Quotes about ornament
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Anne Brontë photo
Ernest Flagg photo
Henri Fantin-Latour photo
Nassim Nicholas Taleb photo
Letitia Elizabeth Landon photo
Buddhaghosa photo
Patrick Pearse photo
Lewis H. Lapham photo

“It isn't money itself that causes the trouble, but the use of money as votive offering and pagan ornament.”

Lewis H. Lapham (1935) American journalist

Preamble, p. 7
Money And Class In America (1989)

Paul Klee photo
Joseph Addison photo

“Modesty is not only an ornament, but also a guard to virtue.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 231 (24 November 1711).
The Spectator (1711–1714)

Joshua Reynolds photo

“As the natural dignity of the subject(of a portrait)is less, the more the ornamental helps are necessary to its embellishments.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 4, delivered on December 10, 1771; vol. 1, p. 86.
Discourses on Art

Alauddin Khalji photo

“They took captive a great number of handsome and elegant maidens, amounting to 20,000, and children of both sexes, 'more than the pen can enumerate'… In short, the Muhammadan army brought the country to utter ruin, and destroyed the lives of the inhabitants, and plundered the cities, and captured their offspring, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was one called Somnat, fixed upon stone, polished like a mirror of charming shape and admirable workmanship' Its head was adorned with a crown set with gold and rubies and pearls and other precious stones' and a necklace of large shining pearls, like the belt of Orion, depended from the shoulder towards the side of the body….
'The Muhammadan soldiers plundered all these jewels and rapidly set themselves to demolish the idol. The surviving infidels were deeply affected with grief, and they engaged 'to pay a thousand pieces of gold' as ransom for the idol, but they were indignantly rejected, and the idol was destroyed, and 'its limbs, which were anointed with ambergris and perfumed, were cut off. The fragments were conveyed to Delhi, and the entrance of the Jami' Masjid was paved with them, that people might remember and talk of this brilliant victory.' Praise be to God, the Lord of the worlds. Amen! After some time, among the ruins of the temples, a most beautiful jasper-coloured stone was discovered, on which one of the merchants had designed some beautiful figures of fighting men and other ornamental figures of globes, lamps, etc., and on the margin of it were sculptured verses from the Kurdn. This stone was sent as an offering to the shrine of the pole of saints… At that time they were building a lofty octagonal dome to the tomb. The stone was placed at the right of the entrance. "At this time, that is, in the year 707 h. (1307 a. d.), 'Alau-d din is the acknowledged Sultan of this country. On all its borders there are infidels, whom it is his duty to attack in the prosecution of a holy war, and return laden with countless booty."”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians

Victor Davis Hanson photo
Mahmud of Ghazni photo

“Mahmood having reached Tahnesur before the Hindoos had time to take measures for its defence, the city was plundered, the idols broken, and the idol Jugsom was sent to Ghizny to be trodden under foot…Mahmood having refreshed his troops, and understanding that at some distance stood the rich city of Mutra [Mathura], consecrated to Krishn-Vasdew, whom the Hindoos venerate as an emanation of God, directed his march thither and entering it with little opposition from the troops of the Raja of Delhy, to whom it belonged, gave it up to plunder. He broke down or burned all the idols, and amassed a vast quantity of gold and silver, of which the idols were mostly composed. He would have destroyed the temples also, but he found the labour would have been excessive; while some say that he was averted from his purpose by their admirable beauty. He certainly extravagantly extolled the magnificence of the buildings and city in a letter to the governor of Ghizny, in which the following passage occurs: "There are here a thousand edifices as firm as the faith of the faithful; most of them of marble, besides innumerable temples; nor is it likely that this city has attained its present condition but at the expense of many millions of deenars, nor could such another be constructed under a period of two centuries."…The King tarried in Mutra 20 days; in which time the city suffered greatly from fire, beside the damage it sustained by being pillaged. At length he continued his march along the course of a stream on whose banks were seven strong fortifications, all of which fell in succession: there were also discovered some very ancient temples, which, according to the Hindoos, had existed for 4000 years. Having sacked these temples and forts, the troops were led against the fort of Munj…The King, on his return, ordered a magnificent mosque to be built of marble and granite, of such beauty as struck every beholder with astonishment, and furnished it with rich carpets, and with candelabras and other ornaments of silver and gold. This mosque was universally known by the name of the Celestial Bride. In its neighbourhood the King founded an university, supplied with a vast collection of curious books in various languages. It contained also a museum of natural curiosities. For the maintenance of this establishment he appropriated a large sum of money, besides a sufficient fund for the maintenance of the students, and proper persons to instruct youth in the arts and sciences…The King, in the year AH 410 (AD 1019), caused an account of his exploits to be written and sent to the Caliph, who ordered it to be read to the people of Bagdad, making a great festival upon the occasion, expressive of his joy at the propagation of the faith.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

