront, ever. We were always in the background.”

Lucy Liu (1968) American actress and model

On the lack of Asian American representation on television in “The Evolution of Lucy Liu” https://www.cbsnews.com/news/the-evolution-of-lucy-liu-elementary/ in CBS News (2017 May 7)

Lucy Liu photo

“The lack of predictability with television is something that’s constantly changing what your perception of who you think your character is…”

Lucy Liu (1968) American actress and model

On how television differs from Liu’s other acting ventures in “Lucy Liu’s Independent Woman” https://www.interviewmagazine.com/culture/lucy-liu-elementary in Interview Magazine (2014 Oct 30)

Michael Parenti photo
Michael Parenti photo
Carl Sagan photo
Harold Wilson photo
Jair Bolsonaro photo
Benjamin Creme photo
Joseph Heller photo
Lucius Shepard photo

“And then along came Satan’s Eye Itself. Television.”

He laughed, as at some fatal irony. “Don’t you hear the evil hum of the word, the knell of Satan? Television! It’s the ruling character of your lives, like the moon must have been for Indians. An oracle, a companion, a signal of the changing seasons. But rather than divine illumination, each night it spews forth Satan’s imagery. Murders, car crashes, mad policemen, perverted strangers! And you lie there decomposing in its flickering, blue-gray light, absorbing His horrid fantasies!”
Source: Green Eyes (1984), Chapter 10, p. 115

Carole Morin photo
Thomas M. Disch photo
Joyce Carol Oates photo

“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!”

that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms — nothing more. A quick switch of the dial and they disappeared and who could lament the loss?
You Must Remember This (1987), pt. 1, ch. 13

Russell Brand photo

“When people are content, they are difficult to maneuver. We are perennially discontent and offered placebos as remedies. My intention in writing this book is to make you feel better, to offer you a solution to the way you feel. I am confident that this is necessary. When do you ever meet people that are happy? Genuinely happy? Only children, the mentally ill, and daytime television presenters. My belief is that it is possible to feel happier, because I feel better than I used to. I am beginning to understand where the solution lies, primarily because of an exhausting process of trial and mostly error. My qualification to write a book on how to change yourself and change the world is not that I’m better than you, it’s that I’m worse. Not that I’m smarter, but that I’m dumber: I bought the lie hook, line, and sinker. My only quality has been an unwitting momentum, a willingness to wade through the static dissatisfaction that has been piped into my mind from the moment I learned language. What if that feeling of inadequacy, isolation, and anxiety isn’t just me? What if it isn’t internally engineered but the result of concerted effort, the product of a transmission? An ongoing broadcast from the powerful that has colonized my mind? Who is it in here, inside your mind, reading these words, feeling that fear? Is there an awareness, an exempt presence, gleaming behind the waterfall of words that commentate on every event, label every object, judge everyone you come into contact with? And is there another way to feel? Is it possible to be in this world and feel another way? Can you conceive, even for a moment, of a species similar to us but a little more evolved, that have transcended the idea that solutions to the way we feel can be externally acquired? What would that look like? How would that feel—to be liberated from the bureaucracy of managing your recalcitrant mind. Is it possible that there is a conspiracy to make us feel this way?”

Revolution (2014)

Camille Paglia photo

“Films of the mating behavior of most other species — a staple of public television of America — demonstrate that the female chooses.”

Camille Paglia (1947) American writer

Males pursue, show off, brawl, scuffle, and make general fools of themselves for love. A major failing of most feminist ideology is its dumb, ungenerous stereotyping of men as tyrants and abusers, when in fact — as I know full well from my own mortifying lesbian experience — men are tormented by women’s flirtatiousness and hemming and hawing, their manipulations and changeableness, their humiliating rejections. Cock teasing is a universal reality. It is part of women’s merciless testing and cold-eyed comparison shopping for potential mates. Men will do anything to win the favor of women.
Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 35

Mike Rosen photo

“Television is to news as a bumper sticker is to Shakespeare. I remember hearing an analogy once that went something like that. Your typical nightly, 35-minute TV news broadcast is a headline service with pictures. Five minutes of police-blotter reporting - fires, murders, car accidents, etc.”

Mike Rosen (1944) American political pundit

five minutes of human-interest stories and small talk, five minutes of weather, five minutes of sports, ten minutes of commercials, and maybe a minute or two for business, science, politics, and affairs of the world.
July 3, 1998 Denver Post column

Haruki Murakami photo
Robert Greene photo
Noah Levine photo

“The inner revolution will not be televised or sold on the Internet. It must take place within one's own mind and heart.”

