Quotes about pause
page 3

George Gordon Byron photo

“For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

St. 2.
So, We'll Go No More A-Roving (1817)

Donald J. Trump photo

“Very good question. (pause) I don't think it's a sin but I don't think it should be done.”

Donald J. Trump (1946) 45th President of the United States of America

in response to the question, "Is adultery a sin."
in the New York Post, February 23, 1990, as archived at the Daily Beast http://www.thedailybeast.com/articles/2016/10/30/donald-trump-in-1990-adultery-is-not-a-sin.html
1990s

Tony Benn photo
Charles Dickens photo
John Galsworthy photo
Georg Brandes photo

“Young girls sometimes make use of the expression: “Reading books to read one’s self.” They prefer a book that presents some resemblance to their own circumstances and experiences. It is true that we can never understand except through ourselves. Yet, when we want to understand a book, it should not be our aim to discover ourselves in that book, but to grasp clearly the meaning which its author has sought to convey through the characters presented in it. We reach through the book to the soul that created it. And when we have learned as much as this of the author, we often wish to read more of his works. We suspect that there is some connection running through the different things he has written and by reading his works consecutively we arrive at a better understanding of him and them. Take, for instance, Henrik Ibsen’s tragedy, “Ghosts.” This earnest and profound play was at first almost unanimously denounced as an immoral publication. Ibsen’s next work, “An Enemy of the People,” describes, as is well known the ill-treatment received by a doctor in a little seaside town when he points out the fact that the baths for which the town is noted are contaminated. The town does not want such a report spread; it is not willing to incur the necessary expensive reparation, but elects instead to abuse the doctor, treating him as if he and not the water were the contaminating element. The play was an answer to the reception given to “Ghosts,” and when we perceive this fact we read it in a new light. We ought, then, preferably to read so as to comprehend the connection between and author’s books. We ought to read, too, so as to grasp the connection between an author’s own books and those of other writers who have influenced him, or on whom he himself exerts an influence. Pause a moment over “An Enemy of the People,” and recollect the stress laid in that play upon the majority who as the majority are almost always in the wrong, against the emancipated individual, in the right; recollect the concluding reply about that strength that comes from standing alone. If the reader, struck by the force and singularity of these thoughts, were to trace whether they had previously been enunciated in Scandinavian books, he would find them expressed with quite fundamental energy throughout the writings of Soren Kierkegaard, and he would discern a connection between Norwegian and Danish literature, and observe how an influence from one country was asserting itself in the other. Thus, by careful reading, we reach through a book to the man behind it, to the great intellectual cohesion in which he stands, and to the influence which he in his turn exerts.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: On Reading: An Essay (1906), pp. 40-43

George William Russell photo
Henry David Thoreau photo

“As we passed under the last bridge over the canal, just before reaching the Merrimack, the people coming out of church paused to look at us from above, and apparently, so strong is custom, indulged in some heathenish comparisons; but we were the truest observers of this sunny day”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday

Alan M. Dershowitz photo
Thomas Frank photo

“Derangement is the signature expression of the Great Backlash, a style of conservatism that first came snarling onto the national stage in response to the partying and protests of the late sixties. While earlier forms of conservatism emphasized fiscal sobriety, the backlash mobilizes voters with explosive social issues — summoning public outrage over everything from busing to un-Christian art — which it then marries to pro-business economic polices. Cultural anger is marshaled to achieve economic ends. And it is these economic achievements — not the forgettable skirmishes of the never-ending culture wars — that are the movement’s greatest monuments. The backlash is what has made possible the international free-market consensus of recent years, with all the privatization, deregulation, and de-unionization that are its components. Backlash ensures that Republicans will continue to be returned to office even when their free-market miracles fail and their libertarian schemes don’t deliver and their "New Economy" collapses. It makes possible the police pushers’ fantasies of “globalization” and a free-trade empire that are foisted upon the rest of the world with such self-assurance. Because some artist decides to shock the hicks by dunking Jesus in urine, the entire plant must remake itself along the lines preferred by the Republican Party, U. S. A.The Great Backlash has made the laissez-faire revival possible, but this does not mean that it speak to us in the manner of the capitalists of old, invoking the divine right of money or demanding that the lowly learn their place in the great chain of being. On the contrary; the backlash imagines itself as a foe of the elite, as the voice of the unfairly persecuted, as a righteous protest of the people on history’s receiving end. That is champions today control all three branches of government matters not a whit. That is greatest beneficiaries are the wealthiest people on the plant does not give it pause.”

