Quotes about scene
page 3

“Am I the only one who thinks that David Beckham should film a sex scene with Brad Pitt? I don't know who's in charge of casting in Hollywood, but get it done before one of them is past their prime. Can you imagine those two making love? If there is not a man in here who's junk doesn't even wiggle at the thought of it, and this has nothing to do with your homophobic beliefs. At that level, it's art, you monkey! You should feel privileged that you get to breathe the same air as those Greek gods!”

Daniel Tosh (1975) American stand-up comedian

Happy Thoughts (2011)

Love, God, Making love, Art

“I forgot out there on the stage to thank my cast. So if I could do that now, I want to thank Mr. Bush, Mr. Cheney, Paul Wolfowitz and Donald Rumsfeld. I thought the love scene between Cheney and Rumsfeld brought a tear to my eye.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

Statement after winning the top prize at the Cannes film festival for Fahrenheit 9/11, quoted Reuters reports (22 May 2004), partly quoted in [Moore scoops Palme d'Or with attack on US president, Patrick, Barkham, The Guardian, 24 May 2004, http://film.guardian.co.uk/cannes2004/story/0,,1223156,00.html]
2004

Love, Tear

“I buried your face, someplace
by the side of the new road
so I would not trip over it
every morning or on evening strolls still, I am helplessly drawn
to the scene of this crime
for fear of forgetting
the sum of your splendor then there’s also the rain
that loosens the soil
to reveal a bewitching feature
awash with emotion an eye, perhaps tender or
a pale, becalmed cheek
a mouth tight with reproach or
lips pursed in a deathless smile other times you are inscrutable
worse, is when I seem to lose you
and pick at the earth like a scab
frantic, and faithful, like a dog.”

Yahia Lababidi (1973)

"Cairo" online at ditch, the poetry that matters http://www.ditchpoetry.com/yahialababidi.htm

Fear, Faith, Smile, Dogs

“The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation. It's heart-breaking how often I have to say when I'm giving talks, "This book is out of print. This book is out of print."”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

It's a roll call of dead books.
Salon interview (1997)

Books, Reading, Heart, Dead

“Only those who are subjective, one-sided and superficial in their approach to problems will smugly issue orders or directives the moment they arrive on the scene, without considering the circumstances, without viewing things in their totality (their history and their present state as a whole) and without getting to the essence of things (their nature and the internal relations between one thing and another). Such people are bound to trip and fall.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Practice (1937)

People, History, Nature, Problem

“Things like kissing and sex scenes don't make me uncomfortable. What makes me uncomfortable is the emotional stuff where I have to really dig deep.”

Jason Biggs (1978) American actor

Interview with Larry Smith, basis for Bigg's character on the show Orange Is the New Black, interview excerpted in: — [December 4, 2014, http://popwatch.ew.com/2014/07/16/larry-smith-jason-biggs-orange-is-the-new-black/, Jason Biggs talks 'Orange is the New Black' with real-life Larry, Ariana Bacle, July 16, 2014, Entertainment Weekly]

Sex, Kiss

“Since he came out of the west to team with David Brinkley back in 1956, Chet Huntley has been our competitor — and what a competitor! — but he also is a colleague and a good friend. Tonight, over on that other network, as we say, he's saying good night to David for the last time on their evening newscast, returning to his native Montana to build a resort, and, I suspect, perhaps to get involved in politics. As he leaves the daily broadcast scene, a giant departs the stage. For journalism and for ourselves, we hate to see him go, but that's the way it is: Friday, July 31, 1970. Goodbye, Chet.
Chet Huntley : Goodbye, and good luck, Walter.”

Walter Cronkite (1916–2009) American broadcast journalist

On Chet Huntley's retirement (1970)

Hate, Way, Time, Night

“We started shooting the film before they'd even come up with a working model of King Kong, it wasn't unusual for the wardrobe to be decided on the day before a scene was going to be shot - usually those things are worked out months in advance. We had a veteran crew, and our cameraman, Harold Wellman, had actually worked on the original 'King Kong' in 1933. It was my first movie, of course, and people would take me aside and tell me that no matter how many more movies I made, I'd never make another one like this”

Jessica Lange (1949) American actress

Jessica Lange: Woman Behind the Ape http://www.rogerebert.com/interviews/jessica-lange-woman-behind-the-ape (December 17, 1976)

People

“The institutional scene in which American man has developed has lacked that accumulation from intervening stages which has been so dominant a feature of the European landscape.”

Daniel J. Boorstin (1914–2004) American historian

Introduction, part 2: The Influence of America on the Mind, p. 6.
The Lost World of Thomas Jefferson (1948)

“Oh God — I look back now, and it seems so gross. At just 14 years old, I had to wear a thong bikini. And then they used that scene in the trailer, so my entire school saw it! There are still men who come up to me today and say, "You were really hot in that film!"”

Katherine Heigl (1978) American actress and film producer

I was 14, for God's sake!
Discussing her scene in My Father The Hero in an interview with FHM (October 2000)

Men, God, School

“Nobody is going to Bolero for the plot anyway. They're going for the Good Parts. There are two Good Parts, not counting her naked ride on horseback, which was the only scene in the movie that had me wondering how she did it. The real future of Bolero is in home cassette rentals, where your fast forward and instant replay controls will supply the editing job the movie so desperately needs.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/bolero-1984 of Bolero (1 January 1984) Reviews, Half-star reviews

Home, Future, Parting

“Guide, Pyaasa — these are my films that can be remade with current actors. But the music and lyrics should not be changed. Because you cannot have a samba or bhangra beat for the seduction scene in Pyaasa…the beauty will be lost.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Beauty, Music, Change

“Let us begin with the simplest illustration possible: let us, emulating Bastiat, choose a broken pane of glass.A young hoodlum, say, heaves a brick through the window of a baker’s shop. The shopkeeper runs out furious, but the boy is gone. A crowd gathers, and begins to stare with quiet satisfaction at the gaping hole in the window and the shattered glass over the bread and pies. After a while the crowd feels the need for philosophic reflection. And several of its members are almost certain to remind each other or the baker that, after all, the misfortune has its bright side. It will make business for some glazier. As they begin to think of this they elaborate upon it. How much does a new plate glass window cost? Fifty dollars? That will be quite a sum. After all, if windows were never broken, what would happen to the glass business? Then, of course, the thing is endless. The glazier will have $50 more to spend with other merchants, and these in turn will have $50 more to spend with still other merchants, and so ad infinitum. The smashed window will go on providing money and employment in ever-widening circles. The logical conclusion from all this would be, if the crowd drew it, that the little hoodlum who threw the brick, far from being a public menace, was a public benefactor.Now let us take another look. The crowd is at least right in its first conclusion. This little act of vandalism will in the first instance mean more business for some glazier. The glazier will be no more unhappy to learn of the incident than an undertaker to learn of a death. But the shopkeeper will be out $50 that he was planning to spend for a new suit. Because he has had to replace a window, he will have to go without the suit (or some equivalent need or luxury). Instead of having a window and $50 he now has merely a window. Or, as he was planning to buy the suit that very afternoon, instead of having both a window and a suit he must be content with the window and no suit. If we think of him as a part of the community, the community has lost a new suit that might otherwise have come into being, and is just that much poorer.The glazier’s gain of business, in short, is merely the tailor’s loss of business. No new “employment” has been added. The people in the crowd were thinking only of two parties to the transaction, the baker and the glazier. They had forgotten the potential third party involved, the tailor. They forgot him precisely because he will not now enter the scene. They will see the new window in the next day or two. They will never see the extra suit, precisely because it will never be made. They see only what is immediately visible to the eye.”

