Quotes about grin
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James Patterson photo
Cassandra Clare photo
Cassandra Clare photo
Cassandra Clare photo
Beverly Sills photo

“I really do believe I can accomplish a great deal with a big grin, I know some people find that disconcerting, but that doesn't matter.”

Beverly Sills (1929–2007) opera soprano

As quoted in The Beacon Book of Quotations by Women (1992) by Rosalie Maggio

Arthur Stanley Eddington photo
Jane Yolen photo
Hunter S. Thompson photo
Orson Welles photo
Tim Powers photo

“How old are you, Brian? You ought to know by now that something always breaks up love affairs unless both parties are willing to compromise themselves. And that compromising is harder to do the older and less flexible and more independent you are. It just isn’t in you, Brian. You could no more get married now than you could become a priest, or a sculptor, or a greengrocer.”
Duffy opened his mouth to voice angry denials, then one corner turned up and he closed it. “Damn you,” he said wryly. “Then why do I want to, half the time?”
Aurelianus shrugged. “It’s the nature of the species. There’s a part of a man’s mind that can only relax and go to sleep when he’s with a woman, and that part gets tired of always being tensely awake. It gives orders in so loud a voice that it often drowns out the other components. But when the loud one is asleep at last, the others regain control and chart a new course.” He grinned. “No equilibrium is possible. If you don’t want to put up with the constant seesawing, you must either starve the logical components or bind, gag and lock away in a cellar that one insistent one.”
Duffy grimaced and drank some more brandy. “I’m used to the rocking, and I was never one to get motion-sick,” he said. “I’ll stay on the seesaw.”

Aurelianus bowed. “You have that option, sir.”
Source: The Drawing of the Dark (1979), Chapter 18 (p. 247)

Tad Williams photo

“I’m your apprentice!” Simon protested. “When are you going to teach me something?”
“Idiot boy! What do you think I’m doing? I’m trying to teach you to read and to write. That’s the most important thing. What do you want to learn?”
“Magic!” Simon said immediately. Morgenes stared at him.
“And what about reading…?” the doctor asked ominously.
Simon was cross. As usual, people seemed determined to balk him at every turn. “I don’t know,” he said. What’s so important about reading and letters, anyway? Books are just stories about things. Why should I want to read books?”
Morgenes grinned, an old stoat finding a hole in the henyard fence. “Ah, boy, how can I be mad at you…what a wonderful, charming, perfectly stupid thing to say!” The doctor chuckled appreciatively, deep in his throat.
“What do you mean?” Simon’s eyebrows moved together as he frowned. “Why is it wonderful and stupid?”
“Wonderful because I have such a wonderful answer,” Morgenes laughed. Stupid because…because young people are made stupid, I suppose—as tortoises are made with shells, and wasps with stings—it is their protection against life’s unkindnesses.”
“Begging your pardon?” Simon was totally flummoxed now.
“Books,” Morgenes said grandly, leaning back on his precarious stool, “—books are magic. That is the simple answer. And books are traps as well.”
“Magic? Traps?”
“Books are a form of magic—” the doctor lifted the volume he had just laid on the stack, “—because they span time and distance more surely than any spell or charm. What did so-and-so think about such-and-such two hundred years agone? Can you fly back through the ages and ask him? No—or at least, probably not.
But, ah! If he wrote down his thoughts, if somewhere there exists a scroll, or a book of his logical discourses…he speaks to you! Across centuries! And if you wish to visit far Nascadu or lost Khandia, you have also but to open a book….”
“Yes, yes, I suppose I understand all that.” Simon did not try to hide his disappointment. This was not what he had meant by the word “magic.” “What about traps, then? Why ‘traps’?”

Tad Williams (1957) novelist

Morgenes leaned forward, waggling the leather-bound volume under Simon’s nose. “A piece of writing is a trap,” he said cheerily, “and the best kind. A book, you see, is the only kind of trap that keeps its captive—which is knowledge—alive forever. The more books you have,” the doctor waved an all-encompassing hand about the room, “the more traps, then the better chance of capturing some particular, elusive, shining beast—one that might otherwise die unseen.”
Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 7, “The Conqueror Star” (pp. 92-93).

Mickey Spillane photo
R. A. Salvatore photo
Steven Erikson photo
China Miéville photo

“He tried to grin but it did not go well.”

