Quotes about sensibility
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“Dame Sancho would be better if she cared less. I am her barometer- if a sigh escapes me, it is answered by a tear in her eye; I oft assume a gaiety to illume her dear sensibility with a smile- which twenty years ago almost bewitched me; and mark! after twenty years enjoyment, constitutes my highest pleasure!”

Ignatius Sancho (1729–1780) British composer, writer and grocer

(from vol 1, letter 53: 24 Oct 1777, to Mr S___ ).

Pleasure, Smile, Tear

“It was in 1947 that the idea of a conscious monochrome vision came to me... Pure, existential space was regularly winking at me, each time in a more impressive manner, and this sensation of total freedom attracted me so powerfully that I painted some monochrome surfaces just to 'see', to 'see' with my own eyes what existential sensibility granted me; absolute freedom! But each time I could neither imagine or think of the possibility of considering this as a painting, a picture, until the day when I said: Why not?”

Yves Klein (1928–1962) French artist

Source: before 1960, "Yves Klein, 1928 – 1962, Selected Writings", p. 15

Imagination, Idea, Thinking, Freedom

“Provided they are substantiated by hard evidence, not hunches, generalizations are not incorrect. Science relies on the ability to generalize to the larger population observations drawn from a representative sample. People make prudent decisions in their daily lives based on probabilities and generalities. That one chooses not to live in a particular crime-riddled county or country in no way implies that one considers all individual residents there to be criminals, only that a sensible determination has been made, based on statistically significant data, as to where scarce and precious resources—one's life and property—are best invested.”

Ilana Mercer South African writer

Into the Cannibal's Pot: Lessons for America from Post-Apartheid South Africa
2010s, Into the Cannibal's Pot: Lessons for America from Post-Apartheid South Africa (2011)

Life, People, Way, Decision

“In cantoning the troops and drawing supplies for their subsistence, it may not be amiss to have an eye to the affair of next campaign. The expense and difficulty of transportation from the Western States, your Excellency is perfectly acquainted with. You are also sensible that the long tract of barren country, through which the supplies must come, will only admit of a certain quantity of transportation; therefore I conceive, that good policy points out the necessity of keeping as many stores in reserve in this State as possible. This is necessary, not only to be prepared for any emergency that may happen from the enemy's turning their force against the Eastern States, but to have a magazine in readiness for a secret purpose, which your Excellency hinted to me a few days since.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (November 1779)

Secret, Drawing, Country

“The free movement of the moral impulse to establish justice for animals generally and the claim of their rights from mankind are hidden in a natural psychic sensibility in the deeper layers of the Torah. In the ancient value system of humanity … the moral sense had risen to a point of demanding justice for animals. … Just as the democratic aspiration will reach outward through the general intellectual and moral perfection … so will the hidden yearning to act justly towards animals emerge at the proper time. What prepares the ground for this state is the commandments, those intended specifically for this area of concern. There is indeed a hidden reprimand between the lines of the Torah in the sanction to eat meat.”

Abraham Isaac Kook (1865–1935) first Ashkenazi chief rabbi of the British Mandatory Palestine

"Fragments of Light: A View as to the Reasons for the Commandments," in The Lights of Penitence, The Moral Principles, Lights of Holiness, Essays, Letters, and Poems, trans. Ben Zion Bokser (New York: Paulist Press, 1978), pp. 317-318.

Justice, Nature, Sense, Time

“The first question we should face is: What is the aim of a physical theory? To this question diverse answers have been made, but all of them may be reduced to two main principles:
"A physical theory," certain logicians have replied, "has for its object the explanation of a group of laws experimentally established."
"A physical theory," other thinkers have said, "is an abstract system whose aim is to summarize and classify logically a group of experimental laws without claiming to explain these laws…
Now these two questions — Does there exist a material reality distinct from sensible appearances? and What is the nature of reality? — do not have their source in experimental method, which is acquainted only with sensible appearances and can discover nothing beyond them. The resolution of these questions transcends the methods used by physics; it is the object of metaphysics.
Therefore, if the aim of physical theories is to explain experimental laws, theoretical physics is not an autonomous science; it is subordinate to metaphysics…
Now, to make physical theories depend on metaphysics is surely not the way to let them enjoy the privilege of universal consent.”

Pierre Duhem (1861–1916) French physicist, historian of science

Notice sur les Titres et Travaux scientifiques de Pierre Duhem rédigée par lui-même lors de sa candidature à l'Académie des sciences (mai 1913), The Aim and Structure of Physical Theory (1906)

Law, Way, Question, Nature

“Ingres was one of those artists to whom the outline was something sacred and magical, and the reason is that it was the means of reconciling the major conflict in his art, the conflict between abstraction and sensibility. The difference between what we see and a sheet of white paper with a few thin lines on it is very great. Yet this abstraction is one which we seem to have adopted almost instinctively at an early stage in our development not only in Neolithic graffiti but in early Egyptian drawings. And in spite of its abstract character, the outline is responsive to the least tremor of sensibility.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 4: Ingres I: The Years of Inspiration

Art, Drawing

“Spiritual inebriation is this: that a man receives more sensible joy and sweetness than his heart can either contain or desire.”