Introduction: What's the Matter with America (pp. 5-6).
What's the Matter with Kansas? (2004)

John Ashcroft photo
Philip K. Dick photo
Abraham Cahan photo
Richard Cobden photo
Leslie Feist photo
Fidel Castro photo

“If we had paused to tell the people that we were Marxist-Leninists while we were on Pico Turquino and not yet strong, it is possible that we would never have been able to descend to the plains.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

Speech on the anniversary of the Granma landing (2 December 1961)

Thomas Fuller (writer) photo
Benito Mussolini photo

“Three cheers for the war. Three cheers for Italy's war and three cheers for war in general. Peace is hence absurd or rather a pause in war.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

Popolo d'Italia (Feb. 1, 1921), quoted in The Menace of Fascism, John Strachey (1933) p. 65
1920s

Cornstalk photo
Hugh Walpole photo
Gerald Griffin photo

“A place in thy memory, dearest,
Is all that I claim;
To pause and look back when thou hearest
The sound of my name.”

Gerald Griffin (1803–1840) Irish novelist, poet and playwright

A Place in thy Memory, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Tom Baker photo
Jack Benny photo

“Thug: This is a stickup! Now come on. Your money or your life.
[long pause]”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Thomas Jefferson photo
Craig Ferguson photo

“Get well soon, Castro. [pause] Actually, no, don't; die, you bastard!”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014)

Adolf Eichmann photo

“The war with the Soviet Union began in June 1941, I think. And I believe it was two months later, or maybe three, that Heydrich sent for me. I reported. He said to me: "The Führer has ordered physical extermination." These were his words. And as though wanting to test their effect on me, he made a long pause, which was not at all his way. I can still remember that. In the first moment, I didn't grasp the implications, because he chose his words so carefully. But then I understood. I didn't say anything, what could I say? Because I'd never thought of a … of such a thing, of that sort of violent solution. … Anyway, Heydrich said: "Go and see Globocnik, the Führer has already given him instructions. Take a look and see how he's getting on with his program. I believe he's using Russian anti-tank trenches for exterminating the Jews." As ordered, I went to Lublin, located the headquarters of SS and Police Commander Globocnik, and reported to the Gruppenführer. I told him Heydrich had sent me, because the Führer had ordered the physical extermination of the Jews. … Globocnik sent for a certain Sturmbannführer Höfle, who must have been a member of his staff. We went from Lublin to, I don't remember what the place was called, I get them mixed up, I couldn't say if it was Treblinka or some other place. There were patches of woods, sort of, and the road passed through — a Polish highway. On the right side of the road there was an ordinary house, that's where the men who worked there lived. A captain of the Ordnungspolizei welcomed us. A few workmen were still there. The captain, which surprised me, had taken off his jacket and rolled up his sleeves, somehow he seemed to have joined in the work. They were building little wooden shacks, two, maybe three of them; they looked like two- or three-room cottages. Höfle told the police captain to explain the installation to me. And then he started in. He had a, well, let's say, a vulgar, uncultivated voice. Maybe he drank. He spoke some dialect from the southwestern corner of Germany, and he told me how he had made everything airtight. It seems they were going to hook up a Russian submarine engine and pipe the exhaust into the houses and the Jews inside would be poisoned.
I was horrified. My nerves aren't strong enough … I can't listen to such things… such things, without their affecting me. Even today, if I see someone with a deep cut, I have to look away. I could never have been a doctor. I still remember how I visualized the scene and began to tremble, as if I'd been through something, some terrible experience. The kind of thing that happens sometimes and afterwards you start to shake. Then I went to Berlin and reported to the head of the Security Police.”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

Source: Eichmann Interrogated (1983), p. 75 - 76.

Harold Wilson photo

“May I say, for the benefit of those who have been carried away by the gossip of the last few days, that I know what's going on. [pause] I'm going on, and the Labour government's going on.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Speech at a May Day rally in London (4 May 1969), quoted in The Times (5 May 1969), p. 1. There had been a series of reports that Wilson's leadership might be challenged.
Prime Minister

Henry Wadsworth Longfellow photo

“Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupation,
That is known as the Children's Hour.”

