Quotes about picturesque (44 quotes) | Quotes of famous people

“At bottom every man knows well enough that he is a unique being, only once on this earth; and by no extraordinary chance will such a marvelously picturesque piece of diversity in unity as he is, ever be put together a second time.”

Friedrich Nietzsche Untimely Meditations

“Schopenhauer as educator” ("Schopenhauer als Erzieher"), § 3.1, R. Hollingdale, trans. (1983), p. 127
Untimely Meditations (1876)
Context: In his heart every man knows quite well that, being unique, he will be in the world only once and that no imaginable chance will for a second time gather together into a unity so strangely variegated an assortment as he is: he knows it but he hides it like a bad conscience—why? From fear of his neighbor, who demands conventionality and cloaks himself with it. But what is it that constrains the individual to fear his neighbor, to think and act like a member of a herd, and to have no joy in himself? Modesty, perhaps, in a few rare cases. With the great majority it is indolence, inertia. … Men are even lazier than they are timid, and fear most of all the inconveniences with which unconditional honesty and nakedness would burden them. Artists alone hate this sluggish promenading in borrowed fashions and appropriated opinions and they reveal everyone’s secret bad conscience, the law that every man is a unique miracle.

Chance , Time

“There is constant sun, good weather all the time, the ocean like a slab of slate - there is nothing less picturesque than this combination.”

Berthe Morisot (1841–1895) painter from France

2 quotes on weather, in a letter to her sister Edma, Summer 1873; as cited in The Correspondence of Berthe Morisot, with her family and friends, Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 1986, p. 43
1871 - 1880

Time , Sun , Weather

“An experienced, industrious, ambitious, and often quite picturesque liar.”

Mark Twain book The Private History of a Campaign That Failed

"The Private History of a Campaign That Failed", The Century, Vol. 31, No. 2, December 1885 http://books.google.com/books?id=-1UiAQAAIAAJ&pg=PA193. Anthologized in The American Claimant, and Other Stories and Sketches http://books.google.com/books?id=1T00Sc_cVYIC (1898)

“The fashion just now is a Roman Catholic frame of mind with an Agnostic conscience: you get the mediaeval picturesqueness of the one with the modern conveniences of the other.”

Saki (1870–1916) British writer

"Reginald at the Theatre"
Reginald (1904)

Fashion

“Our modern worship of empty ideals is ludicrous. What does the condition of the rabble matter? All we need do is to keep it as quiet as we can. What is more important, is to perpetuate those things of beauty which are of real value because involving actual sense-impressions rather than vapid theories. "Equality" is a joke — but a great abbey or cathedral, covered with moss, is a poignant reality. If it is for us to safeguard and preserve the conditions which produce great abbeys, and palaces, and picturesque walled town, and vivid sky-lines of steeples and domes, and luxurious tapestries, and fascinating books, paintings and statuary, and colossal organs and noble music, and dramatic deeds on embattled fields — these are all there is of life: take them away and we have nothing which a man of taste or spirit would care to live for. Take them away and our poets have nothing to sing — our dreamers have nothing to dream about. The blood of a million men is well shed in producing one glorious legend which thrills posterity and it is not at all important why it was shed.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Life , Men , Books , Beauty

“What difference does it make if you live in a picturesque little outhouse surrounded by 300 feeble minded goats and your faithful dog? The question is: Can you write?”

Ernest Hemingway (1899–1961) American author and journalist

Faith , Dogs , Question

“To the real artist in humanity, what are called bad manners are often the most picturesque and significant of all.”

Walt Whitman (1819–1892) American poet, essayist and journalist

“I live in my house as I live inside my skin: I know more beautiful, more ample, more sturdy and more picturesque skins: but it would seem to me unnatural to exchange them for mine.”

Primo Levi (1918–1987) Italian chemist, memoirist, short story writer, novelist, essayist

Beauty , Housing

“A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.”

F. Scott Fitzgerald book The Beautiful and Damned

Source: The Beautiful and Damned

Books , Fashion , Success

“It is true that an observer, under that softening influence of the fine arts which makes other people’s hardships picturesque, might have been delighted with this homestead called Freeman’s End.”

