Quotes about sight
page 4

Terry Goodkind photo
George Soros photo
Radhanath Swami photo

“Lying down to sleep on the earthen riverbank, I thought, Vrindavan is attracting my heart like no other place. What is happening to me? Please reveal Your divine will. With this prayer, I drifted off to sleep.
Before dawn, I awoke to the ringing of temple bells, signaling that it was time to begin my journey to Hardwar. But my body lay there like a corpse. Gasping in pain, I couldn’t move. A blazing fever consumed me from within, and under the spell of unbearable nausea, my stomach churned. Like a hostage, I lay on that riverbank. As the sun rose, celebrating a new day, I felt my life force sinking. Death that morning would have been a welcome relief. Hours passed.
At noon, I still lay there. This fever will surely kill me, I thought.
Just when I felt it couldn’t get any worse, I saw in the overcast sky something that chilled my heart. Vultures circled above, their keen sights focused on me. It seemed the fever was cooking me for their lunch, and they were just waiting until I was well done. They hovered lower and lower. One swooped to the ground, a huge black and white bird with a long, curving neck and sloping beak. It stared, sizing up my condition, then jabbed its pointed beak into my ribcage. My body recoiled, my mind screamed, and my eyes stared back at my assailant, seeking pity. The vulture flapped its gigantic wings and rejoined its fellow predators circling above. On the damp soil, I gazed up at the birds as they soared in impatient circles. Suddenly, my vision blurred and I momentarily blacked out. When I came to, I felt I was burning alive from inside out. Perspiring, trembling, and gagging, I gave up all hope.
Suddenly, I heard footsteps approaching. A local farmer herding his cows noticed me and took pity. Pressing the back of his hand to my forehead, he looked skyward toward the vultures and, understanding my predicament, lifted me onto a bullock cart. As we jostled along the muddy paths, the vultures followed overhead. The farmer entrusted me to a charitable hospital where the attendants placed me in the free ward. Eight beds lined each side of the room. The impoverished and sadhu patients alike occupied all sixteen beds. For hours, I lay unattended in a bed near the entrance. Finally that evening the doctor came and, after performing a series of tests, concluded that I was suffering from severe typhoid fever and dehydration. In a matter-of-fact tone, he said, “You will likely die, but we will try to save your life.””

Radhanath Swami (1950) Gaudiya Vaishnava guru

Republished on The Journey Home website.
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)

William Ewart Gladstone photo
Francis Pharcellus Church photo
E. W. Hobson photo

“The first period embraces the time between the first records of empirical determinations of the ratio of the circumference to the diameter of a circle until the invention of the Differential and Integral Calculus, in the middle of the seventeenth century. This period, in which the ideal of an exact construction was never entirely lost sight of, and was occasionally supposed to have been attained, was the geometrical period, in which the main activity consisted in the approximate determination of π by the calculation of the sides or the areas of regular polygons in- and circum-scribed to the circle. The theoretical groundwork of the method was the Greek method of Exhaustions. In the earlier part of the period the work of approximation was much hampered by the backward condition of arithmetic due to the fact that our present system of numerical notation had not yet been invented; but the closeness of the approximations obtained in spite of this great obstacle are truly surprising. In the later part of this first period methods were devised by which the approximations to the value of π were obtained which required only a fraction of the labour involved in the earlier calculations. At the end of the period the method was developed to so high a degree of perfection that no further advance could be hoped for on the lines laid down by the Greek Mathematicians; for further progress more powerful methods were required.”

E. W. Hobson (1856–1933) British mathematician

Source: Squaring the Circle (1913), pp. 10-11

John Ruysbroeck photo
Henry Adams photo

“His aunt drily remarked that, at this rate, he would soon get through all the sights; but she could not guess — having lived always in Washington — how little the sights of Washington had to do with its interest.