Henry Hazlitt book Economics in One Lesson

Economics in One Lesson (1946), The Broken Window (ch. 2)

Death, Money, People, Feeling

“When I first saw Calder's art very long ago [c. 1928 in Paris, Miro saw Calder performing his mechanical 'Circus' for the Paris' art scene, all puppets made from metal wire and wood] I thought it was good, but not art.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

1961 and later
Source: 'New York Times', 3 April 1969

Art

“But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The World's Last Night (1952)

“I have turned roles down because they are rapists. It's something I don't even want to watch. If I even click on it on TV, I have to click it off or I'll put my foot through the screen… What you see on that screen is just my terror at having to do that scene.”

James Marsters (1962) American actor

James Marsters on Life After Buffy, on the rape scene in Buffy the Vampire Slayer "Seeing Red"

“His imperial fancy has laid all Nature under tribute, and has collected riches from every scene of the creation and every walk of art.”

Robert Hall (1764–1831) British Baptist pastor

On Burke; Apology for the Freedom of the Press, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Art, Nature

“The outstanding quality accomplishments of industry during the past decade are familiar history. Particularly during World War II, the accomplishments made by the precision equipment in our tanks and guns and planes were indelibly impressed upon the entire world. This results side of the quality picture makes impressive reading.
Not so pretty a picture is presented when the behind-the-scenes effort to assure these high-quality standards is examined. It may be summarized by noting that many industries are now in a position where, for every dollar spent in planned production, many additional cents are lost owing to the poor quality of their products while in process of manufacture.
These data show that, while we have generally found our quality failures in the factory instead of after shipment, our techniques for so doing are often excessively costly and wasteful. They can be tolerated by no industry striving to maintain and improve its competitive position.
This is a situation with which industry is vitally concerned. It is one calling for the new techniques that have come to be popularly classified under the label of quality control.”

Armand V. Feigenbaum (1922–2014) American businessman

Source: Quality Control: Principles, Practice, and Administration. 1951, p. 8; Chapter 1: What is quality control?

War, World, History, Failure

“Not only do we witness on the Holy Mount the installation of the royal lawgiver, but of the great high-priest. It is a grand valedictory service in which He is re-ordained to duty — as the banners are blessed before the army marches to the field. And the voice speaks from heaven as a sovereign gives audience to a chosen commander, and cheers him with the encouragement of royal favor. With what reverence, brethren, should we, sinners, look upon the scene! As we see Him standing alone upon the mountain — fresh from His ordination of glory — calm and kingly in His heaven-imparted strength; and then as we see Him, with firm step, treading the dark avenue which, through desertion, agony, insult, abandonment, terminates in His death upon the cross — surely our distrust should vanish, and in reliance on such a champion we should have "joy in believing." Surely our indignation against the vile sin which made all this suffering necessary should be roused within us. Surely our hearts should bound with a fervor of devotion and gratitude which the obedience of a lifetime can only inadequately express.”

William Morley Punshon (1824–1881) English Nonconformist minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 67.

Death, Mountain, Suffering, Heart

“It was a dark and stormy night; the rain fell in torrents — except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.”

Edward Bulwer-Lytton book Paul Clifford

Probably the most parodied and ridiculed opening line in literature. It is the inspiration for a satirical prize, the Bulwer-Lytton Fiction Contest. Used by Charles M. Schultz in the Peanuts cartoons.
Paul Clifford (1830)

Night

“When we think we are most free our opinions and our behavior are being skillfully manipulated by persons operating behind the scenes.”

Everett Dean Martin (1880–1941)

Source: The Conflict of the Individual and the Mass in the Modern World (1932), p. 29

Behavior, Thinking, Personality

“Sexual scandals are especially effective against Republicans who can then also be accused of hypocrisy inasmuch as they're always spouting off about morality and junk like that. Of course, some personal issues such as former Klan membership or leaving the scene of a fatal accident are off limits for obvious reasons”

Pat Sajak (1946) American television host

Pat Sajak, "Searching for the Next GOP Villain," in Human Events, 04/15/05 ( online http://freerepublic.com/focus/f-news/1384786/posts at freerepublic.com) 2000s

Personality

“It's in the action scenes that things fall apart. Consider the scene where Spider-Man is given a cruel choice between saving Mary Jane or a cable car full of school kids. He tries to save both, so that everyone dangles from webbing that seems about to pull loose. The visuals here could have given an impression of the enormous weights and tensions involved, but instead the scene seems more like a bloodless storyboard of the idea. In other CGI scenes, Spidey swoops from great heights to street level and soars back up among the skyscrapers again with such dizzying speed that it seems less like a stunt than like a fast-forward version of a stunt.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/spider-man-2002 of Spider-Man (3 May 2002) Reviews, Two-and-a-half star reviews

School, Cars, Idea, Speed

“Arranging props in a scene such as this is a joy. With gravity on my side, everything at arms length and no arduous physical conditions constricting me, I can go for hours at a clip, sculpting piles of stuff into a landscape of intersecting shape, form and color until my eye wanders endlessly among the details. In such conditions, how the image is captured has little bearing on the success of the arrangement – though the time-saving work flow enabled by digital preview, capture and post processing, certainly helps.”

Walter Wick (1953) American photographer and creator of children's books

Photo-Illusions In The Digital Age http://www.walterwick.com/blog/2015/11/16/photo-illusions-in-the-digital-age (November 16, 2015)

Color, Time, Success, Help

“It's a different animal. The action movie requires much more physical dedication and focus, you have to be careful because of potential injuries and so it's very hard and you have to be cautious, while the drama taxes the emotions, and so if you're using some past experienced trauma and try to use it for a scene it might move you beyond expectations.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Interview - Wesley Snipes on Blade 2 http://www.iofilm.co.uk/feats/interviews/w/wesley_snipes.shtml, iofilm,

Past, Animals

“He would be vigilant, but he would anticipate nothing, neither disaster nor revelation.
That was not to say he would give up looking to the future. True, he was just a Cuckoo: scared and weary and alone. But so, in the end were most of his tribe: it didn’t mean all was lost. As long as they could still be moved by a minor chord, or brought to a crisis of tears by scenes of lovers reunited; as long as there was room in their cautious hearts for games of chance, and laughter in the face of God, that must surely be enough to save them, at the last.
If not, there was no hope for any living thing.”

Clive Barker book Weaveworld

Part Nine “Into the Gyre”, Chapter v “A Fragile Peace”, Section 3 (p. 440)
Weaveworld (1987), BOOK TWO: THE FUGUE

God, Hope, Game, Lovers

“It must be said that an authentic work of art needs no philosophical justification. In principle, if Philosophical Treatises could explain a work of art then there would be no justification for the existence of that work art. Put it differently, a work of art precisely enters into the scene when philosophy and other experimental sciences are inept of representing or elucidating an artistic vision.”

Guity Novin (1944) artist

Dialogues on enlightenment and reason (2013)

Art, Science

“Somewhere in Time, while it errs on the side of pretentiousness, is an absolutely honest attempt to create an old-fashioned romance. It's based on love rather than on sex or X-rated bedroom scenes. I don't know how to talk about a love story without getting all gooey about it, but the script excited me because of the situation of the leading character… His problem struck me as that of many people. They've got everything going for them, or so they say, except for a real commitment, a real love.”

