
The Weight of Glory (1949)
The Weight of Glory (1949)
“The bright moon shines between the pines.
The crystal stream flows over the pebbles.”
"Autumn Twilight in the Mountains" (山居秋暝), trans. Kenneth Rexroth
Abhinaya and Netrābhinaya
Source: www.uga.edu/farleyrichmond/projects/trivandrum%20speech.pdf
"Confidences of a 'Psychical Researcher'" http://hcl.harvard.edu/libraries/houghton/exhibits/james/psychical/7_8.cfm, in The American Magazine, Vol. 68 (1909), p. 589
Often (mis)quoted as: "We are like islands in the sea; separate on the surface but connected in the deep", or: "Our lives are like islands in the sea, or like trees in the forest, which co-mingle their roots in the darkness underground."
1900s
Source: The Pillow Book of Sei Shōnagon (1002), p. 109
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
“Clamorous pauperism feasteth
While honest Labor, pining, hideth his sharp ribs.”
Of Discretion.
Proverbial Philosophy (1838-1849)
As quoted in From Colonialism to Communism : A Case History of North Vietnam (1964) by Văn Chí Hoàng, p. 37
(1836-2) (Vol.47) Subjects for Pictures. III. Rienzi Showing Nina the Tomb of his Brother
The Monthly Magazine
Book I
The Poems of Ossian, Fingal, an ancient Epic Poem
“Sweeter than apples to children
The green water spurted through my pine-wood hull.”
Plus douce qu'aux enfants la chair des pommes sures,
L'eau verte pénétra ma coque de sapin.
St. 5
Le Bateau Ivre http://www.mag4.net/Rimbaud/poesies/Boat.html (The Drunken Boat) (1871)
The Works of Virgil (1753), Dedication, pp. viii–ix
Part i, canto ii.
Lucile (1860)
Canto II, X
The Fate of Adelaide (1821)
No.12. The Heart of Mid Lothian — EFFIE DEANS.
Literary Remains
, announcing Linux version 0.02. The Hurd 0.0 was released in August 1996 and as of 2015, is still not complete.</p>
1990s, 1991-94
From the Song Dynasty
“Bleeding Ponytail: An elderly sold out baby boomer who pines for hippie or pre-sellout days.”
Definitions
“Risest from forth thy silent sea of pines.”
"Hymn in the Vale of Chamouni" (1802)
From Running Wild (1973) by Hano, p. 10
Other Topics
A History of the Lyre
The Venetian Bracelet (1829)
" Come up higher!"
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 564.
letter to Mrs. J.D. Hooker http://www.westadamsheritage.org/katharine-putnam-hooker (19 September 1911); published in The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 17, II; and in John Muir's Last Journey, edited by Michael P. Branch (Island Press, 2001), page 67
1910s
"Written at Mauve Garden: Pine Wind Terrace" (tr. Y. N. Chang and Lewis C. Walmsley), in Sunflower Splendor: Three Thousand Years of Chinese Poetry, eds. Wu-chi Liu and Irving Yucheng Lo (1975), p. 477; also in The Luminous Landscape: Chinese Art and Poetry, ed. Richard Lewis (1981), p. 57.
“The pine trees whispering, the gerons cry
The plover's passing wing, his lullaby”
from The Camper
“Sit down in climbing, and hear the pines sing.”
page 428
John of the Mountains, 1938
No Man's Land.
Song lyrics, River of Dreams (1993)
p, 125
The Training of the Human Plant (1907)
" Felix Randal http://www.bartleby.com/122/29.html", lines 1-4
Wessex Poems and Other Verses (1918)
(1825-2) Ideal Likenesses. Erinna
The Monthly Magazine
“So here the twins were laid low at Aeneas' hands,
down they crashed like lofty pine trees axed.”
V. 559–560 (tr. Robert Fagles).
Iliad (c. 750 BC)
Source: In My Own Way: An Autobiography 1915-1965 (1972), p. 224
"The Snow Man"
Harmonium (1923)
Context: p>One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitterOf the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,Which is the sound of the land
Full of the same wind
That is blowing in the same bare placeFor the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.</p
Part IV, ch. 1
The Song of the Lark (1915)
Context: The great pines stand at a considerable distance from each other. Each tree grows alone, murmurs alone, thinks alone. They do not intrude upon each other. The Navajos are not much in the habit of giving or of asking help. Their language is not a communicative one, and they never attempt an interchange of personality in speech. Over their forests there is the same inexorable reserve. Each tree has its exalted power to bear.
The Pardon
Context: My dog lay dead five days without a grave
In the thick of summer, hid in a clump of pine
And a jungle of grass and honey-suckle vine.
I who had loved him while he kept alive
Went only close enough to where he was
To sniff the heavy honeysuckle-smell
Twined with another odor heavier still
And hear the flies' intolerable buzz.
Source: The Dream of a Ridiculous Man (1877), IV
Context: They had no temples, but they had a real living and uninterrupted sense of oneness with the whole of the universe; they had no creed, but they had a certain knowledge that when their earthly joy had reached the limits of earthly nature, then there would come for them, for the living and for the dead, a still greater fullness of contact with the whole of the universe. They looked forward to that moment with joy, but without haste, not pining for it, but seeming to have a foretaste of it in their hearts, of which they talked to one another.
The Wild Flag (1943)
Context: This is the dream we had, asleep in our chair, thinking of Christmas in the lands of fir tree and pine, Christmas in lands of palm tree and vine, and of how the one great sky does for all places and all people.
After the third great war was over (this was a curious dream), there was no more than a handful of people left alive, and the earth was in ruins and the ruins were horrible to behold. The people, the survivors, decided to meet to talk over their problem and to make a lasting peace, which is the customary thing to make after a long and exhausting war. There were eighty-three countries, and each country sent a delegate to the convention. One English-man came, one Peruvian, one Ethiopian, one Frenchman, one Japanese, and so on, until every country was represented.
The Daisy, Stanza 1; reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Song lyrics, The Kick Inside (1978)
Context: Ooh, it gets dark! It gets lonely,
On the other side from you.
I pine a lot. I find the lot
Falls through without you.
I'm coming back, love.
Cruel Heathcliff, my one dream,
My only master.
“My book should smell of pines and resound with the hum of insects.”
1840s, Essays: First Series (1841), Self-Reliance
Context: In this pleasing contrite wood-life which God allows me, let me record day by day my honest thought without prospect or retrospect, and, I cannot doubt it, it will be found symmetrical, though I mean it not and see it not. My book should smell of pines and resound with the hum of insects.
“Cypress and pine are also just as admirable; for although they… are apt to warp”
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 12
Context: The hornbeam... is not a wood that breaks easily and is very convenient to handle. Hence the Greeks call it "zygia," because they make of it yokes for their draught animals... Cypress and pine are also just as admirable; for although they... are apt to warp when used in buildings... they can be kept to a great age without rotting because the liquid contained within their substances has a bitter taste which by its pungency prevents the entrance of decay or of those little creatures which are destructive. Hence buildings made of these kinds of wood last for an unending period of time.
ibid, p. 104
History Will Absolve Me (October 16th, 1953)
“Heavenly wonderfully beautiful that Wolfhezerland with its stream and pines..”
translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Goddelijk heerlijk schoon dat Wolfhezerland met zijne beekje en dennen..
In a letter to Willem Maris, 1863; as cited in: 'Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850', Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 31
1860's
Guilt and Sorrow, st. 41 (1791-1794) Section XLI
quoted by Aaron Hicklin in "David Bowie: An Obituary" https://www.out.com/music/2016/1/11/david-bowie-obituary