Henry Wadsworth Longfellow (1807–1882) American poet

The Children's Hour http://www.americanpoems.com/poets/longfellow/19249, St. 1 (1860).

Wassily Kandinsky photo

“.. the works of Mozart. They create a welcome pause amidst the storms of our inner life, a vision of consolation and hope, but we hear them like sounds of another, vanished and essential unfamiliar age. Clashing discords, loss of equilibrium..”

Wassily Kandinsky (1866–1944) Russian painter

Quote from: On the Spiritual in Art, 1911; as cited in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 17
1910 - 1915

Henri Matisse photo
Octavio Paz photo
Harold Wilson photo

“David Dimbleby: You couldn't - you couldn't set our minds at rest on the vexed question of what the Sunday Times did actually pay you for the book?
Harold Wilson: No, I don't think it's a matter of interest to the BBC or to anybody else.
Dimbleby: But why..
Wilson: If you're interested in these things, you'd better find out how people buy yachts. Do you ask that question? Did you ask him how he was able to pay for a yacht?
Dimbleby: I haven't interviewed …
Wilson: Have you asked him that question?
Dimbleby: I haven't interviewed him.
Wilson: Well, has the BBC ever asked that question?
Dimbleby: I don't know …
Wilson: Well, what's it got to do with you, then?
Dimbleby: I imagine they have..
Wilson: Why you ask these question, I mean why, if people can afford to buy £25,000 yachts, do the BBC not regard that as a matter for public interest? Why do you insult me with these questions here?
Dimbleby: It's only that it's been a matter of..
Wilson: All I'm saying, all I'm saying..
Dimbleby: … public speculation, and I was giving you an opportunity if you wanted to, to say something about it.
Wilson: It was not a matter of speculation, it was just repeating press gossip. You will not put this question to Mr. Heath. When you have got an answer to him, come and put the question to me. And this last question and answer are not to be recorded. Is this question being recorded?
Dimbleby: Well it is, because we're running film.
Wilson: Well, will you cut it out or not? All right, we stop now. No, I'm sorry, I'm really not having this. I'm really not having this. The press may take this view, that they wouldn't put this question to Heath but they put it to me; if the BBC put this question to me, without putting it to Heath, the interview is off, and the whole programme is off. I think it's a ridiculous question to put. Yes, and I mean it cut off, I don't want to read in the Times Diary or miscellany that I asked for it to be cut out. [pause]
Dimbleby: All right, are we still running? Can I ask you this, then, which I mean, I.. let me put this question, I mean if you find this question offensive then..
Wilson: Coming to ask if your curiosity can be satisfied, I think it's disgraceful. Never had such a question in an interview in my life before.
Dimbleby: I.. [gasps]
Joe Haines (Wilson's Press Secretary): Well, let's stop now, and we can talk about it, shall we?
Dimbleby: No, let's.. well, I mean, we'll keep going, I think, don't you?
Wilson: No, I think we'll have a new piece of film in and start all over again. But if this film is used, or this is leaked, then there's going to be a hell of a row. And this must be..
Dimbleby: Well, I certainly wouldn't leak it..
Wilson: You may not leak it but these things do leak. I've never been to Lime Grove without it leaking.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Exchange with BBC interviewer David Dimbleby recorded for a documentary called "Yesterday's Men" broadcast on 16 June 1971. The BBC did agree not to show this portion of the interview, but Wilson's fears of a leak were justified as a transcript was published on page 1 of The Times on June 18, 1971. A fuller transcript appeared in Private Eye during 1972.
Leader of the Opposition

Truman Capote photo
John Fante photo

“I was very happy. I thought I would cut my way through life.... victory after victory, [laughing.. ] Well, I adjusted as soon as they carried me into my mother. Half of my victories fell to the ground.. [she pauses].. My mother had victories.”

Agnes Martin (1912–2004) American artist

her candid, weather-beaten face darkens abruptly
Mary Lance, in 'With My Back to the World' a documentary made in 2002; as quoted by Olivia Laing,
Martin claimed she could remember the exact moment of her birth. She had entered the world, she tells Lance, 'as a small figure with a little sword'
after 2000

Malcolm McDowell photo

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times.
As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

Ronald Firbank photo

“There was a pause – just long enough for an angel to pass, flying slowly.”

