Quotes about professional
page 4

George W. Bush photo
Alastair Reynolds photo
Warren Farrell photo
Curt Flood photo
Roberto Mangabeira Unger photo

“Obama’s manner in dealing with other people and acting in the world fully exemplifies the cheerful impersonal friendliness—the middle distance—that marks American sociability. (Now allow me to speak as a critic. Remember Madame de Staël’s meetings that deprive us of solitude without affording us company? Or Schopenhauer’s porcupines, who shift restlessly from getting cold at a distance to prickling one another at close quarters, until they settle into some acceptable compromise position?) The cheerful impersonal friendliness serves to mask recesses of loneliness and secretiveness in the American character, and no less with Obama than with anyone else. He is enigmatic—and seemed so as much then as now—in a characteristically American way…. Moreover, he excelled at the style of sociability that is most prized in the American professional and business class and serves as the supreme object of education in the top prep schools: how to cooperate with your peers by casting on them a spell of charismatic seduction, which you nevertheless disguise under a veneer of self-depreciation and informality. Obama did not master this style in prep school, but he became a virtuoso at it nevertheless, as the condition of preferment in American society that it is. As often happens, the outsider turned out to be better at it than the vast majority of the insiders…. Together with the meritocratic educational achievements, the mastery of the preferred social style turns Obama into what is, in a sense, the first American elite president—that is the first who talks and acts as a member of the American elite—since John Kennedy …. Obama's mixed race, his apparent and assumed blackness, his non-elite class origins and lack of inherited money, his Third-World childhood experiences—all this creates the distance of the outsider, while the achieved elite character makes the distance seem less threatening.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Quoted in David Remnick, The Bridgeː The Life and Rise of Barack Obama (2010), p. 185-6
On Barack Obama

L. Ron Hubbard photo
Aldo Leopold photo

“A profession is a body of men who voluntarily measure their work by a higher standard than their clients demand. To be professionally acceptable, a policy must be sound as well as salable. Wildlife administration, in this respect, is not yet a profession.”

Aldo Leopold (1887–1948) American writer and scientist

"Chukaremia" [1938]; Published in The River of the Mother of God and Other Essays by Aldo Leopold, Susan L. Flader and J. Baird Callicott (eds.) 1991, p. 246.
1930s

Joseph Gordon-Levitt photo

“[hitrecord. org is my] alternative outlet of where I get to be a little less professional and just freak out a little bit.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Salon, March 28, 2007.

Fred Astaire photo
Farrukh Dhondy photo

“Professionalism has no place in art, and hacking is art. Software Engineering might be science; but that's not what I do. I'm a hacker, not an engineer.”

Jamie Zawinski (1968) American programmer

http://phd.pp.ru/Texts/fun/signatures.txt
PP
RU
Texts
Signatures.

Anil Kumble photo
Aldous Huxley photo
Hugh Macmillan, Baron Macmillan photo
Zbigniew Brzeziński photo
William H. Starbuck photo
Alexandra Kollontai photo

“The vehement struggle between the two factions of the professional women. Nevertheless our will prevailed.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

Joseph Dietzgen photo
Howard S. Becker photo
William F. Sharpe photo
Robert Cecil, 1st Viscount Cecil of Chelwood photo
William Saroyan photo
Yusuf Qaradawi photo
Craig Benzine photo

“I was frustrated waiting tables when I knew I could make video… I didn't have any professional experience or a portfolio of work, so I decided to make stuff on my own for free.”

Craig Benzine (1980) Filmmaker, comedian, presenter

[Pagliarini, Robert, When Success Doesn't Come Fast Enough, CBS News Moneywatch, CBS News, August 2, 2010, http://www.cbsnews.com/8301-505125_162-37441597/when-success-doesnt-come-fast-enough/, October 18, 2013]

Quentin Tarantino photo

“I've always thought my soundtracks do pretty good, because they're basically professional equivalents of a mix tape I'd make for you at home.”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

BBC interview http://www.bbc.co.uk/films/2003/10/06/quentin_tarantino_kill_bill_volume1_interview.shtml

“Lindblom (1959) and Churchman (1967) make it clear that the assumption of synoptic or complete rationality in planning systems is not only inadequate in a methodological sense, but illegitimate in an ethical or professional sense.”

C. West Churchman (1913–2004) American philosopher and systems scientist

J.I. MacLellan (2009). "Brokering the Local Global Dialectic". In: Linking Climate and Impact Models to Decision and Policy Making. Edited by A. Fenech, and J.I. MacLellan. Environment Canada, Toronto. The first reference mentioned here refers to Charles E. Lindblom (1959) "The Science Of 'Muddling Through'." In: Public Administration Review, 19, p. 79–88
1960s - 1970s, Guest editorial: Wicked problems (1967)

Katie Hopkins photo

“The partial absorption of art by domestic industry and by domestic female crafts, that is to say, the fusion of artistic activity with other activities, is a retrogression from the standpoint of the division of labour and professional differentiation.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter I. Prehistoric Times