John Ruysbroeck (1293–1381) Flemish mystic

The Spiritual Espousals (c. 1340)

Heart, Joy

“In how many churches, by how many prophets, tell me, is man made sensible that he is an infinite Soul; that the earth and heavens are passing into his mind; that he is drinking forever the soul of God?”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)

God, Soul, Drink

“Anton Chekhov wrote that “one must not put a loaded rifle on stage if no one is thinking of firing it.” Good drama requires spare and purposive action, sensible linking of potential causes with realized effects. Life is much messier; nothing happens most of the time. Millions of Americans (many hotheaded) own rifles (many loaded), but the great majority, thank God, do not go off most of the time. We spend most of real life waiting for Godot, not charging once more unto the breach.”

Stephen Jay Gould book Dinosaur in a Haystack

"Speaking of Snails and Scales", p. 345
Dinosaur in a Haystack (1995)

Life, God, Thinking, Time

“The 2nd of April (1891) at 9:45 a. m. Max Ernst had his first contact with the sensible world, when he came out of the egg which his mother had laid in an eagle's nest and which the bird had brooded for seven years.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Some Data on the Youth of M. E., As Told by Himself', in the View (April 1942); also quoted in Max Ernst and Alchemy (2001) by M. E. Warlick, p. 10
1936 - 1950

World, Bird

“Locke supposes that a person acquainted sensibly with the colours which compose a rainbow, can by the names of such colours in a verbal description, be made visually acquainted with a rainbow. The verbal description will give such a person's intellect a good verbal definition of the word rainbow, but it cannot communicate the sight to the extent that it differs, in any manner from the sights he already knows.”

Alexander Bryan Johnson (1786–1867) United States philosopher and banker

Part II. Of the Extent of Sensible Knowledge.
The Physiology of the Senses: Or, How and what We See, Hear, Taste, Feel and Smell (1856)

Communication, Personality

“The simultaneity of the disappearance of literature (as aesthetic) and history (as development), which we can observe around us in the academy, points to a fundamental commonality; unraveling one implies unraveling the other, since both are grounded in the same goal-oriented structures that postmodern sensibility opposes. Both civilizational history and autonomous literature are constitutively teleological, dependent on notions of progress toward goals, and they both therefore face resistance from the antidevelopmentalism of contemporary intellectual life.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 8.

Life, History, Literature, Dependency

“If there were only some mechanism (like Seurat's proposed system of painting, or the projected Universal Algebra that Gödel believes Leibnitz to have perfected and mislaid) for reasonably and systematically converting into poetry what we see and feel and are! When one reads the verse of people who cannot write poems — people who sometimes have more intelligence, sensibility, and moral discrimination than most of the poets — it is hard not to regard the Muse as a sort of fairy godmother who says to the poet, after her colleagues have showered on him the most disconcerting and ambiguous gifts, "Well, never mind. You're still the only one that can write poetry."”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Verse Chronicle," The Nation (23 February 1946); reprinted as "Bad Poets" in Poetry and the Age (1953)
General sources

People, Feeling, Intelligence, Universe

“But if man's affection be one of passion, then it is moved also in regard to other animals: for since the passion of pity is caused by the afflictions of others; and since it happens that even irrational animals are sensible to pain, it is possible for the affection of pity to arise in a man with regard to the sufferings of animals. Now it is evident that if a man practice a pitiful affection for animals, he is all the more disposed to take pity on his fellow-men: wherefore it is written (Prov. 12:10): "The just regardeth the lives of his beasts: but the bowels of the wicked are cruel." Consequently the Lord, in order to inculcate pity to the Jewish people, who were prone to cruelty, wished them to practice pity even with regard to dumb animals, and forbade them to do certain things savoring of cruelty to animals. Hence He prohibited them to "boil a kid in the milk of its dam"; and to "muzzle the ox that treadeth out the corn"; and to slay "the dam with her young."”

Thomas Aquinas book Summa Theologica

I-II, q. 102, art. 6 ad. 8
Summa Theologica (1265–1274)

Men, Pain, People, Affliction

““How dare you contradict their opinions! You are only a common servant.”
“Yes, miss,” he said wearily.
“You should be dismissed for being insolent to your betters.”
There was a long pause, and then Baine said, “All the diary entries and dismissals in the world cannot change the truth. Galileo recanted under threat of torture, but that did not make the sun revolve round the earth. If you dismiss me, the vase will still be vulgar, I will still be right, and your taste will still be plebeian, no matter what you write in your diary.”
“Plebeian?” Tossie said, bright pink. “How dare you speak like that to your mistress? You are dismissed.” She pointed imperiously at the house. “Pack your things immediately.”
“Yes, miss,” Baine said. “E pur si muove.”
“What?” Tossie said, bright red with rage. “What did you say?”
“I said, now that finally have dismissed me, I am no longer a member of the servant class and am therefore in a position to speak freely,” he said calmly.
“You are not in a position to speak to me at all,” Tossie said, raising her diary like a weapon. “Leave at once.”
“I dared to speak the truth to you because I felt you were deserving of it,” Baine said seriously. “I had only your best interests at heart, as I have always had. You have been blessed with great riches; not only with the riches of wealth, position, and beauty, but with a bright mind and a keen sensibility, as well as with a fine spirit. And yet you squander those riches on croquet and organdies and trumpery works of art. You have at your disposal a library of the great minds of the past, and yet you read the foolish novels of Charlotte Yonge and Edward Bulwer-Lytton. Given the opportunity to study science, you converse with conjurors wearing cheesecloth and phosphorescent paint. Confronted by the glories of Gothic architecture, you admire instead a cheap imitation of it, and confronted by the truth, you stamp your foot like a spoilt child and demand to be told fairy stories.””