Ronald Firbank (1886–1926) British novelist

Vainglory (1915), cited from The Complete Ronald Firbank (London: Duckworth, 1961) p. 117.

Edward Young photo
Vanna Bonta photo

“When we can build something like the Hubble telescope and fathom images of this vast cosmos of which we are a part, it really gives pause to wonder what and who we are within a larger framework than linear adventures at the shopping mall and taxes.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

“We were getting very good at pauses.
This one, while not quite pregnant, had certainly been fooled around with.”

T. A. Waters (1938–1998) American magician

Source: The Probability Pad (1970), Chapter 2 (p. 12)

Samuel Beckett photo

“Hamm: Look at the ocean!(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)Clov: Never seen anything like that!Hamm (anxious): What? A sail? A fin? Smoke?Clov (looking): The light is sunk. Hamm (relieved): Pah! We all knew that. Clov (looking): There was a bit left. Hamm: The base. Clov (looking): Yes. Hamm: And now? Clov (looking): All gone. Hamm: No gulls? Clov (looking): Gulls! Hamm: And the horizon? Nothing on the horizon? Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.) Hamm: The waves, how are the waves? Clov: The waves? (He turns the telescope on the waves.) Lead. Hamm: And the sun? Clov (looking): Zero. Hamm: But it should be sinking. Look again. Clov (looking): Damn the sun. Hamm: Is it night already then? Clov (looking): No. Hamm: Then what is it? Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.) Hamm (starting): Gray! Did I hear you say gray? Clov: Light black. From pole to pole.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

An explanation of the universe outside the room of Endgame
Endgame (1957)

Halldór Laxness photo
Sarah Bakewell photo

“As Seneca put it, life does not pause to remind you that it is running out. The only one who can keep you mindful of this is you.”

Source: How to Live, or, A Life of Montaigne in one Question and Twenty Attempts at an Answer (2010), p. 37.

Thom Yorke photo
Robert Pinsky photo
Pat Paulsen photo

“I ask you, will I solve our civil rights problems? Will I unite this country and bring it forward? Will I obliterate the national debt? [long pause] Sure, why not? Thank you.”

Pat Paulsen (1927–1997) United States Marine

Unidentified press conference, 1968
Featured in Pat Paulsen for President (1968), part 2 of 6 http://www.youtube.com/watch?v=KbP0ufyax5A&feature=relmfu, 01:54 ff (10:54 ff in full program)

Evelyn Waugh photo
Evelyn Waugh photo
John Barrowman photo
Ezra Koenig photo
Jo Walton photo
Martin Short photo
Garth Nix photo
J. Sheridan Le Fanu photo
Bliss Carman photo

“There paused to shut the door
A fellow called the Wind,
With mystery before,
And reticence behind.”

Bliss Carman (1861–1929) author

At the Granite Gate, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Eddie Mair photo

“Moments later he punched her unconscious. [Pause] No, he didn't, don't send us letters”

Eddie Mair (1965) Scottish broadcaster

Concluding an item in which a reporter asked random people on the street if throwing buckets of water at people was offensive, and whether he could do so[citation needed]
From PM and Broadcasting House

