Quotes about flare
A collection of quotes on the topic of flare, likeness, use, light.
Quotes about flare

The Tomorrow Show with Tom Snyder (27th June 1980)

In Memory Of Major Robert Gregory http://poetry.poetryx.com/poems/1516/, st. 11
The Wild Swans at Coole (1919)

Variant: I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
Source: The Poetry of Pablo Neruda

“You…" The centaur's eyes flared like a cornered animal's. "You should be dead.”
Source: The Lost Hero
On Death and Dying (1969)

“Sex means nothing--just the moment of ecstasy, that flares and dies in minutes.”

Source: Henry and June: From "A Journal of Love"--The Unexpurgated Diary of Anaïs Nin
Source: Magic Bleeds

Interview by Lindsay Baker, "The Unsinkable Ian Brown" http://www.guardian.co.uk/music/2002/feb/02/shopping.popandrock?INTCMP=SRCH, The Guardian, 2 February 2002, retrieved 2011-08-13

"Union Square"
Helen of Troy and Other Poems (1911)

False Echoes
Song lyrics, Banana Wind (1996)

Pages 134-135 of Emergence: Labeled Autistic by Temple Grandin and Margaret M. Scariano

Introduction, p. xiii
Philosophy At The Limit (1990)

Scientists Predict Large Solar Cycle Coming http://wattsupwiththat.com/2006/12/23/scientists-predict-large-solar-cycle-coming/, wattsupwiththat.com, December 23, 2006.
2006

Source: The Monkey Grammarian (1974), Ch. 9

All versions.
The Battle Hymn of the Republic (1861)

Amanda Collier Ridley, Chapter 12, p. 183
2009, The Best of Me (2011)

Source: The Monkey Grammarian (1974), Ch. 9

Founding Address (1876)

Source: Love and Will (1969), Ch. 1 : Introduction : Our Schizoid World, p. 31

On criticism of his writing, as quoted in "The Unbounded Spirit of Philip Roth" http://www.nytimes.com/books/98/10/11/specials/roth-unbounded.html?_r=1&oref=slogin, interview with Mervyn Rothstein, The New York Times (1 August 1985), Late City Final Edition, section C, page 13, column 1
Unicorn Variation (1982)

The Steamer
St Cyril Road and Other Poems (2005)

Try to Praise the Mutilated World, Try to Praise the Mutilated World, September 11, 2011, Adam Zagajewski, The New Yorker, September 24, 2001 http://www.newyorker.com/archive/2001/09/24/010924po_poem_zagajewski,

Source: Quality, Productivity and Competitive Position, (1982), p. 101

1900's, Let's Murder the Moonlight!' (1909)
Source: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 54: Lead paragraph

Lurker's Guide to Babylon 5 : "Passing Through Gethsemane : jms speaks" (13 July (2004) http://www.midwinter.com/lurk/countries/us/guide/048.html.
Context: As an atheist, I believe that all life is unspeakably precious, because it’s only here for a brief moment, a flare against the dark, and then it’s gone forever. No afterlives, no second chances, no backsies. So there can be nothing crueler than the abuse, destruction or wanton taking of a life. It is a crime no less than burning the Mona Lisa, for there is always just one of each. So I cannot forgive.
North and South Trilogy (1982-1987), March into Darkness
Context: He saw it all summed up in the blind marching of that nameless unit. A vision of gaunt shapes, sharp shiny steel, dim lamps flaring in the rain. The war machine was rolling.

Source: Consilience: The Unity of Knowledge (1998), p. 277-278.
Context: Few will doubt that humankind has created a planet-sized problem for itself. No one wished it so, but we are the first species to become a geophysical force, altering Earth's climate, a role previously reserved for tectonics, sun flares, and glacial cycles. We are also the greatest destroyer of life since the ten-kilometer-wide meteorite that landed near Yucatan and ended the Age of Reptiles sixty-five million years ago. Through overpopulation we have put ourselves in danger of running out of food and water. So a very Faustian choice is upon us: whether to accept our corrosive and risky behavior as the unavoidable price of population and economic growth, or to take stock of ourselves and search for a new environmental ethic.

Prologue
The Path of the King (1921)
Context: The spark once transmitted may smoulder for generations under ashes, but the appointed time will come, and it will flare up to warm the world. God never allows waste. And we fools rub our eyes and wonder, when we see genius come out of the gutter. It didn't begin there. We tell ourselves that Shakespeare was the son of a woolpedlar, and Napoleon of a farmer, and Luther of a peasant, and we hold up our hands at the marvel. But who knows what kings and prophets they had in their ancestry!

The Philosophy of Paine (1925)
Context: Looking back to those times we cannot, without much reading, clearly gauge the sentiment of the Colonies. Perhaps the larger number of responsible men still hoped for peace with England. They did not even venture to express the matter that way. Few men, indeed, had thought in terms of war.
Then Paine wrote 'Common Sense,' an anonymous tract which immediately stirred the fires of liberty. It flashed from hand to hand throughout the Colonies. One copy reached the New York Assembly, in session at Albany, and a night meeting was voted to answer this unknown writer with his clarion call to liberty. The Assembly met, but could find no suitable answer. Tom Paine had inscribed a document which never has been answered adversely, and never can be, so long as man esteems his priceless possession.
In 'Common Sense' Paine flared forth with a document so powerful that the Revolution became inevitable. Washington recognized the difference, and in his calm way said that matters never could be the same again.. It must be remembered that 'Common Sense' preceded the declaration and affirmed the very principles that went into the national doctrine of liberty. But that affirmation was made with more vigor, more of the fire of the patriot and was exactly suited to the hour. It is probable that we should have had the Revolution without Tom Paine. Certainly it could not be forestalled, once he had spoken.

Opening Chapter
Naked Lunch (1959)
Context: Shooting PG is a terrible hassle, you have to burn out the alcohol first, then freeze out the camphor and draw this brown liquid off with a dropper—have to shoot it in the vein or you get an abscess, and usually end up with an abscess no matter where you shoot it. Best deal is to drink it with goof balls … So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish … New Orleans is a dead museum. We walk around Exchange Place breathing PG and find The Man right away. It’s a small place and the fuzz always knows who is pushing so he figures what the hell does it matter and sells to anybody. We stock up on H and backtrack for Mexico. Back through Lake Charles and the dead slot-machine country, south end of Texas, nigger-killing sheriffs look us over and check the car papers. Something falls off you when you cross the border into Mexico, and suddenly the landscape hits you straight with nothing between you and it, desert and mountains and vultures; little wheeling specks and others so close you can hear wings cut the air (a dry husking sound), and when they spot something they pour out of the blue sky, that shattering bloody blue sky of Mexico, down in a black funnel … Drove all night, came at dawn to a warm misty place, barking dogs and the sound of running water.
“When God comes at me
do I bow the stallion's legs
or meet him with flared nostrils?”
Control: A translation (1974)