The boy could not have told her; he was nowhere near an understanding of himself. The more he was educated, the less he understood. Slavery struck him in the face; it was a nightmare; a horror; a crime; the sum of all wickedness! Contact made it only more repulsive. He wanted to escape, like the negroes, to free soil. Slave States were dirty, unkempt, poverty-stricken, ignorant, vicious! He had not a thought but repulsion for it; and yet the picture had another side. The May sunshine and shadow had something to do with it; the thickness of foliage and the heavy smells had more; the sense of atmosphere, almost new, had perhaps as much again; and the brooding indolence of a warm climate and a negro population hung in the atmosphere heavier than the catalpas. The impression was not simple, but the boy liked it: distinctly it remained on his mind as an attraction, almost obscuring Quincy itself. The want of barriers, of pavements, of forms; the looseness, the laziness; the indolent Southern drawl; the pigs in the streets; the negro babies and their mothers with bandanas; the freedom, openness, swagger, of nature and man, soothed his Johnson blood.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Bob Dylan photo
Lord Dunsany photo
George Chapman photo
Jacoba van Heemskerck photo

“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's

Richard III of England photo
Jonathan Edwards photo
Eugène Delacroix photo
Max Scheler photo

“This “sublime revenge” of ressentiment (in Nietzsche's words) has indeed played a creative role in the history of value systems. It is “sublime,” for the impulses of revenge against those who are strong, healthy, rich, or handsome now disappear entirely. Ressentiment has brought deliverance from the inner torment of these affects. Once the sense of values has shifted and the new judgments have spread, such people cease to be enviable, hateful, and worthy of revenge. They are unfortunate and to be pitied, for they are beset with “evils.” Their sight now awakens feelings of gentleness, pity, and commiseration. When the reversal of values comes to dominate accepted morality and is invested with the power of the ruling ethos, it is transmitted by tradition, suggestion, and education to those who are endowed with the seemingly devaluated qualities. They are struck with a “bad conscience” and secretly condemn themselves. The “slaves,” as Nietzsche says, infect the “masters.” Ressentiment man, on the other hand, now feels “good,” “pure,” and “human”—at least in the conscious layers of his mind. He is delivered from hatred, from the tormenting desire of an impossible revenge, though deep down his poisoned sense of life and the true values may still shine through the illusory ones. There is no more calumny, no more defamation of particular persons or things. The systematic perversion and reinterpretation of the values themselves is much more effective than the “slandering” of persons or the falsification of the world view could ever be."”

Max Scheler (1874–1928) German philosopher

Variant: The man of ressentiment cannot justify or even understand his own existence and sense of life in terms of positive values such as power, health, beauty, freedom, and independence. Weakness, fear, anxiety, and a slavish disposition prevent him from obtaining them. Therefore he comes to feel that “all this is vain anyway” and that salvation lies in the opposite phenomena: poverty, suffering, illness, and death. This “sublime revenge” of ressentiment (in Nietzsche’s words) has indeed played a creative role in the history of value systems. It is “sublime,” for the impulses of revenge against those who are strong, healthy, rich, or handsome now disappear entirely. Ressentiment has brought deliverance from the inner torment of these affects. Once the sense of values has shifted and the new judgments have spread, such people cease to been viable, hateful, and worthy of revenge. They are unfortunate and to be pitied, for they are beset with “evils.” Their sight now awakens feelings of gentleness, pity, and commiseration. When the reversal of values comes to dominate accepted morality and is invested with the power of the ruling ethos, it is transmitted by tradition, suggestion, and education to those who are endowed with the seemingly devaluated qualities. They are struck with a “bad conscience” and secretly condemn themselves. The “slaves,” as Nietzsche says, infect the “masters.” Ressentiment man, on the other hand, now feels “good,” “pure,” and “human”—at least in the conscious layers of his mind. He is delivered from hatred, from the tormenting desire of an impossible revenge, though deep down his poisoned sense of life and the true values may still shine through the illusory ones. There is no more calumny, no more defamation of particular persons or things. The systematic perversion and reinterpretation of the values themselves is much more effective than the “slandering” of persons or the falsification of the world view could ever be.
Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 76-77

William Hogarth photo
Charles Cooley photo
Cristoforo Colombo photo

“Variants include "You can never cross the ocean unless you have the courage to lose sight of the shore."”

Cristoforo Colombo (1451–1506) Explorer, navigator, and colonizer

Actually by André Gide.
Misattributed

Gerhard Richter photo
Halldór Laxness photo
Alexis De Tocqueville photo
Gabrielle Roy photo
John Cale photo

“The only reason we wore sunglasses onstage was because we couldn't stand the sight of the audience.”

John Cale (1942) Welsh composer, singer-songwriter and record producer

Attributed without citation at John Cale Quotes, inspirationalstories.com, 16 November 2012 http://www.inspirationalstories.com/quotes/t/john-cale/,

Shaun Ellis photo
William Morley Punshon photo
Roger Ebert photo

“There are few lonelier sights than a good comedian being funny in a movie that doesn't know what funny is.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/wedding-crashers-2005 of Wedding Crashers (14 July 2005)
Reviews, Two star reviews

Mahathir bin Mohamad photo

“We will shoot [any Vietnamese migrants] on sight.”