Connie Willis book To Say Nothing of the Dog

Source: To Say Nothing of the Dog (1998), Chapter 22 (p. 374)

Truth, World, Beauty, Art

“It is not a sensible or intelligent response for us in Europe to ridicule American argument or parody their political leadership.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Speech at the Lord Mayor's Banquet http://web.archive.org/20041128025440/www.number10.gov.uk/output/Page6583.asp, 15 November 2004. Urging Europe to stop ridiculing American President George W. Bush. 2000s

Intelligence

“The art and mystery of banks… is established on the principle that 'private debts are a public blessing.' That the evidences of those private debts, called bank notes, become active capital, and aliment the whole commerce, manufactures, and agriculture of the United States. Here are a set of people, for instance, who have bestowed on us the great blessing of running in our debt about two hundred millions of dollars, without our knowing who they are, where they are, or what property they have to pay this debt when called on; nay, who have made us so sensible of the blessings of letting them run in our debt, that we have exempted them by law from the repayment of these debts beyond a give proportion (generally estimated at one-third). And to fill up the measure of blessing, instead of paying, they receive an interest on what they owe from those to whom they owe; for all the notes, or evidences of what they owe, which we see in circulation, have been lent to somebody on an interest which is levied again on us through the medium of commerce. And they are so ready still to deal out their liberalities to us, that they are now willing to let themselves run in our debt ninety millions more, on our paying them the same premium of six or eight per cent interest, and on the same legal exemption from the repayment of more than thirty millions of the debt, when it shall be called for.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

ME 13:420
1810s, Letters to John Wayles Eppes (1813)

People, Law, Art

“Until the age of twelve, then, I only lived on bread, milk-food, vegetables, and fruit. My health was not less robust on this account, nor my growth less rapid, and it was to this diet, perhaps, that I was indebted for that purity of feature, that exquisite sensibility of feeling, and that serene gentleness of humor and character which I had preserved up to that period.”

Alphonse de Lamartine (1790–1869) French writer, poet, and politician

Book IV, Note VIII, p. 61
Les confidences (1849)

Health, Age, Food, Feeling

“Ikenobo Sen'o, a master of flower arranging, once said (the remark is to be found in his Sayings): "With a spray of flowers, a bit of water, one evokes the vastness of rivers and mountains." The Japanese garden too, of course symbolizes the vastness of nature. The Western garden tends to be symmetrical, the Japanese garden asymmetrical, and this is because the asymmetrical has the greater power to symbolize multiplicity and vastness. The asymmetry, of course, rests upon a balance imposed by delicate sensibilities. Nothing is more complicated, varied, attentive to detail, than the Japanese art of landscape gardening. Thus there is the form called the dry landscape, composed entirely of rocks, in which the arrangement of stones gives expression to mountains and rivers that are not present, and even suggests the waves of the great ocean breaking in upon cliffs.”

Yasunari Kawabata (1899–1972) Japanese author, Nobel Prize winner

Japan, the Beautiful and Myself (1969)

Art, Mountain, Flowers, Nature

“Doth the reality of sensible things consist in being perceived? or, is it something distinct from their being perceived, and that bears no relation to the mind?”

George Berkeley book Three Dialogues between Hylas and Philonous

Philonous to Hylas.
Three Dialogues between Hylas and Philonous (1713)

Reality

“I guess Senator Sanders, that the Koch brothers, as you said, are sensible with how they use their money. And I agree with you. They stand for things that I find abhorrent, that would be bad for our country, bad for our future. But they did just put up a little video praising you for being the only Democrat who stood with the Republicans to try to eliminate the Export/Import Bank, which has helped hundreds and hundreds of companies here in Florida be able to export their goods and employ more Floridians. So from my perspective, you sided with the Koch brothers.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Democratic Presidential Debate in Miami (March 9, 2016)

Money, Future, Help, Country

“Naturally, in order to find in this break [in the visual perception] with time-honored habits a basis for a new pictorial harmony and a plastic means of dealing with life and movement, there must be an artistic sensibility far in advance of the normal vision of the crowd.”

Fernand Léger (1881–1955) French painter

Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 12
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914

Life, Nature, Time

“Can the philosopher, big with the inspiration of an idea that is to reform mankind, believe that he is to be beckoned from this sensible existence at the very instant when he is mustering his breath to speak the word of light? Should he perish so, the weary ages must pass away—the world's, whose life sand may fall, drop by drop—before another intellect is prepared to develop the truth that might have been uttered then. But history affords many an example where the most precious spirit… has gone hence… The prophet dies, and the man of torpid heart and sluggish brain lives on. The poet leaves his song half sung, or finishes it, beyond the scope of mortal ears… The painter—as Allston did—leaves half his conception on the canvas to sadden us with its imperfect beauty, and goes to picture forth the whole… in the hues of heaven. But rather such incomplete designs of life will be perfected nowhere. This so frequent abortion of man's dearest projects must be taken as proof that the deeds of earth, however etherealized by piety or genius, are without value, except as exercises and manifestations of the spirit.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

Life, Truth, Age, World

“The theory of games was first formalised by Von Neumann & Morgenstern (1953) in reference to human economic behaviour. Since that time, the theory has undergone extensive development… Sensibly enough, a central assumption of classical game theory is that the players will behave rationally, and according to some criterion of self-interest. Such an assumption would clearly be out of place in an evolutionary context. Instead, the criterion of rationality is replaced by that of population dynamics and stability, and the criterion of self-interest by Darwinian fitness.”

