Quotes about motion
page 4

Nicolas Léonard Sadi Carnot photo
Theo van Doesburg photo

“.. modern destruction begins where architectural structure is opened up and set into motion by colour relationships. The colour-planes, however, are always in orthogonal relationship.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in Van Doesburg's article: 'Aantekeningen bij Bijlage 12 (Notes), De Zaag en de goudvischkom van P.Alma', by Theo van Doesburg; in art-magazine 'De Stijl' 1 8, June 1918, p. 93
1912 – 1919

James Jeans photo
Wallace Stevens photo
Paul Klee photo
Adam Smith photo
Nicholas Sparks photo
James Jeans photo
Samuel Vince photo

“I have lately spent some Thoughts relative to the Nature of Light, whether it be subject to the common Laws of Motion. In this particular Newton seems to contradict himself. For in his Principia Sect. 14th he applies the common Laws of Motion to account for Reflection and Refraction, as he does also in one Part of his Optics where he proves the Sine of Incid. to Sine Refr, in a given in a given Ratio. But in another Part he says, “nothing more is requisite for producing all the Variety of Colours and Degrees of Refrangibility than that the Rays of Light be Bodies of different Sizes, the least of which may make Violet, and the Greatest the Red"; this manifestly is not consistent with the Theory of Motion applied to Bodies, where the Magnitude of the Bodies is of no Consequence. Now it is evident that if the common Theory of Motion can be applied to Light, the Red Light must have had the greatest Velocity before Incidence, as it suffers the least Deviation, for if the Vels of all the Difft colour'd Light were equal before Incidence, they must by Newton's Principia Sect. Sect. 8. Prop. 1. have continued equal after, and therefore must have suffered the same Deviation. The Determination of this Point seems to be of considerable Importance, as we so often apply the Theory of Motion to Light.”

Samuel Vince (1749–1821) British mathematician, astronomer and physicist

As quoted in: Russell McCormmach (2011) Weighing the World: The Reverend John Michell of Thornhill. p. 193

Robert Boyle photo

“Doubtless, it shews the wisdom of God, to have so fram'd things at first, that there can seldom or never need any extraordinary interposition of his power; or the employing from, time to time, an intelligent overseer, to regulate, assist, and control the motions of matter.”

Robert Boyle (1627–1691) English natural philosopher, chemist, physicist, and inventor

"A Free Inquiry into the Vulgar Notion of Nature," Sect.1 in The Philosophical Works of the Honourable Robert Boyle (1725) Vol.2 http://books.google.com/books?id=Y-YJAAAAMAAJ

James Jeans photo

“The motion of the stars over our heads is as much an illusion as that of the cows, trees and churches that flash past the windows of our train.”

James Jeans (1877–1946) British mathematician and astronomer

Source: The Stars in their Courses (1931), p. 3.

Michael Swanwick photo
James Mill photo

“The distinction, between what is done by labour, and what is done by nature, is not always observed.
Labour produces its effects only by conspiring with the laws of nature.
It is found that the agency of man can be traced to very simple elements. He does nothing but produce motion. He can move things towards one another, and he can separate them from one another. The properties of matter perform the rest.”

James Mill (1773–1836) Scottish historian, economist, political theorist and philosopher

Ch 1 : Production https://www.marxists.org/reference/subject/economics/mill-james/ch01.htm <!-- Cited in: Monthly Review https://books.google.nl/books?id=qytZAAAAcAAJ&pg=PA134, 1822 And partly cited in: Karl Marx. Human Requirements and Division of Labour https://www.marxists.org/archive/marx/works/1844/manuscripts/needs.htm, Manuscript, 1844. -->
Elements of Political Economy (1821)

Tao Yuanming photo

“God can only set in motion:
He cannot control the things he has made.”

Tao Yuanming (365–427) Chinese poet

Substance, Shadow, and Spirit, "Spirit expounds"
Translated by Arthur Waley

Robert Rauschenberg photo
William Wordsworth photo

“She hath smiles to earth unknown—
Smiles that with motion of their own
Do spread, and sink, and rise.”

William Wordsworth (1770–1850) English Romantic poet

Cancelled lines originally in the second stanza of Louisa (1805).