George Eliot book Middlemarch

Middlemarch (1871)

People , Art

“Byron idealised and expressed that bitter spirit of discontent which has at the present moment taken a more material and tangible form. He is the incarnation of November. From time immemorial it has been an Englishman's privilege to grumble, and Byron gave picturesque language to the universal feeling.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Feeling , Universe , Time

“The agitation for the Universal Colour Bill continued for three years; and up to the last moment of that period it seemed as though Anarchy were destined to triumph.

A whole army of Polygons, who turned out to fight as private soldiers, was utterly annihilated by a superior force of Isosceles Triangles — the Squares and Pentagons meanwhile remaining neutral. Worse than all, some of the ablest Circles fell a prey to conjugal fury. Infuriated by political animosity, the wives in many a noble household wearied their lords with prayers to give up their opposition to the Colour Bill; and some, finding their entreaties fruitless, fell on and slaughtered their innocent children and husband, perishing themselves in the act of carnage. It is recorded that during that triennial agitation no less than twenty-three Circles perished in domestic discord.

Great indeed was the peril. It seemed as though the Priests had no choice between submission and extermination; when suddenly the course of events was completely changed by one of those picturesque incidents which Statesmen ought never to neglect, often to anticipate, and sometimes perhaps to originate, because of the absurdly disproportionate power with which they appeal to the sympathies of the populace.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 10. Of the Suppression of the Chromatic Sedition

Children , Universe , Change , Fight

“I am thinking of painting for the coming Salon a picture [probably the large and unfinished painting 'Botzaris' by Delacroix] whose subject I shall take from the recent wars between the Turks and the Greeks. I think that.... this would be a way to attract some attention. I should therefore like you to send me some drawings of the country round Naples, a few quick sketches of seascapes or picturesque mountain sites… Why not also send a few of the studies you have in your portfolio? You don’t need them while you are out there, and it would oblige you to make some more of them.”

Eugène Delacroix (1798–1863) French painter

Quote in his letter to Charles Soulier - 15 September 1821, Paris; as quoted in Eugene Delacroix – selected letters 1813 – 1863, ed. and translation Jean Stewart, art Works MFA publications, Museum of Fine Art Boston, 2001, p. 105
1815 - 1830

War , Way , Mountain , Thinking

“I own it gave my picturesque fancies at first a shock, to hear of a steam-boat on Loch Katrine; but I was wrong. Nothing could be a more decisive proof of the increased communication between England and Scotland — and communication is the regal road to improvement of every kind.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Communication , Decision

“There are photographers who invent, others who discover. Personally, I am interested in discoveries, not for the trials or experiences but to capture life itself. I flee from the dangers of the anecdote and the picturesque, which are very easy and better than sensational, but quite as bad. To my mind, photography has the power to evoke, and must not simply document. We have to be abstract, just like nature.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 44

Life , Nature , Personality

“Philosophers are moral, and poets are picturesque about the country.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Country

“The huge dome of St. Paul's arose bathed in the moonlight, that giant fane of a giant city, a hundred spires were shining silvery in the soft gleam, and all meaner objects were touched with a picturesque obscurity: all around was silence and rest. The myriad voices of London were still, and nothing vexed the lulled ear of midnight.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Silence

“I am very fond of the modest manner of life of those solitary owners of remote villages, who in Little Russia are commonly called "old-fashioned," who are like tumbledown picturesque little houses, delightful in their simplicity and complete unlikeness to the new smooth buildings whose walls have not yet been discolored by the rain, whose roofs are not yet covered with green lichen, and whose porch does not display its bricks through the peeling stucco.”