Noah Levine (1971) American Buddhist teacher

Dharma Punx: A Memoir (2003)

David Sedaris photo

“I Photo Elfed all day for a variety of Santas and it struck me that many of the parents don't allow their children to speak at all. A child sits upon Santa's lap and the parents say, 'All right now, Amber, tell Santa what you want. Tell him you want a Baby Alive and My Pretty Ballerina and that winter coat you saw in the catalog.'
The parents name the gifts they have already bought. They don't want to hear the word 'pony' or 'television set,' so they talk through the entire visit, placing words in the child's mouth. When the child hops off the lap, the parents address their children, each and every time, with, 'What do you say to Santa?'
The child says, 'Thank you, Santa.'”

It is sad because you would like to believe that everyone is unique and then they disappoint you every time by being exactly the same, asking for the same things, reciting the exact same lines as though they have been handed a script.
All of us take pride and pleasure in the fact that we are unique, but I'm afraid that when all is said and done the police are right: it all comes down to the fingerprints.
Essay, "Santaland diaries" - p.233-234, 235
Barrel Fever (1994)

Marilyn Ferguson photo

“Hey! Heey! Heey! Heeey! Disgraced Satan television!”

Luiz Carlos Alborghetti (1945–2009) Italian-Brazilian radio commenter, showman and political figure

Original: (pt) Ei! Eei! Eeei! Eeeei! Desgraça de televisão do Satanás!

quote he angrily shouts when he is told of a technical failure in the studio

Willie Mays photo

“Any time I'm not playing, I watch the game at home on television. That way I can relax and if I decide to make a catch off my playroom wall, nobody is the wiser.”

Willie Mays (1931) Baseball player

Regarding his decision not to attend Game 1 of the 1960 World Series, despite having been in Pittsburgh the previous day for a TV appearance; as quoted in "Change of Pace" by Bill Nunn, Jr., in The Pittsburgh Courier (October 15, 1960), p. 25

Benjamin Creme photo
Ken Thompson photo

“The press, television, and movies make heroes of vandals by calling them whiz kids. ... There is obviously a cultural gap. The act of breaking into a computer system has to have the same social stigma as breaking into a neighbor's house. It should not matter that the neighbor's door is unlocked.”

Ken Thompson (1943) American computer scientist, creator of the Unix operating system

"Reflections on Trusting Trust" http://delivery.acm.org/10.1145/360000/358210/reflections.pdf, 1983 Turing Award Lecture, Communications of the ACM 27 (8), August 1984, pp. 761-763.

Brooke Nevin photo
Dan Hartman photo

“Creativity is an interesting thing…You can sit back, have a glass of wine, watch some television…and get a terrific idea of what you want to do…The great thing about being at home is that as soon as you get an idea you can put a mike at the piano and record it. That way you don’t lose the vibes, and you don’t have to worry about finishing before the studio’s next booking arrives…”

Dan Hartman (1950–1994) American singer, songwriter, guitarist, keyboardist, record producer

Source: On how he intended the “The Schoolhouse” to work for the artist in “Hartman’s Little Schoolhouse Haven for Aspiring Musicians” https://books.google.com/books?id=_CMEAAAAMBAJ&pg=PT66&dq in Billboard (1981 Aug 15)

Isabel Lucas photo

“Really, honestly, the hours in network television are insane, it’s like sixteen hours a day, fifteen hours a day. Sometimes six days a week. And it’s been like three and a half months of doing that. That’s why I get very protective of my weekends because I have so much dialog to learn and have very little time to sleep and be a normal human.”

Isabel Lucas (1985) Australian actress

Isabel Lucas talks ‘The Osiris Child’ and being no stranger to special effects. https://scifimonkeys.com/2017/11/14/isabel-lucas-talks-the-osiris-child-and-being-no-stranger-to-special-effects-interview/ (November 14, 2017)

Victoria Wood photo

“People think I hate sex. I don’t. I just don’t like things that stop you seeing the television properly.”

Victoria Wood (1953–2016) British comedian

Source: https://inews.co.uk/light-relief/jokes/victoria-wood-jokes-146280

Robbie Coltrane photo

“The people who are involved in the development of making films and television are not necessarily the most imaginative of people, to be honest. Well, they're not! I'm not being generically rude. But it's just a fact.”