Sinclair Lewis photo
Thomas Fuller (writer) photo
Luigi Russolo photo
Hugh Blair photo
David Thomas (born 1813) photo
Henry Adams photo
Alan Greenspan photo

“Intensive research in recent years into the sources of economic growth among both developing and developed nations generally point to a number of important factors: the state of knowledge and skill of a population; the degree of control over indigenous natural resources; the quality of a country's legal system, particularly a strong commitment to a rule of law and protection of property rights; and yes, the extent of a country's openness to trade with the rest of the world. For the United States, arguably the most important factor is the type of rule of law under which economic activity takes place. When asked abroad why the United States has become the most prosperous large economy in the world, I respond, with only mild exaggeration, that our forefathers wrote a constitution and set in motion a system of laws that protects individual rights, especially the right to own property. Nonetheless, the degree of state protection is sometimes in dispute. But by and large, secure property rights are almost universally accepted by Americans as a critical pillar of our economy. While the right of property in the abstract is generally uncontested in all societies embracing democratic market capitalism, different degrees of property protection do apparently foster different economic incentives and outcomes.”

Alan Greenspan (1926) 13th Chairman of the Federal Reserve in the United States

Alan Greenspan (2004) The critical role of education in the nation's economy.
2000s

“I was going through the motions of life, instead of really living, and there’s no excuse for that. It’s not something I’ll let happen to me again.”

Charles de Lint (1951) author

Making a Noise in This World in Hartwell ed. Year's Best Fantasy, (2000) p. 326

Charles James Fox photo
Ray Harryhausen photo
Charles Bell photo

“In concluding these papers, I hope I may be permitted to offer a few words in favour of anatomy, as better adapted for discovery than experiment. … Experiments have never been the means of discovery; and a survey of what has been attempted of late years in physiology, will prove that the opening of living animals has done more to perpetuate error, than to confirm the just views taken from the study of anatomy and natural motions.”

Charles Bell (1774–1842) Scottish surgeon and artist (1774-1842)

An Exposition of the Natural System of the Nerves of the Human Body. With a Republication of the Papers Delivered to the Royal Society, on the Subject of the Nerves, London: Spottiswoode, 1824, pp. 376 https://books.google.it/books?id=hc0GAAAAQAAJ&pg=PA376-377.

Werner Heisenberg photo
Steve Jobs photo

“Jobs: Most people have no concept of how an automatic transmission works, yet they know how to drive a car. You don't have to study physics to understand the laws of motion to drive a car. You don't have to understand any of this stuff to use Macintosh.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Steve Jobs, Playboy, Feb 1985, by Philip Elmer-Dewitt, “Steve-Jobs The Playboy Interview” http://fortune.com/2010/11/20/steve-jobs-the-playboy-interview/, Fortune.com, November 20, 2010.
1980s

Lazare Carnot photo
Nathanael Greene photo
George Eliot photo
Tom Lehrer photo
Thomas Young (scientist) photo
Pauline Kael photo
James Clerk Maxwell photo
Tim O'Brien photo
Simon Blackburn photo

“Motion however will not help unless we have things moving.”

Simon Blackburn (1944) British academic philosopher

Source: Think (1999), Chapter Seven, The World, p. 244

Ernest Mandel photo

“If so, her motion must be influenced by it; perhaps she is retained in her orbit thereby. However, though the power of gravity is not sensibly weakened in the little change of distance, at which we can place ourselves from the centre of the earth, yet it is very possible that, so high as the moon, this power may differ much in strength from what it is here. To make an estimate what might be the degree of this diminution, he considered with himself that, if the moon be retained in her orbit by the force of gravity, no doubt the primary planets are carried round the sun by the like power. And, by comparing the periods of the several planets with their distances from the sun, he found that if any power like gravity held them in their courses, its strength must decrease in the duplicate proportion of the increase of distance. This he concluded by supposing them to move in perfect circles concentrical to the sun, from which the orbits of the greatest part of them do not much differ. Supposing therefore the power of gravity, when extended to the moon, to decrease in the same manner, he computed whether that force would be sufficient to keep the moon in her orbit. In this computation, being absent from books, he took the common estimate, in use among geographers and our seamen before Norwood had measured the earth, that 60 English miles were contained in one degree of latitude on the surface of the earth. But as this is a very faulty supposition, each degree containing about 691/2 of our miles, his computation did not answer expectation; whence he concluded, that some other cause must at least join with the action of the power of gravity on the moon. On this account he laid aside, for that time, any farther thoughts upon this matter.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 50-51
Preface to View of Newton's Philosophy, (1728)

“And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,
Implicitly thy freedom staying thee!”

