Quotes about first
page 89

“I used to think that prayer should have the first place and teaching the second. I now feel that it would be truer to give prayer the first, second and third place, and teaching the fourth.”

James O. Fraser (1886–1938) missionary to China, inventor of Tibeto-Burman Nosu alphabet

1922 Source: Geraldine Taylor. Behind the Ranges: The Life-changing Story of J.O. Fraser. Singapore: OMF International (IHQ) Ltd., 1998, 269.

Taryn Terrell photo
Mohammad Khatami photo

“What I propose is that dialogue should take place among cultures and civilizations. And as a first step, I would suggest that cultures and civilizations should not be represented by politicians but by philosophers, scientists, artists and intellectuals. […] Dialogue will lead to a common language and a common language will culminate in a common thought, and this will turn into a common approach to the world and global events.”

Mohammad Khatami (1943) Iranian prominent reformist politician, scholar and shiite faqih.

March 24, 2009 , Lecture in The Australian National University DIALOGUE, JUSTICE AND PEACE Source http://cais.anu.edu.au/sites/default/files/documents/bulletins/CAIS%20Bulletin%20Vol%2016%20No%201%20sm.pdf

Henry Clay Trumbull photo
Norodom Sihanouk photo
Chris Cornell photo
William Moulton Marston photo

“Appetite emotion must first, last and always be adapted to love.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Source: The Emotions of Normal People (1928), p.393 as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.8; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn.

John Marshall Harlan II photo
Margrethe II of Denmark photo

“For me it is always the colour, first and foremost.”

Margrethe II of Denmark (1940) Queen of Denmark

Conversation with Christian Geter, http://luxembourg.um.dk/fr/actualites/actualites/newsdisplaypage/?newsid=fe6684ff-f0cd-4ff4-aaec-d6de78b2801a (19 January 2012).
As an Artist

Henry Temple, 3rd Viscount Palmerston photo
Matthew Henry photo
Steve Jobs photo
Anand Gandhi photo

“The ability and the desire to transmit knowhow, intention, and insight to others around us have co-evolved with humanity itself. Mixed reality is a huge milestone in that human project of record keeping, perspective sharing, empathising, and merging with the ‘other’, a project that began with the first cave painting, or even earlier.”

Anand Gandhi (1980) Indian film director

"‘Cost of Coal’, India’s first documentary in VR" in The Hindu (16 July 2016) http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/cost-of-coal-indias-first-documentary-in-vr/article8856593.ece

Preston Manning photo
Josip Broz Tito photo

“Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature -- screening Friday and Saturday only at the Avalon -- the key to amping up the gore is an old standby: puppets.”

John Roecker (1966) American film director

[The Washington Post, The Washington Post Company, Film Notes: John Roecker's 'Freaky' Puppet Show, January 27, 2006, Christina, Talcott, http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html]
About

Sharron Angle photo
Tom Robbins photo
Adolf Hitler photo

“Only one thing could have stopped our movement – if our adversaries had understood its principle and from the first day smashed with the utmost brutality the nucleus of our new movement.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Only partially true. The full quote:
Only one danger could have jeopardised this development – if our adversaries had understood its principle, established a clear understanding of these ideas, and not offered any resistance. Or, alternatively, if they had from the first day annihilated with the utmost brutality the nucleus of our new movement.
He thought that if his adversaries had ignored the ‘weakest’ elements of his movement, they would harm the party. See zuriz https://zuriz.wordpress.com/2013/10/06/smashing-the-nucleus/ for more.
Misattributed

John Muir photo
John Ruskin photo
John Dryden photo

“Reason to rule, mercy to forgive:
The first is law, the last prerogative.”

