Quotes about parable

A collection of quotes on the topic of parable, use, life, likeness.

Quotes about parable

Muhammad al-Baqir photo

“The parable of a man greedy of this world is the parable of the silk worm: the more it winds the thread round itself the farther it becomes from salvation, until it dies of grief.”

Muhammad al-Baqir (677–733) fifth of the Twelve Shia Imams

Muhammad Kulayni, Usūl al-Kāfī - Book of Faith and Infidelity, vol.3, p. 202 & vol.2, p. 316

Albert Schweitzer photo
Friedrich Schiller photo
Pope Francis photo

“Every form of catechesis would do well to attend to the “way of beauty” (via pulchritudinis). Proclaiming Christ means showing that to believe in and to follow him is not only something right and true, but also something beautiful, capable of filling life with new splendour and profound joy, even in the midst of difficulties. Every expression of true beauty can thus be acknowledged as a path leading to an encounter with the Lord Jesus. This has nothing to do with fostering an aesthetic relativism which would downplay the inseparable bond between truth, goodness and beauty, but rather a renewed esteem for beauty as a means of touching the human heart and enabling the truth and goodness of the Risen Christ to radiate within it. If, as Saint Augustine says, we love only that which is beautiful, the incarnate Son, as the revelation of infinite beauty, is supremely lovable and draws us to himself with bonds of love. So a formation in the via pulchritudinis ought to be part of our effort to pass on the faith. Each particular Church should encourage the use of the arts in evangelization, building on the treasures of the past but also drawing upon the wide variety of contemporary expressions so as to transmit the faith in a new “language of parables”. We must be bold enough to discover new signs and new symbols, new flesh to embody and communicate the word, and different forms of beauty which are valued in different cultural settings, including those unconventional modes of beauty which may mean little to the evangelizers, yet prove particularly attractive for others.”

Pope Francis (1936) 266th Pope of the Catholic Church

Section 167
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

Gregory of Nyssa photo
Abraham Lincoln photo

“If I should do so now it occurs that he places himself somewhat upon the ground of the parable of the lost sheep which went astray upon the mountains, and when the owner of the hundred sheep found the one that was lost and threw it upon his shoulders, and came home rejoicing, it was said that there was more rejoicing over the one sheep that was lost and had been found than over the ninety and nine in the fold. The application is made by the Saviour in this parable thus: Verily I say unto you, there is more rejoicing in heaven over one sinner that repenteth than over ninety and nine just persons that need no repentance.”

Abraham Lincoln (1809–1865) 16th President of the United States

Repentance before forgiveness is a provision of the Christian system, and on that condition alone will the Republicans grant his forgiveness.
Regarding his debate with Judge S. A. Douglas, in his Springfield address (17 July 1858), published in The Life, Speeches, and Public Services of Abraham Lincoln: Together with a Sketch of the Life of Hannibal Hamlin: Republican candidates for the offices of President and Vice-President of the United States (1860), p. 50
Lincoln was alluding to the words of Jesus in Luke 15:7 http://www.biblegateway.com/verse/en/Luke%2015%3A7
1850s