Nikolai Gogol (1809–1852) Russian writer

"Old World Landowners" (1835)

Life , Fashion , Housing

“I believe that more women are disappointed in marriage than men; a woman gives the whole of her heart — the man only gives the remains of his, and very often there is only a little left. Besides his idol is rarely so much the work of his own hands as her's; at the end of the first year she may ask, where are the picturesque and ennobling qualities with which she invested her lover? in nine cases out of ten echo will indeed answer “where."”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.15. Ivanhoe — REBECCA.
Literary Remains

Women , Men , Marriage , Disappointment

“.. on the banks of a very picturesque mountain stream that pours out its crystalline water in four or five waterfalls into the Dussel brook... Oh, in this cave, at this crystal flood, I often felt myself so well! Sensations frequently welled up in my bosom at this blessed place that ennoble the soul and make pour out joyful tombs; [they] give the heart impressions that neither greatness or honor can steal from us. An indomitable longing came to me, to learn more and more about these enchanting shades of beautiful and holy nature, and to transfer them on the canvas with my brush.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) ..aan den oever van eenen hoogst schilderachtigen bergstroom die zijn kristallijnen vocht door vier of vijf watervalletjes in de Dusselbeek uitstort.. .Oh, in deze grot, bij dezen kristallen vloed, gevoelde ik mij dikwijls zo wel! Gewaarwordingen, die den ziel veredelen, vreugdentranen uit het oog doen vloeijen, het hart indrukken geven, die grootheid noch eer ons kunnen ontvreemden, welden vaak in dit zalige oord in mijn boezem op. Een ontembare zucht greep mij aan, om die tooverachtige schakeringen der schoone en heilige natuur meer en meer te leren kennen, en die door mijn penseel op het doek over te brengen.
he frequently visited this location along the Düssel stream, as Koekoek's quote illustrates
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 37-38

Beauty , Soul , Mountain , Nature

“Boughton together with Abbey are making for Harper in New York drawings called "Picturesque Holland".... now I say to myself if the Graphic and Harper send their draughtsmen to Holland they would perhaps not be unwilling to accept a draughtsman from Holland [Vincent himself], if he can furnish some good work for not too much money. I should prefer to be accepted on regular monthly wages rather than to sell a drawing now and then at a relatively high price.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 288) p. 21
1880s, 1883

Money , Drawing

“We may fill our purses, but we pay a heavy price for it in the loss of picturesqueness and beauty.”

James Nasmyth (1808–1890) Scottish mechanical engineer and inventor

Source: James Nasmyth engineer, 1883, p. 153 (in 2010 edition)

Beauty , Loss

“But what if it turns out, as it just possibly might, that William Shakespeare of Stratford was not the author of the plays ascribed to him? There is a theory, advanced by reputable scholars, seriously and, in my opinion, plausibly, that Shakespeare merely lent his name as a cover for the literary activities of another person, perhaps the Earl of Oxford. If, by some terrible chance, this theory should be proved, then straightway Stratford's tourist business would dwindle. It would become just one more, and honestly not one in the first ten, of England's picturesque small towns.”

Tyrone Guthrie (1900–1971) English actor and director

New York Times Magazine. The New York Times. pp. 12, 60–61.

Business , Chance , Personality

“As they captured each territory, William and his men secured their camps with simple earth and timber defenses characteristic of northern Europe (…). These wooden structures have disintegrated, but sometimes their earthen mounds survive as rolling hills or picturesque elements in the landscape. Timber castles were especially useful to a warrior king like William the Conqueror who moved rapidly to bring new territories under control. The earth and timber castles could be built quickly, since the newly moved earth did not have to support great weight. Such structures were also relatively cheap because they required no specialized masons and expensive stone. Since the timber building tradition was widespread both in the British Isles and on the continent, the carpenters knew the building techniques. These castles were essentially towers and stockades; they provided garrison headquarters as well as residences.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

Men , Support

“Electricity, n. The cause of all natural phenomena not known to be caused by something else. It is the same thing as lightning, and its famous attempt to strike Dr. Franklin is one of the most picturesque incidents in that great and good man's career.”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

