Quotes about factory
page 2

Ramsay MacDonald photo

“Factory Laws, Fair Wages resolutions, Trade Unionism itself, are…all Protection - not the Protection of Mr. Chaplin, the landlord, nor of Mr. Chamberlain, the demagogue, but the Protection of the Socialist.”

Ramsay MacDonald (1866–1937) British statesman; prime minister of the United Kingdom

The Zollverein and British Industry (1903), p. 164
1900s

Amit Shah photo
Ayn Rand photo
Mikhail Kalinin photo
Leo Tolstoy photo
Émile Durkheim photo
Orison Swett Marden photo
Julius Malema photo

“Every land in South Africa should be expropriated without compensation and it will be under the state. The state should be the custodian of the land. … No one is going to lose his or her house, no one is going to lose his or her flat, no one is going to lose his or her factory or industry. All we are saying is they will not have the ownership of the land.”

Julius Malema (1981) South African political activist

On 27 February 2018 to journalists outside the National Assembly, Cape Town, as quoted by Nic Andersen, “No one will lose their house or factory” – Malema clarifies land expropriation https://www.thesouthafrican.com/no-one-will-lose-house-malema-land-expropriation/, The South African (28 February 2018)

Neal Stephenson photo
Isa Genzken photo
Antonio Negri photo
Antonio Negri photo
Dexter S. Kimball photo
Daniel J. Boorstin photo
Russell Simmons photo
Robert M. Pirsig photo
Thomas Henry Huxley photo

“The mediaeval university looked backwards: it professed to be a storehouse of old knowledge… The modern university looks forward: it is a factory of new knowledge.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

Letter to E. Ray Lankester (11 April 1892) Huxley Papers, Imperial College: 30.448
1890s

Janet Yellen photo
Zainab Salbi photo
John Morley, 1st Viscount Morley of Blackburn photo
Leo Tolstoy photo

“We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.
We know very well that we are only allowed to go on eating our dinner, to finish seeing the new play, or to enjoy to the end the ball, the Christmas fete, the promenade, the races or, the hunt, thanks to the policeman's revolver or the soldier's rifle, which will shoot down the famished outcast who has been robbed of his share, and who looks round the corner with covetous eyes at our pleasures, ready to interrupt them instantly, were not policeman and soldier there prepared to run up at our first call for help.
And therefore just as a brigand caught in broad daylight in the act cannot persuade us that he did not lift his knife in order to rob his victim of his purse, and had no thought of killing him, we too, it would seem, cannot persuade ourselves or others that the soldiers and policemen around us are not to guard us, but only for defense against foreign foes, and to regulate traffic and fetes and reviews; we cannot persuade ourselves and others that we do not know that the men do not like dying of hunger, bereft of the right to gain their subsistence from the earth on which they live; that they do not like working underground, in the water, or in the stifling heat, for ten to fourteen hours a day, at night in factories to manufacture objects for our pleasure. One would imagine it impossible to deny what is so obvious. Yet it is denied.”

Leo Tolstoy (1828–1910) Russian writer

Source: The Kingdom of God is Within You (1894), Chapter 12

Chris Anderson photo

“Never underestimate the power of a million amateurs with keys to the factory.”

Source: The Long Tail: Why the Future of Business Is Selling Less of More (2006), Ch. 5, p. 58

Peter D. Schiff photo
Vanna Bonta photo

“Fame factories develop and promote hip icons who exude superior airs.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

State of the Art (2000)

Raymond Poincaré photo

“Germany's population was increasing, her industries were intact, she had no factories to reconstruct, she had no flooded mines. Her resources were intact, above and below ground…In fifteen or twenty years Germany would be mistress of Europe. In front of her would be France with a population scarcely increased.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

'Inter-Allied Conference on Reparations, etc.', Miscellaneous No. 3 (1923), pp. 123-124, quoted in Étienne Mantoux, The Carthaginian Peace, or The Economic Consequences of Mr. Keynes (London: Oxford University Press, 1946), p. 23.

Ursula K. Le Guin photo
Werner von Siemens photo
Charles Dupin photo
Alan Grayson photo

“Republican Party, you're a lie factory, that's all you do.”

Alan Grayson (1958) American politician

The Ed Show, October 1, 2009, MSNBC, http://www.msnbc.msn.com/id/21134540/vp/33129724#33129724.
2009, Regarding the Republican Party

Andrew Ure photo
Kevin Kelly photo

“A network is a possibility factory.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995), New Rules for the New Economy: 10 Radical Strategies for a Connected World (1999)

Guity Novin photo
Ernest Mandel photo
Hannah Teter photo
Gertrude Breslau Hunt photo
Lal Bahadur Shastri photo
Louis-ferdinand Céline photo
Miguel de Unamuno photo
Andrew Ure photo
Hsu Shui-teh photo

“The living room is a factory and the rooftop is a farm.”