Christopher Reeve (1952–2004) actor, director, producer, screenwriter

Statement of 1980, as quoted in the "Biography" at Chris Reeve Homepage http://www.chrisreevehomepage.com/biography.html

Love, People, Sex, Fashion

“Prior to the rebellion the great mass of the people were satisfied to remain near the scenes of their birth. In fact an immense majority of the whole people did not feel secure against coming to want should they move among entire strangers. So much was the country divided into small communities that localized idioms had grown up, so that you could almost tell what section a person was from by hearing him speak… This is all changed now. The war begot a spirit of independence and enterprise. The feeling now is, that a youth must cut loose from his old surroundings to enable him to get up in the world. There is now such a commingling of the people that particular idioms and pronunciation are no longer localized to any great extent; the country has filled up "from the centre all around to the sea"; railroads connect the two oceans and all parts of the interior; maps, nearly perfect, of every part of the country are now furnished the student of geography.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1880s, Personal Memoirs of General U. S. Grant (1885)

War, People, Youth, World

“There may be millions of fine thoughts, and the account of the experience on which they are based, all encased within stone walls of acceptable architectural form; but if the scholar can get at only one a week by diligent search, his syntheses are not likely to keep up with the current scene.”

Vannevar Bush book As We May Think

As We May Think (1945)

“The tragedy of Africa seemingly has no end. Viewing it from afar, the casual Western onlooker can be forgiven if the scenes begin to meld: Ethiopian famine in 1987, Somalian civil war and ensuing famine in 1992, and now Central Africa in 1997. The pictures and footage assume the role of media footnotes: snapshots of hopelessness, disaster, and death that seem as far away as the moon and as unrealistic as some science fiction film. Yet, like the African crises before it, the tragedy of Central Africa is very real and, in a global age, perhaps not as distant as some would like to think. With a foreign policy appropriately rooted in some sense of humanitarian decency, the Central African crisis will not be easily ignored by American policymakers. It screams for remedy.”

Michael Johns (1964) American businessman

"Africa Deserves a Closer Look," The World and I, February 1997, by Michael Johns.

Death, War, Age, Thinking

“He (Rigaud) the unpleasant impression that he was returning to his point of departure, to the scene of his unhappy childhood, and that he was sensing the invisible presence of his mother, just when he had managed to forget the wretched woman: all his memory of her were unpleasant. And r once again he would have to remain a prisoner in the garden for hours upon hour …the thought made him shiver. The war was playing a dirty trick on him in forcing him to return to the prison that had been his childhood, from which he had escaped so long ago. Reality was now resembling the nightmares he regularly had: it was the beginning of new term in the school dormitory…..”

Patrick Modiano (1945) French writer

Source: Honey Moon (1990), p. 57

War, School, Departure, Reality

“.. everything has conspired to keep from me the leisure and quiet which I could wish in order to answer you. I have also made two journeys to Paris, the last one to attend the funeral of poor Emile Diaz [son of the Barbizon-painter Narcisse Virgilio Díaz, ] of whom you ask news. His poor father was almost mad with grief, which, however, we managed to calm. You were as if present, and our thoughts associated you with the sad scene. During the return my wife was taken ill, and day by day a neuralgic attack came on which has left her very feeble. I do not know what to do, my dear friend. At the commencement I had thought of leaving her at Martigues, but now her mental condition would not permit of my leaving her. She would be afraid of being ill without me there beside her. I think I had better wait until the result of this last attack shall have left her.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote from Rousseau's letter to Ziem, 1856; as cited in The Barbizon School of Painters: Corot, Rousseau, Diaz, Millet, Daubigny, etc., by D. C. Thomson; Scribner and Welford, New York 1890 – (copy nr. 78), pp. 135-136
The quiet life at Barbizon was at this time broken by the death of the only son of Díaz, and by the mental distortion of Rousseau's own wife
1851 - 1867

Sadness, Thinking, Waiting, Madness

“When I think back on Kong, that was like difficult too, because there was no reality in making that movie. There was so much that was left to my own devices and imagination. And when I had to play a scene opposite a 45-foot ape, that was bit taxing on your imagination because obviously there was nothing there, you know.”

Jessica Lange (1949) American actress

New Again: Jessica Lange http://www.interviewmagazine.com/culture/new-again-jessica-lange/#_ (June 29, 2016)

Imagination, Thinking, Reality

“[While filming 'Ashes to Ashes'] So we're on the beach shooting this scene with a giant bulldozer. The camera was on a very long lens. [The camera is along way away, but the artist fills the frame] In this video I'm dressed from head to toe in a clown suit. Why not. I hear playback and the music starts. So off I go, I start singing and walking, but as soon as I do this old geezer with an old dog walk right between me and the camera… Well, knowing this is gonna take a while I walked past the old guy and sat next to camera in my full costume waiting for him to pass. As he is walking by camera the director said, excuse me Mr do you know who this is? The old guy looks at me from bottom to top and looks back to the director and said… "Of course I do!!!! its some cunt in a clown suit."”

David Bowie (1947–2016) British musician, actor, record producer and arranger

That was a huge moment for me, It put me back in my place and made me realize, yes I'm just a cunt in a clown suit. I think about that old guy all the time.
http://tonythegigguy.com/queen-bitch-beat-city-bowie-special-sleeve-notes

Dogs, Music, Way, Guy

“The idea of a liberal elite is not intellectually robust. It’s never been enunciated with anything approaching scholarly rigor, it has been refuted countless times, and it falls apart under any sort of systematic scrutiny.Yet the idea persists. It did not die with Richard Nixon or peter out with the busing controversy or depart the national scene with the wily Bill Clinton. Indeed, it has greater currency on the street today than do twenty years’ worth of blue-ribbon studies and a lifetime of responsible sociology.”

Thomas Frank book What's the Matter with Kansas?

Ibid. (p. 115).
What's the Matter with Kansas? (2004)

Idea, Study, Time

“This was not the first time that Mr. Bulstrode had begun by admonishing Mr. Vincy, and had ended by seeing a very unsatisfactory reflection of himself in the coarse unflattering mirror which that manufacturer’s mind presented to the subtler lights and shadows of his fellowmen; and perhaps his experience ought to have warned him how the scene would end. But a full-fed fountain will be generous with its waters even in the rain, when they are worse than useless; and a fine fount of admonition is apt to be equally irrepressible.”

George Eliot book Middlemarch

Middlemarch (1871)

Light, Water, Time

“First were the thick stone walls, the arches, then the domes and vaults — of the architect, searching out for wider spaces.
Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions.
A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.”

Oscar Niemeyer (1907–2012) Brazilian architect

Acceptance speech, Pritzker Architecture Prize http://www.pritzkerprize.com/bunnei.htm#Oscar%20Niemeyer's%20Acceptance%20Speech (1988).

Beauty, Imagination, Search, Light

“Ladislao de Gauss significantly marks the local scene both as a portraitist and as a landscape artist…”

Tonko Maroević (1941)

Source: Ladislao de Gauss, una monografia per riscoprire un pittore dimenticato http://www.museorevoltella.it/news.php?id_news=488, museorevoltella.it, July 15th 2010.

“He is the happy wanderer, who goes,
Singing upon the way, with eyes awake
To every scene, with ears alert to take
The sweetness of all sounds; who loves and knows
The secrets of the highway, and the rose
Holds fairer for the wounds that briars make.”