Nature

“I believe that new art must differ totally in its manifestation from art as we know it, and people may be very reluctant to accept this. It is perhaps true to say, as someone did of cubism, that 'To sum up: since art is a need to create rather than imitate, the 'cubists' rousing themselves from the sentimentality born of the picturesque aspect of some natural spectacle or other, disengage the fleeting aspects from those which are constant and absolute, and with the aid of these two elements, construct a reality equivalent to that which they see before them'. Thus it is a question of finding the true equivalence (that, offered by Cubism is still not true equivalence), and this can only be 'that which is not nature at all, and is nonetheless one with nature”

Piet Mondrian (1872–1944) Peintre Néerlandais

like in Neo-Plasticism / De Stijl
Quote in Mondrian's letter to Lodewijk van Deyssel (who reacted as Dutch art critic on Mondrians essay: 'Le Néo-plasticisme'] Paris, February 1921; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 136
1920's

People , Art , Question , Nature

“The deadliest enemies of nations are not their foreign foes; they always dwell within their borders. And from these internal enemies civilization is always in need of being saved. The nation blest above all nations is she in whom the civic genius of the people does the saving day by day, by acts without external picturesqueness; by speaking, writing, voting reasonably; by smiting corruption swiftly; by good temper between parties; by the people knowing true men when they see them, and preferring them as leaders to rabid partisans or empty quacks.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Robert Gould Shaw: Oration upon the Unveiling of the Shaw Monument
1910s, Memories and Studies (1911)

Men , People

“"As the crow flies"—a popular and picturesque expression to denote a straight line.”

William Henry Maule (1788–1858) British politician

Stokes v. Grissell (1854), 23 L. J. Rep. Part 7 (N. S.), Com. PL 144.

“As for hair in the nose, it is picturesque, and with a little practise it can be made to quiver, like the antennae of one of the more intelligent and sensitive insects. Anything which gives interest to the gloomy, immobile pan of the average Canadian should be cherished and not extirpated with circular scissors.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

The Table Talk of Samuel Marchbanks (1949)

Intelligence

“Obedient to the primary impulse of adequate expression, the style of a complex subject should be complex; of a technical subject, technical; of an abstract subject, abstract; of a familiar subject, familiar; of a pictorial subject, picturesque.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

“No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900

People , Beauty , Sea , Country

“Decision tree - The most picturesque of all the allegedly scientific aids to making decisions. The analyst charts all the possible outcomes of different options, and charts all the latters' outcomes, too. This produces a series of stems and branches (hence the tree). Each of the chains of events is given a probability and a monetary value.”

Robert Heller (1932–2012) British magician

Source: The Pocket Manager, (1987), p. 73

Decision , Tree

“I like complexity and contradiction in architecture. I do not like the incoherence or arbitrariness of incompetent architecture nor the precious intricacies of picturesqueness or expressionism.”

Robert Venturi book Complexity and Contradiction in Architecture

1. Nonstraightfoward Architecture: A Gentle Manifesto
Complexity and Contradiction in Architecture (1966)

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

Pleasure , Art , Idea , Nature

“The History of Institutions cannot be mastered – can scarcely be approached – without an effort. It affords little of the romantic incident or of the picturesque grouping which constitute the charm of History in general, and holds out small temptation to the mind that requires to be tempted to the study of Truth. But it…abounds in examples of that continuity of life, the realisation of which is necessary to give the reader a personal hold on the past and a right judgment of the present. For the roots of the present lie deep in the past, and nothing in the past is dead to the man who would learn how the present comes to be what it is.”

William Stubbs (1825–1901) English historian and clergyman

The Constitutional History of England (1873-8; Oxford: Clarendon Press, 1903) vol. 1, p. iii.

Life , Truth , Lie , History

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Life , Death , Money , Fate

“Of Henryson as of Chaucer it can be said that the picturesque detail owes its effectiveness to the solidity and seriousness of what it grows from. Henryson's Fables (like La Fontaine’s – they deserve the comparison) do more than present types of human beings in animal guises and animals comically behaving like human beings; they build up a total and consistent society, both rendered and criticized.”