The Bridge. In The Norton Anthology of Modern Poetry, by Richard Ellmann and Robert O'Clair (1988)

Rob Ford photo

“This is nothing but a coup d’etat. It’s a dictatorship motion. They are telling everybody in the last election their vote doesn’t count.”

Rob Ford (1969–2016) Canadian politician, 64th Mayor of Toronto

Remarks Telling councillors that their motion to limit his powers as mayor is undemocratic http://www.torontosun.com/2013/11/18/council-vote-on-rob-ford-a-slap-in-face-to-democracy (18 November 2013)
2010s, 2013

Francis Picabia photo
Warren Buffett photo
Michio Kushi photo
Mao Zedong photo
George Steiner photo
Alex Salmond photo
Benoît Mandelbrot photo
Frank Wilczek photo
Pauline Kael photo
John Donne photo

“The heavens rejoice in motion, why should I
Abjure my so much loved variety.”

John Donne (1572–1631) English poet

No. 17, Variety, line 1
Elegies

Robert Grosseteste photo
Howard S. Becker photo
William Kingdon Clifford photo
Charles Grey, 2nd Earl Grey photo

“Mr. Grey was much obliged to his hon. friend for submitting the motion to the House. The length of time during which the nation had groaned under such vexatious and tyrannical institutions, was with him a reason why they should exist no longer, and he wished Mr. Curwen to move for a committee to inquire into the state of the game laws.”

Charles Grey, 2nd Earl Grey (1764–1845) Prime Minister of the United Kingdom of Great Britain and Ireland

Remarks in the House of Commons on the debate on Mr. Curwen's Motion to Repeal the Game Laws (4 March 1796), reported in The Parliamentary History of England, from the Earliest Period to the Year 1803. Vol. XXXI (London: 1818), p. 845.
1790s

Hans Kelsen photo
James Jeans photo
Torquato Tasso photo

“His grace,
Sit nature, fortune, motion, time and place. ]] From whence with grace and goodness compassed round,
He ruleth, blesseth, keepeth all he wrought,
Above the air, the fire, the sea and ground,
Our sense, our wit, our reason and our thought,
Where persons three, with power and glory crowned,
Are all one God, who made all things of naught,
Under whose feet, subjected to his grace,
Sit nature, fortune, motion, time and place.This is the place, from whence like smoke and dust
Of this frail world the wealth, the pomp and power,
He tosseth, tumbleth, turneth as he lust,
And guides our life, our death, our end and hour:
No eye, however virtuous, pure and just,
Can view the brightness of that glorious bower,
On every side the blessed spirits be,
Equal in joys, though differing in degree.”

Torquato Tasso (1544–1595) Italian poet

Sedea colà, dond'egli e buono e giusto
Dà legge al tutto, e 'l tutto orna e produce
Sovra i bassi confin del mondo angusto,
Ove senso o ragion non si conduce.
E della eternità nel trono augusto
Risplendea con tre lumi in una luce.
Ha sotto i piedi il Fato e la Natura,
Ministri umíli, e 'l moto, e chi 'l misura; <p> E 'l loco, e quella che qual fumo o polve
La gloria di qua giuso e l'oro e i regni,
piace là su, disperde e volve:
Nè, Diva, cura i nostri umani sdegni.
Quivi ei così nel suo splendor s'involve,
Che v'abbaglian la vista anco i più degni;
D'intorno ha innumerabili immortali
Disegualmente in lor letizia eguali.
Canto IX, stanzas 56–57 (tr. Edward Fairfax)
Max Wickert's translation:
He sat where He gives laws both good and just
to all, and all creates, and all sets right,
above the low bounds of this world of dust,
beyond the reach of sense or reason's might;
enthroned upon Eternity, august,
He shines with three lights in a single light.
At His feet Fate and Nature humbly sit,
and Motion, and the Power that measures it,<p>and Space, and Fate who like a powder will
all fame and gold and kingdoms here below,
as pleases Him on high, disperse or spill,
nor, goddess, cares she for our wrath or woe.
There He, enwrapped in His own splendour, still
blinds even worthiest vision with His glow.
All round Him throng immortals numberless,
unequally equal in their happiness.
Gerusalemme Liberata (1581)

