Quotes about surface (810 quotes, page 5)

“Roll a ball under your hand on a table and roll a pencil in the same manner. What you feel are "point" and "line" bearings. But to understand what mechanics mean by a surface "bearing," grasp a pencil in your hand and use your other hand to make it turn as a piece of shafting. Now, the lower half of the shaft is supported everywhere by contact with your hand — the upper half is not supported, merely covered. The advantages of ball and roller bearings were obvious many years ago to mechanical people… Solid steel rollers, being inflexible, were not satisfactory at that stage, but a Hyatt flexible roller bearing was different. We had something. Our spirally wound tube roller had a springlike quality, yielded to irregularities caused by poor manufacture, thus making automatic adjustments between housing and bearing.”

Alfred P. Sloan (1875–1966) American businessman

Source: Adventures of a White-Collar Man. 1941, p. 13-14, as cited in: William Pelfrey (2006), Billy, Alfred, and General Motors: The Story of Two Unique Men, a Legendary Company, and a Remarkable Time in American History. p. 30-31; Sloan describing the Hyatt roller bearing product;

People , Feeling , Understanding , Support

“postmodern warfare thus has many of the characteristics of what economists call post-Fordist production: it is based on both mobility and flexibility; it intergrates intelligence, information, and immaterial labor; it raises power up by extending militarization to the limits of outer space, across the surfaces of the earth, and to the depths of the oceans.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

40
Multitude: War and Democracy in the Age of Empire

Intelligence

“If you try to imagine, as nearly as you can, what an amount of misery, pain and suffering of every kind the sun shines upon in its course, you will admit that it would be much better if, on the earth as little as on the moon, the sun were able to call forth the phenomena of life; and if, here as there, the surface were still in a crystalline state.”

Arthur Schopenhauer book Parerga and Paralipomena

"On the Sufferings of the World"
Parerga and Paralipomena (1851), Studies in Pessimism

Life , Pain , Imagination , Suffering

“Sometimes I wonder, laying in a great black stripe on a canvas, what animal bones (or horns) are making the furrows of my picture… black grows deeper and deeper, darker and darker before me. It menaces me like a black gullet. I can bear it no longer. It is monstrous. It is unfathomable. As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.”

Hans Hofmann (1880–1966) American artist

Robert Motherwell, in a catalog note to the show Black or White (1950)
Misattributed

Animals , Drawing

“Though I myself am an atheist, I openly profess religion in the sense just mentioned, that is, a nature religion. I hate the idealism that wrenches man out of nature; I am not ashamed of my dependency on nature; I openly confess that the workings of nature affect not only my surface, my skin, my body, but also my core, my innermost being, that the air I breathe in bright weather has a salutary effect not only on my lungs but also on my mind, that the light of the sun illumines not only my eyes but also my spirit and my heart. And I do not, like a Christian, believe that such dependency is contrary to my true being or hope to be delivered from it. I know further that I am a finite moral being, that I shall one day cease to be. But I find this very natural and am therefore perfectly reconciled to the thought.”

Ludwig Feuerbach (1804–1872) German philosopher and anthropologist

Lecture V, R. Manheim, trans. (1967), pp. 35-36
Lectures on the Essence of Religion http://www.marxists.org/reference/archive/feuerbach/works/lectures/index.htm (1851)

Hate , Religion , Hope , Nature

“Reason teaches us that we must be united in will, united in thought, and that we might have strength to search out the reigning evil in our Nation. This is the time for the light of truth to surface; this is the time for us to show that we have our own sentiments, have honour, have shame, and have solidarity.”

Andrés Bonifacio (1863–1897) Filipino nationalist and revolutionary

Quoted in: " Talumpati ni Pangulong Aquino sa pagdiriwang ng anibersaryo ng Araw ng Kalayaan, ika-12 ng Hunyo 2013 http://www.gov.ph/2013/06/12/talumpati-ni-pangulong-aquino-sa-pagdiriwang-ng-anibersaryo-ng-araw-ng-kalayaan-ika-12-ng-hunyo-2013/." on gov.ph. June 12, 2013.

Truth , Search , Light , Evil

““You ask a question that cannot be answered without knowing the nature of the primal chaos from which being arose. Is Spiral Castle like a crystal, once shattered, forever destroyed? That is what I prefer to believe. Or is it like a still pond, whose mirrored surface may be shattered and churned, but which will inevitably restore itself as the waves die down? You may believe this if you choose. You can even believe—why not?—that the restored universe will be an improvement on the old. For me, so long as I have my vengeance I care not what comes after.”
“And us?”
“We die.” An involuntary rise in the dragon’s voice, a slight quickening of cadence, told her that she had touched upon some unclean hunger akin to but less seemly than battle-lust. “We die beyond any chance of rebirth. You and I and all we have known will cease to be. The worlds that gave us birth, the creatures that shaped us—all will be unmade. So comprehensive will be their destruction that even their pasts will die with them. It is an extinction beyond death that we court. Though the ages stretch empty and desolate into infinity and beyond, there will be none to remember us, nor any to mourn. Our joys, sorrows, struggles, will never have been.
“And even if there is a universe to come, it will know naught of us.””

Michael Swanwick book The Iron Dragon's Daughter

Source: The Iron Dragon's Daughter (1993), Chapter 19 (pp. 340-341)

Death , Hunger , Age , World

“We speak of concrete and not abstract painting because nothing is more concrete, more real then a line, a colour, a surface. A woman, a tree, a cow; are these concrete elements in a painting? No. A woman, a tree and a cow are concrete only in nature; in painting they are abstract, illusionistic, vague and speculative. However, a plane is a plane, a line is a line and no more or no less than that. 'Concrete paintin.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Spirit has arrived at the age of maturity...
Quote in 'Comments on the basic of concrete painting', Paris, January 1930, in 'Art Concret', April 1930, pp. 2–4
1926 – 1931

Age , Nature , Tree , Painting

“The Hiroshima people’s experience, is a picture of what our whole world is always poised to become, a backdrop of scarcely imaginable horror lying just behind the surface of our normal life, and capable of breaking through into that normal life at any second.”—The New Yorker, February 1, 1982.”

Jonathan Schell (1943–2014) American author

Life , People , World , Imagination

“The longer a line, the more of the time element it contains. Distance is time whereas a surface is apprehended more in terms of the moment.”

Paul Klee (1879–1940) German Swiss painter

Exact Experiments in the Realm of Art (1927)
1921 - 1930

Time

“Automatic computers have now been with us for a quarter of a century. They have had a great impact on our society in their capacity of tools, but in that capacity their influence will be but a ripple on the surface of our culture, compared with the much more profound influence they will have in their capacity of intellectual challenge without precedent in the cultural history of mankind.”