Bertrand Russell photo
Kurt Vonnegut photo
Max Scheler photo

“There are two fundamentally different ways for the strong to bend down to the weak, for the rich to help the poor, for the more perfect life to help the “less perfect.” This action can be motivated by a powerful feeling of security, strength, and inner salvation, of the invincible fullness of one’s own life and existence. All this unites into the clear awareness that one is rich enough to share one’s being and possessions. Love, sacrifice, help, the descent to the small and the weak, here spring from a spontaneous overflow of force, accompanied by bliss and deep inner calm. Compared to this natural readiness for love and sacrifice, all specific “egoism,” the concern for oneself and one’s interest, and even the instinct of “self-preservation” are signs of a blocked and weakened life. Life is essentially expansion, development, growth in plenitude, and not “self-preservation,” as a false doctrine has it. Development, expansion, and growth are not epiphenomena of mere preservative forces and cannot be reduced to the preservation of the “better adapted.” … There is a form of sacrifice which is a free renunciation of one’s own vital abundance, a beautiful and natural overflow of one’s forces. Every living being has a natural instinct of sympathy for other living beings, which increases with their proximity and similarity to himself. Thus we sacrifice ourselves for beings with whom we feel united and solidary, in contrast to everything “dead.” This sacrificial impulse is by no means a later acquisition of life, derived from originally egoistic urges. It is an original component of life and precedes all those particular “aims” and “goals” which calculation, intelligence, and reflection impose upon it later. We have an urge to sacrifice before we ever know why, for what, and for whom! Jesus’ view of nature and life, which sometimes shines through his speeches and parables in fragments and hidden allusions, shows quite clearly that he understood this fact. When he tells us not to worry about eating and drinking, it is not because he is indifferent to life and its preservation, but because he sees also a vital weakness in all “worrying” about the next day, in all concentration on one’s own physical well-being. … all voluntary concentration on one’s own bodily wellbeing, all worry and anxiety, hampers rather than furthers the creative force which instinctively and beneficently governs all life. … This kind of indifference to the external means of life (food, clothing, etc.) is not a sign of indifference to life and its value, but rather of a profound and secret confidence in life’s own vigor and of an inner security from the mechanical accidents which may befall it. A gay, light, bold, knightly indifference to external circumstances, drawn from the depth of life itself—that is the feeling which inspires these words! Egoism and fear of death are signs of a declining, sick, and broken life. …
This attitude is completely different from that of recent modern realism in art and literature, the exposure of social misery, the description of little people, the wallowing in the morbid—a typical ressentiment phenomenon. Those people saw something bug-like in everything that lives, whereas Francis sees the holiness of “life” even in a bug.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1961), pp. 88-92

Niels Bohr photo

“The fact that religions through the ages have spoken in images, parables, and paradoxes means simply that there are no other ways of grasping the reality to which they refer. But that does not mean that it is not a genuine reality. And splitting this reality into an objective and a subjective side won't get us very far.”

Niels Bohr (1885–1962) Danish physicist

Remarks after the Solvay Conference (1927)
Context: I feel very much like Dirac: the idea of a personal God is foreign to me. But we ought to remember that religion uses language in quite a different way from science. The language of religion is more closely related to the language of poetry than to the language of science. True, we are inclined to think that science deals with information about objective facts, and poetry with subjective feelings. Hence we conclude that if religion does indeed deal with objective truths, it ought to adopt the same criteria of truth as science. But I myself find the division of the world into an objective and a subjective side much too arbitrary. The fact that religions through the ages have spoken in images, parables, and paradoxes means simply that there are no other ways of grasping the reality to which they refer. But that does not mean that it is not a genuine reality. And splitting this reality into an objective and a subjective side won't get us very far.

Niels Bohr photo

“In that sense, religion helps to make social life more harmonious; its most important task is to remind us, in the language of pictures and parables, of the wider framework within which our life is set.”

Niels Bohr (1885–1962) Danish physicist

Remarks after the Solvay Conference (1927)
Context: In mathematics we can take our inner distance from the content of our statements. In the final analysis mathematics is a mental game that we can play or not play as we choose. Religion, on the other hand, deals with ourselves, with our life and death; its promises are meant to govern our actions and thus, at least indirectly, our very existence. We cannot just look at them impassively from the outside. Moreover, our attitude to religious questions cannot be separated from our attitude to society. Even if religion arose as the spiritual structure of a particular human society, it is arguable whether it has remained the strongest social molding force through history, or whether society, once formed, develops new spiritual structures and adapts them to its particular level of knowledge. Nowadays, the individual seems to be able to choose the spiritual framework of his thoughts and actions quite freely, and this freedom reflects the fact that the boundaries between the various cultures and societies are beginning to become more fluid. But even when an individual tries to attain the greatest possible degree of independence, he will still be swayed by the existing spiritual structures — consciously or unconsciously. For he, too, must be able to speak of life and death and the human condition to other members of the society in which he's chosen to live; he must educate his children according to the norms of that society, fit into its life. Epistemological sophistries cannot possibly help him attain these ends. Here, too, the relationship between critical thought about the spiritual content of a given religion and action based on the deliberate acceptance of that content is complementary. And such acceptance, if consciously arrived at, fills the individual with strength of purpose, helps him to overcome doubts and, if he has to suffer, provides him with the kind of solace that only a sense of being sheltered under an all-embracing roof can grant. In that sense, religion helps to make social life more harmonious; its most important task is to remind us, in the language of pictures and parables, of the wider framework within which our life is set.