Pt. I, lines 261-262.
The Hind and the Panther (1687)

Dwight D. Eisenhower photo
Thomas Little Heath photo
Louis C.K. photo
Dave Barry photo
Lawrence Wright photo
Stephen Miller photo
Yusuf Qaradawi photo

“The first sentence of the actual Life of Alexander lives up to Plutarch's warning words. 'Alexander's descent, as a Heraclid on his father's side from Caranus, and as an Aeacid on his mother's side from Neoptolemus, is one of the matters which have been completely trusted.' While the Heraclid and Aeacid descent went unquestioned by ancient writers, the citation of Caranus as the founding father in Macedonia and so analogous to Neoptolemus in Molossia was not only controversial but must have been known to be controversial by Plutarch. For he was conversant with the histories of Herodotus and Thucydides. which had looked to Perdiccas as the founding father in Macedonia. Caranus was inserted as a forerunner of Perdiccas in Macedonia only at the turn of the fifth century: he appeared as such in the works of fourth-century writers, such as Marsyas the Macedonian historian (FGrH 135/6 i- 14) who on my analysis was used by Pompeius Trogus (Prologue 7 'origines Macedonicae regesque a conditorc gentis Carano'). Thus the dogmatic statement of Plutarch, that Caranus was the forerunner, should have been qualified, if he had been writing scientific history. But because the statement conveyed a belief which Alexander certainly held in his lifetime it was justified in the eyes of a biographer and in the eyes of those who were more concerned with biographical background than with historical facts. If Plutarch had been challenged, he would no doubt have claimed that his belief was based on his own wide reading of authors who had studied the origins of Macedonia and provided 'completely trusted' data.”

N. G. L. Hammond (1907–2001) British classical scholar

"Sources for Alexander the Great: An Analysis of Plutarch's 'Life' and Arrian's 'Anabasis Alexandrou'", p.5, Cambridge Classical Studies

Jean-Baptiste Say photo

“The celebrated Adam Smith was the first to point out the immense increase of production, and the superior perfection of products referable to this division of labour.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter VIII, p. 91

Sinclair Lewis photo
Willem de Sitter photo
John Carpenter photo
Jean Cocteau photo

“The instinct of nearly all societies is to lock up anybody who is truly free. First, society begins by trying to beat you up. If this fails, they try to poison you. If this fails too, they finish by loading honors on your head.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

As quoted in Moments of Clarity (2002) by Thomas L. Jackson, p. 88

Konrad Heiden photo
Jean Paul Sartre photo

“…man first of all exists, encounters himself, surges up in the world – and defines himself afterwards.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

Characterizations of Existentialism (1944)

Pope Benedict XVI photo
Frank Harris photo
Peter F. Drucker photo
Neil deGrasse Tyson photo
Simon Newcomb photo

“Is the Airship Possible? That depends, first of all, on whether we are to make the requisite scientific discoveries… the construction of an aerial vehicle … which could carry even a single man from place-to-place at pleasure requires the discovery of some new metal or some new force.”

Simon Newcomb (1835–1909) American astronomer

[Newcomb, Simon, Is the Airship Coming?, McClure's magazine, September 1901, 17, 5, 432–435, S. S. McClure, Limited, http://invention.psychology.msstate.edu/library/Magazines/Airship_Coming.html]

Daniel Johns photo
Michael Cunningham photo
Norman G. Finkelstein photo
Enoch Powell photo
Salwa Bugaighis photo
Mata Amritanandamayi photo
René Descartes photo

“Chopin is the true inventor of the concert etude, at least in the sense of being the first to give it complete artistic form—a form in which musical substance and technical difficulty coincide.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Hans Arp photo

“We [Hans Arp and Sophie Taeuber ] painted embroidered and made collages. All these works were drawn from the simplest forms and were probably the first examples of concrete art. These works are realities pure and independent with no meaning or cerebral intention. We rejected all mimesis and description, giving free reign to the elementary and spontaneous.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp's quote, on the cooperation with his future wife Sophie Taeuber ca. 1916; as quoted in: Abstract Art, Anna Moszynska, Thames and Hudson, London, 1990, p. 65
1910-20s

