Quotes about flare

A collection of quotes on the topic of flare, likeness, use, light.

Quotes about flare

Alexis Karpouzos photo
Vladimir Lenin photo
Elizabeth Barrett Browning photo
John Lydon photo
Emile Zola photo
W.B. Yeats photo
W.B. Yeats photo
Pablo Neruda photo

“I hunger for your sleek laugh and your hands the color of a furious harvest. I want to eat the sunbeams flaring in your beauty.”

Pablo Neruda (1904–1973) Chilean poet

Variant: I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
Source: The Poetry of Pablo Neruda

Rick Riordan photo
Anaïs Nin photo

“Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Source: Henry and June: From "A Journal of Love"--The Unexpurgated Diary of Anaïs Nin

Geoff Dyer photo
Rick Riordan photo
Madeline Miller photo
Ian Brown photo

“We started out to finish groups like U2 - that was what it was all about. And they're still the biggest band in the world, so we failed. We didn't really do anything, people wore flares for a year or two, d'you know what I mean? That's all we did.”

Ian Brown (1963) English musician and singer of The Stone Roses

Interview by Lindsay Baker, "The Unsinkable Ian Brown" http://www.guardian.co.uk/music/2002/feb/02/shopping.popandrock?INTCMP=SRCH, The Guardian, 2 February 2002, retrieved 2011-08-13

Sara Teasdale photo

“With the man I love who loves me not
I walked in the street-lamps' flare —
But oh, the girls who can ask for love
In the lights of Union Square.”

Sara Teasdale (1884–1933) American writer and poet

"Union Square"
Helen of Troy and Other Poems (1911)

Sten Nadolny photo
Conrad Aiken photo
Wilfred Owen photo
Jimmy Buffett photo
Bill Bryson photo
Temple Grandin photo
Richard Rodríguez photo
David Wood photo
Anthony Watts photo

“It's all about the sun. Just take a look at the picture above and notice just how small earth is compared to the sun, or even a large solar flare. Anybody whom thinks the human race has more effect on our global energy balance than an active sun does is just deluding themselves.”

Anthony Watts (1958) American television meteorologist

Scientists Predict Large Solar Cycle Coming http://wattsupwiththat.com/2006/12/23/scientists-predict-large-solar-cycle-coming/, wattsupwiththat.com, December 23, 2006.
2006

Octavio Paz photo
Annie Dillard photo
Julia Ward Howe photo
Nicholas Sparks photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Felix Adler photo
Rollo May photo
Philip Roth photo

“This indictment is a kind of fever that flares up from time to time. It flared up after "Defender of the Faith," again after "Goodbye Columbus," and understandably it went way up — to about 107 — after "Portnoy's Complaint." Now there's just a low-grade fever running, nothing to worry about.”

Philip Roth (1933–2018) American novelist

On criticism of his writing, as quoted in "The Unbounded Spirit of Philip Roth" http://www.nytimes.com/books/98/10/11/specials/roth-unbounded.html?_r=1&oref=slogin, interview with Mervyn Rothstein, The New York Times (1 August 1985), Late City Final Edition, section C, page 13, column 1

Amit Chaudhuri photo
Adam Zagajewski photo
W. Edwards Deming photo
Harry Turtledove photo
Simon Armitage photo
Andrew Lang photo
Filippo Tommaso Marinetti photo
J. Michael Straczynski photo

“As an atheist, I believe that all life is unspeakably precious, because it’s only here for a brief moment, a flare against the dark, and then it’s gone forever.”

Lurker's Guide to Babylon 5 : "Passing Through Gethsemane : jms speaks" (13 July (2004) http://www.midwinter.com/lurk/countries/us/guide/048.html.
Context: As an atheist, I believe that all life is unspeakably precious, because it’s only here for a brief moment, a flare against the dark, and then it’s gone forever. No afterlives, no second chances, no backsies. So there can be nothing crueler than the abuse, destruction or wanton taking of a life. It is a crime no less than burning the Mona Lisa, for there is always just one of each. So I cannot forgive.

“A vision of gaunt shapes, sharp shiny steel, dim lamps flaring in the rain. The war machine was rolling.”

John Jakes (1932) American historical novelist and fantasy writer

North and South Trilogy (1982-1987), March into Darkness
Context: He saw it all summed up in the blind marching of that nameless unit. A vision of gaunt shapes, sharp shiny steel, dim lamps flaring in the rain. The war machine was rolling.