Ismail ibn Musa Menk photo

“We all have examinations in life, different types of examinations. And each one has to try very hard. As you know, in a set up where there is a school, or a university, at the end of every semester, trimester or term, you would have some examinations, in order to qualify you to get to the next level. And as you progress in life, the examinations become more and more difficult. And you would know that without working, we don't achieve. We know the common saying, "Whoever works very hard will definitely see the fruit of that particular working." So just like we have people who fail because they did not work hard, or they did not understand that the examination would become more and more difficult as time passes, we also have an issue with the Dīn where, as we progress in life, we will have more and more tests, and they become more and more difficult until we meet with Allah subhanahu wa ta'ala. And this is why the Prophet S. A. W. was told "Worship your Rabb [Lord] until death overtakes you. Worship your Rabb until the end. Right up to the end. Keep on worshiping. Continue. Do not stop, do not pause, do not lose hope. In fact, progress and become stronger and stronger." If you take a look at some of the other verses of the Quran, Allah subhanahu wa ta'ala makes mention of Muhammad sallā llāhu 'alay-hi wa-sallam delivering the message. It was not easy. And it was difficult, he faced so many challenges. He continued, and he persevered. Twenty three whole years of nubuwwah. And Allah subhanahu wa ta'ala says, when you have, Subhan Allah! Subhan Allah! You know, the achievement that Allah subhanahu wa ta'ala granted him, Allah subhanahu wa ta'ala will grant each person achievement according to his will obviously but also connected to the effort that that particular person makes. If we were to give up suddenly, we would never be able to achieve even Jannah. […] So it's important for us to know that to give up… you don't know how close you are to the end! Imagine a person digging a tunnel, for example, and right when they are near the end they suddenly give up thinking that you know what, I don't know how long this is going to carry on for. Had they carried on for a minute longer they would have broken through! So with us we need to continue, fulfill your Salah, progress, develop. Don't think for a moment that life is going to become any easier. The only thing that will happen is, with the development of the link with Allah subhanahu wa ta'ala, we become more content, we understand the nature of the world. We understand the nature of the tests of Allah subhanahu wa ta'ala, so we enjoy going through them in the sense that we are content. We are happy with the decree of Allah subhanahu wa ta'ala. So my brothers and sisters, not only do I say work hard to achieve here in the Dunyā”

Ismail ibn Musa Menk (1975) Muslim cleric and Grand Mufti of Zimbabwe.

and may Allah bless you and grant you success in these examinations – but even in the Akhirah we ask Allah to bless you, to open your doors. To prepare for the Akhirah, it's not an easy task, but with the hope in the mercy of Allah subhanahu wa ta'ala things will be made easy, and at the same time, with the constant preparation, without giving up hope – never ever giving up, never saying no, never just throwing the towel – by the will of Allah subhanahu wa ta'ala we will achieve, and we will achieve great heights.
"Exams in Life - Never Give Up - Mufti Menk" https://www.youtube.com/watch?v=k4w4pak66V0, YouTube (2013)
Lectures

Statius photo

“Atlas' grandson obeys his sire's words and hastily thereupon binds the winged sandals on to his ankles and with his wide hat covers his locks and tempers the stars. Then he thrusts the wand in his right hand; with this he was wont to banish sweet slumber or recall it, with this to enter black Tartarus and give life to bloodless phantoms. Down he leapt and shivered as the thin air received him. No pause; he takes swift and lofty flight through the void and traces a vast arc across the clouds.”
Paret Atlantiades dictis genitoris et inde summa pedum propere plantaribus inligat alis obnubitque comas et temperat astra galero. tum dextrae uirgam inseruit, qua pellere dulces aut suadere iterum somnos, qua nigra subire Tartara et exangues animare adsueuerat umbras. desiluit, tenuique exceptus inhorruit aura. nec mora, sublimes raptim per inane volatus carpit et ingenti designat nubila gyro.

Source: Thebaid, Book I, Line 303

Robert Chambers (publisher, born 1802) photo
George W. Bush photo

“I hear there's rumors on the internets [pause] that we're going to have a draft. We're not going to have a draft, period.”

George W. Bush (1946) 43rd President of the United States

2nd Presidential Debate, October 8, 2004 http://www.debates.org/pages/trans2004c.html
2000s, 2004