Percy Addleshaw (1866–1916) English journalist

The Happy Wanderer (1895).

Love, Happiness, Secret, Way

“What Elizabethan playwrights learned from the Greek classics was not theories of insanity, but dramatic practice — that is, madness is a dandy theatrical element. It focuses the audience's attention and increases suspense, since you never know what a mad person may get up to next; and Shakespeare himself makes use of it in many forms. In King Lear, there's a scene in which one man pretending to be mad, another who has really gone mad, and a third who has probably always been a little addled, are brought together for purposes of comparison, irony, pathos, and tour de force acting. In Hamlet, there are two variations — Hamlet himself, who assumes madness, and Ophelia, who really does go winsomely bonkers. In MacBeth, it's Lady MacBeth who snaps.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

Learning, Personality, Madness

“Physical courage in whatever scene … seems to hinge on whether the individual can feel he is fighting for others as well as himself.”

Rollo May (1909–1994) US psychiatrist

Source: Power and Innocence (1972), Ch. 8 : Ecstasy and Violence, p. 176

Feeling, Courage, Fight

“I have just this moment heard from the front — there is nothing yet of a movement, but each side is continually on the alert, expecting something to happen.
O Mother, to think that we are to have here soon what I have seen so many times, the awful loads and trains and boatloads of poor, bloody, and pale and wounded young men again — for that is what we certainly will, and before very long. I see all the little signs, getting ready in the hospitals, etc.; it is dreadful when one thinks about it. I sometimes think over the sights I have myself seen: the arrival of the wounded after a battle, and the scenes on the field, too, and I can hardly believe my own recollections. What an awful thing war is! Mother, it seems not men but a lot of devils and butchers butchering each other.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Letter to his mother (22 March 1864)

Men, War, Thinking, Time

“It is important for Pollock that Muslims not be blamed for the decline of Sanskrit. He writes that any theory 'can be dismissed at once' if it 'traces the decline of Sanskrit culture to the coming of Muslim power'… Trying to prove the timing of Sanskrit's decline prior to the Turkish invasions enables him to absolve these invasions of any blame… I get the impression that Pollock does not want to dwell on whether Muslim invasions had debilitated the Hindu political and intellectual institutions in the first place… Throughout Pollock's analysis, hardly any Muslim ruler gets blamed for the destruction of Indian culture. He simply avoids discussing the issue of Muslim invasions and their destructive influence on Hindu institutions… The impact of various invasions in Kashmir was so enormous that it cannot be ignored in any historical analysis… The contradiction between his two accounts, published separately, is serious: Muslim invasions created a traumatic enough shockwave to cause Hindu kings to mobilize the 'cult of Rama' and therefore the Hindus funded the production of extensive Ramayana texts for this agenda. And yet, the death of Sanskrit taking place at the same time had little relation to the arrival of Muslims. When Hindus are to be blamed for their alleged hatred towards Muslims, the Muslims are shown to have an important presence; but when Muslims are to be protected from being assigned any responsibility for destruction, they are mysteriously made to disappear from the scene.”

Rajiv Malhotra book The Battle for Sanskrit

The Battle for Sanskrit (2016)

Death, Time

“To live and die in scenes like this,
With some we 've left behind us.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

As slow our Ship.
Bartlett's Familiar Quotations, 10th ed. (1919)

“From 280,000-750,000, Armenians initially raised their death count to 800,000 to test the credibility waters. … They are now testing the waters at 2.5-3 million killed as their chances for a congressional genocide resolution recede. It speaks volumes that champions of the inflated death figures have no explanation for why Armenians on the scene would have erred. Think of the absurdity of discarding the current death count of Afghan civilians in the United States-Afghan war in favor of a number deduced in the year 2109!”

Bruce Fein (1947) American lawyer

Lies, Damn Lies, and Armenian Deaths (2009)

Death, War, Thinking, Water

“History, like beauty, depends largely on the beholder, so when you read that, for example, David Livingstone discovered the Victoria Falls, you might be forgiven for thinking that there was nobody around the Falls until Livingstone arrived on the scene.”

Desmond Tutu (1931) South African churchman, politician, archbishop, Nobel Prize winner

Hope and Suffering: Sermons and Speeches (1984)

Beauty, History, Thinking, Reading

“Yes; I am indebted for that estate, and I am proud here to acknowledge it, to the bounty of my countrymen. That estate was the scene of my birth and of my infancy; it was the property of my ancestors; it is by the munificence of my countrymen that this small estate, which had been alienated by my father from necessity, has again come into my hands, and that I am enabled to light up again the hearth of my fathers; and I say that there is no warrior duke who owns a vast domain by the vote of the Imperial Parliament who holds his property by a more honourable title than that by which I possess mine.”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Speech in Aylesbury, responding to a heckler who accused Cobden of getting his property through Anti-Corn Law League funds (9 January 1853), quoted in John Bright and J. E. Thorold Rogers (eds.), Speeches on Questions of Public Policy by Richard Cobden, M.P. Volume I (London: T. Fisher Unwin, 1908), pp. 225-6.
1850s

Birth, Light

“I long for rural and domestic scenes, for the warbling of Birds and the Prattle of my Children. Don't you think I am somewhat poetical this morning, for one of my Years, and considering the Gravity, and Insipidity of my Employment? — As much as I converse with Sages and Heroes, they have very little of my Love or Admiration. I should prefer the Delights of a Garden to the Dominion of a World.”

John Adams (1735–1826) 2nd President of the United States

Letter http://www.masshist.org/digitaladams/aea/cfm/doc.cfm?id=L17770316ja to Abigail Adams (16 March 1777) 1770s

Love, Children, World, Bird

“[the painting 'Yard with Lunatics' shows].. a yard with lunatics, and two of them fighting completely naked while their warder beats them, and others in sacks; (it is a scene I witnessed at first hand in Zaragoza).”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Bernardo de Iriarte, 7 Jan, 1794; as quoted by Jane Kromm, in The art of frenzy, 2002, p. 194 https://en.wikipedia.org/wiki/Yard_with_Lunatics The painting 'Yard with Lunatics' (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by Goya between 1793 and 1794; Goya says here that the painting was informed by scenes of institutions he witnessed in his youth in Zaragoza 1790s

Fight, Painting

“During one scene, I had to do a shooting drill. He put a psychological spin on it.”

Alex D. Linz (1989) American actor, filmmaker

Of Lamont Carr, who was basketball coach for the film "Full-Court Miracle".
Article in Jewishjournal.com November 20, 2003

“I work in evolutionary biology, but with cells and microorganisms. Richard Dawkins, John Maynard Smith, George Williams, Richard Lewontin, Niles Eldredge, and Stephen Jay Gould all come out of the zoological tradition, which suggests to me that, in the words of our colleague Simon Robson, they deal with a data set some three billion years out of date. Eldredge and Gould and their many colleagues tend to codify an incredible ignorance of where the real action is in evolution, as they limit the domain of interest to animals… very tardy on the evolutionary scene, and they give us little real insight into the major sources of evolution's creativity. By "codifying ignorance" I refer in part to the fact that they miss four of the five kingdoms of life… bacteria, protoctista, fungi, and plants.”

Lynn Margulis (1938–2011) American evolutionary biologist

"Gaia is a Tough Bitch," The Third Culture: Beyond the Scientific Revolution ed., John Brockman (1995).