John Maynard Smith book Evolution and the Theory of Games

Source: Evolution and the Theory of Games (1973), p. 1-2.

Game, Time

“A sensible man takes pleasure in what he has instead of pining for what he has not.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

Pleasure

“I say that conceit is just as natural a thing to human minds as a centre is to a circle. But little-minded people's thoughts move in such small circles that five minutes' conversation gives you an arc long enough to determine their whole curve. An arc in the movement of a large intellect does not sensibly differ from a straight line. Even if it have the third vowel ['I', the first-person pronoun] as its centre, it does not soon betray it. The highest thought, that is, is the most seemingly impersonal; it does not obviously imply any individual centre.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

People, Nature, Personality

“.. of what use is a painting which does not realize its aesthetical problem? Underlying all sensible works of art, there must be somewhere in evidence the particular problems understood. It was so with those artists of the great past who had the intellectual knowledge of structure upon which to place their emotions. It is this structural beauty that makes the old [clssical] painting valuable. And so it becomes to me a problem. I would rather be sure that I had placed two colors in true relationship to each other than to have exposed a wealth of emotionalism gone wrong in the name of richness of personal expression... The real artists have always been interested in this problem, and you feel it strongly in the work of [Leonardo] Da Vinci, Piero della Francesca, Courbet, Pissarro, Seurat, and Cezanne.”

Marsden Hartley (1877–1943) American artist

n.p.
1921 - 1930, Art and the Personal Life', Marsden Hartley, 1928

Beauty, Art, Color, Feeling

“Every nation has the right to control its own immigration. To shape sensibly an immigration policy is to influence nearly every facet of life, now and for generations to come.”

Geoffrey Blainey book All for Australia

All for Australia (1984)

Life

“Poetry is a vocal art for me, not neccessarilyperformative, it might be reading to one self or recalling some lines by memory. The speaker bringing their own experience to it, changing it with their own sensibility.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

The Art of Poetry - interview 1995 with Downing & Kunitz

Art, Memory, Change, Reading

““We’re going to have a séance. Oren, open the whisky, if you would, and pour each of us a full glass.”
“First sensible remark all night,” said Charlotte.”

Tim Powers book Three Days to Never

Source: Three Days to Never (2006), Chapter 24 (p. 339)

Night

“What we do attracts to a certain type of people. I don't think age has anything to do with it: either you get into it or you don't. You can be 16 or 60 and you will like us or not depending on your sensibilities.”

Robert Smith (musician) (1959) English singer, songwriter and musician

X-Press Magazine, Australia, September 2000

People, Age, Thinking, Dependency

“I have certainly never contended that generally authoritarian governments are more likely to secure individual liberty than democratic ones, but rather the contrary. This does not mean, however, that in some historical circumstances personal liberty may not have been better protected under an authoritarian than democratic government. (…) More recently I have not been able to find a single person even in much maligned Chile who did not agree that personal freedom was much greater under Pinochet than it had been under Allende. Nor have I heard any sensible person claim that in the principalities of Monaco or Lichtenstein, which I am told are not precisely democratic, personal liberty is smaller than anywhere else!”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Letter to The Times (3 August 1978), p. 15
1960s–1970s

Freedom, Personality

“From the day that the impressionists liberated painting, the modern picture set out at once the structure itself on contrasts; instead of submitting to a subject, the painter makes an insertion and uses a subject in the service of purely plastic means.... [the contemporary painter] must prepare himself in order to confer a maximum of plastic effect on means that have not yet been used. He must not become an imitator of the new visual objectivity, but be a sensibility completely subject to the new state of things.”

Fernand Léger (1881–1955) French painter

Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 14
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914

Painting

“I wanted to see that grizzly fucker. I wanted to see him flower. I wanted to see him blossom under the fact of love. I wanted to see where the sonnets came from. They came from the same pen of despair that wrote Timon of Athens— I wanted to see that guy. I wanted to see that guy with the sensibilities of a man that could create a body of work that would last century after century. I wanted to see that… I wanted to play that character. I loved the script. I mean, it was an incredibly well observed script about actors. That's why I thought it was so cool.”