Henry Adams photo
Anthony Burgess photo
Charles Babbage photo
Mark Manson photo
Laurent Clerc photo

“Science is a most useful thing for us all. It is one of the most useful ornaments of man. There is no dress which embellishes the body more than science does the mind.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1864, quoted in Pamphlets on the Deaf, Dumb & Blind http://books.google.com/books?id=FLcMAQAAIAAJ&q=%22There+is+no+dress+which+embellishes+the+body+more+than+science+does+the+mind%22&dq=%22There+is+no+dress+which+embellishes+the+body+more+than+science+does+the+mind%22&hl=en&sa=X&ei=UlFgVOWoJY-uyATH1YDACQ&ved=0CB8Q6AEwAA

Oliver Wendell Holmes photo

“I have always considered my face a convenience rather than an ornament.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Letter http://books.google.com/books?id=sIE7AAAAYAAJ&q=%22I+have+always+considered+my+face+a+convenience+rather+than+an+ornament%22&pg=PA103#v=onpage to James Russell Lowell (18 March 1882)

George Wallace photo

“Being governor don't mean a thing anymore in this country. We're nothing. Just high-paid ornaments is all. I'm thinking of running for president myself.”

George Wallace (1919–1998) 45th Governor of Alabama

Quoted in "On the Lookout for Lurleen" Life (22 July 1966) by Shana Alexander
1960s

William Wordsworth photo
Charles Dickens photo

“She's the ornament of her sex.”

Source: The Old Curiosity Shop (1841), Ch. 5

Isaac Asimov photo

“Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor’s examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can’t be good, be loud, some say, and Close Encounters was very loud.) … Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. … Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can’t but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it’s a bad picture. Is that all they can find to talk about?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Editorial: The Reluctant Critic", in Isaac Asimov’s Science Fiction Magazine, Vol. 2, Issue 6, (12 November 1978) https://archive.org/stream/Asimovs_v02n06_1978-11-12/<!-- Asimovs_v02n06_1978-11-12_djvu.txt -->
General sources

Charles Lamb photo

“He might have proved a useful adjunct, if not an ornament to society.”

Charles Lamb (1775–1834) English essayist

Captain Starkey; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Jonathan Stroud photo
Rāmabhadrācārya photo
Salvador Dalí photo
Thomas Little Heath photo

“Diophantos lived in a period when the Greek mathematicians of great original power had been succeeded by a number of learned commentators, who confined their investigations within the limits already reached, without attempting to further the development of the science. To this general rule there are two most striking exceptions, in different branches of mathematics, Diophantos and Pappos. These two mathematicians, who would have been an ornament to any age, were destined by fate to live and labour at a time when their work could not check the decay of mathematical learning. There is scarcely a passage in any Greek writer where either of the two is so much as mentioned. The neglect of their works by their countrymen and contemporaries can be explained only by the fact that they were not appreciated or understood. The reason why Diophantos was the earliest of the Greek mathematicians to be forgotten is also probably the reason why he was the last to be re-discovered after the Revival of Learning. The oblivion, in fact, into which his writings and methods fell is due to the circumstance that they were not understood. That being so, we are able to understand why there is so much obscurity concerning his personality and the time at which he lived. Indeed, when we consider how little he was understood, and in consequence how little esteemed, we can only congratulate ourselves that so much of his work has survived to the present day.”