Eckhart Tolle photo
Max Lucado photo
Werner Heisenberg photo

“Quantum theory provides us with a striking illustration of the fact that we can fully understand a connection though we can only speak of it in images and parables.”

Die Quantentheorie ist so ein wunderbares Beispiel dafür, daß man einen Sachverhalt in völliger Klarheit verstanden haben kann und gleichzeitig doch weiß, daß man nur in Bildern und Gleichnissen von ihm reden kann.
Der Teil und das Ganze. Gespräche im Umkreis der Atomphysik (1969); also in "Kein Chaos, aus dem nicht wieder Ordnung würde", Die Zeit No. 34 (22 August 1969) http://www.zeit.de/1969/34/kein-chaos-aus-dem-nicht-wieder-ordnung-wuerde/komplettansicht; as translated in Physics and Beyond : Encounters and Conversation (1971)

Christopher Moore photo

“Oh, I get it," I said. "It's a parable. Cute. Let's go eat.”

Source: Lamb: The Gospel According to Biff, Christ's Childhood Pal

Malcolm Muggeridge photo
David Horowitz photo
Ellen G. White photo
Alan Moore photo
Ian Fleming photo

“I’m wondering whose side I ought to be on. I’m getting very sorry for the Devil and his disciples such as the good Le Chiffre. The Devil has a rotten time and I always like to be on the side of the underdog. We don’t give the poor chap a chance. There’s a Good Book about goodness and how to be good and so forth, but there’s no Evil Book about evil and how to be bad. The Devil has no prophets to write his Ten Commandments and no team of authors to write his biography. His case has gone completely by default. We know nothing about him but a lot of fairy stories from our parents and schoolmasters. He has no book from which we can learn the nature of evil in all its forms, with parables about evil people, proverbs about evil people, folk-lore about evil people. All we have is the living example of the people who are least good, or our own intuition.
‘So,’ continued Bond, warming to his argument, ‘Le Chiffre was serving a wonderful purpose, a really vital purpose, perhaps the best and highest purpose of all. By his evil existence, which foolishly I have helped to destroy, he was creating a norm of badness by which, and by which alone, an opposite norm of goodness could exist. We were privileged, in our short knowledge of him, to see and estimate his wickedness and we emerge from the acquaintanceship better and more virtuous men.”

Source: Casino Royale (1953), Ch. 20 : The Nature Of Evil

Joseph Joubert photo
Bruce Fairchild Barton photo
Jeffrey Montgomery photo
Alexandre Dumas, fils photo

“Christianity is ever-present, with its wonderful parable of the prodigal son, to urge us to counsels of forbearance and forgiveness. Jesus was full of love for souls of women wounded by the passions of men, and He loved to bind their wounds, drawing from those same wounds the balm which would heal them. Thus he said to Mary Magdalene: "Your sins, which are many, shall be forgiven, because you loved much?" a sublime pardon which was to awaken a sublime faith.
Why should we judge more strictly than Christ? Why, clinging stubbornly to the opinions of the world which waxes hard so that we shall think it strong, why should we too turn away souls that bleed from wounds oozing with the evil of their past, like infected blood from a sick body, as they wait only for a friendly hand to bind them up and restore them to a convalescent heart?”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