Hsu Shui-teh (1931) Taiwanese politician

Hsu Shui-teh (1975) cited in " Boy from slum becomes high official http://www.taiwantoday.tw/ct.asp?xItem=135878&CtNode=451" on T@iwan Today, 21 September 1975

Hector Berlioz photo

“Poor devils! Where do these unfortunate creatures come from? On what butcher's block will they meet their end? What reward does municipal munificence allot them for thus cleaning (or dirtying) the pavements of Paris? At what age are they sent to the glue factory? What becomes of their bones (their skin is good for nothing)?”

Hector Berlioz (1803–1869) French Romantic composer

Pauvres diables!... D'où sortent ces malheureux êtres ?... À quel Montfaucon vont-ils mourir ?... Que leur octroie la munificence municipale pour nettoyer (ou salir) ainsi le pavé de Paris ?... À quel âge les envoie-t-on à l'équarrissage ?... Que fait-on de leurs os ? (leur peau n'est bonne à rien.)
Les Grotesques de la Musique (Paris: A. Bourdilliat, 1859) p. 89; Alastair Bruce (trans.) The Musical Madhouse (Rochester, NY: University of Rochester Press, 2003) pp. 54-56.
Of critics

Adolf Hitler photo
Pauline Kael photo
Steph Davis photo
George W. Bush photo
Viktor Schauberger photo
Chuck Palahniuk photo
Rajiv Gandhi photo

“Development is not about factories, dams and roads. Development is about people.”

Rajiv Gandhi (1944–1991) sixth Prime Minister of India

Quote, Memorable Quotes from Rajiv Gandhi and on Rajiv Gandhi

Orson Welles photo

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

Ernest Hemingway photo

“Yogi Johnson stood looking out of the window of a big pump-factory in Michigan. Spring would soon be here. Could it be that what this writing fellow Hutchinson had said, 'If winter comes, can spring be far behind?' would be true again this year? Yogi Johnson wondered.”

Part 1, Ch. 1 (the opening lines of the novel)
The line Yogi Johnson quotes is actually from Percy Bysshe Shelley's Ode to the West Wind. This is one of several misattributed quotes in the novel.
The Torrents of Spring (1926)

Malcolm Muggeridge photo
Antonie Pannekoek photo
Revilo P. Oliver photo
Phil Hartman photo
George E. P. Box photo
Friedrich Engels photo

“By dissolving nationalities, the liberal economic system had done its best to universalise enmity, to transform mankind into a horde of ravenous beasts (for what else are competitors?) who devour one another just because each has identical interests with all the others – after this preparatory[work there remained but one step to take before the goal was reached, the dissolution of the family. To accomplish this, economy’s own beautiful invention, the factory system, came to its aid.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

Nachdem die liberale Ökonomie ihr Bestes getan hatte, um durch die Auflösung der Nationalitäten die Feindschaft zu verallgemeinern, die Menschheit in eine Horde reißender Tiere - und was sind Konkurrenten anders?
zu verwandeln, die einander ebendeshalb auffressen, WEIL jeder mit allen andern gleiches Interesse hat, nach dieser Vorarbeit blieb ihr nur noch ein Schritt zum Ziele übrig, die Auflösung der Familie. Um diese durchzusetzen, kam ihr eine eigene schöne Erfindung, das Fabriksystem, zu Hülfe.
Outlines of a Critique of Political Economy (1844)

Elizabeth Warren photo
James Traficant photo
Nelson Mandela photo

“In Natal, apartheid is a deadly cancer in our midst, setting house against house, and eating away at the precious ties that bound us together. This strife among ourselves wastes our energy and destroys our unity. My message to those of you involved in this battle of brother against brother is this: take your guns, your knives, and your pangas, and throw them into the sea! Close down the death factories. End this war now!”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

Speech to a Rally, Durban (25 February 1990); Republished in: J. C. Buthelezi. Rolihlahla Dalibhunga Nelson Mandela: An Ecological Study http://books.google.com/books?id=dy_aBlwBYacC&pg=PA340, (2002), p. 340
1990s

Daniel De Leon photo
Amy Lowell photo
Zainab Salbi photo
Henry Van Dyke photo
Benoît Mandelbrot photo
Paul Robeson photo
Brian Clevinger photo
Fernando Alonso photo
Alexander Rodchenko photo

“[my goal is] to photograph not a factory but the work itself from the most effective point of view.... in order to show the grandness of a machine, one should photograph not all of it but give a series of snapshots.”