Life, Animals, Parting

“The whole landscape lies behind the transparent gauze of the fog that now rises, drawn upwards by the sun, and as it rises, reveals the silver-spangled river, the fields, the cottages, the further scene. At last one can discern all that one could only guess at before... The sun is up! There is a peasant at the end of the field, with his wagon drawn by a yoke of oxen... Everything is bursting into life, sparkling in the full light – light, which as yet is still soft and golden. The background, simple in line and harmonious in colour, melts into the infinite expanse of sky, through the bluish, misty atmosphere. The flowers raise their heads the birds flutter hither and thither... The little rounded willows on the bank of the stream look like birds spreading their tails. It's adorable! And one paints! And paints!”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Corot's description of a morning in Switzerland, Château de Gruyères, 1857, as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963
1850s

Life, Flowers, Bird, Light

“I really love seeing things go sour, because that’s the way dread creeps into life. A lot of horror films start with a great shock scene. I grew up on that model and it’s great fun, but very perversely, I’m interested in setting up something else, where you’re really engaged with the humanity of the characters — you could be in a normal drama with its own set of problems — and then something else develops. I like this philosophical question: what comes first, reality or your interpretation of it? However interesting that is, and whether it fits in with the horror genre, I don’t know, but I think it makes perfect sense.”

Larry Fessenden (1963) American actor, producer, writer, director, film editor, and cinematographer

Larry Fessenden’s Arty Horror Picture Show Continues with “Wendigo” http://www.indiewire.com/2002/02/interview-larry-fessendens-arty-horror-picture-show-continues-with-wendigo-80532/ (February 14, 2002)

Love, Life, Way, Question

“[Madonna] worked so hard that it was really very touching. She’s a perfectionist and there’s never been anyone on the show that wanted to rehearse more than Madonna did. She wanted to rehearse her scenes over and over again.”

Megan Mullally (1958) American actress

Attributed

“Peace of mind is very essential in anything that you do--particularly in music. But in my case, it was just the opposite. What new things could I learn when I was constantly disturbed and unhappy? And I tell you, this whole concept of getting lost in music and forgetting the world around you, is a myth. In my case, I can openly say that my troubles and problems were not forgotten by just holding the tanpura in my hand. When I would sit down for riyaz, I would, on the contrary, break down and cry over the daily scene. Over the question of just surviving through the next day. And it wasn't for me that I was worried, but for the entire family that I supported. I personally never thought of becoming rich, of having a new car or house. Those ambitions never entered my mind. All I knew then was the money was not enough. There were many humiliations I had to face because of this. A certain lady musician in Pune invited me over to her house one day. Her mother asked how much I charged for a concert. I told her Rs 125. She suggested that I move over to Pune and accept all her daughter's rejected programmes. They knew I was very badly off. I was insulted by this suggestion and left their house immediately. But later I thought that maybe they were trying to be helpful.”

Gangubai Hangal (1913–2009) Indian singer

In "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".

Money, World, Family, Peace

“…Significantly marks the local scene both as a portraitist and as a landscape artist…”

Ladislao de Gauss (1901–1970) Croatian painter, pioneer of the European avant-garde

…Contrassegna in modo significativo la scena locale sia come ritrattista che come paesaggista... Tonko Maroević Ladislao de Gauss, una monografia per riscoprire un pittore dimenticato http://www.museorevoltella.it/news.php?id_news=488, museorevoltella.it, 15 luglio 2010.

“See mother earth her offspring's fate bemoan, And nations gaze at scenes before unknown! See the bright beams of heaven's revolving light Involved in sorrows and the veil of night! The goddess comes, she moves divinely fair”

Phillis Wheatley (1753–1784) American poet

1770s, To His Excellency, George Washington (1775)

Fate, Light, Night

“We were all in awe of Penny [Woolcock]. You feel so safe with her, you end up doing things that might seem offensive to other people. It's almost like being in a therapy session. You go a little bit further than you would normally. But in the orgy scene, where Marc's really getting a blowjob, I was like, `You've crossed the line!' Me and Alec were acting, and being loving and safe and showing the feeling of wanting to climb under someone's skin. For it to suddenly become something purely physical - I didn't think that needed to be real. But it was a situation that got out of hand. They filmed it at a swingers' club. There wasn't any way of stopping things, once they'd started. It's really gruesome and awful. But for the story, it's perfect. That scene was out of control. But by that point, so are the characters.”

Sienna Guillory (1975) British actress

FILM: Beauty and the Beasts Article http://findarticles.com/p/articles/mi_qn4158/is_20040312/ai_n12769890/pg_1. The London Independent. March 12, 2004. Guillory speaks about Sorted and director Penny Woolcock.

Love, People, Way, Feeling

“Life to each individual is a scene of continued feasting in a region of plenty; and when unexpected death arrests its course, it repays with small interest the large debt which it has contracted to the common fund of animal nutrition, from whence the materials of its body have been derived. Thus the great drama of universal life is perpetually sustained; and though the individual actors undergo continual change, the same parts are filled by another and another generation; renewing the face of the earth and the bosom of the deep with endless successions of life and happiness.”

William Buckland (1784–1856) English clergyman, geologist and palaeontologist

Geology and Mineralogy Considered with Reference to Natural Theology (1841), p. 109

Life, Death, Happiness, Universe

“When I went to the Crash premiere I left before they showed the scene of me pulling over Thandie Newton in the car. It was too disturbing. It's a character up there, but I still see me.”

Matt Dillon (1964) American actor

Dennis Hamill, New York Daily News (February 25, 2006) "Worth taking the risk", The Buffalo News, p. M09.

Cars

“I didn't use the music from the scene in which Godzilla dies in GODZILLA - KING OF THE MONSTERS for the one in which he does actually meltdown because Godzilla was not what I was trying to focus on this time. Instead, I tried to focus on the dark side of humanity, which lead to the creation of atomic weapons, and Godzilla.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

Music, Time

“The Game of Chess is not merely an idle amusement; several very valuable qualities of the mind, useful in the course of human life, are to be acquired and strengthened by it, so as to become habits ready on all occasions; for life is a kind of Chess, in which we have often points to gain, and competitors or adversaries to contend with, and in which there is a vast variety of good and ill events, that are, in some degree, the effect of prudence, or the want of it. By playing at Chess then, we may learn: 1st, Foresight, which looks a little into futurity, and considers the consequences that may attend an action … 2nd, Circumspection, which surveys the whole Chess-board, or scene of action: — the relation of the several Pieces, and their situations; … 3rd, Caution, not to make our moves too hastily…”

Benjamin Franklin book The Morals of Chess

"The Morals of Chess" (article) (1750).
1750s

Life, Game, Learning, Future

“Do you like to see what can be transformed from a flat, elementary rural scene - bearing the stamp of nature, the mark of truth - into something most beautiful and graceful? Look at the works of our great [painter] Schelfhout. There you will find represented plain nature at the most elegant, but moreover with a faithfulness and truth, which only Schelfhout can represent.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Wilt gij zien wat er van een vlak, eenvoudig landelijk tafereel, als hetzelve den stempel der natuur, het merk der waarheid draagt, schoons en bevalligs kan gemaakt worden? Beschouwt dan de werken van onze grooten Schelfhout. Daarin zult gij de eenvoudige natuur op het sierlijkst, maar tevens met eene getrouwheid en waarheid, wat alleen een Schelfhout vermag, voorgesteld vinden.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 243

Truth, Faith, Beauty, Nature

“Is aught so fair
In all the dewy landscapes of the spring,
In the bright eye of Hesper or the morn,
In nature's fairest forms, is aught so fair
As virtuous friendship? as the candid blush
Of him who strives with fortune to be just?
The graceful tear that streams for others' woes?
Or the mild majesty of private life,
Where peace with ever blooming olive crowns
The gate; where Honour's liberal hands effuse
Unenvied treasures, and the snowy wings
Of Innocence and Love protect the scene?”