Le christianisme est là avec sa merveilleuse parabole de l'enfant prodigue pour nous conseiller l'indulgence et le pardon. Jésus était plein d'amour pour ces âmes blessées par les passions des hommes, et dont il aimait à panser les plaies en tirant le baume qui devait les guérir des plaies elles-mêmes. Ainsi, il disait à Madeleine : - "il te sera beaucoup remis parce que tu as beaucoup aimé", sublime pardon qui devait éveiller une foi sublime. Pourquoi nous ferions-nous plus rigides que le Christ ?
Pourquoi, nous en tenant obstinément aux opinions de ce monde qui se fait dur pour qu'on le croie fort, rejetterions-nous avec lui des âmes saignantes souvent de blessures par où, comme le mauvais sang d'un malade, s'épanche le mal de leur passé, et n'attendant qu'une main amie qui les panse et leur rende la convalescence du coeur ?
La Dame aux Camélias, English translation by David Coward; Oxford University Press, Sep 18, 1986.

Eugen Drewermann photo
Robert Frost photo
Godfrey Higgins photo

“It is a parable of pure capitalism, never jam today and a case of jam tomorrow; but as any of the Smiths will tell you, anyone who has ever sold IBM has regretted it.”

George Goodman (1930–2014) American author and economics commentator

Source: The Money Game (1968), Chapter 6, What Are They In It For?, p. 68

Dylan Thomas photo

“And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sunlight
And the legends of the green chapels.”

Dylan Thomas (1914–1953) Welsh poet and writer

" Poem in October http://www.bigeye.com/october.htm", st. 5 (1946)

Thomas Szasz photo
Edward Thomson photo
Richard Rodríguez photo
Susan Neiman photo
Freeman Dyson photo

“That which the learned Jews did with the outward letter of their Law, that same do learned Christians with the outward letter of their gospel. Why did the Jewish church so furiously and obstinately cry out against Christ, Let him be crucified? It was because their letter-learned ears, their worldly spirit and temple-orthodoxy, would not bear to hear of an inward savior, not bear to hear of being born again of his Spirit, of eating his flesh, and drinking his blood, of his dwelling in them, and they in him. To have their Law of ordinances, their temple-pomp sunk into such a fulfilling savior as this, was such enthusiastic jargon to their ears, as forced their sober, rational theology, to call Christ, Beelzebub, his doctrine, blasphemy, and all for the sake of Moses and rabbinic orthodoxy.
Need it now be asked, whether the true Christ of the gospel be less blasphemed, less crucified, by that Christian theology which rejects an inward Christ, a savior living and working in the soul, as its inward light and life, generating his own nature and Spirit in it, as its only redemption, whether that which rejects all this as mystic madness be not that very same old Jewish wisdom sprung up in Christian theology, which said of Christ when teaching these very things, "He is mad, why hear ye him?" Our blessed Lord in a parable sets forth the blind Jews, as saying of himself, "We will not have this man to reign OVER us."”

William Law (1686–1761) English cleric, nonjuror and theological writer

The sober-minded Christian scholar has none of this Jewish blindness, he only says of Christ, we will not have this man to REIGN IN US, and so keeps clear of such mystic absurdity as St. Paul fell into, when he enthusiastically said, "Yet not I, but Christ that liveth in me."
¶ 157 - 158.
An Humble, Earnest and Affectionate Address to the Clergy (1761)

Amit Chaudhuri photo

“This is a little parable about cities and genres; how, while some of them lose their imaginative centrality, others take their place.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Calcutta: Two Years in The City (2013)

Morton Feldman photo

“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.”

