Quotes about greens
page 5

Caterina Davinio photo

“And I go down the stairs again
with the screeching of my worn out
soul

P. G. tunes instruments
for his golden arm
alchemy in a metropolitan shell

The squeak of time was
thrown back into the cracks
where the plaster has the form of a twisting branch

and my veins are sturdy trunks,
scaly, for drops of green sap
nourishment rising
from the bowels of the earth,
…”

Caterina Davinio (1957) Italian writer

The Book of Opium (1975 - 1990), (Heroin) P. G.'s Basement
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990 (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.

Howie Rose photo
Norman Lamont photo

“The green shoots of economic spring are appearing once again.”

Norman Lamont (1942) British politician

Speech at the Conservative Party Conference, 9 October 1991.

Petra Němcová photo

“I became quite green - I have a very strong connection to nature. I read that if we fish the way we fish, in 2048 there will be no more fish left, which is pretty soon. So it's a statement.”

Petra Němcová (1979) Czech fashion model

Explaining why she became vegan, spotted helping out at an OCRF Benefit, as quoted in "Petra Nemcova Goes Vegan For The Fish", in Celebrity-Gossip.net (31 July 2007) http://www.celebrity-gossip.net/celebrities/hollywood/petra-nemcova-goes-vegan-for-the-fish-201498#blog.

Ludovico Ariosto photo

“A virgin is like a rose: while she remains on the thorn whence she sprang, alone and safe in a lovely garden, no flock, no shepherd approaches. The gentle breeze and the dewy dawn, water, and earth pay her homage; amorous youths and loving maidens like to deck their brows with her, and their breasts. / But no sooner is she plucked from her mother-stalk, severed from her green stem, than she loses all, all the favour, grace, and beauty wherewith heaven and men endowed her.”

La verginella e simile alla rosa
Ch'in bel giardin' su la nativa spina
Mentre sola e sicura si riposa
Ne gregge ne pastor se le avvicina;
L'aura soave e l'alba rugiadosa,
L'acqua, la terra al suo favor s'inchina:
Gioveni vaghi e donne inamorate
Amano averne e seni e tempie ornate.<p>Ma no si tosto dal materno stelo
Rimossa viene, e dal suo ceppo verde
Che quato havea dagli huoi e dal cielo
Favor gratia e bellezza tutto perde.
Canto I, stanzas 42–43 (tr. G. Waldman)
Compare:
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae:
idem cum tenui carptus defloruit ungui,
nulli illum pueri, nullae optavere puellae:
sic virgo, dum intacta manet, dum cara suis est;
cum castum amisit polluto corpore florem,
nec pueris iucunda manet, nec cara puellis.
As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it: so a maiden, whilst she remains untouched, so long she is dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
Catullus, Carmina, LXII (tr. Francis Warre-Cornish)
Orlando Furioso (1532)

James E. Lovelock photo
Alexander Mackenzie photo
Vince Lombardi photo

“Teamwork is what the Green Bay Packers were all about. They didn't do it for individual glory. They did it because they loved one another.”

Vince Lombardi (1913–1970) American football player, coach, and executive

reported in Donald T. Phillips, Run To Win: Vince Lombardi on Coaching and Leadership (2001), p. 23.

Fredric Jameson photo
William Blake photo

“Sing louder around
To the bells' cheerful sound,
While our sports shall be seen
On the ecchoing green.”

William Blake (1757–1827) English Romantic poet and artist

The Ecchoing Green, st. 1
1780s, Songs of Innocence (1789–1790)

Van Morrison photo
Orson Scott Card photo
Tim Powers photo
Neil Kinnock photo

“Heckler: At least Mrs Thatcher has got guts.
Neil Kinnock: It's a pity that other people had to leave theirs on the ground at Goose Green to prove it.”

Neil Kinnock (1942) British politician

Daily Telegraph 7 June, 1983.
On TVS television's programme "The South decides" during the 1983 general election campaign. Kinnock was forced to write letters to the families of the war dead to apologise.

William Morris photo
Wallace Stevens photo
Anthony Burgess photo
James Macpherson photo
James Taylor photo
Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Peter Greenaway photo
Pier Gerlofs Donia photo

“Butter, bread, and green cheese: whoever cannot say that is not a true Frisian.”

Pier Gerlofs Donia (1480–1520) Frisian warrior, pirate, and rebel

Quoted in: The Linguist: Journal of the Institute of Linguists. Volumes 42-43, The Institute, 2003. p. 192
According to legend, Pier forced his captives to repeat this shibboleth to distinguish Frisians from Dutch and Low Germans.