Edward O. Wilson photo

“Few will doubt that humankind has created a planet-sized problem for itself. No one wished it so, but we are the first species to become a geophysical force, altering Earth's climate, a role previously reserved for tectonics, sun flares, and glacial cycles.”

Edward O. Wilson (1929) American biologist

Source: Consilience: The Unity of Knowledge (1998), p. 277-278.
Context: Few will doubt that humankind has created a planet-sized problem for itself. No one wished it so, but we are the first species to become a geophysical force, altering Earth's climate, a role previously reserved for tectonics, sun flares, and glacial cycles. We are also the greatest destroyer of life since the ten-kilometer-wide meteorite that landed near Yucatan and ended the Age of Reptiles sixty-five million years ago. Through overpopulation we have put ourselves in danger of running out of food and water. So a very Faustian choice is upon us: whether to accept our corrosive and risky behavior as the unavoidable price of population and economic growth, or to take stock of ourselves and search for a new environmental ethic.

John Buchan photo

“The spark once transmitted may smoulder for generations under ashes, but the appointed time will come, and it will flare up to warm the world.”

Prologue
The Path of the King (1921)
Context: The spark once transmitted may smoulder for generations under ashes, but the appointed time will come, and it will flare up to warm the world. God never allows waste. And we fools rub our eyes and wonder, when we see genius come out of the gutter. It didn't begin there. We tell ourselves that Shakespeare was the son of a woolpedlar, and Napoleon of a farmer, and Luther of a peasant, and we hold up our hands at the marvel. But who knows what kings and prophets they had in their ancestry!

Thomas Edison photo

“In 'Common Sense' Paine flared forth with a document so powerful that the Revolution became inevitable. Washington recognized the difference, and in his calm way said that matters never could be the same again..”

Thomas Edison (1847–1931) American inventor and businessman

The Philosophy of Paine (1925)
Context: Looking back to those times we cannot, without much reading, clearly gauge the sentiment of the Colonies. Perhaps the larger number of responsible men still hoped for peace with England. They did not even venture to express the matter that way. Few men, indeed, had thought in terms of war.
Then Paine wrote 'Common Sense,' an anonymous tract which immediately stirred the fires of liberty. It flashed from hand to hand throughout the Colonies. One copy reached the New York Assembly, in session at Albany, and a night meeting was voted to answer this unknown writer with his clarion call to liberty. The Assembly met, but could find no suitable answer. Tom Paine had inscribed a document which never has been answered adversely, and never can be, so long as man esteems his priceless possession.
In 'Common Sense' Paine flared forth with a document so powerful that the Revolution became inevitable. Washington recognized the difference, and in his calm way said that matters never could be the same again.. It must be remembered that 'Common Sense' preceded the declaration and affirmed the very principles that went into the national doctrine of liberty. But that affirmation was made with more vigor, more of the fire of the patriot and was exactly suited to the hour. It is probable that we should have had the Revolution without Tom Paine. Certainly it could not be forestalled, once he had spoken.

William S. Burroughs photo

“So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish …”

Opening Chapter
Naked Lunch (1959)
Context: Shooting PG is a terrible hassle, you have to burn out the alcohol first, then freeze out the camphor and draw this brown liquid off with a dropper—have to shoot it in the vein or you get an abscess, and usually end up with an abscess no matter where you shoot it. Best deal is to drink it with goof balls … So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish … New Orleans is a dead museum. We walk around Exchange Place breathing PG and find The Man right away. It’s a small place and the fuzz always knows who is pushing so he figures what the hell does it matter and sells to anybody. We stock up on H and backtrack for Mexico. Back through Lake Charles and the dead slot-machine country, south end of Texas, nigger-killing sheriffs look us over and check the car papers. Something falls off you when you cross the border into Mexico, and suddenly the landscape hits you straight with nothing between you and it, desert and mountains and vultures; little wheeling specks and others so close you can hear wings cut the air (a dry husking sound), and when they spot something they pour out of the blue sky, that shattering bloody blue sky of Mexico, down in a black funnel … Drove all night, came at dawn to a warm misty place, barking dogs and the sound of running water.

Alastair Reynolds photo

“When God comes at me
do I bow the stallion's legs
or meet him with flared nostrils?”

John Carder Bush (1944) British artist; brother of Kate Bush

Control: A translation (1974)

Eminem photo