Morton Feldman (1926–1987) American avant-garde composer

Quoted in Remembrance by Tom Johnson (September 1987)

Madalyn Murray O'Hair photo
Edward Thomson photo
Kuruvilla Pandikattu photo
Tryon Edwards photo
James Jeans photo
Richard Dawkins photo
Arthur Schopenhauer photo

“The view of things [called Pantheism] … — that all plurality is only apparent, that in the endless series of individuals, passing simultaneously and successively into and out of life, generation after generation, age after age, there is but one and the same entity really existing, which is present and identical in all alike; — this theory … may be carried back to the remotest antiquity. It is the alpha and omega of the oldest book in the world, the sacred Vedas, whose dogmatic part, or rather esoteric teaching, is found in the Upanishads. There, in almost every page this profound doctrine lies enshrined; with tireless repetition, in countless adaptations, by many varied parables and similes it is expounded and inculcated. That such was, moreover, the fount whence Pythagoras drew his wisdom, cannot be doubted … That it formed practically the central point in the whole philosophy of the Eleatic School, is likewise a familiar fact. Later on, the New Platonists were steeped in the same … In the ninth century we find it unexpectedly appearing in Europe. It kindles the spirit of no less a divine than Johannes Scotus Erigena, who endeavours to clothe it with the forms and terminology of the Christian religion. Among the Mohammedans we detect it again in the rapt mysticism of the Sufi. In the West Giordano Bruno cannot resist the impulse to utter it aloud; but his reward is a death of shame and torture. And at the same time we find the Christian Mystics losing themselves in it, against their own will and intention, whenever and wherever we read of them! Spinoza's name is identified with it.”

Part IV, Ch. 2, pp. 269 https://archive.org/stream/basisofmorality00schoiala#page/269/mode/2up-272
On the Basis of Morality (1840)

Cormac McCarthy photo
Paul Krugman photo
Edward Thomson photo
Michael Moorcock photo
Sören Kierkegaard photo
Jack Vance photo
Gene Wolfe photo

“Prince of parable, I desire to see those gardens of lasting delight which Allah—the Creator! the Ever Beneficent!—reserves for the faithful. How am I to do so if I tell lies?”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"By lying to Allah, I suppose."
"The Tale of the Rose and the Nightingale (and What Came of It)", Arabesques (1988), ed. Susan Schwartz. Reprinted in Gene Wolfe, Endangered Species (1989)
Fiction

Roger Ebert photo

“In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of Magnolia (1999), in review for Great Movies (27 November 2008) http://www.rogerebert.com/reviews/great-movie-magnolia-1999
Reviews, Four star reviews
Context: Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing https://www.youtube.com/watch?v=aNmKghTvj0E Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices.
And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins.
Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know.

Ellen G. White photo

“Parable teaching was popular, and commanded the respect and attention, not only of the Jews, but of the people of other nations.”

Source: Christ's Object Lessons (1900), Ch. 1, p. 20
Context: Jesus desired to awaken inquiry. He sought to arouse the careless, and impress truth upon the heart. Parable teaching was popular, and commanded the respect and attention, not only of the Jews, but of the people of other nations. No more effective method of instruction could He have employed.

“The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 150
Context: The continuity of film, in which the writer deals with a track of images moving at a given rate of speed, and a separate sound-track which is joined arbitrarily to the image-track, is closer to the continuity of poetry than anything else in art. But the heaviness of the collective work on a commercial film, the repressive codes and sanctions, unspoken and spoken, the company-town feeling raised to its highest, richest, most obsessive-compulsive level in Hollywood, puts the process at the end of any creative spectrum farthest from the making of a poem.
At the same time, almost anything that can be said to make the difficulties of poetry dissolve for the reader, or even to make the reader want to deal with those "difficulties," can be said in terms of film. These images are like the action sequences of a well-made movie — a good thriller will use the excitement of timing, of action let in from several approaches, of crisis prepared for emotionally and intellectually, so that you can look back and recognize the way of its arrival; or, better, feel it coming until the moment of proof arrives, meeting your memory and your recognition.
The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.