Mark Akenside book The Pleasures of the Imagination

Book I, line 500–511
The Pleasures of the Imagination (1744)

Love, Life, Friendship, Peace

“In Ted's world, we want the death penalty to be imposed at the scene of the crime.”

Ted Nugent (1948) American rock musician

1994 interview in Westword http://www.westword.com/1994-07-27/music/ted-s-world/full/

Death, World, Penalty

“Lead your child by the hand to the great scenes of nature; teach him on the mountain and in the valley. There he will listen better to your teaching; the liberty will give him greater force to surmount difficulties. But in these hours of liberty it should be nature that teaches rather than you. Do not allow yourself to prevail for the pleasure of success in your teaching; or to desire in the least to proceed when nature diverts him; do not take away in the least the pleasure which she offers him. Let him completely realize that it is nature that teaches, and that you, with your art, do nothing more than walk quietly at her side. When he hears a bird warble or an insect hum on a leaf, then cease your talk; the bird and the insect are teaching; your business is then to be silent.”

Johann Heinrich Pestalozzi (1746–1827) Swiss pedagogue and educational reformer

Diary entry (1774-02-15)

Pleasure, Art, Mountain, Business

“In this Summer time of ours with Scheveningen on the shore the bathing time and the hot weather I did very few things.... was only busy calculating my studies [for later paintings] and to see what I should do.... an interior with some figures an outside Schevening shore scene a scene with sentiment of feeling or a picture quite after nature so natural as if it was the old dutch school [17th century].... I hope the next days will bring me a safe outcome from the turbulations in my head, all is so fine and beautiful to do..”

Jozef Israëls (1824–1911) Dutch painter

original text by Israëls
In a letter from The Hague, 26 August 1872, to his friend and colleague George Reid in Edinburgh; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 363
Quotes of Jozef Israels, 1871 - 1900

School, Beauty, Hope, Feeling

“This is a movie that comes in two parts: It knows exactly what to do with special effects, but doesn't have a clue as to how two people in love might act and talk and think.
Movies like Top Gun are hard to review because the good parts are so good and the bad parts are so relentless. The dogfights are absolutely the best since Clint Eastwood's electrifying aerial scenes in Firefox. But look out for the scenes where the people talk to one another.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/top-gun-1986 of Top Gun (16 May 1986) Reviews, Two-and-a-half star reviews

Love, People, Thinking, Parting

“Moving a fortnight behind his vanguard, the AbdAli king himself came upon the scene. He had stormed Ballabhgarh on 3rd March and halted there for two days. On 15th March he arrived near MathurA, and wisely avoiding that reeking human shambles crossed over to the eastern bank of the Jamuna and encamped at MahAvan, six miles south-east of the city. Two miles to his west lay Gokul, the seat of the pontiff of the rich VallabhAcharya sect. The AbdAli’s policy of frightfulness had defeated his cupidity: dead men could not be held to ransom. The invader’s unsatisfied need of money was pressing him; he sought the help of ImAd’s local knowledge as to the most promising sources of booty. A detachment from his camp was sent to plunder Gokul. But here the monks were martial NAgA sannyAsis of upper India and RajputAna. Four thousand of these naked ash-smeared warriors stood outside Gokul and fought the AfghAns, till half of their own number was killed after slaying an equal force of the enemy. Then at the entreaty of the Bengal subahdAr’s envoy (Jugalkishor) and his assurance that a hermitage of faqirs could not contain any money, the AbdAli recalled the detachment. ‘All the vairAgis perished but Gokulnath [the deity of the city] was saved’, as a Marathi newsletter puts it.”

Ahmed Shah Durrani (1722–1772) founder of the Durrani Empire, considered founder of the state of Afghanistan

Rajwade, i. 63.
Jadunath Sarkar, Fall of the Mughal Empire, Volume II, Fourth Edition, New Delhi, 1991, p.70-71

Men, Money, Knowledge, Help

“Adieu, LANDOGA, scene most dear,
Farewell we bade to ETHEL'S WIER;
Round many a point then bore away,
Till morn was chang'd to beauteous day:
And forward on the lowland shore,
Silent majestic ruins wore
The stamp of holiness; this strand
The steersman hail'd, and touch'd the land.”

Robert Bloomfield (1766–1823) British writer

Book II. The Banks of the Wye http://www.gutenberg.org/dirs/etext05/bkwye10.txt (1811)

“It was a minute or two before I could get the negroes to rise and leave the President. The scene was so touching I hated to disturb it, yet we could not stay there all day; we had to move on; so I requested the patriarch to withdraw from about the President with his companions and let us pass on.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 296

Hate

“And round the walls were Pictures : some calm scenes
Of Earth's green loveliness, and some whose hues
Were caught from faces in whose smile our life
Is one of Paradise; and Statues, whose white grace
Is as a dream of poetry.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1823

Life, Smile, Dreams

“The results of a battle pained him as much as if he was receiving the wounds himself, for I have often heard him express himself in pained accents while talking over some of the scenes of the war; he was not the man to assume a character for feelings he did not possess; he was as guileless in some respects as a child. How could one avoid liking such a man?”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), pp. 283–284

Pain, War, Feeling

“Blue Velvet contains scenes of such raw emotional energy that it's easy to understand why some critics have hailed it as a masterpiece. A film this painful and wounding has to be given special consideration. And yet those scenes of stark sexual despair are the tipoff to what's wrong with the movie. They're so strong that they deserve to be in a movie that is sincere, honest and true. But Blue Velvet surrounds them with a story that's marred by sophomoric satire and cheap shots. The director is either denying the strength of his material or trying to defuse it by pretending it's all part of a campy in-joke. … What's worse? Slapping somebody around, or standing back and finding the whole thing funny?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/blue-velvet-1986 of Blue Velvet (19 September 1986) Reviews, One-star reviews

Pain, Understanding, Strong, Parting

“No man can know by whom he's truly loved
When high on Fortune's wheel he sits, serene.
His friends surround him, true and false, unproved,
And the same loyalty in all is seen.
When to catastrophe the wheel is moved
The crowd of flatterers passes from the scene;
But he who loves his lord with all his heart
Remains, nor after death does he depart.”

Ludovico Ariosto book Orlando Furioso

Alcun non può saper da chi sia amato,
Quando felice in su la ruota siede:
Però c'ha i veri e i finti amici a lato,
Che mostran tutti una medesma fede.
Se poi si cangia in tristo il lieto stato,
Volta la turba adulatrice il piede;
E quel che di cor ama riman forte,
Ed ama il suo signor dopo la morte.
Canto XIX, stanza 1 (tr. B. Reynolds)
Orlando Furioso (1532)

Love, Death, Heart, Falseness

“But at no one time had he given an unqualified opinion of the governments which succeeded that event [the abolition of the French monarchy]; much less would he stand pledged to give the least countenance to the scenes of blood and cruelty which had been the almost inseparable attendants on the varied and successive governments that followed one another. He formed his opinion of government by the test of practice, and not by the theory and on paper.”