Alain de Botton photo

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

Gerhard Richter photo
Albrecht Thaer photo
Maimónides photo

“There are seven causes of inconsistencies and contradictions to be met with in a literary work. The first cause arises from the fact that the author collects the opinions of various men, each differing from the other, but neglects to mention the name of the author of any particular opinion. In such a work contradictions or inconsistencies must occur, since any two statements may belong to two different authors. Second cause: The author holds at first one opinion which he subsequently rejects: in his work, however, both his original and altered views are retained. Third cause: The passages in question are not all to be taken literally: some only are to be understood in their literal sense, while in others figurative language is employed, which includes another meaning besides the literal one: or, in the apparently inconsistent passages, figurative language is employed which, if taken literally, would seem to be contradictories or contraries. Fourth cause: The premises are not identical in both statements, but for certain reasons they are not fully stated in these passages: or two propositions with different subjects which are expressed by the same term without having the difference in meaning pointed out, occur in two passages. The contradiction is therefore only apparent, but there is no contradiction in reality. The fifth cause is traceable to the use of a certain method adopted in teaching and expounding profound problems. Namely, a difficult and obscure theorem must sometimes be mentioned and assumed as known, for the illustration of some elementary and intelligible subject which must be taught beforehand the commencement being always made with the easier thing. The teacher must therefore facilitate, in any manner which he can devise, the explanation of those theorems, which have to be assumed as known, and he must content himself with giving a general though somewhat inaccurate notion on the subject. It is, for the present, explained according to the capacity of the students, that they may comprehend it as far as they are required to understand the subject. Later on, the same subject is thoroughly treated and fully developed in its right place. Sixth cause: The contradiction is not apparent, and only becomes evident through a series of premises. The larger the number of premises necessary to prove the contradiction between the two conclusions, the greater is the chance that it will escape detection, and that the author will not perceive his own inconsistency. Only when from each conclusion, by means of suitable premises, an inference is made, and from the enunciation thus inferred, by means of proper arguments, other conclusions are formed, and after that process has been repeated many times, then it becomes clear that the original conclusions are contradictories or contraries. Even able writers are liable to overlook such inconsistencies. If, however, the contradiction between the original statements can at once be discovered, and the author, while writing the second, does not think of the first, he evinces a greater deficiency, and his words deserve no notice whatever. Seventh cause: It is sometimes necessary to introduce such metaphysical matter as may partly be disclosed, but must partly be concealed: while, therefore, on one occasion the object which the author has in view may demand that the metaphysical problem be treated as solved in one way, it may be convenient on another occasion to treat it as solved in the opposite way. The author must endeavour, by concealing the fact as much as possible, to prevent the uneducated reader from perceiving the contradiction.”

Guide for the Perplexed (c. 1190), Introduction

“I was the first, and to date, the only woman veteran ever elected, and there is a surprisingly low percentage of veterans in Parliament.”

Judy LaMarsh (1924–1980) Canadian politician, writer, broadcaster and barrister.

Source: Memoirs Of A Bird In A Gilded Cage (1969), CHAPTER 2, N.A.T.O., p. 13

Edmund Burke photo

“The first and the simplest emotion which we discover in the human mind is Curiosity.”

Part I Section I
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757)

Aaro Hellaakoski photo

“From his hole so wet and drenching
a pike rose up to tree to sing

when through the greyish net of clouds
first gleam of day was seen
and at the lake the lapping waves
woke up with joyous mean
the pike rose to the spruce's crone
to take a bite at reddish cone”

Aaro Hellaakoski (1893–1952) Finnish writer, poet, geographer and teacher

Aaro Hellaakoski, "The Pike's Song," (1927), Leevi Lehto (transl.), in: Leevi Lehto. Leevi Lehto. Finnish poetry: then and now, January 2005. Published online at upenn.edu. Accessed 20-03-2013

Benjamin Stanton photo
Lyndon LaRouche photo
Dick Morris photo

“The first primary, the one against Bachmann, would be held in Iowa, where Bachmann is probably gonna win, and Perry could be competitive.”

Dick Morris (1947) American political commentator and consultant

Hannity, Fox News,
Michele Bachmann ended her presidential campaign after coming in sixth place in the Iowa primary in January 2012.