Edmund Blunden photo
Edward Thomson photo

“It is a magnificent country, lonely, grand in scale, stretching for mile upon mile, the clear blue air stabbed with peaks of snow, where the sun glints on the ice surfaces, green as sea ice, breath taking in its scope.”

Judy LaMarsh (1924–1980) Canadian politician, writer, broadcaster and barrister.

Source: Memoirs Of A Bird In A Gilded Cage (1969), CHAPTER 8, Centennial summer, p. 196 (On Canada...)

J.M. Coetzee photo
Frederick Douglass photo
Letitia Elizabeth Landon photo
Henry Cabot Lodge photo
Philip K. Dick photo
Richard Feynman photo
William Blake photo
Letitia Elizabeth Landon photo
Thomas Sackville, 1st Earl of Dorset photo
Mohamed Morsi photo

“The Zionists have no right to the land of Palestine. There is no place for them on the land of Palestine. What they took before 1947-8 constitutes plunder, and what they are doing now is a continuation of this plundering. By no means do we recognize their Green Line. The land of Palestine belongs to the Palestinians, not to the Zionists.”

Mohamed Morsi (1951–2019) 5th President of Egypt

Morsi in 2010, as quoted by Rod Freidman in Egypt’s Morsi, in 2010 interviews posted online, called Zionists ‘bloodsuckers’ and descendants of pigs, urged to sever all ties with Israel http://www.timesofisrael.com/egypts-morsi-in-2010-statements-posted-online-called-zionists-bloodsuckers-and-descendants-of-pigs-urged-to-sever-all-ties-with-israel/, Times of Israel (4 January, 2013)

Kate Chopin photo
Carole King photo
Nathanael Greene photo
David Icke photo

“Well what a turn-up. From professional footballer to television presenter to green politician. Whatever next?”

David Icke (1952) English writer and public speaker

Source: It Doesn't Have to Be Like This: Green Politics Explained 1990

Tim McGraw photo
Elizabeth Prentiss photo
Tommy Franks photo

“Another hallway led to a green steel door. "This is the execution chamber," the officer said. "The day of the execution, we take the man through this door." He opened the green door, and we blinked at the bright lights inside. A big chair filled the room. I could smell leather. "All right, boys," he said. "Line up." The kids made a straight line that led out the green door, then moved ahead, one at a time, to sit in the big wooden chair. "This is the electric chair, Tommy Ray," my dad explained. "It's where murderers are executed." The boys inched forward. Some sat longer in the chair than others. Executed meant killed, that much I knew. "This is the ultimate consequence for the ultimate act of evil," my father told the troop. When all the boys had sat in the chair, it was my turn. I reached up and felt the smooth wood, the leather straps with cold metal buckles. There was a black steel cap dangling up there like a lamp without a bulb. "Up you go, Tommy Ray," Dad said, hoisting me into the chair. The boys were staring at me. But I wasn't even a little bit afraid. My father stood right beside me. I could feel his warm hand next to the cool metal buckle. As the school bus rumbled out of the prison parking lot that afternoon, I stared back at the high walls. I had learned another important lesson. A consequence was what followed what you did. If you did good things, you'd be rewarded with further good things. If you broke the law, you'd have to pay the price. I have never forgotten that lesson.”

Tommy Franks (1945) United States Army general

Source: American Soldier (2004), p. 8

Conrad Aiken photo
Henri Matisse photo
Andrew Sullivan photo
Boris Johnson photo
Billy Joel photo
Phillip Guston photo
John Taylor photo

“In paper, many a poet now survives
Or else their lines had perish'd with their lives.
Old Chaucer, Gower, and Sir Thomas More,
Sir Philip Sidney, who the laurel wore,
Spenser, and Shakespeare did in art excell,
Sir Edward Dyer, Greene, Nash, Daniel.
Sylvester, Beaumont, Sir John Harrington,
Forgetfulness their works would over run
But that in paper they immortally
Do live in spite of death, and cannot die.”

John Taylor (1578–1653) English poet of the 16th and 17th centuries

From "The Praise of Hemp-seed" http://ebooks.gutenberg.us/Renascence_Editions/taylor1.html, published 1620. This is the earliest surviving printed reference to the death of William Shakespeare and Francis Beaumont, who had both died in 1616.

Dylan Thomas photo

“And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sunlight
And the legends of the green chapels.”

Dylan Thomas (1914–1953) Welsh poet and writer

" Poem in October http://www.bigeye.com/october.htm", st. 5 (1946)

Willa Cather photo
Aldo Leopold photo
Dana Gioia photo
Chrétien de Troyes photo

“The joy of love when it comes late is like the burning of a green log, which gives out all the more heat and keeps its ability to do so all the longer, the slower it is to kindle.”