Charles James Fox (1749–1806) British Whig statesman

Speech in the House of Commons (29 October 1795), reprinted in J Wright (ed.), The Speeches of the Rt. Hon. C. J. Fox in the House of Commons. Volume V (1815), p. 505.
1790s

Time, Success

“It's important to me that I don't get trapped in the whole teen scene because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes. So I just try to choose the scripts that have the best characters for myself, or would be the most challenging, or fun.”

Kirsten Dunst (1982) American actress

Interview in The Guardian (14 October 2000) http://film.guardian.co.uk/interview/interviewpages/0,6737,382311,00.html

Money, Feeling

“Act I., Scene I. — (Vicenzo).”

Alessandro Piccolomini (1508–1579) Italian writer and philosopher

Il mondo va invecchiando e peggiorando di mano in mano.
Translation: The world grows older and grows worse from generation to generation.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 317.
L’Alessandro (1544)

“How dear to this heart are the scenes of my childhood,
When fond recollection presents them to view.”

Samuel Woodworth The Old Oaken Bucket

The Old Oaken Bucket (1817)

Heart, Childhood

“It has come to be a legend, and I believe with more foundation of fact than most legends, that Howard University was the outgrowth of the inspiration of a prayer meeting. I hope it is true, and I shall choose to believe it, for it makes of this scene and this occasion a new testimony that prayers are answered. Here has been established a great university, a sort of educational laboratory for the production of intellectual and spiritual leadership among a people whose history, if you will examine it as it deserves, is one of the striking evidences of a soundness of our civilization.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Progress of a People (1924)

People, Education, Hope, History

“We see sad scenes by the wayside, small and wretched hovels in quarries and nooks of the roads in which some wretched family finds shelter. The children leave an impression of misery on the mind which can never be effaced. Houses unroofed and lands waste and de-populated, are the memorials of the frightful calamities through which the country has passed. The proprietors are nearly all bankrupt, great numbers of the farmers are gone away, thousands of the peasantry are in the work-houses or in their graves. I believe we can form no fair idea of what has passed in these districts within the last four years, and I see no great prospect of a solid improvement. Here we have in perfection the fruits of aristocratic and territorial usurpation and privileges.”

John Bright (1811–1889) British Radical and Liberal statesman

Letter to his wife (1849) after visiting Ireland in the aftermath of the Great Famine, quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 165.
1840s

Children, Sadness, Family, Idea

“I joined UKIP in 2003, when it was a party hardly anyone had heard of, but it was the start of an upward trend as we grew in importance and professionalism. In recent time I have watched the chaotic infighting and seen the growing frustration of members who feel their voices are once again being ignored as we embark on a new future for the United Kingdom. And it’s this future I want to help shape by leading the party which had such a significant impact on the political scene in this country, under the leadership of Nigel Farage. My message is clear: I'm offering a real alternative to the other options of EDL-lite or diet Labour.”

Jane Collins (1962) British politician

Ukip will die away if it decides to ape the EDL or Labour — I can save it http://www.telegraph.co.uk/news/2017/07/28/ukip-will-die-away-decides-ape-edl-labour-can-save/ (July 28, 2017)

Feeling, Time, Future, Help

“We are in the world and, before we know where we are, we are on one of the paths which we must traverse in our few score years between birth and death. Moreover, each man's path leads up to the theatre on the one side and down from it on the other. The inexorable manager, Fate, requires that each should go through with his comedy or his drama, if he be judged worthy of a leading part, with his scene or his act in another man's piece, if he be fit only to play the walking gentleman, the dumb footman, or the mechanically trained supernumerary who does duty by turns as soldier, sailor, courtier, husbandman, conspirator or red-capped patriot. A few play well, many play badly, all must appear and the majority are feebly applauded and loudly hissed. He counts himself great who is received with such an uproar of clapping and shout of approval as may drown the voice of the discontented; he is called fortunate who, having missed his cue and broken down in his words, makes his exit in the triumphant train of the greater actor upon whom all eyes are turned; he is deemed happy who, having offended no man, is allowed to depart in peace upon his downward road.”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

A Cigarette-Maker's Romance (1894)

Death, Fate, Happiness, World

“Friends — They are like air bubbles on water, hastening to flow together. History tells of Orestes and Pylades, Damon and Pythias, but why should not we put to shame those old reserved worthies by a community of such? Constantly, as it were through a remote skylight, I have glimpses of a serene friendship-land, and know the better why brooks murmur and violets grow. This conjunction of souls, like waves which met and break, subsides also backward over things, and gives all a fresh aspect. I would live henceforth with some gentle soul such a life as may be conceived, double for variety, single for harmony — two, only that we might admire at our oneness — one, because indivisible. Such community to be a pledge of holy living. How could aught unworthy be admitted into our society? To listen with one ear to each summer sound, to behold with one eye each summer scene, our visual rays so to meet and mingle with the object as to be one bent and doubled; with two tongues to be wearied, and thought to spring ceaselessly from a double fountain.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

January 26, 1840
Journals (1838-1859)

Life, Friendship, Soul, History

“For days I have seen nothing but the most awful scenes that the human mind can imagine... Stay calm and don't worry: I will come back to you – the war will end this year. I must stop; the transport of the wounded, which will take this letter along, is leaving. Stay well and calm as I do.”

Franz Marc (1880–1916) German painter

from the battlefield at Verdun
In a letter to his wife Maria (2 March 1916), from the battlefield at Verdun; as cited in Letters from the war: Franz Marc, new edition by Klaus Lankheit & Uwe Steffen, American University Studies, Vol. 16, p. 113
1915 - 1916

War, Imagination

“I had started to become interested in the punk scene and started to dress differently than a lot of the kids in Grand Rapids, Michigan were dressing. And I got my nose pierced and I started to shave my head and dye my hair and wear a lot of black. And so I looked like somebody that might be arrested… I was a bit of a class clown, usually the one that people would get to do the things that they were afraid to get in trouble for… On graduation night, I was arrested… I had a boyfriend at the time who was a couple centuries older than I was and I'd convinced him that we should go and glue the locks of the school so that people couldn't get in the morning. And lo and behold, they had a security guard because it was graduation night and they were concerned that idiots like me might try and do something like that.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

On her teenage punk years and being arrested on graduation night — NPR "Gillian Anderson On 'The Fall' And Getting Arrested In High School" http://www.npr.org/2013/12/07/249240231/gillian-anderson-on-the-fall-and-getting-arrested-in-high-school/ (December 7, 2013) 2010s

People, School, Time, Night

“There is no European nation which, within the course of half a century, or little more, has undergone so complete a change as this kingdom of Scotland. The effects of the insurrection of the 1745 — the destruction of the patriarchal power of the Highland chiefs — the abolition of the heritable jurisdictions of the Lowland nobility and barons — the total eradication of the Jacobite party […]. […] This race has now almost entirely vanished from the land, and with it, doubtless, much absurd political prejudice — but also many living examples of singular ad disinterested attachment to the principles of loyalty which they received from their fathers, and of old Scottish faith, hospitality, worth, and honour. […] for the purpose of preserving some idea of the ancient manners of which I have witnessed the almost total extinction, I have embodied in imaginary scenes […].”