David Hume photo
Jacques Monod photo

“One day, almost exactly 25 years ago - it was at the beginning of the bleak winter of 1940 - I entered André Lwoff’s office at the Pasteur Institute. I wanted to discuss with him some of the rather surprising observations I had recently made.
I was working then at the old Sorbonne, in an ancient laboratory that opened on a gallery full of stuffed monkeys. Demobilized in August in the Free Zone after the disaster of 1940, I had succeeded in locating my family living in the Northern Zone and had resumed my work with desperate eagerness. I interrupted work from time to time only to help circulate the first clandestine tracts. I wanted to complete as quickly as possible my doctoral dissertation, which, under the strongly biometric influence of Georges Teissier, I had devoted to the study of the kinetics of bacterial growth. Having determined the constants of growth in the presence of different carbohydrates, it occurred to me that it would be interesting to determine the same constants in paired mixtures of carbohydrates From the first experiment on, I noticed that, whereas the growth was kinetically normal in the presence of certain mixtures (that is, it exhibited a single exponential phase), two complete growth cycles could be observed in other carbohydrate mixtures, these cycles consisting of two exponential phases separated by a-complete cessation of growth.”

Jacques Monod (1910–1976) French biologist

Introduction
From enzymatic adaptation to allosteric transitions (1965)

Natalie Merchant photo
John Horgan (journalist) photo
Lucy Stone photo
Bhakti Tirtha Swami photo
William Herschel photo
Joseph Massad photo
Leonard Trelawny Hobhouse photo
Jacqueline Kennedy Onassis photo

“First think, and if thy thoughts approve thy will,
Then speak, and after, what thou speakest fulfil.”

Thomas Randolph (poet) (1605–1635) English poet and dramatist

"Necessary Observations", Precept 18
Poems (pub. 1638)

Chelsea Clinton photo
Thomas Little Heath photo
Lin Yutang photo
Frederick II of Prussia photo

“It has been said by a certain general, that the first object in the establishment of an army ought to be making provision for the belly, that being the basis and foundation of all operations.”

Frederick II of Prussia (1712–1786) king of Prussia

Military Instructions (1747), Article II: Of the Subsistence of Troops, and of Provisions http://www.sonshi.com/frederickthegreat1-2.html

David Chalmers photo
Jean-François Revel photo
Mike Tyson photo
C. Wright Mills photo
John Howard photo
Aron Ra photo
Robert Lynn Asprin photo
William O. Douglas photo
Edouard Manet photo

“Goodbye my dear Suzanne [his wife], your portraits are hanging in every corner of the bedroom, so I see you first and last thing..”

Edouard Manet (1832–1883) French painter

Quote from Manet's letter to his wife, Suzanne Leenhof, 3 December 1870; as quoted in Manet by Himself, Correspondence & Conversation; Paintings, pastels, prints and drawings, ed. Juliette Bareau-Wilson; Macdonald (1991)
1850 - 1875

Martin Amis photo
Charles Lyell photo
Wendell Phillips photo

“Be not dismayed by a defeat. What is defeat! Nothing but education, nothing but the first step to something better.”

Wendell Phillips (1811–1884) American abolitionist, advocate for Native Americans, orator and lawyer

No record of this specific remark exists prior to its use by a George W. Phillips, in an address to the fifth annual convention of the National Association of Life Underwriters (June 1894), reported in The Chronicle: A Weekly Journal, Devoted to the Interests of Insurance Vol. LIII (1894), p. 336 https://books.google.com/books?id=xoAoAAAAYAAJ&pg=PA335&dq=%22What+is+defeat?+Nothing+but+education.+Nothing+but+the+first+step+to+something+better.%22&hl=en&sa=X&ved=0ahUKEwiFiMan5KveAhWl6YMKHYV6C44Q6AEIdTAO#v=onepage&q=%22What%20is%20defeat%3F%20Nothing%20but%20education.%20Nothing%20but%20the%20first%20step%20to%20something%20better.%22&f=false
Misattributed

Margaret Mead photo
Al Gore photo