Russell Crowe (1964) New Zealand-born Australian actor, film producer and musician

On Shakespeare In Love
GQ Interview (2005)

Love, Guy, Flowers, Despair

“There is nothing so easy, so sweet, and so favourable, as the divine law: it calls and invites us to her, guilty and abominable as we are; extends her arms and receives us into her bosom, foul and polluted as we at present are, and are for the future to be. But then, in return, we are to look upon her with a respectful eye; we are to receive this pardon with all gratitude and submission, and for that instant at least, wherein we address ourselves to her, to have the soul sensible of the ills we have committed, and at enmity with those passions that seduced us to offend her;”

Michel De Montaigne book Essays

Essais (1595), Book I

Law, Soul, Passion, Future

“Being fresh out of college, I found myself in the typically feminine dilemma of carving out for myself in a male world a way of life appropriate to a young woman of taste, cultivation and sensitivity. There must be nothing crass—like work. However, a girl must survive. So, after a cool appraisal of the social scene, I finally hit upon an excellent-paying occupation, challenging to the ingenuity, dealing on one's own terms with people and affording independence, flexible hours, great stability and, most important, a large amount of leisure time, an occupation highly appropriate to female sensibilities. I contemplate my good fortune as I begin work for the day: "Pardon me, Sir, do you have fifteen cents?"”

Valerie Solanas (1936–1988) American radical feminist and writer. Attempted to assassinate Andy Warhol.

"A Young Girl's Primer" (1966)

Life, People, World, Way

“Intellect distinguishes between the possible and the impossible; reason distinguishes between the sensible and the senseless. Even the possible can be senseless.”

Max Born (1882–1970) physicist

The Voyage into the Dark (1961); also in My Life and Views (1968), p. 154

“She looks so haughty that I should have thought her a princess at the very least, with a pedigree reaching as far back as the Deluge. But this lady was no better born than many other ladies who give themselves airs; and all sensible people laughed at her absurd pretensions.”

William Makepeace Thackeray (1811–1863) novelist

The Rose and the Ring http://www.gutenberg.org/files/897/897-h/897-h.htm#2H_4_0004 (1855), Ch. 2.

People, Princess

“You can't ask a man to talk sensibly about the art of painting if he simply doesn't know anything about it. But by God, how can he [ Zola was his youth friend, who used Cezanne as a model in Zola's novel 'L'Oeuvre'] dare to say that a painter is done because he has painted one bad picture? When a picture isn't realized, you pitch it in the fire and start another one.”

Paul Cézanne (1839–1906) French painter

Quote in a conversation with Vollard in Cezanne's studio in Aix - after the death of Zola in 1902; as quoted in Cézanne, Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, after 1900

God, Youth, Art, Painting

“A sensible man should not demand of me, or hope that when we mention a subject, we shall make a complete exposition of it.”

Maimónides book The Guide for the Perplexed

Guide for the Perplexed (c. 1190), Introduction

Hope

“I am convinced our own happiness requires that we should continue to mix with the world, and to keep pace with it as it goes; and that every person who retires from free communication with it is severely punished afterwards by the state of mind into which he gets, and which can only be prevented by feeding our sociable principles. I can speak from experience on this subject. From 1793 to 1797 I remained closely at home, saw none but those who came there, and at length became very sensible of the ill effect it had on my own mind, and of its direct and irresistible tendency to render me unfit for society and uneasy when necessarily engaged in it. I felt enough of the effect of withdrawing from the world then to see that it led to an anti-social and misanthropic state of mind, which severely punishes him who gives in to it; and it will be a lesson I never shall forget as to myself.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Maria Jefferson Eppes (8 March 1809)
1800s, Post-Presidency (1809)

World, Home, Communication, Personality

“And Nelly turned to her and laughed a horrible laugh. She startled herself. She paused to light another cigarette, choking, blowing a cloud to hide her face; and when she could, continued in a gentle voice:
"You will do me a favour? Save me from disillusionment. Let the man coming back with you on Wednesday be a sensible man, who admits it all, defeat and hopelessness and the bitterness; but sanity." "But I don't know why I should," said Camilla, seriously.
"Won't you do what I ask, love? I know him, poor lad. I know what's best. I don't want him roaming the countryside, footloose and aimless and perhaps in some pub, on some roadside pick up some other harpy, instead of swallowing the bitter pill and facing the lonely road."”

Christina Stead book Dark Places of the Heart

Dark Places of the Heart (aka Cotters' England) (1966)

Love, Light

“The fact is that Christian art failed at a deeper level. It failed not in execution but in conception and vision, and this failure was at bottom failure of Christian theology in which mysticism is rudimentary and peripheral. Christian theology has no concept of transcendence, non-attachment, recollectedness, equality (samatâ), liberation (moksha), the vast (bhûmâ) and the infinite (ananta), compassion (kurunâ), of cosmic action emanating from restfulness at the centre; therefore, it felt no call to try to convey them in its art-forms. A deeper iconography needed the support of a deeper theology and vision. This explains why Christian art has no equivalents of Far Eastern Buddhas and Bodhisattvas as Huxley notices. The Eastern tradition was shaped by Hindu religious thinking and sensibility. Hindu art tried to portray the inner man: the Man behind the man, the Eye behind the eye, the Seeing behind the seeing, man's inner prânika or life-currents, the nodal points in his subtle body where the individual meets the cosmic. It portrayed man's inner physiognomy. …. But they portrayed the external man; there was no portrayal of the inner man, the luminous man, the transcendental man.”