Chrétien de Troyes French poet and trouvère

Joie d'amors qui vient a tart
Sanble la vert busche qui art,
Qui dedanz rant plus grant chalor
Et plus se tient en sa valor,
Quant plus demore a alumer.
Source: Yvain or Le Chevalier au Lion, Line 2521

Jacques Herzog photo

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Fitz-Greene Halleck photo

“Green be the turf above thee,
Friend of my better days!
None knew thee but to love thee,
Nor named thee but to praise.”

Fitz-Greene Halleck (1790–1867) American writer

On the Death of Joseph Rodman Drake. Compare: "She was good as she was fair, None—none on earth above her! As pure in thought as angels are: To know her was to love her, Samuel Rogers, Jacqueline, Stanza 1.

Pete Doherty photo
Letitia Elizabeth Landon photo
Edward Hopper photo

“The people here in fact seem to live in the streets, which are alive from morning until night, not as they are in New York with that never-ending determination for the 'long-green', but with a pleasure-loving crowd that doesn’t care what it does or where it goes, so that it has a good time.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Edward Hopper, in a letter to his mother, Paris, October 30, 1906; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 14
1905 - 1910

Thomas Gainsborough photo
Viktor Schauberger photo
Wang Wei photo

“Empty hills, no one in sight,
only the sound of someone talking;
late sunlight enters the deep wood,
shining over the green moss again.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Deer Fence" (鹿柴), trans. Burton Watson
Variant translations:
No one is seen in deserted hills,
Only the echoes of speech is heard.
Sunlight cast back comes deep in the woods,
And shines once again upon the green moss.
Translated by Stephen Owen
On the empty mountain, seeing no one,
Only hearing the echoes of someone's voice;
Returning light enters the deep forest,
Again shining upon the green moss.
Translated by Richard W. Bodman and Victor H. Mair

John F. Kennedy photo

“The green beret' is again becoming a symbol of excellence, a badge of courage, a mark of distinction in the fight for freedom. I know the United States Army will live up to its reputation for imagination, resourcefulness, and spirit as we meet this challenge.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Letter to the United States Army" (11 April 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx; Box 5, President's Outgoing Executive Correspondence, White House Central Chronological Files, Papers of John F. Kennedy, John F. Kennedy Presidential Library
1962

John Muir photo

“Nature in her green, tranquil woods heals and soothes all afflictions.”

John Muir (1838–1914) Scottish-born American naturalist and author

August 1875, page 220
John of the Mountains, 1938

Dylan Thomas photo
Paul Auster photo
Max Beckmann photo

“Well - not quite yet - green police [the Germans] still driving around with machine guns, etc. Nevertheless big peace party with warning by Eisenhower. - Walked around in the city [Amsterdam], much drunkenness..”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Beckmann's Diary in early May 1945, Amsterdam; as cited on: 'Arts in exile' http://kuenste-im-exil.de
1940s

Paula Modersohn-Becker photo

“Someday I must be able to paint truly remarkable colors. Yesterday I held in my lap a wide, silver-gray satin ribbon which I edged with two narrower black, patterned silk ribbons. And I placed on top of these a plump, bottle-green velvet bow. I'd like to be able to paint something one day in those colors.”

Paula Modersohn-Becker (1876–1907) German artist

‎note in her Journal, 3 June, 1902; as quoted in Paula Modersohn-Becker, the Letters and Journals, ed. Günter Busch and ‎Liselotte von Reinken (1998), p. 278
1900 - 1905
Variant: Someday I must be able to paint truly remarkable colors. Yesterday I held in my lap a wide, silver-gray satin ribbon which I edged with two narrower black, patterned silk ribbons. And I placed on top of these a plump, bottle-green velvet bow. I'd like to be able to paint something one day in those colors.

“The misleading character of the accident theory is evident from the fact that even now the “error” involved from the standpoint of U. S. policy-makers and American leaders generally is neither one of purpose nor method – it is strictly a case of unexpectedly large expense. For the U. S. leadership, in other words, Vietnam is simply another, painfully large “cost over-run.” In terms of basic U. S. objectives and methods employed, in the Third World – essentially establishment of reliable client states, increasingly managed by military elites, with generous financial and military support (arms, advisors, Green Berets, and more extensive military intervention when junta control is threatened, as in Santo Domingo) – Vietnam is a facet of a completely rational policy. The policy may be vicious and catastrophic, from the perspective of the Vietnamese; and it may be a sordid and disruptive waste of human and material resources from the standpoint of the real interests of the ordinary American; but to the Rostows, Westmorelands and Nixons, the Vietnam War is a noble endeavor (“one of our finest moments”) that we cannot afford to abandon without achieving our original ends. The evidence is compelling that this leadership is entirely capable of destroying every village in Vietnam (and in the process, every Vietnamese) if this is required to attain the original political objectives.”