Edsger W. Dijkstra (1930–2002) Dutch computer scientist

Dijkstra (1972) The Humble Programmer http://www.cs.utexas.edu/users/EWD/transcriptions/EWD03xx/EWD340.html (EWD340).
1970s

History

“It seems that the first consideration of a painter who stands before the white canvas should be to decide what curves and arabesques should cut the surface, what tints and tones should cover it... Following the precepts of Delacroix he would not begin a composition until he had first determined its organization. Guided by tradition and by science, he would adjust the composition to his conception, that is to say he would adapt the lines (directions and angles), the chiaroscuro (tones), the colors (tints), to the traits he wished to make dominant.”

Paul Signac (1863–1935) French painter

Chapt. III.; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 21
From Delacroix to Neo-Impressionism, 1899

Color , Science

“The cycle of the machine is now coming to an end. Man has learned much in the hard discipline and the shrewd, unflinching grasp of practical possibilities that the machine has provided in the last three centuries: but we can no more continue to live in the world of the machine than we could live successfully on the barren surface of the moon.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

Source: The Culture of Cities (1938), Ch. 7, sct. 16

World , Learning

“[T]he space constant K… "curvature" may in principle at least be determined by measurement on the surface, without recourse to its embodiment in a higher dimensional space.”

Howard P. Robertson (1903–1961) American mathematician and physicist

Geometry as a Branch of Physics (1949)

“If so, her motion must be influenced by it; perhaps she is retained in her orbit thereby. However, though the power of gravity is not sensibly weakened in the little change of distance, at which we can place ourselves from the centre of the earth, yet it is very possible that, so high as the moon, this power may differ much in strength from what it is here. To make an estimate what might be the degree of this diminution, he considered with himself that, if the moon be retained in her orbit by the force of gravity, no doubt the primary planets are carried round the sun by the like power. And, by comparing the periods of the several planets with their distances from the sun, he found that if any power like gravity held them in their courses, its strength must decrease in the duplicate proportion of the increase of distance. This he concluded by supposing them to move in perfect circles concentrical to the sun, from which the orbits of the greatest part of them do not much differ. Supposing therefore the power of gravity, when extended to the moon, to decrease in the same manner, he computed whether that force would be sufficient to keep the moon in her orbit. In this computation, being absent from books, he took the common estimate, in use among geographers and our seamen before Norwood had measured the earth, that 60 English miles were contained in one degree of latitude on the surface of the earth. But as this is a very faulty supposition, each degree containing about 691/2 of our miles, his computation did not answer expectation; whence he concluded, that some other cause must at least join with the action of the power of gravity on the moon. On this account he laid aside, for that time, any farther thoughts upon this matter.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 50-51
Preface to View of Newton's Philosophy, (1728)

Books , Change , Time , Sun

“The essence of U. S. military predominance in the world is, ultimately, the fact that it can, at will, drop bombs, with only a few hours' notice, at absolutely any point on the surface of the planet. No other government has ever had anything remotely like this sort of capability. In fact, a case could well be made that it is this very power that holds the entire world monetary system, organized around the dollar, together.”

David Graeber (1961) American anthropologist and anarchist

Source: Debt: The First 5,000 Years (2011), Chapter Twelve, "1971–The Beginning…", pp. 365–366

World

“Well, Aimee Semple McPherson has written a book. And were you to call it a little peach, you would not be so much as scratching its surface. It is the story of her life, and it is called In the Service of the King, which title is perhaps a bit dangerously suggestive of a romantic novel. It may be that this autobiography is set down in sincerity, frankness and simple effort. It may be, too, that the Statue of Liberty is situated in Lake Ontario.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

"Our Lady of the Loudspeaker" in The New Yorker (25 February 1928)

Life , Books , Effort , Sincerity

“I have frequently had men describe the following scenario to me: "If at the beginning of a relationship, I keep the woman at a distance and don't want to get too close, she feels that I am pushing her away and that I am not making a commitment—that I am afraid to be intimate. When I finally let down my guard and try to be intimate and close, when I really make myself vulnerable and give up control, which is uncomfortable for me, then I feel really inadequate. She blames me for things that she never blamed me for when I kept my distance. When I start to get close, that's when I am accused of saying the wrong thing or trying to control her. So I am better off staying at a distance and letting her complain about a lack of intimacy."Stewart, age thirty-six, described it this way: "Maryann was liberated on the surface, but the undertow was very different. I would find out a couple of evenings after I had been with her that she was very angry and I wouldn't even know that I had done something wrong. She would be angry because she said I wasn't really involved enough. I didn't care enough about her. The irony is that the women in my life whom I've made the greatest effort to get close to are the ones who always wind up saying they are angry because I wasn't getting close. When I made no effort to get close and really kept my distance, I never got any complaints. The moment I felt I was really opening myself up to be intimate, that was when I was found to be failing. That is the double bind for me."Another such truth was experienced by Alex. He said, "If you keep the control, the distance, then the woman is kept insecure; and so long as she is insecure about the relationship, she will be less inclined to attack. If she's interested in you, but you keep her at a distance, she will be careful about attacking you. She won't criticize you because she's afraid of you. The moment you cross the barrier and actually start to get committed, you find that she begins to feel that you are inadequate as a partner. You know then and there that you are never going to be able to satisfy her."I found this to be true sexually. At the times when I personally thought I was the most sensitive and the most involved and caring as a lover, I would find out often that I was a failure. At the times when I allowed myself to be totally selfish, without apology and didn't give one thought to what the woman experienced, I never got any complaints. I was never told I was selfish as a lover. In fact, I was often told that I was wonderful."”

Herb Goldberg (1937–2019) American psychologist

Why men and women can't talk to each other: the hidden unconscious messages of gender, pp. 39–40
The Inner Male (1987)

Life , Women , Men , Truth

“Will you tell them about that far off and mythical land
And how a child to the virgin came?
Will you tell them that the reason why we murdered
Everything upon the surface of the world
Is so we can stand right up and say we did it in his name?”

Andy Partridge (1953) British musician

"This World Over".
The Big Express (1984)

World

“An innovative discussion of building empirical models and the fitting of surfaces to data. Introduces the general philosophy of response surface methodology, and details least squares for response surface work, factorial designs at two levels, fitting second-order models, adequacy of estimation and the use of transformation, occurrence and elucidation of ridge systems, and more. Some results are presented for the first time. Includes real-life exercises, nearly all with solutions.”

George E. P. Box (1919–2013) British statistician

Introduction, book summary
Empirical Model-Building and Response Surfaces (1987)

Life , Exercises , Time

“I think I would choose Soutine... I've always been crazy about Soutine - all of his paintings. Maybe it's the lushness of the paint. He builds up a surface that looks like a material, like a substance. There's a kind of transfiguration, a certain fleshiness in his work... I remember when I first saw the Soutine's in the Barnes Collection.... the Matisse's had a light of their own, but the Soutine's had a glow that came from within the paintings - it was another kind of light.”