Ellen G. White photo

“Their interest was aroused by figures drawn from the surroundings of their daily life. None who listened to the Saviour could feel that they were neglected or forgotten. The humblest, the most sinful, heard in His teaching a voice that spoke to them in sympathy and tenderness.
And He had another reason for teaching in parables. Among the multitudes that gathered about Him, there were priests and rabbis, scribes and elders, Herodians and rulers, world-loving, bigoted, ambitious men, who desired above all things to find some accusation against Him. Their spies followed His steps day after day, to catch from His lips something that would cause His condemnation, and forever silence the One who seemed to draw the world after Him. The Saviour understood the character of these men, and He presented truth in such a way that they could find nothing by which to bring His case before the Sanhedrim. In parables He rebuked the hypocrisy and wicked works of those who occupied high positions, and in figurative language clothed truth of so cutting a character that had it been spoken in direct denunciation, they would not have listened to His words, and would speedily have put an end to His ministry.”

Source: Christ's Object Lessons (1900), Ch. 1, p. 22
Context: Christ had truths to present which the people were unprepared to accept or even to understand. For this reason also He taught them in parables. By connecting His teaching with the scenes of life, experience, or nature, He secured their attention and impressed their hearts. Afterward, as they looked upon the objects that illustrated His lessons, they recalled the words of the divine Teacher. To minds that were open to the Holy Spirit, the significance of the Saviour's teaching unfolded more and more. Mysteries grew clear, and that which had been hard to grasp became evident.
Jesus sought an avenue to every heart. By using a variety of illustrations, He not only presented truth in its different phases, but appealed to the different hearers. Their interest was aroused by figures drawn from the surroundings of their daily life. None who listened to the Saviour could feel that they were neglected or forgotten. The humblest, the most sinful, heard in His teaching a voice that spoke to them in sympathy and tenderness.
And He had another reason for teaching in parables. Among the multitudes that gathered about Him, there were priests and rabbis, scribes and elders, Herodians and rulers, world-loving, bigoted, ambitious men, who desired above all things to find some accusation against Him. Their spies followed His steps day after day, to catch from His lips something that would cause His condemnation, and forever silence the One who seemed to draw the world after Him. The Saviour understood the character of these men, and He presented truth in such a way that they could find nothing by which to bring His case before the Sanhedrim. In parables He rebuked the hypocrisy and wicked works of those who occupied high positions, and in figurative language clothed truth of so cutting a character that had it been spoken in direct denunciation, they would not have listened to His words, and would speedily have put an end to His ministry. But while He evaded the spies, He made truth so clear that error was manifested, and the honest in heart were profited by His lessons.

Franz Kafka photo

“If you only followed the parables you yourselves would become parables and with that rid of all your daily cares.”

"On Parables" (1922), translation by Willa and Edwin Muir
The Complete Stories (1971)
Context: A man once said: Why such reluctance? If you only followed the parables you yourselves would become parables and with that rid of all your daily cares.
Another said: I bet that is also a parable.
The first said: You have won.
The second said: But unfortunately only in parable.
The first said: No, in reality: in parable you have lost.

Jacques Lacan photo

“It is on this step that depends the fact that one can call upon the subject to re-enter himself in the unconscious—for, after all, it is important to know who one is calling. It is not the soul, either mortal or immortal, which has been with us for so long, nor some shade, some double, some phantom, nor even some supposed psycho-spherical shell, the locus of the defences and other such simplified notions. It is the subject who is called— there is only he, therefore, who can be chosen. There may be, as in the parable, many called and few chosen, but there will certainly not be any others except those who are called. In order to understand the Freudian concepts, one must set out on the basis that it is the subject who is called—the subject of Cartesian origin. This basis gives its true function to what, in analysis, is called recollection or remembering. Recollection is not Platonic reminiscence —it is not the return of a form, an imprint, a eidos of beauty and good, a supreme truth, coming to us from the beyond. It is something that comes to us from the structural necessities, something humble, born at the level of the lowest encounters and of all the talking crowd that precedes us, at the level of the structure of the signifier, of the languages spoken in a stuttering, stumbling way, but which cannot elude constraints whose echoes, model, style can be found, curiously enough, in contemporary mathematics.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

Of the Network of Signifiers
The Four Fundamental Concepts of Psycho Analysis (1978)