Thomas Little Heath (1861–1940) British civil servant and academic

Historical Introduction, p.17
Diophantos of Alexandria: A Study in the History of Greek Algebra (1885)

Jean de La Bruyère photo
Nikos Kazantzakis photo
Diogenes Laërtius photo

“It was a saying of his that education was an ornament in prosperity and a refuge in adversity.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Aristotle, 9.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 5: The Peripatetics

Justin Martyr photo
Thomas Gainsborough photo

“.. as I met with Mr. (Dunning there. There is something exclusive of the clear and deep understanding of that gentleman most exceedingly pleasing to me. He seems the only man who talks as Giardini plays, if you know what I mean; he puts no more motion than what goes to the real performance, which constitutes that ease and gentility peculiar to damned clever fellows... He is an amazing compact man in every respect.... and besides this neatness in outward appearance, his storeroom seems cleared of all French ornaments and gingerbread work, everything is simplicity and elegance and in its proper place, no disorder or confusion in the furniture.... Sober sense and great acuteness are marked very strong in his face.... but there is genius (in our sense of the word). (It) shines in all he says. In short, Mr. Jackson of Exeter [his friend], I begin to think there is something in the air of Devonshire that grows clever fellows. I could name four or five of you, superior to the product of any other county in England.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 2 Sept. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 384 (Appendix A - Letter VII)
1755 - 1769

Anzia Yezierska photo

“Poverty was an ornament on a learned man like a red ribbon on a white horse”

Anzia Yezierska (1880–1970) American writer

Of Poland, Red Ribbon on a White Horse, ch. 9 (1950)

James Thomson (poet) photo

“For loveliness
Needs not the foreign aid of ornament,
But is when unadorned adorned the most.”

Source: The Seasons (1726-1730), Autumn (1730), l. 208-210.

Francis Bacon photo

“The greatest error of all the rest is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men”

Book I, v, 11
The Advancement of Learning (1605)
Context: The greatest error of all the rest is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men: as if there were sought in knowledge a couch whereupon to rest a searching and restless spirit; or a tarrasse, for a wandering and variable mind to walk up and down with a fair prospect; or a tower of state, for a proud mind to raise itself upon; or a fort or commanding ground, for strife and contention; or a shop, for profit or sale; and not a rich storehouse, for the glory of the Creator and the relief of man's estate.

Virgil photo

“An ornament and a safeguard.”
Decus et tutamen.

Source: Aeneid (29–19 BC), Book V, Line 262; inscription on some British one-pound coins up until 2015. The line was suggested by John Evelyn for the edge legend on the new milled coinage of Charles II of England from 1662 on to discourage clipping. He had seen it on the edge of a mirror belonging to Cardinal Richelieu (recorded in his book Numismata in 1697). The suggestion was adopted.

Grover Cleveland photo

“I shall spend very little time in the purely ornamental part of the office. In point of fact, I will tell you, first of all others, the policy I intend to adopt, and that is, to make the matter a business engagement between the people of the State and myself, in which the obligation on my side is to perform the duties assigned me with an eye single to the interest of my employers.”

Grover Cleveland (1837–1908) 22nd and 24th president of the United States

Letter to his brother Rev. William N. Cleveland (7 November 1882); published in The Writings and Speeches of Grover Cleveland (1892), p. 534.
Context: I feel as if it were time for me to write to someone who will believe what I write.
I have been for some time in the atmosphere of certain success, so that I have been sure that I should assume the duties of the high office for which I have been named. I have tried hard, in the light of this fact, to appreciate properly the responsibilities that will rest upon me, and they are much, too much underestimated. But the thought that has troubled me is, can I well perform my duties, and in such a manner as to do some good to the people of the State? I know there is room for it, and I know that I am honest and sincere in my desire to do well; but the question is whether I know enough to accomplish what I desire.
The social life which seems to await me has also been a subject of much anxious thought. I have a notion that I can regulate that very much as I desire; and, if I can, I shall spend very little time in the purely ornamental part of the office. In point of fact, I will tell you, first of all others, the policy I intend to adopt, and that is, to make the matter a business engagement between the people of the State and myself, in which the obligation on my side is to perform the duties assigned me with an eye single to the interest of my employers. I shall have no idea of re-election, or any higher political preferment in my head, but be very thankful and happy I can serve one term as the people's Governor.