Willem de Kooning (1904–1997) Dutch painter

The impact of Chaim Soutine (1893-1943): de Kooning, Pollock, Dubuffet, Bacon, publisher: Hatje Cantz, Galerie Gmurzynska, Cologne (Köln), 2001.
Answer on the question who is his favourite artist, probably made around 1977.
1990's & from posthumous publications

Thinking , Light , Painting

“But even further from the light were the cats. Their perfection was alarming. Wrapped up in the precision and meticulousness of their bodies, they knew neither deviation nor error. They sank for a moment, far into themselves, to the bottom of their being; they froze in their soft fur and grew menacingly and ceremoniously serious, and their eyes grew as round as moons, soaking up the view into their fiery craters. But a moment later, cast out to the edge, to the surface, they yawned in their nihility, disappointed and without illusions.”

Bruno Schulz (1892–1942) Polish novelist and painter

“The Brilliant Epoch” http://www.schulzian.net/translation/sanatorium/epoch1.htm
His father, Living things

Disappointment , Error , Cats , Light

“A dark yet shallow sleep. A submission to exhaustion. A loss of consciousness and an avoidance of light, Yet not deep enough to avoid the turbulence on the surface while deep enough to feel the pressure from the bottom. Whatever or whoever he was sought to find the finite area where all pressures are equal and constant. To find that small pocket of weightlessness where no pressure is felt, where there is no tugging in opposite directions, no straining for a painless balance, where all of him was suspended and cushioned between the 2 crushing and yanking pressures where no pressures existed. Where no light existed. Where no time existed. Where no need or desire existed. Where there existed no blackness. There, where there existed nothing, not even a void.”

Hubert Selby Jr. book The Room

The Room (1971)

Feeling , Sleep , Light , Loss

“Let the universe have only two dimensions, and let it be the surface of an india rubber ball. It is only the surface that is the universe, not the ball itself. …Let there be specks of dust fixed to the surface to represent the different galactic systems. If the ball is inflated, the universe expands, and these specks of dust will recede from each other, their mutual distances, measured along the surface, will increase in the same rate as the radius of the ball. An observer in any one of the specks will see all the others receding from himself, but it does not follow that he is the centre of the universe. The universe (which is the surface of the ball, not the ball itself) has no centre.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932)

Universe

“The desire to force others to bend or break to her will was always there, usually hidden deeply enough that she could forget she had that wish within her, but occasionally surfacing to dangle the ripe fruit of power just out of her reach. She knew, as few others did, that the power to coerce depended entirely on the fear or weakness of other human beings. It was possible to use coercion, yes, but in the end you found yourself surrounded only by the weak and fearful, with all those of courage and strength arrayed against you.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Heartfire (1998), Chapter 6.

Fear , Courage , Dependency , Forgetting

“In war, science has proven itself an evil genius; it has made war more terrible than it ever was before. Man used to be content to slaughter his fellowmen on a single plane — the earth's surface. Science has taught him to go down into the water and shoot up from below and to go up into the clouds and shoot down from above, thus making the battlefield three times a bloody as it was before; but science does not teach brotherly love. Science has made war so hellish that civilization was about to commit suicide; and now we are told that newly discovered instruments of destruction will make the cruelties of the late war seem trivial in comparison with the cruelties of wars that may come in the future.”

William Jennings Bryan (1860–1925) United States Secretary of State

Summation
Scopes Trial (1925), Summations

Love , War , Suicide , Water

“The backlash is merely the surfacing of prejudices... that already existed and... are just now starting to open.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Rev. Martin Luther King, Jr., Seventh Annual Gandhi Memorial Lecture, Howard Univ., Washington, D.C. (6 November 1966), quoted in What do the election results mean for the move toward marriage equality? by Evan Wolfson (3 November 2004) http://www.freedomtomarry.org/document.asp?doc_id=2030
1960s

“Interviewer: Love is certainly at the center of tolerance. They're intertwined, in a certain way. It helps you appreciate difference.
Hockney: Yes. And that's probably why I do portraits. Everybody's different; they look different, and are different. Maybe deep, deep down we're all the same. But on the surface we seem to be different, don't we?”

David Hockney (1937) British artist

Interview with Lester Strong" 'Love is the only serious subject' " http://glreview.com/13.3-hockney.php Gay & Lesbian Review Worldwide, (May/June 2004)
2000s

Love , Way , Help

“Every part of the earth's surface presents unequivocal proofs that the elevation of the bed of the ocean in some places, and the subsidence of the dry land in others, have been, and are still, going on; and that, in truth, the continual changes in the relative position of the land and water, are the effects of laws which the Divine Author of the Universe has impressed on matter, and thus rendered it capable of perpetual renovation:—
Art, Empire, Earth itself, to change are doomed;
Earthquakes have raised to heaven the humble vail,
And gulf's the mountain's mighty mass entombed,
And where the Atlantic rolls wide continents have bloomed.”

Gideon Mantell (1790–1852) British scientist and obstetrician

Thoughts on a Pebble, or, A First Lesson in Geology (1849)

Truth , Law , Art , Mountain

“If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day: to paint the man, in short, as well as his features; in arrangement of colours to treat a flower as his key, not as his model. This is now understood indifferently well – at least by dressmakers. In every costume you see attention is paid to the key-note of colour which runs through the composition, as the chant of the Anabaptists through the 'Prophète', or the Hugenots' hymn in the opera of that name.”

James McNeill Whistler (1834–1903) American-born, British-based artist

In a letter to 'The World', London 22 Mai, 1878; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903

Flowers , Tree , Painting , Indifference

“So my great love for thee lies tranquil, deep,
Forever; though above it passions fierce,
Ambition, hatred, jealousy; like waves
That seem from earth’s core to the sky to leap,
But ocean’s depths can never really pierce;
Hide its great calm, while all the surface raves.”

Francis William Bourdillon (1852–1921) British poet

"Sonnet II" in Scribner's Monthly Vol. IX (November 1874 - April 1875), p. 359.

Love , Jealousy , Passion

“I hold in fact
(1) That small portions of space are in fact of a nature analogous to little hills on a surface which is on the average flat; namely, that the ordinary laws of geometry are not valid in them.
(2) That this property of being curved or distorted is continually being passed on from one portion of space to another after the manner of a wave.
(3) That this variation of the curvature of space is what really happens in that phenomenon which we call the motion of matter, whether ponderable or etherial.
(4) That in the physical world nothing else takes place but this variation, subject possibly to the law of continuity.”

William Kingdon Clifford On the Space-Theory of Matter

Abstract
On the Space-Theory of Matter (read Feb 21, 1870)

World , Law , Nature

“The universe according to Bohm actually has two faces, or more precisely, two orders. One is the explicate order, corresponding to the physical world as we know it in day-to-day reality, the other a deeper, more fundamental order which Bohm calls the implicate order. The implicate order is the vast holomovement. We see only the surface of this movement as it presents or "explicates" itself from moment to moment in time and space. What we see in the world — the explicate order — is no more than the surface of the implicate order as it unfolds.”