Ram Swarup (1920–1998) Indian historian

On Hinduism (2000)

Life, Art, Failure, Support

“Until mid 2002, I was a meat eater. I have always instinctively been opposed to cruelty to animals, as all decent and sensible people are, but didn’t know much about how food animals were raised or processed. I assumed humans had always eaten meat because it was natural for us to, and that food animals were raised on farms where they were fairly oblivious to their surroundings and only moderately inconvenienced until their swift and humane execution. Nothing could be further from the truth. Over 95% of animals raised for food are born, live, and die in horribly painful conditions. … Another misconception I had was about the relative intelligence and awareness of farm animals. Since becoming vegan, I’ve met rescued “food” animals now living natural lives outdoors … Cows, pigs and chickens are as smart, friendly and loving, as dogs and cats, and create friendships with other animals and people in much the same ways. Each has its own personality and its own set of likes and dislikes. If you think you’re an animal advocate because you care about saving dogs and cats in city shelters but still eat meat, think again.”

Dan Piraro (1958) cartoonist

"Why I’m Vegan", in his official website Bizarro.com http://bizarro.com/why-im-vegan/

Love, Pain, Friendship, People

“In antiquity, life was nothing but silence. Noise was really not born before the 19th century, with the advent of machinery. Today noise reigns supreme over human sensibility.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 4

Life, Silence

“Food redistribution is economically sensible, ecologically pressing, and socially responsible; it is high time food corporations woke up to it and governments started funding the organisations that facilitate it.”

Tristram Stuart (1977) British historian

"The scandal of Britain's free food" https://www.theguardian.com/environment/2007/jan/06/waste.pollution1, The Guardian (6 January 2007).

Food, Time

“In the twelfth century the Basque fisherman of Biarritz used to hunt whales with deadly efficiency. When the whales sensibly moved away, the Basques chased them further and further, with consequence that the fishermen of Biarritz discovered America before Columbus did. (This is a matter for local pride but on a larger view is not quite so stunning, since with the possible exception of the Swiss everybody discovered America before Columbus did).”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Postcard from Biarritz'
Essays and reviews, Flying Visits (1984)

“Once Allah's Apostle went out to the Muslims (to offer the prayer) of Eid al-Adha or Al-Fitr prayer. Then he passed by the women and said, "O women! Give alms, as I have seen that the majority of the dwellers of Hell-fire were you (women)." They asked, "Why is it so, O Allah's Apostle?" He replied, "You curse frequently and are ungrateful to your husbands. I have not seen anyone more deficient in intelligence and religion than you. A cautious sensible man could be led astray by some of you." The women asked, "O Allah's Apostle! What is deficient in our intelligence and religion?" He said, "Is not the evidence of two women equal to the witness of one man?" They replied in the affirmative. He said, "This is the deficiency in her intelligence. Isn't it true that a woman can neither pray nor fast during her menses?" The women replied in the affirmative. He said, "This is the deficiency in her religion."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Narrated Abu Sa'id al-Khudri, in Bukhari, Volume 1, Book 06, Number 301
Sunni Hadith

Women, Religion, Intelligence, Hell

“An art mode, new or old, is for the creative mind essentially a point of beginning. Content is brought into being by the activity through which the artist translates the movement into himself. In such an appropriation, there is no difference between an ongoing movement and one that is finished. During the reign of Minimalism, a painter might realize the new through Impressionism. That art history has a schedule of continuous advances en masse is a fantasy of the historian. The shared syntax of art movements is constantly replaced by the sensibility and practice of individuals. The avant-garde art of yesterday is the only modern equivalent of an aesthetic tradition. The fading of the ideas of a movement does not mean that it can no longer be a stimulus to creation. At the very dawn of a movement, the work of its artists commences to replace the concept; instead of Cubism there appear Picasso, Braque, Gris. Compared to the activities to which they give rise, ideas in art have a brief life. In the last analysis, the vitality of art in our time depends on works produced by movements after they have died.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art on the Edge, (1975), p. 230, Art on the Edge (1975) "Shall These Bones Live?: Art Movement Ghosts"

Life, Art, History, Idea

“The other economic camp made for quite a different story. James Tobin (an east-coast Ivy League policy advisor) had already won the Nobel Prize when I spoke with him. A true gentleman, he spoke softly about his life and his Keynesian approach to economics. With due respect, I worried after a time that the interview sounded so automatic, so “done” before, that it would add little to the book. Then I brought up Lucas’s criticism. Tobin began to speak much louder and faster (on transcribing the tape I actually had to adjust the volume). He remained reasonable and gentlemanly but his voice betrayed his indignation toward Lucas and his camp, about how they were misleading sensible Keynesian economic thought.”

Arjo Klamer (1953) Dutch columnist, economist and politician

Source: Speaking of economics: how to get in the conversation (2007), Ch. 1 : The strangeness of the discipline

Life, Books, Time

“This one is too elegant, too shiny, like jewelry. It seeks applause. This is clear to me, but difficult to explain, which is what makes abstraction so fascinating. In one sense, abstract art is absolutely nothing, stupid. In 100 years, maybe people will just think it's garbage. But somehow we see something in it; we have a sense of quality. [searching for an illustration of his point, Richter leafs through a catalog to find some of his 'gray monochromes']. I was doing these [monochromes] when I was getting divorced. When you feel totally empty, you do this - but then I saw that one picture was actually better than another. Both were miserable, but the difference was interesting. I loved this: that there must be something, some higher faculty, some progressive sensibility that we find in abstraction. But it is impossible to describe.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Love, People, Stupidity, Art

“My dad hates umbrellas,” said Deeba, swinging her own. “When it rains he always says the same thing. ‘I do not believe the presence of moisture in the air is sufficient reason to overturn society’s usual sensible taboo against wielding spiked clubs at eye level.’”