“I would like to congratulate everybody with the commencement of the "Combined Endeavour 2007" military exercises. This exercise is running simultaneously in Armenia and Germany. We have about 130 participants from 6 countries, this being evidence of importance and actuality of the event. It is notable that the cooperation between the Ministry of Defence of Armenia and the US European Command is developing and implementing a number of projects, and the vivid evidence of this cooperation is this military exercise. This is not the first military exercise in Armenia. Since 2003, we have hosted a number of military exercises organized with the NATO/PfP and the US European Command. It is important that the running of military exercises in Armenia is growing into a good tradition. Especially since, we already have an arrangement of hosting "Cooperative Longbow/Lancer" military exercises in Armenia for 2008. I would also like to mention with appreciation that the planning conference and working meetings before the military exercise would be held in a constructive atmosphere. We have effectively managed to run all preparation activities with joint efforts of the US European Command, the MOD of Armenia and other partners. The communication field is that chain which has fundamental importance for realizing multinational activities. The effectiveness and successes of our cooperation is related to that. This military exercise not only supports the testing of capabilities of participating units and experts, but also an opportunity for developing effective mechanisms for ensuring an interoperability and carrying out the tasks jointly. It is not accidental that Armenia has always expressed its readiness to host such kinds of events, and all participants have been trying to create appropriate conditions for their work. Taking this opportunity, one more time, I would like to thank all participants for their presence here and the US European command for their assistance in organizational matters. I am sure that due to our joint activities, the military exercise would be on a high professional and organizational level. I also hope that while you are in Armenia, you have a chance to make yourselves familiar with our history, culture and will have wonderful impressions. I am sure that on the 10th of May, after the completion of the military exercise, we will ascertain one more time that another multinational military exercise was held with success and fulfilled its tasks. I would like to wish all participants fruitful work and further success. I allow the commencement of the opening of the "Combined Endeavour 2007" military exercise.”

Mikael Harutyunyan (1946) Armenian general

Quoted in 2007 article. [April 27, 2007]

Jesse Ventura photo

“I'm against the draft. I believe we should have a professional military; it might be smaller, but it would be more effective.”

Jesse Ventura (1951) American politician and former professional wrestler

I Ain't Got Time To Bleed (1999)

Steven Pinker photo
Lloyd deMause photo
C. Wright Mills photo
Amitabh Bachchan photo

“During those five years (of retirement), I traveled a lot and in some of the cities I visited, there was a kind of immediate recognition, whether it was Egypt or the Middle-East, or Russia or Africa. This kind of surprised me. It wasn't so much a reflection on me. It was a reflection on the Hindi film industry. People didn't know me by name, they knew me by my film name. They sang my songs when they saw me on the street, and came up to me and called me Vijay, for instance. I felt that if there is so much recognition of this medium and this industry in totally non-traditional regions of the world, why is it that something is not being done to market this or to promote it at a much larger scale? This is when I thought of the idea of forming a corporation much like international corporations worldwide to get a kind of professionalism and a kind of corporate attitude to the entertainment industry in this country and to be able to exploit it in all parts of the world. That was the attraction. That really brought me back again. Also, during my 30-year career, one of the accusations that used to come my way was that you've never invested back into the film industry. You've invested in pharmaceuticals, in this and that. But you've never invested your money back into the industry. But here, I felt, was one activity that was very genuine. I really was putting money back to raise the standard of working in the industry”

Amitabh Bachchan (1942) Indian actor

On his motivation behind starting ABCL
Quotable quotes by Amitabh Bachchan.

Christopher Hitchens photo
John Barrowman photo

“Personally, in my home life it's the same, but professionally it's different. I'm not having to fight or push as much to get in to be seen for TV shows or for films. The calls are coming in. Also the fans are great. I love them and I am one myself.”

John Barrowman (1967) Scottish-American actor, singer, dancer, musical theatre performer, writer and television personality

On how Doctor Who fame changed his life, in Attitude (2005)

William H. McNeill photo
Edward Condon photo
Pat Condell photo
Marsden Hartley photo
Sam Manekshaw photo

“Professional knowledge and professional competence are the main attributes of leadership. Unless you know, and the men you command know that you know your job, you will never be a leader.”

Sam Manekshaw (1914–2008) First Field marshal of the Indian Army

His lecture on leadership quoted in "Field Marshal KM Kariappa Memorial Lectures, 1995-2000", page=26

John Ralston Saul photo
Edward Said photo
Ed Bradley photo

“Ed Bradley is a member of an elite group of CBS News professionals who have mastered a variety of duties and who have been honored on many occasions for their abilities.”

Ed Bradley (1941–2006) News correspondent

[Encyclopedia of Television News, Michael D. Murray, 1998, 1573561088, Greenwood]
About

Aldo Leopold photo

“Relegating conservation to government is like relegating virtue to the Sabbath. Turns over to professionals what should be daily work of amateurs.”