Mahathir bin Mohamad (1925) Prime Minister of Malaysia

on how Malaysia would deal with refugees from Vietnam fleeing the Sino-Vietnamese War.
Malaysian Politicians Say the Darndest Things [Vol I]

Samuel Pepys photo
James Cromwell photo
John Morley, 1st Viscount Morley of Blackburn photo
Paolo Bacigalupi photo
Natalie Merchant photo

“these sobering sights I've seen
in the City of Angels
have all been one rude awakening
that was due to me
in this city of fallen angels”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), City of Angels

Richard Cobden photo
Samuel Rutherford photo
Julian of Norwich photo
Marianne Moore photo
Becky Stark photo
Helen Maria Williams photo

“Pale moon! thy mild benignant light
May glad some other's captive sight
Where are the years with pleasure gay
How bright their course! How short their stay!”

Helen Maria Williams (1759–1827) British writer

from (I) & (II) 'Quenn Mary's Complaint', Poems 1786, kindle ebook ASIN B00849523Q

Gerald Durrell photo
James McNeill Whistler photo
Kazimir Malevich photo
Charles Sumner photo

“The Senator from South Carolina has read many books of chivalry, and believes himself a chivalrous knight, with sentiments of honor and courage. Of course he has chosen a mistress to whom he has made his vows, and who, though ugly to others, is always lovely to him; though polluted in the sight of the world, is chaste in his sight I mean the harlot, Slavery. For her, his tongue is always profuse in words.”

Charles Sumner (1811–1874) American abolitionist and politician

"The Crime against Kansas," speech in the Senate (May 18, 1856). The claims made against Senator Andrew Butler of South Carolina so angered Butler's cousin, Democrat Representative Preston Brooks, that Brooks assaulted Sumner with a cane in the Senate chamber a few weeks later

Peter Greenaway photo
James A. Michener photo
Kent Hovind photo
Giorgio Morandi photo
Tom Petty photo
Devin Townsend photo
Philip José Farmer photo

“Can imagination act
Perpendicular to fact?
Can it be a kite that flies
Till the Earth, umbrella-wise,
Folds and drops away from sight?”

Philip José Farmer (1918–2009) American science fiction writer

"Imagination" in America Sings (1949); re-published in Pearls From Peoria (2006)

Albert Barnes photo
Alex Salmond photo
David Dixon Porter photo
L. K. Advani photo

“Dr Koenraad Elst, in his two-volume book titled The Saffron Swastika, marshals an incontrovertible array of facts to debunk slanderous attacks on the BJP by a section of the media. About the Rath Yatra, he writes: ‘But what about Advani’s bloody Rath Yatra (car procession) from Somnath to Ayodhya in October 1990? Very simple: it is not at all that the Rath Yatra was a bloody affair. While in the same period, there was a lot of rioting in several parts of the country (particularly Hyderabad, Karnataka and Uttar Pradesh), killing about 600 people in total, there were no riots at all along the Rath Yatra trail. Well, there was one: upper-caste students pelted stones at Advani because he had disappointed them by not supporting their agitation against the caste-based reservations which V. P. Singh was promoting. Even then, no one was killed or seriously wounded. It is a measure of the quality of the Indian English-language media that they have managed to turn an entirely peaceful procession, an island of orderliness in a riot-torn country, into a proverbial bloody event (“Advani’s blood yatra”). And it was quite a sight how the pressmen in their editorials blamed Advani for communal riots of which the actual, non-Advanirelated causes were given on a different page of the same paper. Whether Advani with his Rath Yatra was at 500 miles distance from a riot (as with the riot in Gonda in UP), or under arrest, or back home after the high tide of the Ayodhya agitation, every riot in India in the second half of 1990 was blamed on him’.”

L.K. Advani, My Country My Life (2008). ISBN 978-81-291-1363-4, quoting Koenraad Elst, The Saffron Swastika (2001)

Camille Paglia photo

“Lacan is a tyrant who must be driven from our shores. Narrowly trained English professors who know nothing of art history or popular culture think they can just wade in with Lacan and trash everything in sight.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 213

Condoleezza Rice photo
James K. Morrow photo

“Gravestones, he knew, were educational media, teaching that life has limits: don’t set your sights too high.”