David Bohm (1917–1992) American theoretical physicist

Synchronicity: Science, Myth, and The Trickster (1990) by Allan Combs & Mark Holland
Context: The universe according to Bohm actually has two faces, or more precisely, two orders. One is the explicate order, corresponding to the physical world as we know it in day-to-day reality, the other a deeper, more fundamental order which Bohm calls the implicate order. The implicate order is the vast holomovement. We see only the surface of this movement as it presents or "explicates" itself from moment to moment in time and space. What we see in the world — the explicate order — is no more than the surface of the implicate order as it unfolds. Time and space are themselves the modes or forms of the unfolding process. They are like the screen on the video game. The displays on the screen may seem to interact directly with each other but, in fact, their interaction merely reflects what the game computer is doing. The rules which govern the operation of the computer are, of course, different from those that govern the behavior of the figures displayed on the screen. Moreover, like the implicate order of Bohm's model, the computer might be capable of many operations that in no way apparent upon examination of the game itself as it progresses on the screen.

World , Reality , Universe , Time

“As Arp and I are sitting in the large living room of my house on Central Park in November 1958, we try again and again to understand the significance of Dada for ourselves and for others. Many elements surfaced in me and in the 'Fantastic Prayers' [his poems Phantastische Gebete, Zurich 1916] at the same time; resistance against the 'civilization' we live in, fury about a purely factual world which leaves out personality and thus creative power, the means of irony and underlying religiousness. Ball turned religious during the times of dadaism, Arp is a religious person today, and I have always been one, without wanting to realize it, perhaps without knowing it.”

Richard Huelsenbeck (1892–1974) German poet

Quote in his 'Preface' by Richard Huelsenbeck, New York, November 1958, in Phantastische Gebete; published by Arche Verlag, Zurich, 1960 (transl. by Johannes Beilharz, 2000)

World , Understanding , Time , Housing

“Donald Judd spoke of a 'neutral' surface, but what is meant? Neutrality must involve some relationship (to other ways of painting, thinking?) He would have to include these in his work to establish the neutrality of that surface. He also used 'non' or 'not' – expressive – this is an early problem – a negative solution or – expression of new sense – which can help one into – what one has not known. 'Neutral' expresses an intention.”

Jasper Johns (1930) American artist

Book A (sketchbook), p 31, c 1963: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 50
1960s

Way , Problem , Thinking , Sense

“No matter what a man's conversation may be on the platform or what air of cynicism he may assume as his shield in daily life, yet underneath that surface, in ninety-nine Englishmen out of one hundred, there will be a love, which he sometimes cannot and sometimes will not explain, for the home in which either he at one time has lived or his parents or grandparents have lived before him.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech to the annual dinner of the Yorkshire Society, London (8 November 1933), quoted in This Torch of Freedom (1935), p. 137.
1933

Love , Life , Home , Parent

“Now, I'm no shrinking violet. I played hockey until half of my teeth were knocked down my throat. And I'm extremely competitive on a tennis court — I'll dive for any ball on any surface. But that experience at the slaughterhouse overwhelmed me. When I walked out of there, I knew I would never again harm an animal! I knew all the physiological, economic, and ecological arguments supporting vegetarianism, but it was that firsthand experience of man's cruelty to animals that laid the real groundwork for my commitment to vegetarianism.”

Peter Burwash (1945) Canadian tennis player

Vegetarian Primer (New York: Atheneum, 1983), p. 75

Support , Animals , Hockey

“I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.”

Yves Klein (1928–1962) French artist

In 1956; p. 30
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

“We not that those players with weaker arms might be better off throwing at a lower angle to get the ball to the plate on the bounce. If the surface is Astroturf, the 90-mph player can gain as much as 0.2 seconds, or 6 feet, on the runner by throwing on the bounce. But if his team is playing on grass and his groundskeeper has kept the grass long and well watered to help his team (which relies on singles, speed, and baserunning), the ball may lose so much speed at the bounce that nothing will be gained.”

Robert Adair (physicist) (1924) Physicist and author

Source: The Physics Of Baseball (Second Edition - Revised), Chapter 4, Running, Fielding, And Throwing, p. 61

Grass , Water , Help , Speed

“The North Korean elite does have some sources of hope. The elite itself remains, on the surface at least, remarkably united. The lack of a civil society and very strong social control makes the emergence of resistance difficult.”

Andrei Lankov (1963) Russian academic

The Folly of an Inter-Korean Confederation (October 2015)

Hope , Strong

“There must be no premature renunciation, physical or emotional. The heart, like the body, needs exercise. Naturally there can be no deliberate stirring up of emotion, but why, merely for reasons of age, should one deny oneself those that can be genuinely experienced? Because old men in love are ridiculous? They are ridiculous only if they forget that they are old men. There is nothing ridiculous about two old people really in love. Each still finds in the other those qualities which were admired in youth. Tender consideration, affection, and admiration have no age. In fact, it often happens that, when youth and its passions have vanished, love takes on an asceticism which is delightful. Sensual misunderstandings disappear with physical desire and jealousy with youth; impetuosity wanes with the body's strength. From the remnants of a stormy youth may be created an agreeable old age. Thus the existence of a couple resembles a river which leaps dangerously over jagged rocks near its source, but whose clear waters flow more slowly as it approaches the sea, its broad surface reflecting the poplars along its banks and the stars at night.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Love , Men , People , Youth

“I began to draw from plant life and found the flat leaf forms were easier to do than thighs and breasts. I wanted to flatten. The plant drawings from that time until now have always been linear. They are exact observations of the form of the leaf or flower of fruit seen. Nothing is changed or added, no surface marking. They are not an approximation of the thing seen nor are they a personal expression or an abstraction. They are an impersonal observation of the form. When I applied the procedure to other things such as the vaulting of Notre Dame [church in Paris] or a patch of tar on the road, the subject of the drawings and the subsequent paintings were not recognizable even though they were exact copies of the thing seen. I wanted to use things that had no pictorial use.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 25-26 : 'Notes from 1969'

Life , Flowers , Change , Time

“I am attracted to a thug. I like that quality, but I like the other side of it, too. Because all guys who go around behaving in macho ways are really scared little girls. So you have to look beneath the surface. There's a difference between my ideal man and a man that I'm sexually attracted to, believe me. Therein lies the rub.”