Robbie Coltrane (1950–2022) Scottish actor

Source: Robbie Coltrane: 'I take no nonsense' https://www.theguardian.com/film/2012/nov/09/robbie-coltrane-interview-great-expectations (9 November 2012)

William Gibson photo
William Gibson photo
William Gibson photo
Mary Ruwart photo
Sara Shane photo

“All the experience I had in television, radio, theater, stage and films gave me confidence in front of crowds. Because of that, I can talk to an audience of a thousand people without a moment's nervousness, and talk without a script for hours.”

Sara Shane (1928–2022) American actress

Interview with Elaine Hollingsworth https://web.archive.org/web/20071003020618/http://www.tarzan.cc/int-sarashane.html (July 9, 2007)

Walter Cronkite photo

“On television, I tried to absolutely hew to the middle of the road and not show any prejudice or bias in any way.”

Walter Cronkite (1916–2009) American broadcast journalist

Free the Airwaves! (2002)

Kenji Sahara photo
Penn Badgley photo

“I think especially television is a conversation between the writer and the audience, and they're bringing all of their humanity to it. The actors are really just this conduit in the middle, who everybody kind of thinks of like the player, but no, we're really the instrument.”

Penn Badgley (1986) American actor and musician

Source: "Penn Badgley Explores Joe Goldberg's 'Primal' Parenting In You Season 3" in ELLE https://www.elle.com/culture/movies-tv/a37886117/penn-badgley-you-season-3-interview/ (18 October 2021)

Arthur C. Clarke photo

“Once you asked me about crime nowadays - I said any such interest pathological - maybe prompted by the endless sickening television programmes of your time - never able to watch more than few minutes myself... disgusting!”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

Source: 1990s, 3001: The Final Odyssey (1997)

Scott Adams photo
Gong Yoo photo

“As long as you have a television screen or a streamer, we are living in an era where we can connect and enjoy any content from any place around the world very easily.”

Gong Yoo (1979) South Korean actor

Source: "Gong Yoo Opens Up On K-content Success Across The World As 'The Silent Sea' Hits Netflix" https://www.republicworld.com/entertainment-news/rest-of-the-world/gong-yoo-opens-up-on-k-content-success-across-the-world-as-the-silent-sea-hits-netflix.html (24 December 2021)

David Letterman photo

“All right, that's pretty much all I got. The only thing I have left to do, for the last time on a television program: Thank you and good night.”

David Letterman (1947) American comedian and actor

Source: Final sign-off at end of final show, Late Night with David Letterman (20 May 2015).

Dmitry Muratov photo
Walt Disney photo

“I always like to look on the optimistic side of life, but I am realistic enough to know that life is a complex matter. With the laugh comes the tears and in developing motion pictures or television shows, you must combine all the facts of life — drama, pathos and humor.”

Walt Disney (1901–1966) American film producer and businessman

Source: Year unknown, published in 2004, How to Be Like Walt : Capturing the Magic Every Day of Your Life (2004), Ch. 1 : It All Started with a Boy, p. 16

“Today, the image always comes first, and it is enough to look at the women on our television to realize it. I don't want to make a bundle of all the grass, but having a nice and seductive image is necessary. I don't even know if it is wrong: a beautiful woman is right to be appreciated also for her own aesthetics. The problem occurs when, at an audition and with the same talent, the girl with the dress is taken instead of the girl in the suit. I realized I had a weapon available, my body, and I decided to use it. It is wrong, however, that talent alone is not enough.”

Paola Di Benedetto (1995) Italian showgirl, model, television presenter and radio host

Original: (it) L'immagine, oggi, arriva sempre prima, ed è sufficiente guardare le donne della nostra televisione per rendersene conto. Non voglio fare di tutta l'erba un fascio, ma avere un'immagine piacente e seducente è necessario. Non so neanche dire se sia sbagliato: una donna bella è giusto si faccia apprezzare anche per la propria estetica. Il problema subentra quando, ad un provino e a parità di talento, viene presa la ragazza con il vestitino al posto della ragazza in tailleur. Io ho capito di aver a disposizione un’arma, il mio corpo, e ho deciso di sfruttarla. È sbagliato, però, che il solo talento non sia sufficiente.
Source: From the interview with de Claudia Casiraghi, Paola Di Benedetto: La bellezza aiuta, ma non basta https://www.vanityfair.it/people/italia/2020/12/07/paola-di-benedetto-oltre-il-corpo-libro-se-ci-credi-interviste, vanitifayr.it, 7 December 2020.

Ashley Eckstein photo