Source: The City & the City (2009), Chapter 28 (p. 297)

Kage Baker photo
Susan Sontag photo
John Updike photo

“At last, small witches, goblins, hags,
And pirates armed with paper bags,
Their costumes hinged on safety pins,
Go haunt a night of pumpkin grins.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

October, A Child's Calendar (1965)

Aldo Capitini photo

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Jack Kerouac photo

“"All this beauty makes a person realize how insignificant they are," Paul says.
"How insignificant I am. You're the insignificant one"
He grins real big as he realizes how his words sounded. "I didn't mean it like that," he chuckles.
"No, I know what you meant, bud. I was just thinking kind of the same thing. I was looking at all this depth and it came to me how very shallow you are."
"Ha, ha," Paul chortles. He takes a few steps down the trail and turns. "You know, Don, I was just looking at this little flowery cactus here and thinking how nice it looks and it made me realize how ugly you are."
"Is that right," I say. "Well, I was just considering how smart these rocks look and it made me realize how dumb you are." With that I give him a little kick in the backside.
"How smart these rocks are?" he heckles. "Well, I was just looking at that cloud up there, reflecting on its beauty and stuff, and it hit me how much you smell."
"Is that right," I say. "The cloud made you realize that, huh?"
Paul distances himself a little and keeps turning to see if I am going to kick him again. He's got this grin going like he got the last laugh.
"You know, Paul, I was just looking at this pebble and it made me realize that I'm going to tackle you and throw you off the ledge."
"I see. That's real deep, Don. The pebble; you got that from a pebble?"”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

Scott Lynch photo
Oliver Wendell Holmes photo

“I know it is a sin
For me to sit and grin
At him here;
But the old three-cornered hat,
And the breeches, and all that,
Are so queer!”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The last Leaf; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

William James photo

“Let sanguine healthy-mindedness do its best with its strange power of living in the moment and ignoring and forgetting, still the evil background is really there to be thought of, and the skull will grin in at the banquet.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lectures IV and V, "The Religion of Healthy-Mindedness"
1900s, The Varieties of Religious Experience (1902)

Enoch Powell photo

“She is becoming afraid to go out. Windows are broken. She finds excreta pushed through her letterbox. When she goes to the shops, she is followed by children, charming, wide-grinning piccaninnies. They cannot speak English, but one word they know. 'Racialist,' they chant.”

Enoch Powell (1912–1998) British politician

A quotation from a letter Powell said had been sent to him from Northumberland, referring to one of his constituents. (According to a BBC radio programme broadcast in January 2007, the person in question was Druscilla Cotterill. However, this is open to question as some of the personal characteristics of Mrs Cotterill were not identical to the description given by Powell; in contrast to the woman referred to by Powell, Mrs Cotterill was childless and did not have a telephone. Source: Document, Radio 4, 22 January 2007. A contemporary investigation by journalists from The Express and Star, a local newspaper, could find no trace of the woman, and the paper had itself received similar letters which it had traced back to the National Front. Source: " Enoch Powell was wrong http://www.telegraph.co.uk/news/uknews/immigration/9349376/Enoch-Powell-was-wrong.html", Ian Austin, The Telegraph, 22 June 2012.).
The 'Rivers of Blood' speech

Tim Powers photo
Samuel Taylor Coleridge photo

“And the Devil did grin, for his darling sin
Is pride that apes humility.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"The Devil's Thoughts", st. 6 (1799)

Babe Ruth photo

“Hell no, it isn't a fact. Only a damned fool would do a thing like that. You know there was a lot of pretty rough ribbing going on on both benches during that Series. When I swung and missed that first one, those Cubs really gave me a blast. So I grinned at 'em and held out one finger and told 'em it'd only take one to hit it. Then there was that second strike and they let me have it again. So I held up that finger again and I said I still had that one left. Naw, keed, you know damned well I wasn't pointin' anywhere. If I'd have done that, Root would have stuck the ball right in my ear. And besides that, I never knew anybody who could tell you ahead of time where he was going to hit a baseball. When I get to be that kind of fool, they`ll put me in the booby hatch.”

Babe Ruth (1895–1948) American baseball player

Responding to Chicago sportscaster Hal Totten in the spring of 1933, as to whether Ruth had actually 'called' his 5th-inning home run in Game 3 of the 1932 World Series, as quoted in "Oct. 1, 1932 The Yankees' Babe Ruth Gestures Toward Wrigley Field's Bleachers Then Homers Off The Cubs' Charlie Root, Apparently Calling His Shot In Game 3 Of The World Series" http://articles.chicagotribune.com/1987-11-01/sports/8703230677_1_babe-ruth-cub-bench-world-series-history/3 by Jerome Holtzman, in The Chicago Tribune (1987)

Henry Fielding photo

“All Nature wears one universal grin.”