Madonna (1958) American singer, songwriter, and actress

Aperture Magazine 1999 http://allaboutmadonna.com/madonna-interviews-articles/aperture-magazine-summer-1999

Way , Guy , Girl

“Let us imagine that from any given point the system of shortest lines going out from it is constructed; the position of an arbitrary point may then be determined by the initial direction of the geodesic in which it lies, and by its distance measured along that line from the origin. It can therefore be expressed in terms of the ratios dx0 of the quantities dx in this geodesic, and of the length s of this line. …the square of the line-element is \sum (dx)^2 for infinitesimal values of the x, but the term of next order in it is equal to a homogeneous function of the second order… an infinitesimal, therefore, of the fourth order; so that we obtain a finite quantity on dividing this by the square of the infinitesimal triangle, whose vertices are (0,0,0,…), (x1, x2, x3,…), (dx1, dx2, dx3,…). This quantity retains the same value so long as… the two geodesics from 0 to x and from 0 to dx remain in the same surface-element; it depends therefore only on place and direction. It is obviously zero when the manifold represented is flat, i. e., when the squared line-element is reducible to \sum (dx)^2, and may therefore be regarded as the measure of the deviation of the manifoldness from flatness at the given point in the given surface-direction. Multiplied by -¾ it becomes equal to the quantity which Privy Councillor Gauss has called the total curvature of a surface. …The measure-relations of a manifoldness in which the line-element is the square root of a quadric differential may be expressed in a manner wholly independent of the choice of independent variables. A method entirely similar may for this purpose be applied also to the manifoldness in which the line-element has a less simple expression, e. g., the fourth root of a quartic differential. In this case the line-element, generally speaking, is no longer reducible to the form of the square root of a sum of squares, and therefore the deviation from flatness in the squared line-element is an infinitesimal of the second order, while in those manifoldnesses it was of the fourth order. This property of the last-named continua may thus be called flatness of the smallest parts. The most important property of these continua for our present purpose, for whose sake alone they are here investigated, is that the relations of the twofold ones may be geometrically represented by surfaces, and of the morefold ones may be reduced to those of the surfaces included in them…”

Bernhard Riemann (1826–1866) German mathematician

On the Hypotheses which lie at the Bases of Geometry (1873)

Imagination , Parting , Dependency

“We make choices, decisions, as long as we keep to the surface of things; once we reach the depths, we can neither choose nor decide, we can do nothing but regret the surface…”

Emil M. Cioran book The Trouble With Being Born

The Trouble With Being Born (1973)

Decision

“Go where we will on the surface of things, men have been there before us.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Thursday

Men

“Our sense of touch is a fundamental sensibility which comes into action at birth – our stereognostic sense – the ability to feel weight and form and assess its significance. The form which have had special meaning for me since childhood have been the standing form (which is the translation of my feelings towards the human being standing in the landscape) the two forms (which is the tender relation of one living thing besides another); and the closed form, such as the oval, spherical or pierced form (sometimes incorporating colour) which translates for me the association and meaning of gesture in landscape; in the repose of say a mother and child.... In all these shapes the translation of what one feels about man and nature must be conveyed by the sculptor in terms of mass, inner tension, and rhythm, scale in relation to our human size and the quality of surface which speaks through our hands and eyes.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 284

Feeling , Birth , Nature , Sense

“What was uncovered at Sidhpur only to be covered up again was verily the tip of an iceberg which remains submerged in hundreds of histories written by Muslim historians, in Hindu literary sources which are slowly coming to light, in the accounts of foreign travellers who visited India and the neighbouring lands during medieval and modern times, and above all in the reports of the archaeological surveys carried out in all those countries which had been for long the cradles of Hindu culture. No systematic effort has yet been made by scholars to see the iceberg emerge from the dark depths and tell its own story in a simple and straight-forward manner. Rare is the historian or archaeologist who had related this vandalism to the theology of Islam based on the Qur’ãn and the Sunnah of the Prophet. On the contrary, the subject has been politicised by the votaries of Secularism who become hysterical by the very mention of the untold story. Politicians in power have made and are making frantic efforts to suppress every tip of the iceberg which chances to surface in spite, of the conspiracy to keep it out of sight. Some of these politicians are masquerading as academicians and selling far-fetched and fantastic apologies for the havoc caused by Islamic iconoclasm.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Travel , History , Effort , Light

“What amazement, followed by what a revelation! In place of windows opening on nature, like the impressionists, these were surfaces which were solidly decorative, powerfully colorful, bordered with brutal strokes, partitioned.”

Maurice Denis (1870–1943) French painter

Quote of Denis, 1909: from Bouillon 2006, pp. 17-18; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [9]
In 1889, Denis was captivated by an exposition of works of Paul Gauguin and his friends at the Cafe Volponi, on the edge of the Paris Universal Exposition, that year
1890 - 1920

Color , Nature

“Pliny had no theoretical opinions of his own concerning changes of the earth's surface… But his enumeration of the new islands which had been formed in the Mediterranean, and of other convulsions, shows that the ancients had not been inattentive observers of the changes which had taken place on the earth within the memory of man.”

Charles Lyell book Principles of Geology

Chpt.2, p. 22
Principles of Geology (1832), Vol. 1

Memory , Change

“The analytical equations, unknown to the ancient geometers, which Descartes was the first to introduce into the study of curves and surfaces, are not restricted to the properties of figures, and to those properties which are the object of rational mechanics; they extend to all general phenomena. There cannot be a language more universal and more simple, more free from errors and from obscurities, that is to say more worthy to express the invariable relations of natural things.
Considered from this point of view, mathematical analysis is as extensive as nature itself; it defines all perceptible relations, measures times, spaces, forces, temperatures; this difficult science is formed slowly, but it preserves every principle which it has once acquired; it grows and strengthens itself incessantly in the midst of the many variations and errors of the human mind.
Its chief attribute is clearness; it has no marks to express confused notions. It brings together phenomena the most diverse, and discovers the hidden analogies which unite them.”

Joseph Fourier book The Analytical Theory of Heat

Preliminary Discourse, p.7 Note: often quoted as Mathematics [or mathematical analysis] compares the most diverse phenomena and discovers the secret analogies that unite them.
The Analytical Theory of Heat (1878)

Error , Mathematics , Nature , Study

“I project on the surface; that is, the essence of the subject must always become visible, even if this is impossible in nature, which is not adapted to this relief style. The absence of foreshortening also plays a crucial part in the process... For I have discovered a very small, undisputed, personal possession: a particular sort of three-dimensional representation on the flat surface... I am my style.”

Paul Klee (1879–1940) German Swiss painter

Quote (July 1902), # 425, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Nature , Parting , Personality

“Everyone can feel the nothingness, the void, just beneath the surface of everyday routines and securities.”

John Zerzan (1943) American anarchist and primitivist philosopher and author

Elements of Refusal (1988)

Feeling

“He who knows the surface of the earth and the topography of a country only through the examination of maps.. is like a man who learns the opera of Meyerbeer or Rossini by reading only reviews in the newspapers. The brush of landscape artists Lorrain, Ruysdael, or Calame can reproduce on canvas the sun's ray, the coolness of the heavens, the green of the fields, the majesty of the mountains…but what can never be stolen from Nature is that vivid impression that she alone can and knows how to impart--the music of the birds, the movement of the trees, the aroma peculiar to the place--the inexplicable something the traveller feels that cannot be defined and which seems to awaken in him distant memories of happy days, sorrows and joys gone by, never to return”

José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist

"Los Viajes" in La Solidaridad (15 May 1889)- translated from the Spanish by Nick Joaquin

Music , Travel , Feeling , Mountain

“Let me close by reminding you of what Newton actually did on the day that he conceived G = k \frac{mm'}{r^2}. …Newton did not have any subsidies, grants, funds, Secret Service money. But he had the moon. He said, "… I cannot throw a ball round the world, but let me picture the moon as if it were a ball which has been flung around the world… How long will it take to go round the world?" …He knew the value of gravity at the earth's surface …but he did not know the value of the earth's gravity for the moon. He said, "Let us suppose that it is given by an inverse square law. Now, how long will it take the moon to go around?"”