Robert Henryson (1425–1506) Scottish makar (poet)

Patrick Cruttwell, in Boris Ford (ed.) Medieval Literature: Chaucer and the Alliterative Tradition (Harmondsworth: Penguin, 1982) p. 326.
Criticism

Animals

“Yesterday I visited Rotterdam for a while... It is a beautiful city. Always turbulent, dirty and picturesque, especially the vest and the harbor-neighborhoods. For the newer city I don't care at all.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Gisteren was ik nog even in Rotterdam.. ..'t is toch een mooie stad. Altijd woelig, smerig en schilderachtig, vooral de vest en de havenbuurten, voor 't nieuwe gedeelte geef ik geen duit.
Quote from Breitner's letter to A. P. van Stolk, The Hague, 8 Febr. 1882; as cited in Breitner en Parijs' – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382], by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, (translation from the original Dutch, Fons Heijnsbroek), p. 10
before 1890

Beauty

“Before 1914 it was beauty that counted in cricket - elegance of strokes, stylishness of bowling action, quixotry in captaincy. The gallant gesture was just as important as the mammoth score, the picturesque as the efficient.”

Bill Edrich (1916–1986) Cricket player of England.

Cricket Heritage (1948) http://biblio.co.uk/books/47419262.html

Beauty

“If there was in all France, between 1140 and 1200, a more typical Englishman of the future Church of England type than John of Salisbury, he has left no trace; and John wrote a description of his time which makes a picturesque contrast with the picture painted by Abélard, his old master, of the century at its beginning. John weighed Abélard and the Schools against Bernard and the Cloister, and coolly concluded that the way to truth lay rather through Citeaux, which brought him to Chartres as Bishop in 1176, and to a mild scepticism in faith. "I prefer to doubt," he said, "rather than rashly define what is hidden."”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Truth , School , Faith , Way

“It must be confessed that the new quantum mechanics is far from satisfying the requirements of the layman who seeks to clothe his conceptions in figurative language. Indeed, its originators probably hold that such symbolic representation is inherently impossible. It is earnestly to be hoped that this is not their last word on the subject, and that they may yet be successful in expressing the quantum postulate in picturesque form.”

H. Stanley Allen (1873–1954) English Physicist

[1928, April 14, Introduction to Niels Bohr's The quantum postulate and recent developments of quantum theory, Nature, Suppl. No. 3050, 6, 52] As quoted by K. V. Laurikainen, The Origin and Development of the Idea of Complementarity, 1980.

Hope , Success , Clothes

“Actual happiness always looks pretty squalid in comparison with the over-compensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.”

Aldous Huxley (1894–1963) English writer

Passion , Fight , Happiness

“I have been reading Miss Austen's Emma, which I had entirely forgotten, with the greatest enjoyment. I think it an admirable book, & I dare say you will agree with me. Miss Austen is an inimitable painter of quiet life. It would be difficult to say where the interest of Emma lies, yet it does interest strongly. There is no fine writing; no laboured description; no imaginative or ideal touches; no working on the feelings. Its magic must be its truth. It is exquisitely true. Life is presented to us, not as it may be taken in rare situations, in picturesque emergencies, but as we see it everyday. Common, workday life, with here & there a suit of best for Sundays. Yet there is nothing trivial. It is what Alfred calls in one of his unfinished poems "most ideal unideal, most uncommon commonplace."”

Jane Austen (1775–1817) English novelist

Dignity in the sentiments, dignity in the style. Quite a woman's book — (don't frown, Miss Fytche — I mean it for compliment) — none but a woman & a lady could possess that tact of minute observation, & that delicacy of sarcasm.
Arthur Henry Hallam, letter to fiancé Emily (Emilia) Tennyson (1833-01-25), Jane Austen and her Readers, 1786-1945, by Katie Halsey (Anthem Nineteenth-Century Series)

Imagination , Reading , Truth , Thinking

“I have camped where the grizzly bears were plentiful. It is nice that they are on the planet and all that, but I prefer my grizzlies shy, not too hungry, and far enough away to be picturesque.”

Jordan Peterson book Beyond Order

Source: Books, Beyond Order (2021), p. 315