James K. Morrow (1947) (1947-) science fiction author

Source: This Is the Way the World Ends (1986), Chapter 1, “In Which Our Hero Is Introduced and Taught the True Facts Concerning Strategic Doctrine and Civil Defense” (p. 14)

Vita Sackville-West photo
John Ruskin photo

“Of all God's gifts to the sight of man, colour is the holiest, the most divine, the most solemn.”

Volume II, chapter V, section 30.
The Stones of Venice (1853)

Brandon Boyd photo

“I refuse to kneel before the sights you choose to see.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Morning View (2001)

Jean-François Millet photo

“[Theophile] Gautier's article is very good. I begin to feel a little more contented. His remarks about my thick colours are also very just. The critics who see and judge my pictures are not forced to know that in painting them I am not guided by a definite intention, although I do my utmost to try and attain the aim which I have in sight, independently of methods. People are not even obliged to know why it is that I work in this way, with all its faults.”

Jean-François Millet (1814–1875) French painter

Quote of Millet in his letter of 23 March 1851; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 112
the most famous painting of Millet 'The Sower', reviewed in an article then by Gautier, was exhibited for the first time in 'The Salon' of Paris, at the End of 1850
1851 - 1870

Joseph Conrad photo

“It is not the clear-sighted who lead the world. Great achievements are accomplished in a blessed, warm mental fog.”

Joseph Conrad (1857–1924) Polish-British writer

Victory: An Island Tale http://www.gutenberg.org/files/6378/6378-h/6378-h.htm (1915), Part II, ch. 3

George Eliot photo
Cesare Pavese photo
Benjamin R. Barber photo
Albert Camus photo
Richard Brinsley Sheridan photo
Gabrielle Giffords photo

“We're in Sarah Palin's 'targeted' list, but the thing is that the way she has it depicted, we're in the crosshairs of a gun sight over our district. When people do that, they've got to realize that there are consequences to that action.”

Gabrielle Giffords (1970) American politician

After experiencing vandalism directed at her congressional office in 2010 — The Guardian, US congresswoman Gabrielle Giffords shot as six die in Arizona massacre, Ben Quinn and Paul Gallagher, January 9, 2011, Guardian News and Media Limited, 2010-01-10 http://www.guardian.co.uk/world/2011/jan/08/gabrielle-giffords-shot-tucson-arizona,

John Dryden photo
Abraham Joshua Heschel photo
Christian Scriver photo

“God has given you your child, that the sight of him, from time to time, might remind you of His goodness, and induce you to praise Him with filial reverence.”

Christian Scriver (1629–1693) German hymnwriter

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 50.

Ralph Vaughan Williams photo
Arthur Schopenhauer photo
Ali Shariati photo

“The sky was dark, the night was black, obscurity reigned, the gleam of the wolves eyes was the only light that came to sight, the howling of the jackal was the only sound to be heard, conspiracies were in the making while slanderers and the malicious were busily chattering”

Ali Shariati (1933–1977) Iranian academic and activist

Quote in: Ali Rahnema An Islamic Utopian: A Political Biography of Ali Shariati. (2000), p. 258
Rahnema commented that "Shariati did not believe he had any chance of returning to Ershad and evaluated his situation in a poetical and macabre fashion".

Theodore Parker photo

“Look at the facts of the world. You see a continual and progressive triumph of the right. I do not pretend to understand the moral universe; the arc is a long one, my eye reaches but little ways; I cannot calculate the curve and complete the figure by the experience of sight; I can divine it by conscience. And from what I see I am sure it bends towards justice.”

Theodore Parker (1810–1860) abolitionist

This portion of Parker's sermon is thought to have inspired Martin Luther King, Jr.‎'s famous assertion of similar sentiments: "The arc of the moral universe is long, but it bends towards justice".
Ten Sermons of Religion (1853), III : Of Justice and the Conscience https://en.wikisource.org/wiki/Ten_Sermons_of_Religion/Of_Justice_and_the_Conscience

Leo Tolstoy photo
Jacopone da Todi photo
Olivier Blanchard photo
Eliezer Yudkowsky photo

“Through rationality we shall become awesome, and invent and test systematic methods for making people awesome, and plot to optimize everything in sight, and the more fun we have the more people will want to join us.”