Jacob Bronowski (1908–1974) Polish-born British mathematician

It comes out at twenty-eight days. As Newton said, "They agreed pretty nearly."
The Origins of Knowledge and Imagination (1978)

Money , Secret , World , Law

“Everything is love. "HEAVEN ON EARTH" our idea of heaven has been formed by painting and nothing else. I love pure, bright colours, their intellectual clarity of expression conveying nothing but feeling. Painting - the inspired animation of the surface.”

Stefan Szczesny (1951) German painter and sculptor

Mustique (2002)

Love , Feeling , Idea , Animals

“When I cover the square surface with rectangles, it lightens the weight of the square. Destroys its power.”

Agnes Martin (1912–2004) American artist

as quoted by Lucy R. Lippard, in 'Hommage to the Square', Art in America, July-August 1967, p. 55
This quote is one of the most frequently quoted statements of Agnes Martin. A later variation by her: 'The rectangle is pleasant, whereas the square is not'; Agnes Martin is than 89 - quoted in A House Divided: American Art Since 1955, Anne M. G. Wagner Univ. of California Press 2012, p. 263
1960's

“Three hackney-coaches, and two women in patterns passed by; also a man with an umbrella dripping, which he held rather over a brown paper parcel than himself: at last, a bright spot appeared just above the palace, the rain seemed to melt into luminous streaks on the sky, and the rain-drops that had sprinkled all over the panes of glass began to gather into two or three large drops, and to descend slowly along the surface. They would have done to bet upon, but there was no one to bet with.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Women , Appearance

“Is it possible this triviality is a code of some sort? the Brain wondered. But how could it be … unless there's more to these emotional inconsequentials and this talk of a God than appears on the surface?
The Brain had begun its career in logics as a pragmatic atheist. Now doubts began to creep into its computations, and it classified doubt as an emotion.”

Frank Herbert book The Green Brain

The Green Brain (1966)

God , Appearance

“Thoughts about the art of portraiture. Some will not recognize the truthfulness of my mirror. Let them remember that I am not here to reflect the surface (this can be done by the photographic plate), but must penetrate inside. My mirror probes down to the heart. I write words on the forehead and around the corners of the mouth. My human faces are truer than the real ones.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (1901), # 136, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1964
1895 - 1902

Truth , Art , Heart

“If you tend to text and skim the surface of the Internet, you indirectly shape your mind to only deal with superficial matters.”

Piero Scaruffi (1955) Italian writer

The Two Cultures of the Smartphone Age http://www.scaruffi.com/phi/syn137.html

“Capitalism is dying and its extremities are already decomposing. The blotches upon the surface show that the blood no longer circulates. The time is near when the cadaver will have to be removed and the atmosphere purified.”

Eugene V. Debs (1855–1926) American labor and political leader

The Socialist Party and the Working Class (1904)

Time

“On the surface you hate, but you know you need me.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, S.C.I.E.N.C.E. (1997)

Hate

““The Void Which Binds is touched by all of us who have wept with happiness, bidden a lover good-bye, been exalted with orgasm, stood over the grave of a loved one, or watched our baby open his or her eyes for the first time.”
Aenea is looking at me as she speaks, and I feel the gooseflesh rise along my arms.
“The Void Which Binds is always under and above the surface of our thoughts and senses,” she continues, invisible but as present as the breathing of our beloved next to us in the night. Its actual but unaccessible presence in our universe is one of the prime causes for our species elaborating myth and religion, for our stubborn, blind belief in extrasensory powers, in telepathy and precognition, in demons and demigods and resurrection and reincarnation and ghosts and messiahs and so many other categories of almost-but-not-quite satisfying bullshit.””

Dan Simmons book The Rise of Endymion

Source: The Rise of Endymion (1997), Chapter 20 (p. 400)

Love , Religion , Feeling , Lovers

“Have the climate models been successful in predicting anything? They, of course, predict substantial global warming. This is not surprising given the expressed belief of some of the model builders in the global warming hypothesis and the many parameters in the model that need to be introduced. However, the models also predict unambiguously that the atmosphere is warming faster than the surface of the earth; but all the available observational data unambiguously shows the opposite! Truth in science is always determined from observational facts. One finds the truth by making a hypothesis and comparing observations with the hypothesis. It is absolutely essential that one should be neutral and not fall in love with the hypothesis. If the facts are contrary to any predictions, then the hypothesis is wrong no matter how appealing. "Truth by Assertion" is not science.”

David Douglass

http://www.gravett.org/bizarrescience/archives/003967.html
Letter to the Wall Street Journal

Love , Truth , Science , Success

“The mention made by Maulana Abdul Hai (Indian Express, February 5) of Hindu temples turned into mosques, is only the tip of an iceberg, The iceberg itself lies submerged in the writings of medieval Muslim historians, accounts of foreign travellers and the reports of the Archaeological Survey of India. A hue and cry has been raised in the name of secularism and national integration whenever the iceberg has chanced to surface, inspite of hectic efforts to keep it suppressed. Marxist politicians masquerading as historians have been the major contributors to this conspiracy of silence….. The vast cradle of Hindu culture is literally littered with ruins of temples and monasteries belonging to all sects of Sanatana Dharma - Buddhist, Jain, Saiva, Shakta, Vaishnava and the rest…. The story of how Islamic invaders sought to destroy the very foundations of Hindu society and culture is long and extremely painful. It would certainly be better for everybody to forget the past, but for the prescriptions of Islamic theology which remain intact and make it obligatory for believers to destroy idols and idol temples.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume I (1990)

Pain , Travel , Effort , Silence

“High among the costs of immigration is the appearance among us of diseases that never before afflicted us and the sudden reappearance of contagious diseases that researchers and doctors had eradicated long ago. Malaria, polio, hepatitis, tuberculosis and such rarities of the Third World as dengue fever, Chagas' Disease and leprosy are surfacing here…”

Patrick Buchanan (1938) American politician and commentator

2000s, State of Emergency (2006)

World , Disease , Affliction , Appearance

“Euclidean geometry is only one of several congruence geometries… Each of these geometries is characterized by a real number K, which for Euclidean geometry is 0, for the hyperbolic negative, and for the spherical and elliptic geometries, positive. In the case of 2-dimensional congruence spaces… K may be interpreted as the curvature of the surface into the third dimension—whence it derives its name…”

Howard P. Robertson (1903–1961) American mathematician and physicist

Geometry as a Branch of Physics (1949)

“I had just seen the two most horrible things. The first was the smile. They say that when the bomb went off at Hiroshima, some people's shadows were baked onto walls by it. I think that smile got baked on the surface of my brain in much the same way. I don't want to talk about that smile.”