China Miéville book Un Lun Dun

Source: Un Lun Dun (2007), Chapter 3, “The Visiting Smoke” (p. 11)

Hate

“It is my intention to represent the world of Shakespeare as far as possible as it really is and not merely to tell the story. It is my effort to retain the names used by him, the atmosphere he created, his descriptions…on the whole. His representation of the world as it is. I believe that this is necessary for the enhancement of Kannada literature and the sensibilities of the Kannada people and for the broadening of their vision of the world. If human civilization and peace are to last, it is of foremost importance that the different races of the earth attain a world vision. In order to achieve this the people of the West should read our epics, the Ramayana and the Mahabharata sympathetically as we must acquaint ourselves with their poetic tradition.”

D. V. Gundappa (1887–1975) Indian writer

India's Shakespeare: Translation, Interpretation, and Performance

People, World, Peace, Literature

“The contradictions in Renan, his feminine sensibility, coquetry, unavowed egotism, and sudden emotional outbursts, all indicate a soul deliberately using distraction as a means of evasion. The perpetual equivocation bears witness to God in the same way as the twisting and turning of a hunted animal indicates the presence of an unseen hunter.”

Georges Bernanos (1888–1948) French writer

Source: L'imposture (The Impostor), 1927, p.152

God, Way, Soul, Animals

“As for silver, I never could see any degree of fire make it part with any of its three principles. …But admitting, that some parts of the silver were driven away by the violence of the fire, what proof is there, that it was either the salt, the sulphur, or the mercury of the metal, and not rather a part of it homogeneous to what remained? for besides that the silver, that was left, seemed not sensibly altered, which probably would have appeared, had so much of any one of its principles been separated from it.”

Robert Boyle book The Sceptical Chymist

Source: The Sceptical Chymist (1661), Part I

Appearance, Parting

“Because girls are raised to specialize in a certain set of human characteristics, would they not, then, bring to science a different sensibility? Does that sensibility have the right to be represented in science—or, for that matter, in business, politics, law, or medicine?”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.11 Only Connect

Law, Girl, Business, Science

“Our immigration policy is increasingly based on an appeal to international precepts that our neighbours sensibly refuse to practise. We are surrendering much of our own independence to a phantom opinion that floats vaguely in the air and rarely exists on this earth. We should think very carefully about the perils of converting Australia into a giant multicultural laboratory for the assumed benefit of the peoples of the world.”

Geoffrey Blainey book All for Australia

All for Australia (1984)

People, World, Thinking

““Men afraid may see demons in the familiar, and direct their fear of the insensible to a fear of the sensible.”
“Thought-lacking!”
“So it is; but it is what folk do.””

Michael Flynn book Eifelheim

Source: Eifelheim (2006), Chapter XXIII (p. 399)

Men, Fear

“My sense of the high advantage derived from this establishment in a scientific point of view, as I am fully sensible that by reason of my patronizing it, my name, however, undeserving of any celebrity is favorably noticed even in distant regions, among the scientific personages of the present day.”

Swathi Thirunal Rama Varma (1813–1846) Maharajah of Travencore

His perception of modern science is explicitly stated in ‘An enlightened and princely patron of true science".

Sense, Distant

“People think I'm a demented little pixie, but I'm not 'on' all the time. I'm sensible. I pay my bills. I've never done drugs. I don't drink or smoke. I eat organic. I'm a goody-goody, really, but I can play bad girls.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

"Q&A: Tracey Ullman" http://www.newsweek.com/newsmakers-127011 (Newsweek, 19 September 2004)

People, Girl, Drink, Thinking

“Animals when in company walk in a proper and sensible manner, in single file, instead of sprawling all across the road and being of no use or support to each other in case of sudden trouble or danger.”

Kenneth Grahame book The Wind in the Willows

Source: The Wind in the Willows (1908), Ch. 6, "Mr. Toad"

Support, Animals

“There is no way to divorce the decision determining the most sensible economic strategy from the personal values of those who make the choice.”

Kenneth R. Andrews (1916–2005) Business scholar

Source: Quote, The Concept of Strategy, 1971, p. 34

Way, Decision, Personality

“We know only too well that all over the world, from wayward undergraduate to B. B. C. producer to publisher's reader there are people, otherwise sensible and sane, people who would not believe in six-headed cats and blood-curdling spectral monsters, who yet read some folly about Noah's ark or Atlantis or cataclysmic world-tides, and say, with a contented sigh, "There may be something in it, you know."”

Glyn Daniel (1914–1986) British archaeologist

As quoted in Sumathi Ramaswamy: The Lost Land of Lemuria: Fabulous Geographies, Catastrophic Histories (University of California Press, 2004) p. 2

People, World, Cats, Reading

“I must say that "Give Peace a Chance" has always seemed to me to be sensible advice.”