Walter Scott book Waverley

Source: Waverley (1814), Chapter LXXII, A postscript, which should have been a preface

Faith, Idea, Change, Loyalty

“If Utrillo's paintings depicted actual scenes from life, if they were not imaginative pictorial fantasies, then the whole world would have had to be completely different. If Utrillo's representation was valid, then it would mean that mankind had regressed to an astonishing, almost unbelievable degree. All the things that Fitch believed man capable of enjoying -- dignity, solitude, integrity -- would have been experienced in the past. And that, he thought, was impossible. If men had ever possessed these benefits, they would never have given them up.”

Jane Roberts (1929–1984) American Writer

Source: The Rebellers (1963), p. 12

Life, Men, World, Imagination

“We are moving towards a situation in which Statism wants to suppress in one area after another, the freedom of Christians to be charitable. In my lifetime, many, many of the things, institutions and agencies that once marked the Christian scene are now gone. They have been ruled out as unfit. Meanwhile the attitude of the state is an interesting one. It is less and less concerned with morality, with anything that deals directly and without restrictions with problems. I think we can see what is happening in one sphere after another, but perhaps best of all in the courts.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Christian Charity vs Welfarism (September 4, 1996)

Problem, Thinking, Freedom

“A bell was rung. All the passengers came on deck. Never shall I forget the scene we then witnessed. It was ten o'clock in the morning. The sky was overspread with thick dark clouds. It looked like a vast temple at night, as the fitful, lurid sun cast a yellowish tinge resembling the pale light of the tapers near a catafalque. The foaming waves opened like immense tombs that seemed avid to swallow their first victim. When all was ready a porthole was opened, and a plank painted black, six feet long and three broad, was suspended over the deep. The body of a child, wrapped in a winding sheet, was placed upon it, with a large stone attached to the feet. For a minute or two the captain read -- I do not know what prayer. Profound silence reigned. The father scarcely shed a tear. The mother seemed quite unmoved. At a word spoken by the captain, the plank was raised in the air, and the next instant the light corpse glided into the waters. I made the Sign of the Cross over it, but alas, I do not know whether the child was even baptized. The passengers withdrew, apparently untouched by the scene, and some even smiled. How impiety deadens the heart!”

Théodore Guérin (1798–1856) Catholic saint and nun from France

Third Journal of Travel (1844-1845)

Smile, Tear, Light, Silence

“I believe that shortly after LSD was discovered, it was recognized as being of great value to psychoanalysis and psychiatry. It was not considered to be an escape. It was a very important discovery at that time, and for fifteen years it could be used legally in psychiatric treatment and for scientific study in humans. During this time, Delysid, the name I gave to LSD, was used safely, and was the subject of thousands of publications in the professional literature. Actually, just last week, I had visitors from the Albert Hofmann Foundation, to whom I gave all of the original documentation, which had been stored at the Sandoz Laboratories. This early work was very well documented, and shows how well research with LSD went until it became part of the drug scene in the 1960s. So, from originally being part of the therapeutic pharmacopeia, LSD became a drug of the street and inevitably it was made illegal. Because of this reputation, it became unavailable to the medical field, and so the research, which had been very open, was stopped. Now it appears that this research may start again. The importance of such investigations appears to be recognized by the health authorities, and so it is my hope that finally the prohibition is coming to an end, and the medical field can return to the explorations which were forced to stop thirty years ago.”

Albert Hofmann (1906–2008) Swiss chemist

MAPS interview (1998)

Health, Hope, Literature, Study

“For the pie scene, people asked if I read the script and said: 'Oh my god, do I have to do that?'  No — I said: 'I hope that's me. I hope I get that part.”

Jason Biggs (1978) American actor

On casting in film American Pie, interviewed in: —

God, People, Hope, Reading

“It is only through a devoted attention to the details of objects and faces in the modern urban scene, he argues, that the commodity fetish of capitalism can be effectively dispelled.”

Mark Kingwell (1963) Canadian philosopher

Source: The World We Want (2000), Chapter 4, Spaces And Dreams, p. 141.

“In most countries the large landholders realized they couldn't survive alone and promptly entered into alliances with the monopolies — the strongest and most ruthless oppressors of the Latin American peoples. U. S. capital arrived on the scene to exploit the virgin lands and later carried off, unnoticed, all the funds so “generously” given, plus several times the amount originally invested in the "beneficiary" country.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Cuba as Vanguard (1961)

People, Time, Country

“I didn't know whether to run from my seat…I was in the line of fire. My desk is now a crime scene.”

Nicole Lapin (1984) American journalist

Interview with Variety Magazine. http://www.variety.com/article/VR1117962430.html?categoryid=14&cs=1 (April 2007)

“How could liberty ever have established itself amongst us? Apart from several tragic scenes, the revolution has been nothing but a web of farcical scenes… But it is in the nation’s senate that the most grotesque parades have taken place.”

Jean-Paul Marat (1743–1793) politician and journalist during the French Revolution

L'Ami du peuple, no.672 (1792-07-14)

“He heard that whenever a woman was to blame for a disappointment, the best way to avoid a scene was to inculpate oneself.”

Max Beerbohm (1872–1956) English writer

Source: Zuleika Dobson http://www.gutenberg.org/dirs/etext99/zdbsn11.txt (1911), Ch. VII

Disappointment, Way

“I go down to Blooms for kosher food. I can go anywhere. People don’t notice you if you go about your business. It’s only if you make a big scene.”

Craig David (1981) English singer

Jewish Chronicle interview 1 February 2008 http://website.thejc.com/home.aspx?AId=57854&ATypeId=1&search=true2&srchstr=loftus&srchtxt=0&srchhead=1&srchauthor=0&srchsandp=0&scsrch=0

People, Food, Business

“Thank you, Donald, for that well-meant but rather pedestrian introduction. Regarding yourself, I quote from the third part of Shakespeare's Henry VI, Act Two, Scene One. Richard speaks, "Were thy heart as hard as steel/ As thou hast shown it flinty by thy deeds/ I come to pierce it, or to give thee mine." To translate into your own idiom, Donald; you're a yo-yo. Now I direct my remarks to Dean Martin, who is being honored here tonight… for reasons that completely elude me. No, I'm not being fair to Dean because - this is true - in his way Dean, and I know him very well, has the soul of a poet. I'm told that in his most famous song Dean authored a lyric which is so romantic, so touching that it will be enjoyed by generations of lovers until the end of time. Let's share it together. [Opens a songsheet for Dean's "That's Amore" and reads in a monotone] "When the moon hits your eye/ Like a big pizza-pie/ That's amore" Now, that's what I call 'touching', Dean. It has all the romanticism of a Ty-D-Bol commercial. "When the world seems to shine/ Like you've had too much wine/ That's amore" What a profound thought. It could be inscribed forever on a cocktail napkin. Hey, there's more. "Tippy-tippy-tay/ Like a gay tarantella" Like a gay tarantella? Apparently, Dean has a 'side Dean' we know nothing about. "When the stars make you drool/ Just like a pasta fazool…. Scuzza me, but you see/ Back in old Napoli/ That's amore" No, Dean; that's infermo, Italian for "sickened". Now, lyrics like that - lyrics like that ought to be issued with a warning: a song like that is hazardous to your health. Ladies and gentlemen… [motions to Dean] you are looking at the end result!”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given at a Dean Martin Celebrity Roast. Viewable here http://www.youtube.com/watch?v=VlKR0i-51S4.

Health, World, Way, Quotes

Quotes about scene page 3

Quotes about scene
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