Quotes about festival
page 2

Theodor Mommsen photo

“But while at the bottom of the national life the slime was thus constantly accumulating more and more deleteriously and deeply, so much the more smooth and glittering was the surface, overlaid with the varnish of polished manners and universal friendship. All the world interchanged visits; so that in the houses of quality it was necessary to admit the persons presenting themselves every morning for the levee in a certain order fixed by the master or occasionally by the attendant in waiting, and to give audience only to the more notable one by one, while the rest were more summarily admitted partly in groups, partly en masse at the close—a distinction which Gaius Gracchus, in this too paving the way for the new monarchy, is said to have introduced. The interchange of letters of courtesy was carried to as great an extent as the visits of courtesy; "friendly" letters flew over land and sea between persons who had neither personal relations nor business with each other, whereas proper and formal business-letters scarcely occur except where the letter is addressed to a corporation. In like manner invitations to dinner, the customary new year's presents, the domestic festivals, were divested of their proper character and converted almost into public ceremonials; even death itself did not release the Roman from these attentions to his countless "neighbours," but in order to die with due respectability he had to provide each of them at any rate with a keepsake. Just as in certain circles of our mercantile world, the genuine intimacy of family ties and family friendships had so totally vanished from the Rome of that day that the whole intercourse of business and acquaintance could be garnished with forms and flourishes which had lost all meaning, and thus by degrees the reality came to be superseded by that spectral shadow of "friendship," which holds by no means the least place among the various evil spirits brooding over the proscriptions and civil wars of this age.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 2, Translated by W.P. Dickson.
On Roman Friendship in the last ages of the Republic.
The History of Rome - Volume 4: Part 2

Margaret Atwood photo
Sienna Guillory photo
Mohammad Hidayatullah photo
Joseph Strutt photo
Harun Yahya photo
Roger Ebert photo
Ambrose Bierce photo
Charles Stross photo

““But then—you’re telling me they brought unrestricted communications with them?” he asked.
“Yup.” Rachel looked up from her console. “We’ve been trying for years to tell your leaders, in the nicest possible way: information wants to be free. But they wouldn’t listen. For forty years we tried. Then along comes the Festival, which treats censorship as a malfunction and routes communications around it. The Festival won’t take no for an answer because it doesn’t have an opinion on anything; it just is.”
“But information isn’t free. It can’t be. I mean, some things — if anyone could read anything they wanted, they might read things that would tend to deprave and corrupt them, wouldn’t they? People might give exactly the same consideration to blasphemous pornography that they pay to the Bible! They could plot against the state, or each other, without the police being able to listen in and stop them!”
Martin sighed. “You’re still hooked on the state thing, aren’t you?” he said. “Can you take it from me, there are other ways of organizing your civilization?”
“Well—” Vassily blinked at him in mild confusion. “Are you telling me you let information circulate freely where you come from?”
“It’s not a matter of permitting it,” Rachel pointed out. “We had to admit that we couldn’t prevent it. Trying to prevent it was worse than the disease itself.”
“But, but lunatics could brew up biological weapons in their kitchens, destroy cities! Anarchists would acquire the power to overthrow the state, and nobody would be able to tell who they were or where they belonged anymore. The most foul nonsense would be spread, and nobody could stop it—” Vassily paused. “You don’t believe me,” he said plaintively.
“Oh, we believe you alright,” Martin said grimly. “It’s just—look, change isn’t always bad. Sometimes freedom of speech provides a release valve for social tensions that would lead to revolution. And at other times, well—what you’re protesting about boils down to a dislike for anything that disturbs the status quo. You see your government as a security blanket, a warm fluffy cover that’ll protect everybody from anything bad all the time. There’s a lot of that kind of thinking in the New Republic; the idea that people who aren’t kept firmly in their place will automatically behave badly. But where I come from, most people have enough common sense to avoid things that’d harm them; and those that don’t, need to be taught. Censorship just drives problems underground.”
“But, terrorists!”
“Yes,” Rachel interrupted, “terrorists. There are always people who think they’re doing the right thing by inflicting misery on their enemies, kid. And you’re perfectly right about brewing up biological weapons and spreading rumors. But—” She shrugged. “We can live with a low background rate of that sort of thing more easily than we can live with total surveillance and total censorship of everyone, all the time.” She looked grim. “If you think a lunatic planting a nuclear weapon in a city is bad, you’ve never seen what happens when a planet pushed the idea of ubiquitous surveillance and censorship to the limit. There are places where—” She shuddered.”

Source: Singularity Sky (2003), Chapter 14, “The Telephone Repairman” (pp. 296-297)

Hastings Ismay photo

“On the Festival of Britain, "We are consciously and deliberately determined to make history."”