Spider Robinson (1948) Canadian author

God Is An Iron (1977)

People , Smile , Way , Thinking

“He offers a handshake, crooked five fingers
They form a pattern yet to be matched
On the surface simplicity
But the darkest pit in me is pagan poetry”

Björk (1965) Icelandic singer-songwriter

"Pagan Poetry", from Vespertine (2001)
Songs

“I mean that the things I felt and that I enjoyed about certain painters of the past that I liked, that inspired me, like Cézanne and Manet, that thing I enjoyed in their work, that complete losing of oneself in the work to such an extent that the work itself, even though it was a picture of a woman in front of a mirror or some dead fish on the table, the pictures of those men were no pictures to me. They felt as if a living organism was posited there on the canvas, on this surface. That's truly to me the act of creation.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 66

Men , Fish , Past , Dead

“Metaphors of space have always been introduced into painting, the play of fullness and emptiness, volumes, surfaces, light and shade... And, in recent painting, in particular, the notion of 'emptiness' has assumed great significance... This interest in emptiness, in nothingness, is found in many disciplines, in particular in an important sector of modern philosophy. We know, for example, that the philosophers such as Heidegger or Sartre have, at a given moment, made nothingness the center of their thought…”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

In 'Celebració de la mel', Antoni Tàpies, in La peinture et le vide, Fundació Antoni Tàpies, Barcelona, 1993, p. 41 –46
1991 - 2000

Light , Painting

“In these days he promoted a bramin, by name Seeva Dew Bhut, to the office of prime minister, who embracing the Mahomedan faith, became such a persecutor of Hindoos that he induced Sikundur to issue orders proscribing the residence of any other than Mahomedans in Kashmeer; and he required that no man should wear the mark on his forehead, or any woman be permitted to burn with her husband's corpse. Lastly, he insisted on all golden and silver images being broken and melted down, and the metal coined into money. Many of the bramins, rather than abandon their religion or their country, poisoned themselves; some emigrated from their native homes, while a few escaped the evil of banishment by becoming Mahomedans. After the emigration of the bramins, Sikundur ordered all the temples in Kashmeer to be thrown down; among which was one dedicated to Maha Dew, in the district of Punjhuzara, which they were unable to destroy, in consequence of its foundation being below the surface of the neighbouring water. But the temple dedicated to Jug Dew was levelled with the ground; and on digging into its foundation the earth emitted volumes of fire and smoke which the infidels declared to be the emblem of the wrath of the Deity; but Sikundur, who witnessed the phenomenon, did not desist till the building was entirely razed to the ground, and its foundations dug up….”

Sikandar Butshikan

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. III p.268-69

Money , Faith , Religion , Home

“It is held that one fulfils his whole duty when he is industrious in his business or vocation, observing also the decencies of domestic, civil, and religious life. But activity of this kind stirs only the surface of our being, leaving what is most divine to starve; and when it is made the one important thing, men lose sense for what is high and holy, and become commonplace, mechanical, and hard. Science is valuable for them as a means to comfort and wealth; morality, as an aid to success; religion, as an agent of social order. In their eyes those who devote themselves to ideal aims and ends are as foolish as the alchemists, since the only real world is that of business and politics, or of business simply, since politics is business.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 14

Life , Men , World , Religion

“Imagine you are God. You’re all-powerful, nothing is beyond you. You’re all-loving. So it is really, really important to you that humans are left in no doubt about your existence and your loving nature, and exactly what they need to do in order to get to heaven and avoid eternity in the fires of hell. It’s really important to you to get that across. So what do you do? Well, if you’re Jehovah, apparently this is what you do. You talk in riddles. You tell stories which on the surface have a different message from the one you apparently want us to understand. You expect us to hear X, and instinctively understand that it needs to be interpreted in the light of Y, which you happen to have said in the course of a completely different story 500-1,000 years earlier. Instead of speaking directly into our heads - which God has presumed the capability of doing so - simply, clearly and straightforwardly in terms which the particular individual being addressed will immediately understand and respond to positively - you steep your messages in symbols, in metaphors. In fact, you choose to convey the most important message in the history of creation in code, as if you aspired to be Umberto Eco or Dan Brown. Anyone would think your top priority was to keep generation after generation after generation of theologians in meaningless employment, rather than communicate an urgent life-or-death message to the creatures you love more than any other.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

FFRF 2012 National Convention, http://www.youtube.com/watch?v=dJTQiChzTNI?t=43m19s

Love , Life , Death , God

“Our own vitality as well as that of others frightens us, if it still manages to surface, we respond with rage and turn against our own freedom. It is vitality itself that we are opposing.”

Arno Gruen (1923–2015) German psychologist

The Betrayal of the Self - The Fear of Autonomy in Men and Women (1986)

Freedom , Rage

“Hitherto we have considered the apparent motion of the star about its true place, as made only in a plane parallel to the ecliptic, in which case it appears to describe a circle in that plane; but since, when we judge of the place and motion of a star, we conceive it to be in the surface of a sphere, whose centre is our eye, 'twill be necessary to reduce the motion in that plane to what it would really appear on the surface of such a sphere, or (which will be equivalent) to what it would appear on a plane touching such a sphere in the star's true place. Now in the present case, where we conceive the eye at an indefinite distance, this will be done by letting fall perpendiculars from each point of the circle on such a plane, which from the nature of the orthographic projection will form an ellipsis, whose greater axis will be equal to the diameter of that circle, and the lesser axis to the greater as the sine of the star's latitude to the radius, for this latter plane being perpendicular to a line drawn from the centre of the sphere through the star's true place, which line is inclined to the ecliptic in an angle equal to the star's latitude; the touching plane will be inclined to the plane of the ecliptic in an angle equal to the complement of the latitude. But it is a known proposition in the orthographic projection of the sphere, that any circle inclined to the plane of the projection, to which lines drawn from the eye, supposed at an infinite distance, are at right angles, is projected into an ellipsis, having its longer axis equal to its diameter, and its shorter to twice the cosine of the inclination to the plane of the projection, half the longer axis or diameter being the radius.
Such an ellipse will be formed in our present case…”

James Bradley (1693–1762) English astronomer; Astronomer Royal

Miscellaneous Works and Correspondence (1832), Demonstration of the Rules relating to the Apparent Motion of the Fixed Stars upon account of the Motion of Light.