Nicholas Roerich photo

“The symbol was not a mere decorating ornament all over, it bore a very special meaning. Collecting all its images together, we might prove that it is the most extensively spread and ancient one among all the symbols of mankind. No one can claim that it belongs but to one religion or is based on the only one folk-lore. It would be very beneficial to glance at the evolution of human consciousness in its variegated forms.”

Nicholas Roerich (1874–1947) Russian painter, writer, archaeologist, theosophist, enlightener, philosopher

Notes on the Banner of Peace (24 May 1939)
Context: I was asked to collect information where the symbols of our Banner of Peace could be found. It turned out that the symbol of the Holy Trinity has been scattered all over the world. This has been explained in various ways. Some say it means the past, present and future, bound by the ring of eternity. Others find it more palatable to explain it as religion, knowledge and art in the ring of Culture. Obviously there were various explanations already in the ancient times, but the symbol, the sign itself had become fixed all over the world. … You can find it on the ancient icon in Bar depicting St. Nicholas. The same is on the centuries-old image of St. Sergius. It is on the image of Holy Trinity. It is on the coat of arms of Samarkand. It is on ancient Ethiopian and Coptic antiquities. It is on Mongolian rocks. It is on Tibetan rings. The steed of happiness on the Himalayan Mountains passes bears the same flaming sign. It is on all the brooches of Lahuli, Ladakhi and Himalayan Mountains. It is on Buddhist banners. Going back to the Neolithic depths we can find the same sign in the ornaments decorating their pottery. … And that is why the symbol was chose for all uniting Banner as the symbol that has passed through centuries, more exactly — millennia. The symbol was not a mere decorating ornament all over, it bore a very special meaning. Collecting all its images together, we might prove that it is the most extensively spread and ancient one among all the symbols of mankind. No one can claim that it belongs but to one religion or is based on the only one folk-lore. It would be very beneficial to glance at the evolution of human consciousness in its variegated forms.

Francis Bacon photo

“To spend too much time in studies is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humor of a scholar.”

Of Studies
Essays (1625)
Context: To spend too much time in studies is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humor of a scholar. They perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need proyning, by study; and studies themselves, do give forth directions too much at large, except they be bounded in by experience.

Haile Selassie photo

“In time of war it suits the enemy to aim his guns at adorned shields, ornaments, silver and gold cloaks, silk shirts and all similar things. Whether one possesses a jacket or not, it is best to wear a narrow-sleeved shirt with faded colours.”

Haile Selassie (1892–1975) Emperor of Ethiopia

Instructions to military units (19 October 1935).
My Life and Ethiopia's Progress (1976)
Context: In time of war it suits the enemy to aim his guns at adorned shields, ornaments, silver and gold cloaks, silk shirts and all similar things. Whether one possesses a jacket or not, it is best to wear a narrow-sleeved shirt with faded colours. When we return, with God's help, you can wear your gold and silver decorations then. Now it is time to go and fight. We offer you all these words of advice in the hope that no great harm should befall you through lack of caution. At the same time, We are glad to assure you that in time of war We are ready to shed Our blood in your midst for the sake of Ethiopia's freedom...

William Godwin photo
Maximilien Robespierre photo
Gangubai Hangal photo
Edward Coke photo
Totaram Sanadhya photo
Dana Arnold photo

“If style is anything more than formal analysis or a description of the ornamentation of a building it must surely offer or represent a specific set of ideals from the moment of its production.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 3 : On classical ground : Histories of style

William Morris photo
Frank Lloyd Wright photo
Frank Lloyd Wright photo

“Even though a disgrace, machine-made, ornament stayed and still thrives.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

A Testament (1957)