Hastings Ismay (1887–1965) Army officer

"Scope of 1951 Festival". The Times: p. 3a. 9 June 1949.

Lloyd Kaufman photo
Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Du Fu photo

“People may wonder how Mitt came to join in the Holand Sea Festival, carrying a bomb, and what he thought he was doing. Mitt wondered himself by the end.”

Diana Wynne Jones (1934–2011) English children's fantasy writer

First lines.
Source: Dalemark Quartet, Drowned Ammet (1977), p. 223.

Nina Paley photo
Alois Hába photo

“The Hindus of this region had been victims of Muslim high-handedness for a long time, particularly in respect of their women. Murshid Qulî Khãn, the faujdãr of Mathura who died in 1638, was notorious for seizing “all their most beautiful women” and forcing them into his harem. “On the birthday of Krishna,” narrates Ma’sîr-ul-Umara, “a vast gathering of Hindu men and women takes place at Govardhan on the Jumna opposite Mathura. The Khan, painting his forehead and wearing dhoti like a Hindu, used to walk up and down in the crowd. Whenever he saw a woman whose beauty filled even the moon with envy, he snatched her away like a wolf pouncing upon a flock, and placing her in the boat which his men kept ready on the bank, he sped to Agra. The Hindu [for shame] never divulged what had happened to his daughter.” Another notorious faujdãr of Mathura was Abdu’n Nabî Khãn. He plundered the people unscrupulously and amassed great wealth. But his worst offence was the pulling down of the foremost Hindu temple in the heart of Mathura and building a Jãmi‘ Masjid on its site. This he did in AD 1660-61. Soon after, in 1665, Aurangzeb imposed a pilgrim tax on the Hindus. In 1668, he prohibited celebration of all Hindu festivals, particularly Holi and Diwali. The Jats who rightly regarded themselves as the defenders of Hindu hounour were no longer in a mood to take it lying. (Jadunath Sarkar, History of Aurangzeb, Vol. III, Calcutta, 1972 )”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Nicomachus photo

“We used to run a cow-ranch,
In all that old term meant,
But all our ancient glories
In recent years have went;
We’re takin’ summer boarders,
And, puttin’ it quite rude,
It’s now the cowboy’s province
To herd the festive dude.”

Arthur Chapman (poet) (1873–1935) American poet and newspaper columnist

The Dude Ranch http://www.cowboypoetry.com/ac.htm#DUDE, st. 1.
Out Where the West Begins and Other Western Verses http://www.cowboypoetry.com/ac.htm#outbk (1917)

“The statement is made with certainty: a festival that does not get its life from worship, even though the connection in human consciousness be ever so small, is not to be found. To be sure, since the French Revolution, people have tried over and over to create artificial festivals without any connection with religious worship, or even against such worship, such as the "Brutus Festival" or "Labor Day," but they all demonstrate, through the forced and narrow character of their festivity, what religious worship provides to a festival. […] Clearer than the light of day is the difference between the living, rooted trees of genuine cultic festival and our artificial festivals that resemble those "maypoles," cut at the roots, and carted here and there, to be planted for some definite purpose. Of course we may have to prepare ourselves for the possibility that we are only at the dawn of an age of artificial festivals. Were we [in Germany] prepared for the possibility that the official forces, and especially the bearers of political power, would artificially create the appearance of the festive with so huge an expense in external arrangements? And that this seductive, scarcely delectable appearance of artificial "holidays" would be so totally lacking in the essential quality, that true and ultimate harmony with the world? And that such holidays would in fact depend on the suppression of that harmony and derive their dangerous seduction from that very fact?”

Josef Pieper (1904–1997) German philosopher

In the three rhetorical questions that end this quote, Pieper alludes to the Nazis' elaborately stage-managed "festivals", in particular the Nuremberg Rally, the subject of Leni Riefenstahl's classic propaganda documentary, Triumph of the Will.
Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, pp. 51–52

“The proto-historic religious festivities”