Pierre Trudeau (1919–2000) 15th Prime Minister of Canada

Part 2, 1968 - 1974 Power And Responsibility, p. 122
Memoirs (1993)

Peace, Chance

“Barred from philosophy and bored by facts, he wanted to teach his students something not wholly useless. The number of students whose minds were of an order above the average was, in his experience, barely one in ten; the rest could not be much stimulated by any inducements a teacher could suggest. All were respectable, and in seven years of contact, Adams never had cause to complain of one; but nine minds in ten take polish passively, like a hard surface; only the tenth sensibly reacts.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Teachers

“"But this would be a beautiful place for a fight," he began again persuasively. "These great bare rolling Downs for the arena, — and me in my golden armour showing up against your big blue scaly coils! Think what a picture it would make!"
"Now you're trying to get at me through my artistic sensibilities," said the dragon. "But it won't work. Not but what it would make a very pretty picture, as you say," he added, wavering a little.”

Kenneth Grahame book The Reluctant Dragon

Dream Days (1898), The Reluctant Dragon

Beauty, Thinking, Fight

“Interdeterminacy was a figure-ground problem arising from incongruity between the visual bias of classical science and the new acoustic sensibilities.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 44

Problem, Science

“Wisdom is not to be found in the art of oratory, or in great books, but in a withdrawal from these sensible things and in a turning to the most simple and infinite forms. You will learn how to receive it into a temple purged from all vice, and by fervent love to cling to it until you may taste it and see how sweet That is which is all sweetness. Once this has been tasted, all things which you now consider as important will appear as vile, and you will be so humbled that no arrogance or other vice will remain in you. Once having tasted this wisdom, you will inseparably adhere to it with a chaste and pure heart. You will choose rather to forsake this world and all else that is not of this wisdom, and living with unspeakable happiness you will die.”

Nicholas of Cusa book De Docta Ignorantia

De Docta Ignorantia (On Learned Ignorance) (1440)

Love, Wisdom, Books, World

“Aids is Acquired Immune Deficiency Syndrome. I don't believe it's a sensible thing to ask: 'Does a virus cause a syndrome?' It can't. A virus will cause a disease. The syndrome is a group of diseases as a result of immune deficiency. As a result of immune deficiency you suffer various diseases.”

Thabo Mbeki (1942) South African politician, President of South Africa

Source: August 2000, addressing South African Parliament http://www.mg.co.za/articledirect.aspx?articleid=173678&area=%2farchives%2farchives__online_edition%2f http://www.theguardian.com/world/2001/jun/12/aids.chrismcgreal.

Disease, Suffering

“Reason may be employed in two ways to establish a point: firstly, for the purpose of furnishing sufficient proof of some principle, as in natural science, where sufficient proof can be brought to show that the movement of the heavens is always of uniform velocity. Reason is employed in another way, not as furnishing a sufficient proof of a principle, but as confirming an already established principle, by showing the congruity of its results, as in astrology the theory of eccentrics and epicycles is considered as established, because thereby the sensible appearances of the heavenly movements can be explained; not, however, as if this proof were sufficient, forasmuch as some other theory might explain them.”

Thomas Aquinas book Summa Theologica

I, q. 32, art. 1, reply obj. 2
Summa Theologica (1265–1274)

Way, Nature, Appearance, Science

“One day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying “Jew swine,” collapses it all at once, and you see that everything, everything has changed and changed completely under your nose. The world you lived in—your nation, your people—is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.”

Milton Mayer (1908–1986) American journalist

They Thought They Were Free: The Germans, 1933-35 (1955)

God, Hate, People, World

“I think a poet's focus is not quite what a prose writer's is, it's not entirely on the world outside. It's fixed on the area where the inside meets the outside, where the poet's sensibility meets the weather, meets the street, meets other people… that shadow land between self and reality.”

Mark Strand (1934–2014) Canadian-American poet, essayist, translator

Paris Review Interview (1998)

People, World, Thinking, Reality

“Early in life, most of us probably observe an unhappy relationship between labor and wealth — to wit, the heavier the labor, the less the wealth.
The man doing heavy manual work makes less than the man who makes a machine work for him, and this man makes less than the man sitting at a desk. The really rich people, the kind who go around on yachts and collect old books and new wives, do no labor at all.
The economic reasons for dividing the money this way are clear enough. One, it has always been done that way; and two, it's too hard to change at this late date. But the puzzling question is why, since the money is parceled out on this principle, young people are constantly being pummeled to take up a life of labor.
In any sensible world, the young would be told they could labor if they wanted to, but warned that if they did so it would cost them.”

Russell Baker (1925–2019) writer and satirst from the United States

"Lost Labor Love" (p.170)
So This Is Depravity (1980)

Life, Money, People, Books

“We must acknowledge at this point that there is no way to divorce the decision determining the most sensible economic strategy for a company from the personal values of those who make the choice.”

Kenneth R. Andrews (1916–2005) Business scholar

Source: Quote, The Concept of Strategy, 1971, p. 53

Way, Decision, Personality

“American clipper ships opened the British ports to free trade. Half a century of American smuggling and rebellion and costly ineffectual blockades; seven years of war in America, and the loss of the thirteen colonies; and all the sound and sensible arguments of English liberals and economists, could not break down the British planned economy. American clipper ships did it.”

Rose Wilder Lane (1886–1968) American journalist

Source: Discovery of Freedom: Man's Struggle Against Authority (1943), p. 239

https://mises.org/system/tdf/The%20Discovery%20of%20Freedom_2.pdf?file=1&type=document Discovery of Freedom: Man's Struggle Against Authority

War, Loss