Aldo Leopold (1887–1948) American writer and scientist

Lecture notes ms. (c. 1935); as quoted in: Curt D. Meine, ‎Richard L. Knight (1999) The Essential Aldo Leopold: Quotations and Commentaries. p. 162.
1930s

Luc Besson photo

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

William Westmoreland photo
Andrei Sakharov photo
Hunter S. Thompson photo
Wilt Chamberlain photo
Mario Bunge photo
Robert A. Heinlein photo
Joseph Beuys photo
Valentine Blacker photo
Henry Mintzberg photo
Heather Brooke photo
S. I. Hayakawa photo
Van Morrison photo
Ben Croshaw photo
Claire Holt photo
John Avlon photo
Leo Tolstoy photo
Edward R. Murrow photo
Chuck Palahniuk photo

“We all know the type of American executive or professional man who does not allow himself to age, but by what appears to be almost sheer will keeps himself “well-preserved,” as if in creosote. … The will which burns within him, while often admirable, cannot be said to be truly “his”: it is compulsive; he has no control over it, but it controls him. He appears to exist in a psychological deep-freeze; new experience cannot get at him, but rather he fulfills himself by carrying out ever-renewed tasks which are given by his environment: he is borne along on the tide of cultural agendas. So long as these agendas remain, he is safe; he does not acquire wisdom, as the old of some cultures are said to do, but he does not lose skill—or if he does, is protected by his power from the consequences, perhaps the awareness, of loss of skill. In such a man, responsibility may substitute for maturity. Indeed, it could be argued that the protection furnished such people in the united States is particularly strong since their “youthfulness” remains a social and economic prestige-point and wisdom might actually, if it brought awareness of death and which the culture regarded as pessimism, be a count against them. … They prefigure … the cultural cosmetic that makes Americans appears youthful to other peoples. And, since they are well-fed, well-groomed, and vitamin-dosed, there may be an actual delay-in-transit of the usual physiological declines to partly compensate for lack of psychological growth. Their outward appearance of aliveness may mask inner sterility.”

David Riesman (1909–2002) American Sociologist

“Clinical and Cultural Aspects of the Aging Process,” p. 486
Individualism Reconsidered (1954)

Allen West (politician) photo
Harry Chapin photo
Steve Allen photo
H.L. Mencken photo

“A professional politician is a professionally dishonorable man. In order to get anywhere near high office he has to make so many compromises and submit to so many humiliations that he becomes indistinguishable from a streetwalker.”

H.L. Mencken (1880–1956) American journalist and writer

As quoted in LIFE magazine, Vol. 21, No. 6, (5 August 1946), p. 48 http://books.google.co.uk/books?id=3UwEAAAAMBAJ&lpg=PP1&client=safari&pg=PA48#v=onepage&q&f=false
1940s–present

Peter Greenaway photo

“Looking back, I ask myself why so little of the basic research has had an impact on professional practice.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: A Long Search for Information (2004), p. 27.

Rensis Likert photo
Joyce Carol Oates photo
Albrecht Thaer photo
Anthony Kennedy photo

“Every man makes his own summer. The season has no character of its own, unless one is a farmer with a professional concern for the weather.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Three Worlds, Three Summers — But Not the Summer Just Past.

Georg Christoph Lichtenberg photo
Sean Penn photo
Jorge Luis Borges photo

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

N. Gregory Mankiw photo
Ayn Rand photo
Aldo Leopold photo

“My dog, by the way, thinks I have much to learn about partridges, and, being a professional naturalist, I agree.”

“October: Red Lanterns”, p. 63.
A Sand County Almanac, 1949, "August: The Green Pasture," "September: The Choral Copse," "October: Smoky Gold," and "October: Red Lanterns"

Edith Stein photo

“For a wholesome collaboration of the sexes in professional life will be possible only if both achieve a calm and objective awareness of their nature and draw practical conclusions from it.”

Edith Stein (1891–1942) Jewish-German nun, theologian and philosopher

Essays on Woman (1996), The Ethos of Woman's Professions (1930)

“The vitality of our network will determine our professional fate.”

Tom Peters (1942) American writer on business management practices

Source: The Little Big Things: 163 Ways To Pursue Excellence (2010), p. 50.

Roberto Clemente photo

“I dedicate this hit to the fans in Pittsburgh. They have been wonderful. And to the people back in Puerto Rico, but especially to the fellow who pushed me to play baseball, Roberto Marin. He made me play. He carried me around looking for the man to sign me. […] I dedicate that hit to the person I owe most to in professional baseball, Roberto Marin.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Speaking with reporters, and later on the radio, about his 3,000th hit; as quoted, respectively, in "Roberto Gets 3,000th, Will Rest Till Playoffs" http://news.google.com/newspapers?id=rXcqAAAAIBAJ&sjid=TVMEAAAAIBAJ&pg=4436,402538 by Bob Smizik, in The Pittsburgh Press (Sunday, October 1, 1972), p. D-1; and in Clemente! https://books.google.com/books?id=n-4qAwAAQBAJ&pg=PT14 (1973) by Kal Wagenheim, p. 23
Baseball-related, <big><big>1970s</big></big>, <big>1972</big>

Mitch McConnell photo

“Nobody is happy about losing lives but, remember, these are not draftees. These are full-time professional soldiers.”

Mitch McConnell (1942) US Senator from Kentucky, Senate Majority Leader

December 7, 2007 http://www.msnbc.msn.com/id/22221245/.
2007

Andrei Tarkovsky photo