Henry Fielding (1707–1754) English novelist and dramatist

Act I, sc. i
Tom Thumb the Great (1730)

John Wolcot photo

“Care to our coffin adds a nail, no doubt,
And every grin so merry draws one out.”

John Wolcot (1738–1819) English satirist

Expostulatory Odes, Ode xv; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Mickey Spillane photo
Robert E. Howard photo

“Conan sensed their uncertainty and grinned mirthlessly and ferociously. "Who dies first?"”

Robert E. Howard (1906–1936) American author

"The Phoenix on the Sword" (1932)

Jack McDevitt photo
Robert E. Howard photo
Jack Johnson (musician) photo
Michael Shea photo
Isaac Rosenberg photo
Stephen King photo
Sueton photo

“When [his son] Drusus died Tiberius was not greatly concerned, and went back to his usual business almost as soon as the funeral ended, cutting short the period of official mourning; in fact, when a Trojan delegation arrived with condolences somewhat belatedly, Tiberius grinned, having apparently got over his loss, and replied: "May I condole with you, in return, on the death of your eminent fellow-citizen Hector?"”
Itaque ne mortuo quidem perinde adfectus est, sed tantum non statim a funere ad negotiorum consuetudinem rediit iustitio longiore inhibito. Quin et Iliensium legatis paulo serius consolantibus, quasi obliterata iam doloris memoria, irridens se quoque respondit vicem eorum dolere, quod egregium civem Hectorem amisissent.

Source: The Twelve Caesars, Tiberius, Ch. 52

“And coxcombs vanquish Berkeley by a grin.”

John Brown (essayist) (1715–1766) English divine and author

"An Essay on Satire, occasioned by the Death of Mr. Pope"

Pauline Kael photo
Phil Collins photo

“… [Y]our observer's camera is clicking steadily. It's beautiful up above the sunlit clouds. The smooth drone of your twin motors makes you happy. You feel like singing and then you do. Then out of the corner of your eye, you see four black dots, growing larger momentarily. It's an enemy patrol of German Messerschmitts. Your gunner has seen them too. You hear the rattle of the machine gun as you put your bomber in a fast climbing turn, but the Messerschmitt fighters climb faster. They form under your tail, two on each side. One by one, they attack. A yellow light flashes in front of you. The first fighter slips away while the next comes on at you. Again that smashing yellow flame. Your observer falls over unconscious. Before you can think, the next Messerschmitt is upon you. A terrific jolt. Your port engine belches smoke. It's been hit…. You force-land on the first Allied airfield. That night, seated next to a hospital bed where your observer nurses a scalp wound, you hear an enemy communique. A British bomber was shot down over the lines today. Well, you puff a cigarette and grin.”

Larry LeSueur (1909–2003) American journalist

Woo, Elaine. " Larry LeSueur/'Murrow Boy' former war correspondant http://articles.latimes.com/2003/feb/07/local/me-lesueur7", (obituary), Los Angeles Times, February 8, 2003, accessed June 21, 2011. As quoted by Stanley W. Cloud and Lynne Olson in The Murrow Boys: Pioneers on the Front Lines of Broadcast Journalism, ISBN 0395877539. LeSueur just "after interviewing a young British pilot who had just flown a reconnaissance mission over Germany.

Glen Cook photo
Anthony Burgess photo
Hermann Hesse photo
David D. Levine photo
Eoin Colfer photo
Stephenie Meyer photo
Steven Erikson photo
Judith Sheindlin photo
Robert Southey photo

“He passed a cottage with a double coach-house,
A cottage of gentility;
And he owned with a grin
That his favorite sin
Is pride that apes humility.”

Robert Southey (1774–1843) British poet

St. 8. Compare: "And the Devil did grin, for his darling sin / Is pride that apes humility", Samuel Taylor Coleridge, The Devil's Thoughts.
The Devil's Walk http://www.rc.umd.edu/editions/shelley/devil/devil.rs1860.html (1799)

Dave Matthews photo

“If at all God's gaze falls upon us all it's with a mischievous grin, look at him.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Seek Up
Remember Two Things (1993)

Anne Morrow Lindbergh photo
Edgar Guest photo
Ted Hughes photo

“Pike, three inches long, perfect
Pike in all parts, green tigering the gold.
Killers from the egg: the malevolent aged grin.”

Ted Hughes (1930–1998) English poet and children's writer

"Pike", line 1
Lupercal (1960)

“The general at the radar screen
Rubbed his hands with glee,
And grinning pressed the button
And started world war three.”