Gisela Bleibtreu-Ehrenberg (1929) German ethnologe, sociologe, writer

Vom Schmetterling zur Doppelaxt, p. 22-23.
Vom Schmetterling zur Doppelaxt (1990)
Context: The proto-historic religious festivities [of the Maternal Megalith Culture] were strongly sexual in nature. They commonly culminated in what today is referred to as group sex and is socially regarded as extremely negative nowadays. In fact, the inherent potential of sexuality is to decrease social conflict, for indeed sexual activity not only gratifies, it pacifies as well. Our biological anthropological heritage disposes humanity to far more diverse varieties of sexual behaviours than our modern repressive culture permits or deems 'socially acceptable'. Abhorring them as unmentionable immoralities, white colonial masters often gladly took to using all the sexual customs of many autochtonous peoples as excuses to oppress and severely decimate the tribes in question, even doing so with a perfect peace of conscience. Islam's campaigners in the Orient, pioneers of Confucianism in China, and Caucasian Christians used their best endeavours to destroy root and branch of all surviving sexual rites they came across; that which had priorly been sacred practice became re-defined as sinful lewdness and perversion. These religious processes yielded widespread absence of such customs even in many primitive cultures by the modern period. Similar proto-historic customs [of the Maternal Megalith Culture] were wiped out in a comparable fashion [by Indo-Europeans], with structurally similar yet not identical reasonings given, for all patriarchal ethnics regard orgiastic indulgences as corruptive to their social fabric.

Theodor Mommsen photo

“Liaisons in the first houses had become so frequent, that only a scandal altogether exceptional could make them the subject of special talk; a judicial interference seemed now almost ridiculous. An unparalleled scandal, such as Publius Clodius produced in 693 at the women's festival in the house of the Pontifex Maximus, although a thousand times worse than the occurrences which fifty years before had led to a series of capital sentences,(58) passed almost without investigation and wholly without punishment.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 2, Translated by W.P. Dickson.
On Women in Rome at the Decline of the Republic.
The History of Rome - Volume 4: Part 2
Context: An equally characteristic feature in the brilliant decay of this period was the emancipation of women. In an economic point of view the women had long since made themselves independent;(57) in the present epoch we even meet with solicitors acting specially for women, who officiously lend their aid to solitary rich ladies in the management of their property and their lawsuits, make an impression on them by their knowledge of business and law, and thereby procure for themselves ampler perquisites and legacies than other loungers on the exchange. But it was not merely from the economic guardianship of father or husband that women felt themselves emancipated. Love-intrigues of all sorts were constantly in progress. The ballet-dancers (-mimae-) were quite a match for those of the present day in the variety of their pursuits and the skill with which they followed them out; their primadonnas, Cytheris and the like, pollute even the pages of history. But their, as it were, licensed trade was very materially injured by the free art of the ladies of aristocratic circles. Liaisons in the first houses had become so frequent, that only a scandal altogether exceptional could make them the subject of special talk; a judicial interference seemed now almost ridiculous. An unparalleled scandal, such as Publius Clodius produced in 693 at the women's festival in the house of the Pontifex Maximus, although a thousand times worse than the occurrences which fifty years before had led to a series of capital sentences,(58) passed almost without investigation and wholly without punishment. The watering-place season—in April, when political business was suspended and the world of quality congregated in Baiae and Puteoli— derived its chief charm from the relations licit and illicit which, along with music and song and elegant breakfasts on board or on shore, enlivened the gondola voyages. There the ladies held absolute sway; but they were by no means content with this domain which rightfully belonged to them; they also acted as politicians, appeared in party conferences, and took part with their money and their intrigues in the wild coterie-doings of the time. Any one who beheld these female statesmen performing on the stage of Scipio and Cato and saw at their side the young fop—as with smooth chin, delicate voice, and mincing gait, with headdress and neckerchiefs, frilled robe, and women's sandals he copied the loose courtesan— might well have a horror of the unnatural world, in which the sexes seemed as though they wished to change parts. What ideas as to divorce prevailed in the circles of the aristocracy may be discerned in the conduct of their best and most moral hero Marcus Cato, who did not hesitate to separate from his wife at the request of a friend desirous to marry her, and as little scrupled on the death of this friend to marry the same wife a second time. Celibacy and childlessness became more and more common, especially among the upper classes. While among these marriage had for long been regarded as a burden which people took upon them at the best in the public interest,(59) we now encounter even in Cato and those who shared Cato's sentiments the maxim to which Polybius a century before traced the decay of Hellas,(60) that it is the duty of a citizen to keep great wealth together and therefore not to beget too many children. Where were the times, when the designation "children-producer" (-proletarius-) had been a term of honour for the Roman?

Epictetus photo

“Try to enjoy the great festival of life with other men.”