Walter Scott photo
Joseph Conrad photo
Charles Stross photo

““But then—you’re telling me they brought unrestricted communications with them?” he asked.
“Yup.” Rachel looked up from her console. “We’ve been trying for years to tell your leaders, in the nicest possible way: information wants to be free. But they wouldn’t listen. For forty years we tried. Then along comes the Festival, which treats censorship as a malfunction and routes communications around it. The Festival won’t take no for an answer because it doesn’t have an opinion on anything; it just is.”
“But information isn’t free. It can’t be. I mean, some things — if anyone could read anything they wanted, they might read things that would tend to deprave and corrupt them, wouldn’t they? People might give exactly the same consideration to blasphemous pornography that they pay to the Bible! They could plot against the state, or each other, without the police being able to listen in and stop them!”
Martin sighed. “You’re still hooked on the state thing, aren’t you?” he said. “Can you take it from me, there are other ways of organizing your civilization?”
“Well—” Vassily blinked at him in mild confusion. “Are you telling me you let information circulate freely where you come from?”
“It’s not a matter of permitting it,” Rachel pointed out. “We had to admit that we couldn’t prevent it. Trying to prevent it was worse than the disease itself.”
“But, but lunatics could brew up biological weapons in their kitchens, destroy cities! Anarchists would acquire the power to overthrow the state, and nobody would be able to tell who they were or where they belonged anymore. The most foul nonsense would be spread, and nobody could stop it—” Vassily paused. “You don’t believe me,” he said plaintively.
“Oh, we believe you alright,” Martin said grimly. “It’s just—look, change isn’t always bad. Sometimes freedom of speech provides a release valve for social tensions that would lead to revolution. And at other times, well—what you’re protesting about boils down to a dislike for anything that disturbs the status quo. You see your government as a security blanket, a warm fluffy cover that’ll protect everybody from anything bad all the time. There’s a lot of that kind of thinking in the New Republic; the idea that people who aren’t kept firmly in their place will automatically behave badly. But where I come from, most people have enough common sense to avoid things that’d harm them; and those that don’t, need to be taught. Censorship just drives problems underground.”
“But, terrorists!”
“Yes,” Rachel interrupted, “terrorists. There are always people who think they’re doing the right thing by inflicting misery on their enemies, kid. And you’re perfectly right about brewing up biological weapons and spreading rumors. But—” She shrugged. “We can live with a low background rate of that sort of thing more easily than we can live with total surveillance and total censorship of everyone, all the time.” She looked grim. “If you think a lunatic planting a nuclear weapon in a city is bad, you’ve never seen what happens when a planet pushed the idea of ubiquitous surveillance and censorship to the limit. There are places where—” She shuddered.”

Source: Singularity Sky (2003), Chapter 14, “The Telephone Repairman” (pp. 296-297)

Conrad Aiken photo
Letitia Elizabeth Landon photo
W.E.B. Du Bois photo
Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

“If I could have those sixty seconds within Bradypus… would I not receive a plea for humans to pause, reassess - and above all, slow down?”

"Can We Truly Know Sloth and Rapacity?" pp. 391
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Fred Astaire photo

“He is the most interesting, the most inventive, the most elegant dancer of our times… you see a little bit of Astaire in everybody's dancing--a pause here, a move there. It was all Astaire's originally.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

George Balanchine, quoted in Thomas, Bob. Astaire, the Man, The Dancer. Weidenfeld & Nicolson, London, 1985. ISBN 0297784021 p. 33.

Iain Banks photo
Sydney Smith photo

“Dean Swift's rule is as good for women as for men — never to talk above a half minute without pausing, and giving others an opportunity to strike in.”

Sydney Smith (1771–1845) English writer and clergyman

"Parisian Morals and Manners", published in The Edinburgh Review (1843)
Smith might have been thinking of the final words of Swift's "Hints Towards an Essay on Conversation": "It is not a Fault in Company to talk much; but to continue it long, is certainly one; for, if the Majority of those who are got together be naturally silent or cautious, the Conversation will flag, unless it be often renewed by one among them, who can start new Subjects, provided he doth not dwell upon them, but leaveth Room for Answers and Replies".

Patrick Modiano photo
David Cross photo
J.M. Coetzee photo
Alexander McCall Smith photo
Nyanaponika Thera photo
Samuel Beckett photo
Letitia Elizabeth Landon photo
Tony Benn photo

“First they ignore you, then they say you're mad, then dangerous, then there's a pause and then you can't find anyone who disagrees with you.”