Edward S. Herman (1925–2017) American journalist

Source: Atrocities in Vietnam: Myths and Realities, 1970, pp. 87-88.

Letitia Elizabeth Landon photo
Yi Hwang photo
Helen Nearing photo
Paul Gauguin photo

“How do you see this tree? Is it really green? Use green, then, the most beautiful green on your palette. And that shadow, rather blue? Don't be afraid to paint it as blue as possible.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Comment voyez-vous cet arbre? Il est bien vert? Mettez donc du vert, le plus beau vert de votre palette; — et cette ombre, plutôt bleue? Ne craignez pas la peindre aussi bleue que possible.
Quote from a conversation in 1888, Pont-Aven, with Paul Sérusier as cited by w:Maurice Denis, inL'influence de Paul Gauguin, in Occident (October 1903) and published in Du symbolisme au classicisme. Théories (1912), ed. Olivier Revault d'Allonnes (Paris, 1964), p. 51.
1870s - 1880s

Isaac Rosenberg photo
Walther von der Vogelweide photo

“The world is beautiful outside: white, green, and red; but inside it is black and dark as death.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Diu welt ist ûzen schoene wîz grüen unde rôt
und innân swarzer varwe vinster sam der tôt.
"Owe war sint verswunden alliu mîniu jâr", line 37; translation from George Fenwick Jones Walther von der Vogelweide (New York: Twayne, 1968) p. 136.

Ani DiFranco photo
Stephen King photo
James A. Garfield photo
Letitia Elizabeth Landon photo

“But this is as a dream, — the plough has pass'd
Where the stag bounded, and the day has looked
On the green twilight of the forest-trees.
This Oak has no companion!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

- - -
The Oak from The London Literary Gazette (19th April 1823) Fragments
The Improvisatrice (1824)

Richard Rodríguez photo
Wang Ju-hsuan photo

“We've had too many divisions or stand-offs regarding the pan-blue and pan-green divide, the mainlander-Taiwanese divide and even the southern Taiwan-northern Taiwan divide. In fact, we're all in the same boat.”

Wang Ju-hsuan (1961) Taiwanese politician

Wang Ju-hsuan (2015) cited in " Chu's running mate: 'We're all in same boat' http://focustaiwan.tw/news/aipl/201511180030.aspx" on Focus Taiwan, 18 November 2015.

Haruki Murakami photo
William Cullen Bryant photo

“Glorious are the woods in their latest gold and crimson,
Yet our full-leaved willows are in the freshest green.
Such a kindly autumn, so mercifully dealing
With the growths of summer, I never yet have seen.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Third of November, 1861. Thirty Poems. Appleton, New York. pp. 112-115. (1864)

Cristoforo Colombo photo
David Lloyd George photo

“Do these things for the sake of your country during the war. Do them for the sake of your country after the war. When the smoke of this great conflict has been dissolved in the atmosphere we breathe there will reappear a new Britain. It will be the old country still, but it will be a new country. Its commerce will be new, its trade will be new, its industries will be new. There will be new conditions of life and of toil, for capital and for labour alike, and there will be new relations between both of them and for ever. (Cheers.) But there will be new ideas, there will be a new outlook, there will be a new character in the land. The men and women of this country will be burnt into fine building material for the new Britain in the fiery kilns of the war. It will not merely be the millions of men who, please God! will come back from the battlefield to enjoy the victory which they have won by their bravery—a finer foundation I would not want for the new country, but it will not be merely that—the Britain that is to be will depend also upon what will be done now by the many more millions who remain at home. There are rare epochs in the history of the world when in a few raging years the character, the destiny, of the whole race is determined for unknown ages. This is one. The winter wheat is being sown. It is better, it is surer, it is more bountiful in its harvest than when it is sown in the soft spring time. There are many storms to pass through, there are many frosts to endure, before the land brings forth its green promise. But let us not be weary in well-doing, for in due season we shall reap if we faint not.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

Loud cheers.
Speech in his constituency of Carnavon Boroughs (3 February 1917), quoted in The Times (5 February 1917), p. 12
Prime Minister

Thomas Fuller (writer) photo