Isaac Barrow photo
Richard Cobden photo
John Dewey photo
Augustus De Morgan photo
Fritjof Capra photo

“What I am trying to do is to present a unified scientific view of life; that is, a view integrating life's biological, cognitive, and social dimensions. I have had many discussions with social scientists, cognitive scientists, physicists and biologist who question that task, who said that this would not be possible. They ask, why do I believe that I can do that? My belief is based largely on our knowledge of evolution. When you study evolution, you see that there was, first of all, evolution before the appearance of life, there was a molecular type of evolution where structures of greater and greater complexity evolved out of simple molecules. Biochemist who study that have made tremendous progress in understanding that process of molecular evolution. Then we had the appearance of the first cell which was a bacterium. Bacteria evolved for about 2 billion years and in doing so invented, if you want to use the term, or created most of the life processes that we know today. Biochemical processes like fermentation, oxygen breathing, photosynthesis, also rapid motion, were developed by bacteria in evolution. And what happened then was that bacteria combined with one another to produce larger cells — the so-called eukaryotic cells, which have a nucleus, chromosomes, organelles, and so on. This symbiosis that led to new forms is called symbiogenesis.”

Fritjof Capra (1939) American physicist

Capra (2007) in: Francis Pisani " An Interview with Fritjof Capra http://ijoc.org/ojs/index.php/ijoc/article/view/69/25" in: International Journal of Communication Vol 1 (2007).

Edgar Degas photo

“I remember a story my father used to tell. As he was coming home one day, he ran across a group of men who were firing on the troops from an ambush. During the excitement a daring onlooker went up to one of the snipers who seemed to be a poor marksman. He took the man's gun and brought down a soldier, then handed it back to its owner who motioned as if to say, 'No, go on. You're a better shot than I am.”

Edgar Degas (1834–1917) French artist

But the stranger said, 'No, I'm not interested in politics.'
Vollard, Degas and others were talking about the revolution of 1847. Somebody remarked to Degas that he must have been quite young at that time. Than Degas start to quote his father.
Source: posthumous quotes, Degas: An Intimate Portrait' (1927), p. 40

Richard Evelyn Byrd photo

“A static hero is a public liability. Progress grows out of motion.”

Richard Evelyn Byrd (1888–1957) Medal of Honor recipient and United States Navy officer

As quoted in Struggle : The Life and Exploits of Commander Richard E. Byrd (1928) by Charles John Vincent Murphy, p. 325

Lucian photo
Roger Joseph Boscovich photo
Margaret Fuller photo
Charles Grey, 2nd Earl Grey photo
Thomas Kuhn photo

“I rapidly discovered that Aristotle had known almost no mechanics at all. … How could his characteristic talents have deserted him so systematically when he turned to the study of motion and mechanics? Equally, if his talents had so deserted him, why had his writings in physics been taken so seriously for so many centuries after his death? … I was sitting at my desk with the text of Aristotle's Physics open in front of me… Suddenly the fragments in my head sorted themselves out in a new way, and fell into place together. My jaw dropped, for all at once Aristotle seemed a very good physicist indeed, but of a sort I'd never dreamed possible. Now I could understand why he had said what he'd said, and what his authority had been. Statements that had previously seemed egregious mistakes, now seemed at worst near misses within a powerful and generally successful tradition. That sort of experience -- the pieces suddenly sorting themselves out and coming together in a new way -- is the first general characteristic of revolutionary change that I shall be singling out after further consideration of examples. Though scientific revolutions leave much piecemeal mopping up to do, the central change cannot be experienced piecemenal, one step at a time. Instead, it involves some relatively sudden and unstructured transformation in which some part of the flux of experience sorts itself out differently and displays patterns that were not visible before.”