Star , Nature , Appearance

“If the definition of simultaneity is given from a moving system, the spherical surface will result when Einstein's definition with є = 1/2 is used, since it is this definition which makes the velocity of light equal in all directions.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Light

“Every measurable thing except numbers is imagined in the manner of a continuous quantity. Therefore, for the mensuration of such a thing, it is necessary that points, lines, and surfaces, or their properties, be imagined. For in them… measure or ratio is initially found… Therefore, every intensity which can be acquired successively ought to be imagined by a straight line perpendicularly erected on some point of the space or subject of the intensible thing, e. g., a quality… And since the quantity or ratio of lines is better known and is more readily conceived by us—nay the line is in the first species of continua, therefore such intensity ought to be imagined by lines… Therefore, equal intensities are designated by equal lines, a double intensity by a double line, and always in the same way if one proceeds proportionally.”

Nicole Oresme (1323–1382) French philosopher

Tractatus de Configurationibus et Qualitatibus et Motuum (c. 1350)

Way , Imagination , Success

“On this question of principle, while actual suffering was yet afar off, they [the Colonies] raised their flag against a power to which, for purposes of foreign conquest and subjugation, Rome in the height of her glory is not to be compared — a power which has dotted over the surface of the whole globe with her possessions and military posts, whose morning drumbeat, following the sun, and keeping company with the hours, circles the earth with one continuous and unbroken strain of the martial airs of England.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Speech (7 May 1834); reported in Edward Everett, ed., The Works of Daniel Webster (1851), page 110

Question , Suffering , Sun

“In the case of those solids, whether of earth, or rock, which enclose on all sides and contain crystals, selenites, marcasites, plants and their parts, bones and the shells of animals, and other bodies of this kind which are possessed of a smooth surface, these same bodies had already become hard at the time when the matter of the earth and rock containing them was still fluid. And not only did the earth and rock not produce the bodies contained in them, but they did not even exist as such when those bodies were produced in them.”

Nicolas Steno (1638–1686) Pioneer in anatomy and geology, bishop

The Prodromus of Nicolaus Steno's Dissertation Concerning a Solid https://www.biodiversitylibrary.org/bibliography/54340#/summary : (Page 217)

Time , Animals , Parting

“I am not sorry for having wrought in common, crude material so much; that is the right American stuff; and perhaps hereafter, when my din is done, if anyone is curious to know what that noise was, it will be found to have proceeded from a small insect which was scraping about on the surface of our life and trying to get into its meaning for the sake of the other insects larger or smaller. That is, such has been my unconscious work; consciously, I was always, as I still am, trying to fashion a piece of literature out of the life next at hand.”

William Dean Howells (1837–1920) author, critic and playwright from the United States

Letter to Charles Eliot Norton (26 April 1903)

Life , Literature , Fashion

“I do not believe that ever any building was truly great, unless it had mighty masses, vigorous and deep, of shadow mingled with its surface.”

John Ruskin book The Seven Lamps of Architecture

Source: The Seven Lamps of Architecture (1849), Chapter III: The Lamp of Power, section 13.

“It was found [in the 1970s], unexpectedly and without anyone really having a concept for it, that the rules of perturbation theory can be changed in a way that makes relativistic quantum gravity inevitable rather than impossible. The change is made by replacing point particles by strings. Then Feynman graphs are replaced by Riemann surfaces, which are smooth - unlike the graphs, which have singularities at interaction vertices. The Riemann surfaces can degenerate to graphs in many different ways. In field theory, the interactions occur at the vertices of a Feynman graph. By contrast, in string theory, the interaction is encoded globally, in the topology of a Riemann surface, any small piece of which is like any other. This is reminiscent of how non-linearities are encoded globally in twistor theory.”

Edward Witten (1951) American theoretical physicist

"The Past and Future of String Theory" in The Future of Theoretical Physics and Cosmology: Celebrating Stephen Hawking's Contributions to Physics (2003) ed. G.W. Gibbons, E.P.S. Shellard & S.J. Rankin

Way , Change

“I see the possibilities of a new kind of painting. With free surfaces, the goal I was always steering towards.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In a letter, 1923; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 52
1920's

Painting

“I like working on sponge because it's a simple, light material and always ready to use. The colour and texture meet my aesthetic requirements and it has a lolof volume and physically, is very present in the space. The ink or paint is immediately absorbed into the foam surface, making any corrections almost impossible. It is a material which lends itself to quick, fast application and is particularly good for spontaneous sketching with paint squeezed directly from the tube. The fact that these works will not last (sponge is not a very durable material) does not deter me; it suits the character of the work very well and to an extent reflects my ideas about art.”

Tomasz Vetulani (1965) Polish artist

At the time of writing exhibition catalogue, the Center for Contemporary Art Ujazdowski Castle in Warsaw, 1998.

Art , Idea , Light , Painting

“After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

1830s, The Journals of Søren Kierkegaard, 1830s

Men , God , Beauty , Bird

“The type of rationality we assume in economics — perfect, logical, deductive rationality — is extremely useful in generating solutions to theoretical problems. But it demands much of human behavior — much more in fact than it can usually deliver. If we were to imagine the vast collection of decision problems economic agents might conceivably deal with as a sea or an ocean, with the easier problems on top and more complicated ones at increasing depth, then deductive rationality would describe human behavior accurately only within a few feet of the surface. For example, the game Tic-Tac-Toe is simple, and we can readily find a perfectly rational, minimax solution to it. But we do not find rational “solutions” at the depth of Checkers; and certainly not at the still modest depths of Chess and Go.”

W. Brian Arthur (1946) American economist

Source: Inductive Reasoning and Bounded Rationality (The El Farol Problem) (1994), p. 1

Behavior , Imagination , Game , Problem

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Men , God , Pleasure , Education

“It all began with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn't have to design it. So I want on to similar things like the targets things the mind already knows. That gave me room to work on other levels. For instance, I've always thought of a painting as a surface; painting it in one color made this very clear... A picture ought to be looked at the same way you look at a radiator.”

Jasper Johns (1930) American artist

His heart belong to DADA, Time 73, 4 May, 1959: 58; as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 82
1950s

Color , Way , Painting

“p>Fierce and gentle,
Loud and silent,
The river doesn't understand itself.
The wave doesn't find itself, until it reaches the sea.Oh the wave passes,
And the waves to come will be the same.
Hunger for love
Is strong in the heart.Standing before the waves,
I think of you and me.
I think of the great sea
And I wonder where the waves come from.The waves must come from the wind.
And I wonder where the wind comes from,
And I wonder
When will we love each other again?The waves deep in the sea
And the waves on the sea's surface
Long for the shore of the sea.
Day and night the waves cannot sleep
As I can not sleep, even in dreams,
Because of my longing for you.When I go to the North,
Or to the South,
When I go anywhere, I think of you,
My only direction.Out in the great sea
Thousands of waves are pushing,
Which one never reachs the shore
Even miles and miles from home?Life is so long;
Years and months go by.
Like the sea, life is endless.
Clouds fly to the distant horizon.How can I become
Like the hundreds of thousands of small waves
In the great sea of love
And lap forever against your shore?”