Tony Benn (1925–2014) British Labour Party politician

The Columbia Dictionary of Quotations, Robert Andrews, Columbia University Press, 1993, ISBN 0231071949, 9780231071949. A similar quotation is almost invariably attributed to Gandhi, but more likely derives from a 1914 US trade union address:
"And, my friends, in this story you have a history of this entire movement. First they ignore you. Then they ridicule you. And then they attack you and want to burn you. And then they build monuments to you. And that, is what is going to happen to the Amalgamated Clothing Workers of America." General Executive Board Report and Proceedings [of The] Biennial Convention, Amalgamated Clothing Workers of America, 1914. Google Books http://books.google.co.uk/books?id=I-0UAAAAIAAJ&q=%22first+they+ignore+you%22+%22build+monuments%22&dq=%22first+they+ignore+you%22+%22build+monuments%22&lr=&as_brr=0&pgis=1
2000s

Báb photo
Lois McMaster Bujold photo
Jay Leno photo

“Welcome back! If you're wondering where our good friend -- Kevin Eubanks couldn't be here. Kevin is on tour. He's in France right now. He called me today and he's over there and he wouldn't be back until next week. So if you're wondering where Kevin Eubanks is, he's with us in spirit certainly.
Okay. Boy, this is the hard part. I want to thank you, the audience. You folks have been just incredibly loyal. (emotionally) This is tricky. (laughs) We wouldn't be on the air without you people. Secondly, this has been the greatest 22 years of my life. (applause)
I am the luckiest guy in the world. I got to meet presidents, astronauts, movie stars, it's just been incredible. I got to work with lighting people who made me look better than I really am. I got to work with audio people who made me sound better than I really do. (voice breaking) And I got to work with producers! And writers! (choked pause) And just all kinds of talented people who make me look a lot smarter than I really am.
I'll tell you something. First year of this show, I lost my mom. Second year, I lost my dad. Then my brother died. And after that, I was pretty much out of family. And the folks here became my family. Consequently, when they went through rough times, I tried to be there for them. The last time we left the show, you might remember we had the 64 children that were born among all our staffers that married. That was a great moment.
And when people say to me, hey why don't you go to ABC? Why don't you go to FOX? Why don't you go…? I didn't know anybody over there. These are the only people I have ever known. I'm also proud to say this is a a union show. And I have never worked (applause) -- I have never worked with a more professional group of people in my life. They get paid good money and they do a good job.
And when the guys and women on this show would show me the new car they bought or the house up the street here in Burbank that one of the guys got, I felt I played a bigger role in their success as they played in mine. That was just a great feeling.
And I'm really excited for Jimmy Fallon. You know, it's fun to kind of be the old guy and sit back here and see where the next generation takes this great institution, and it really is. It's been a great institution for 60 years. I am so glad I got to be a part of it, but it really is time to go, hand it off to the next guy; it really is.
And in closing, I want to quote Johnny Carson, who was the greatest guy to ever do this job. And he said, I bid you all a heartfelt good night. Now that I brought the room down, hey, Garth, have you got anything to liven this party up? Give it a shot! Garth Brooks!”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Farewell speech, February 6, 2014
The Tonight Show

Francis Bacon photo

“Lucid intervals and happy pauses.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

History of King Henry VII, III (1622)

G. K. Chesterton photo
John Keats photo
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William Empson photo

“Hours before dawn we were woken by the quake.
My house was on a cliff. The thing could take
Bookloads off shelves, break bottles in a row.
Then the long pause and then the bigger shake.
It seemed the best thing to be up and go.”

William Empson (1906–1984) English literary critic and poet

"Aubade" (1937), line 1; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 69.
The Complete Poems

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Gregory Scott Paul photo

“Alas, producers of commercial dinosaur products continue to churn out low quality product that is either obsolete or improperly derivative. Dino documentaries and books have become so plentiful that they are no longer special and I do not try to keep up with them. There are also serious problems with quality and accuracy which often fail to meet the expectations of scientists. More about those problems here. I about kicked in the TV screen when one dino doc claimed that the brain of Tyrannosaurus was as large as that of a gorilla when its IQ was not all that much better than a croc’s. And why are the theropods shown pausing to challenge their prey before they charge, when the actual focus of predators is to hit and overwhelm the victim before it knows what is happening? The low standards are not surprising considering how the media and press frequently carry product that promotes belief in the paranormal. But these are quibbles. Dinosaur science has almost completely transformed over the half century that my neural network has been aware of it. The old stand-bys from Allosaurus to the always strange Stegosaurus are still fascinating, but we now know about armored sauropods, fat-bellied therizinosaurs and multi-winged, near avian, sickle claws. The reptile model is out and the avian-mammalian is dominant.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Autobiography, part V http://gspauldino.com/part5.html, gspauldino.com

Robert Penn Warren photo