Thomas Kuhn (1922–1996) American historian, physicist and philosopher

Source: The Road Since Structure (2002), p. 16-17; from "What Are Scientific Revolutions?" (1982)

Nicolas Léonard Sadi Carnot photo
James Bradley photo

“My Instrument being fixed, I immediately began to observe such Stars as I judged most proper to give me light into the Cause of the Motion… There was Variety enough of small ones; and not less than twelve, that I could observe through all the Seasons of the Year; they being bright enough to be seen in the Day-time, when nearest the Sun. I had not been long observing, before I perceived, that the Notion we had before entertained of the Stars being farthest North and South, when the Sun was about the Equinoxes, was only true of those that were near the solstitial Colure: And after I had continued my Observations a few Months, I discovered what I then apprehended to be a general Law, observed by all the Stars, viz. That each of them became stationary, or was farthest North or South, when they passed over my Zenith at six of the Clock, either in the Morning or Evening. I perceived likewise, that whatever Situation the Stars were in with respect to the cardinal Points of the Ecliptick, the apparent Motion of every one tended the same Way, when they passed my Instrument about the same Hour of the Day or Night; for they all moved Southward, while they passed in the Day, and Northward in the Night; so that each was farthest North, when it came about Six of the Clock in the Evening, and farthest South when it came about Six in the Morning.”

James Bradley (1693–1762) English astronomer; Astronomer Royal

A Letter from the Reverend Mr. James Bradley Savilian Proffesor of Astronomy at Oxford, and F.R.S. to Dr. Edmund Halley, Astronom. Reg. &c. giving an Account of a New Discovered Motion of the Fix'd Stars. Philosophical Transactions (Jan 1, 1727) 1727-1728 No. 406. vol. XXXV. pp. 637-661 http://rstl.royalsocietypublishing.org/content/35/399-406/637.full.pdf+html, pp.643-644

John Dryden photo
Alice Moore Hubbard photo
Samuel Taylor Coleridge photo

“Dryden's genius was of that sort which catches fire by its own motion; his chariot wheels get hot by driving fast.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

1 November 1833
Table Talk (1821–1834)

Umberto Boccioni photo
Robert Charles Wilson photo
Claude Debussy photo

“Music expresses the motion of the waters, the play of curves described by changing breezes.”

Claude Debussy (1862–1918) French composer

As quoted in The Twentieth Century (1972) by Caroline Farrar Ware, p. 222
Variant translation: Music is the expression of the movement of the waters, the play of curves described by changing breezes.

Potter Stewart photo
François de La Rochefoucauld photo

“Neither love nor fire can subsist without perpetual motion; both cease to live so soon as they cease to hope, or to fear.”

L'amour aussi bien que le feu ne peut subsister sans un mouvement continuel; et il cesse de vivre dès qu'il cesse d'espérer ou de craindre.
Maxim 75.
Reflections; or Sentences and Moral Maxims (1665–1678)

John Donne photo
Helena Petrovna Blavatsky photo
Marcus Aurelius photo
W. Somerset Maugham photo

“Money is the string with which a sardonic destiny directs the motions of its puppets.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Quoted in Somerset Maugham (1980) by Ted Morgan

Ilana Mercer photo
Tim Hawkins photo
Richard Feynman photo

“Once, along with The Transfigured Night, he played a class Rachmaninoff’s Isle of the Dead. Most of the class had not seen the painting, so he went to the library and returned with a reproduction of it. Then he pointed, with a sober smile, to a painting which hung on the wall of the classroom (A Representation of Several Areas, Some of Them Grey, one might have called it; yet this would have been unjust to it—it was non-representational) and played for the class, on the piano, a composition which he said was an interpretation of the painting: he played very slowly and very calmly, with his elbows, so that it sounded like blocks falling downstairs, but in slow motion. But half his class took this as seriously as they took everything else, and asked him for weeks afterward about prepared pianos, tone-clusters, and the compositions of John Cage and Henry Cowell; one girl finally brought him a lovely silk-screen reproduction of a painting by Jackson Pollock, and was just opening her mouth to—
He interrupted, bewilderingly, by asking the Lord what land He had brought him into. The girl stared at him open-mouthed, and he at once said apologetically that he was only quoting Mahler, who had also diedt from America; then he gave her such a winning smile that she said to her roommate that night, forgivingly: “He really is a nice old guy. You never would know he’s famous.””

“Is he really famous?” her roommate asked. “I never heard of him before I got here. ...”
Source: Pictures from an Institution (1954) [novel], Chapter 4, pp. 138–139