Eliezer Yudkowsky (1979) American blogger, writer, and artificial intelligence researcher

Epistle to the New York Less Wrongians (April 2011) http://lesswrong.com/lw/5c0/epistle_to_the_new_york_less_wrongians/

Max Scheler photo

“"Among the types of human activity which have always played a role in history, the soldier is least subject to ressentiment. Nietzsche is right in pointing out that the priest is most exposed to this danger, though the conclusions about religious morality which he draws from this insight are inadmissible. It is true that the very requirements of his profession, quite apart from his individual or national temperament, expose the priest more than any other human type to the creeping poison of ressentiment. In principle he is not supported by secular power; indeed he affirms the fundamental weakness of such power. Yet, as the representative of a concrete institution, he is to be sharply distinguished from the homo religiosus—he is placed in the middle of party struggle. More than any other man, he is condemned to control his emotions (revenge, wrath, hatred) at least outwardly, for he must always represent the image and principle of “peacefulness.” The typical “priestly policy” of gaining victories through suffering rather than combat, or through the counterforces which the sight of the priest's suffering produces in men who believe that he unites them with God, is inspired by ressentiment. There is no trace of ressentiment in genuine martyrdom; only the false martyrdom of priestly policy is guided by it. This danger is completely avoided only when priest and homo religiosus coincide."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Loreena McKennitt photo
Dan Fogelberg photo
Walt Disney photo

“I only hope that we never lose sight of one thing — that it all started with a mouse.”

Walt Disney (1901–1966) American film producer and businessman

What Is Disneyland television program (27 October 1954)
Variants:
I only hope that we don't lose sight of one thing — that it all started with a mouse.
As quoted in The Story of Disney (2004) by Adele D. Richardson, p. 41
Variant: I only hope that we don’t lose sight of one thing — that it was all started by a mouse.

Bill Nye photo

“I might be trying to change the world, but I also better be funny while I'm doing it. I've never lost sight of that.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, D-01, Bill Nye, the Science Guy, brings humor to normally serious field, The Daily Gazette, Schenectady, New York, March 9, 2005, Bill Buell]

Joan Slonczewski photo

“She tended to keep her eyes half closed, as if full sight of the world’s absurdity might be too much to bear.”

Part 2, “A Door Into Ocean” - Chapter 4 (p. 71)
A Door into Ocean (1986)

Gabrielle Roy photo
Jonathan Safran Foer photo
Joseph Heller photo
Mahmud of Ghazni photo

“The Sultan then departed from the environs of the city, in which was a temple of the Hindus. The name of this place was Maharatu-l Hind. He saw there a building of exquisite structure, which the inhabitants said had been built, not by men, but by Genii, and there he witnessed practices contrary to the nature of man, and which could not be believed but from evidence of actual sight. The wall of the city was constructed of hard stone, and two gates opened upon the river flowing under the city, which were erected upon strong and lofty foundations to protect them against the floods of the river and rains. On both sides of the city there were a thousand houses, to which idol temples were attached, all strengthened from top to bottom by rivets of iron, and all made of masonry work; and opposite to them were other buildings, supported on broad wooden pillars, to give them strength.
In the middle of the city there was a temple larger and firmer than the rest, which can neither be described nor painted. The Sultan thus wrote respecting it: - "If any should wish to construct a building equal to this, he would not be able to do it without expending an hundred thousand, thousand red dinars, and it would occupy two hundred years even though the most experienced and able workmen were employed."…
The Sultan gave orders that all the temples should be burnt with naptha and fire, and levelled with the ground.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

About the capture of Mathura. Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 44-45 Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from Tarikh Yamini (Kitabu-l Yamini) by Al Utbi

Arundhati Roy photo
Julian of Norwich photo
Julian of Norwich photo
Lee Child photo
Hermann Weyl photo

“[Physicists and philosophers] stick stubbornly to the principles of a mechanistic interpretation of the world after physics has, in its factual structure, already outgrown the latter. They have the same excuse as the inhabitant of the mainland who for the first time travels on the open sea: he will desperately try to stay in sight of the vanishing coast line, as long as there is no other coast in sight, towards which he steers.”

Hermann Weyl (1885–1955) German mathematician

"Wissenschaft als symbolische Konstruktion des Menschen" Eranos-Jahrbuch (1948) GA IV, as quoted/translated by Erhard Scholz, "Philosophy as a Cultural Resource and Medium of Reflection for Hermann Weyl" http://arxiv.org/abs/math/0409596 (2004)

John Milton photo