Epictetus (50–138) philosopher from Ancient Greece

3
Golden Sayings of Epictetus

Edward Everett Hale photo

“Every day from that day was festival, — century after century. So soon as the world once learned the infinite blessing of Active Love, and stayed it by Faith, and enjoyed it in Hope, there was no danger that the world should unlearn that lesson.
That lesson — if this vision of a possibility prove true — comes to the world by no change of law; by no new revelation, nor other gospel than the world has now. It comes simply as man after man and woman after woman lead such unselfish lives, as all of us see sometimes, as all would be glad to live…”

Edward Everett Hale (1822–1909) American author and Unitarian clergyman

Ten Times One is Ten (1870)
Context: That day the whole world held festival. All schools were dismissed, — all banks and workshops and factories closed, — all "unnecessary labor suspended," as the great salutes and the great chimes came booming out, which announced the agreement of a world of self-forgetting men. That day, do I say? Every day from that day was festival, — century after century. So soon as the world once learned the infinite blessing of Active Love, and stayed it by Faith, and enjoyed it in Hope, there was no danger that the world should unlearn that lesson.
That lesson — if this vision of a possibility prove true — comes to the world by no change of law; by no new revelation, nor other gospel than the world has now. It comes simply as man after man and woman after woman lead such unselfish lives, as all of us see sometimes, as all would be glad to live...

“Let us celebrate Diwali, the festival of lights, with joy.”

Anantanand Rambachan (1951) Hindu studies scholar

Diwali does not end when the lights go out (2013)
Context: Hindus have a deep religious responsibility to be politically engaged. At the heart of this engagement must be a concern for the well-being of all. We ought to ensure that Hindus are known, in whatever part of the world we reside, Asia, Europe, Africa, North America and the Caribbean, for our commitment to overcoming suffering rooted in poverty, illiteracy, disease and violence. This commitment must become synonymous with what it means to be Hindu in our self-understanding and in the eyes of others. Politics, according to Mahatma Gandhi, is concerned with the well-being of human communities and anything concerned with human well-being must concern the person of religious commitment. Gandhi was deeply inspired by the life of Rama and especially by the nature of the community established after Rama's return from exile. He understood his life's purpose as working with others to make this community a reality.
Unfortunately, our religious traditions are known more for what we stand against than what we stand for. Religious identity has become negative rather than positive. We need to ensure that the positive dimension of our commitment is more prominent than the negative.
Let us celebrate Diwali, the festival of lights, with joy. Let each celebration, however be a reminder and renewal of our profound obligations to help bring the lights of prosperity, knowledge, health and peace to our communities, nations and our world.

Abu'l-Fazl ibn Mubarak photo
Jane Ellen Harrison photo
Vinayak Damodar Savarkar photo

“Till now we Maharashtrians kept saying that Shivaji Utsav is only a historical commemoration and it has no political colour. But the festival that we have organized here in Nashik is both historical and political. Only those people, who have the capability to struggle for the freedom of their country just like Shivaji Maharaj, have the real right to organize and celebrate a festival commemorating his memory. Our main objective must therefore be to strive towards breaking the shackles of colonial rule. If our only aims are finding solace in foreign rule, earning fat salaries, be peaceful negotiators with the government on inconsequential issues such as lowering taxes, diluting some laws here and there, and secure ourselves enough to eat, lead comfortable lives, earn pensions and privileges—then this Utsav is not for you or for Shivaji, but that of the last Peshwa Baji Rao who capitulated to British might! Here we are invoking the god of revolution, Shivaji Maharaj, so that he may inspire and instil that energy in all of us. Depending on circumstances our means might change, but the end is non-negotiable and that end is total and complete freedom for our motherland.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

From a speech by V. D. Savarkar, quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)

G. K. Chesterton photo
Vivek Agnihotri photo
Bhimrao Ramji Ambedkar photo
Lewis Black photo
Lloyd Kaufman photo
Jeet Thayil photo

“When we talk about culture, it includes literature, paintings, music, dance, sculpture, folklores, festivals, and celebrations.”

Mubarak Ali (1941) Historian, activist, scholar

In Search of History, Chapter I: War and Peace in Historical Perspectives, p. 1
Culture

Ounsi el-Hajj photo

“I find that the more serious a festival, the more they try to find some deeper symbolic meaning into everything.”

Mattie Do (1981) Laotian film director

『永遠の散歩』Q&A マティー・ドー | "The Long Walk[Bor Mi Vanh Chark https://www.youtube.com/watch?v=DfFCgPzBUag" Q&A Mattie Do (Director) - 7 Nov 2019, at 07 Min 07 Sec]
From Tokyo International Film Festival Q&A

Aloysius Murwito photo

“During the festival we appreciate how big is God´s gift to Asmat people. They can preserve their identity through their woodcarvings. Their carving is art that reflects fundamental beliefs passed down from generation to generation.”

Aloysius Murwito (1950) Indonesian catholic priest

Source: Church Continues To Preserve Asmat Culture Through Art Festival https://www.ucanews.com/story-archive/?post_name=/2006/10/30/church-continues-to-preserve-asmat-culture-through-art-festival&post_id=28455 (6 October 2006)