Roger McGough (1937) British writer and poet

"Icarus Allsorts", from The Mersey Sound (1967)

Lewis Black photo
Jonathan Stroud photo
Roger Ebert photo
Max Beckmann photo

“And the evening of the big Vanity Fair arrived... Perre Rathbone and innumerable people received me in enormous halls. The reporter shot pictures and Mrs. Beckmann [Quappi, his wife] grinned – - o-la-La.... The whole story is a monumental caprice of my situation in Germany before the Nazi's.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

IBeckmann's diary-notes, Saint Louis, 6 October 1947; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 89
1940s

William Drummond of Hawthornden photo
Thomas Hardy photo

“If all hearts were open and all desires known — as they would be if people showed their souls — how many gapings, sighings, clenched fists, knotted brows, broad grins, and red eyes should we see in the market-place!”

Thomas Hardy (1840–1928) English novelist and poet

Diary entry (18 August 1908), quoted in The Later Years of Thomas Hardy (1930), by Florence Emily Hardy, ch. 10, p. 133

Isaac Rosenberg photo
Homér photo

“The chief indignant grins a ghastly smile.”

XX. 301–302 (tr. Alexander Pope).
Odyssey (c. 725 BC)

Thomas M. Disch photo

“Marvin Kolodny responded with a boyish grin and offered his hand. An American flag has been tattooed on his right forearm. On a scroll circling the flagpole was the following inscription:
Let's All
Overthrow
the United States
Government
by Force &
Violence”

Thomas M. Disch (1940–2008) Novelist, short story writer, poet

"The Man Who Had No Idea" (originally published 1978).
The Man Who Had No Idea (and other stories) (1982)

James K. Morrow photo

“Melancholy sees the worst of things,—things as they may be, and not as they are. It looks upon a beautiful face, and sees but a grinning skull.”

Christian Nestell Bovee (1820–1904) American writer

Source: Intuitions and Summaries of Thought (1862), Volume II, p. 52.

Philip K. Dick photo
James Joyce photo

“Your lean jaws grin with. Lash
Your itch and quailing, nude greed of the flesh.”

A Memory Of The Players In A Mirror At Midnight, p. 19
Pomes Penyeach (1927)

Gwendolyn Brooks photo
John Fante photo
Robert A. Heinlein photo
Ralph Ellison photo

“I want you to overcome ‘em with yeses, undermine ‘em with grins, agree ‘em to death and destruction, let ‘em swoller you till they vomit or bust wide open…”

Source: Invisible Man (1952), Chapter 1.
Context: I never told you, but our life is a war and I have been a traitor all my born days, a spy in the enemy’s country ever since I give up my gun back in the Reconstruction. Live with your head in the lion’s mouth. I want you to overcome ‘em with yeses, undermine ‘em with grins, agree ‘em to death and destruction, let ‘em swoller you till they vomit or bust wide open...

Thomas Carlyle photo

“Such grinning inanity is very sad to the soul of man. Human faces should not grin on one like masks; they should look on one like faces! I love honest laughter, as I do sunlight; but not dishonest”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)
Context: "No man in this fashionable London of yours," friend Sauerteig would say, "speaks a plain word to me. Every man feels bound to be something more than plain; to be pungent withal, witty, ornamental. His poor fraction of sense has to be perked into some epigrammatic shape, that it may prick into me;—perhaps (this is the commonest) to be topsyturvied, left standing on its head, that I may remember it the better! Such grinning inanity is very sad to the soul of man. Human faces should not grin on one like masks; they should look on one like faces! I love honest laughter, as I do sunlight; but not dishonest: most kinds of dancing too; but the St.-Vitus kind not at all! A fashionable wit, ach Himmel, if you ask, Which, he or a Death's- head, will be the cheerier company for me? pray send not him!"

Bill Mauldin photo

“Humor is really laughing off a hurt, grinning at misery.”

Bill Mauldin (1921–2003) American editorial cartoonist

As quoted in TIME magazine (21 July 1961)
Context: The American public highly overrates its sense of humor. We're great belly laughers and prat fallers, but we never really did have a real sense of humor. Not satire anyway. We're a fatheaded, cotton-picking society. When we realize finally that we aren't God's given children, we'll understand satire. Humor is really laughing off a hurt, grinning at misery.

Jim Henson photo
Richard K. Morgan photo

“The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal.”

Source: Altered Carbon (2002), Chapter 15 (pp. 184-185, quoting the fictional work Things I Should Have Learned by Now, Volume II, written by story character Quellcrist Falconer)

Gottfried Helnwein photo
Edgar Guest photo