Alexander Rodchenko (1891–1956) Russian artist and photographer

Quote, 1930: from Rodchenko lecture at the October group's meeting; as quoted by Margarita Tupitsyn in Chapter 'Fragmentation versus Totality: The Politics of (De)framing', in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 486
the issue was not to take 'photo pictures' of the entire object but to make 'photo stills' of characteristic parts of an object

Peter Weiss photo
Selman Waksman photo
Richard Cobden photo
Fritz Todt photo
Bell Hooks photo

“Betty Friedan's The Feminine Mystique is still heralded as having paved the way for contemporary feminist movement-it was written as if these women did not exist. Friedan's famous phrase, "the problem that has no name," often quoted to describe the condition of women in this society, actually referred to the plight of a select group of college-educated, middle and upper class, married white women-housewives bored with leisure, with the home, with children, with buying products, who wanted more out of life. Friedan concludes her first chapter by stating: "We can no longer ignore that voice within women that says: 'I want something more than my husband and my children and my house.'" That "more" she defined as careers. She did not discuss who would be called in to take care of the children and maintain the home if more women like herself were freed from their house labor and given equal access with white men to the professions. She did not speak of the needs of women without men, without children, without homes. She ignored the existence of all non-white women and poor white women. She did not tell readers whether it was more fulfilling to be a maid, a babysitter, a factory worker, a clerk, or a prostitute, than to be a leisure class housewife. She made her plight and the plight of white women like herself synonymous with a condition affecting all American women. In so doing, she deflected attention away from her classism, her racism, her sexist attitudes towards the masses of American women. In the context of her book, Friedan makes clear that the women she saw as victimized by sexism were college-educated, white women who were compelled by sexist conditioning to remain in the home. … Specific problems and dilemmas of leisure class white housewives were real concerns that merited consideration and change but they were not the pressing political concerns of masses of women. Masses of women were concerned about economic survival, ethnic and racial discrimination, etc. When Friedan wrote The Feminine Mystique, more than one third of all women were in the work force. Although many women longed to be housewives, only women with leisure time and money could actually shape their identities on the model of the feminine mystique.”

p. 1-2 https://books.google.com/books?id=uvIQbop4cdsC&pg=PA1.
Feminist Theory: From Margin to Center (1984), Chapter 1: Black Women: Shaping Feminist Theory

Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Michael Swanwick photo
Donald J. Trump photo

“Our movement is about replacing a failed and corrupt political establishment with a new government controlled by you, the American people. The establishment has trillions of dollars at stake in this election. For those who control the levers of power in Washington and for the global special interests, they partner with these people that don't have your good in mind. The political establishment that is trying to stop us is the same group responsible for our disastrous trade deals, massive illegal immigration and economic and foreign policies that have bled our country dry. The political establishment has brought about the destruction of our factories and our jobs as they flee to Mexico, China and other countries all around the world. It's a global power structure that is responsible for the economic decisions that have robbed our working class, stripped our country of its wealth and put that money into the pockets of a handful of large corporations and political entities. The only thing that can stop this corrupt machine is you. The only force strong enough to save our country is us. The only people brave enough to vote out this corrupt establishment is you, the American people. I'm doing this for the people and the movement and we will take back this country for you and we will make America great again. I'm Donald Trump and I approve this message.”

Donald J. Trump (1946) 45th President of the United States of America

Closing argument for America (4 November 2016)
Source: 2010s, 2016, November, Lines recycled from Trump's campaign rally in West Palm Beach, FL (10/13/2016)

Vladimir Lenin photo
Edward Bernays photo
Joe Strummer photo

“The men at the factory are old and cunning
You don't owe nothing, so boy get running
It's the best years of your life they want to steal.”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

“Clampdown” (1979)

Thomas Carlyle photo
Aron Ra photo
Richard Pipes photo
Max Weber photo
O. Henry photo
Aldo Leopold photo

“Bread and beauty grow best together. Their harmonious integration can make farming not only a business but an art; the land not only a food-factory but an instrument for self-expression, on which each can play music to his own choosing.”

Aldo Leopold (1887–1948) American writer and scientist

"The Conservation Ethic" [1933]; Published in The River of the Mother of God and Other Essays by Aldo Leopold, Susan L. Flader and J. Baird Callicott (eds.) 1991, p. 191.
1930s