Quotes about exterior

A collection of quotes on the topic of exterior, interior, other, work.

Quotes about exterior

“If any man could arrive at the exterior limit, or take the wings of a bird and fly upward, like a fish who puts his head out and sees the world, he would see a world beyond; and, if the nature of man could sustain this sight, he would acknowledge that this was the place of the true heaven and the true light and the true stars. For this earth, and the stones, and the entire region which surrounds us, are spoilt and corroded…”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

World, Star, Nature, Bird

“It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior.”

Anne Brontë book Agnes Grey

Source: Agnes Grey

People, Beauty, Heart

“There was never yet an uninteresting life. Such a thing is an impossibility. Inside of the dullest exterior there is a drama, a comedy, and a tragedy.”

Mark Twain (1835–1910) American author and humorist

Life

“She remained both girl and woman to the last day of her life. Under a grave and gentle exterior burned inextinguishable fires of sympathy, energy, devotion, enthusiasm, and absolutely limitless affection.”

Mark Twain (1835–1910) American author and humorist

Life, Girl

“There exists no more repulsive and desolate creature in the world than the man who has evaded his genius and who now looks furtively to left and right, behind him and all about him. In the end such a man becomes impossible to get hold of, since he is wholly exterior, without kernel: a tattered, painted bag of clothes; a decked-out ghost that cannot inspire even fear and certainly not pity.”

Friedrich Nietzsche Untimely Meditations

Es gibt kein öderes und widrigeres Geschöpf in der Natur als den Menschen, welcher seinem Genius ausgewichen ist und nun nach rechts und nach links, nach rückwärts und überallhin schielt. Man darf einen solchen Menschen zuletzt gar nicht mehr angreifen, denn er ist ganz Außenseite ohne Kern, ein anbrüchiges, gemaltes, aufgebauschtes Gewand.
“Schopenhauer as educator,” § 3.1, R. Hollingdale, trans. (1983), p. 128
Untimely Meditations (1876)

World, Fear, Painting, Clothes

“If the soul has not reached the state of unitive love, it is necessary for it to make acts of love, as well in the active as in the contemplative life. But when it has reached it, it is not requisite it should occupy itself in other and exterior duties — unless they be matters of obligation — which might hinder, were it but for a moment, the life of love in God, though they may minister greatly to His service; because an instant of pure love is more precious in the eyes of God and the soul, and more profitable to the Church, than all other good works together, though it may seem as if nothing were done.”

John of the Cross (1542–1591) Spanish mystic and Roman Catholic saint

Note to Stanza 28 part 2
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas

Love, Life, God, Soul

“My sole occupation is love.
All my occupation now is the practice of the love of God, all the powers of soul and body, memory, understanding, and will, interior and exterior senses, the desires of spirit and of sense, all work in and by love. All I do is done in love; all I suffer, I suffer in the sweetness of love.”

John of the Cross (1542–1591) Spanish mystic and Roman Catholic saint

Explanation of Stanza 28 part 8
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas

Love, God, Soul, Understanding

“It is in our own mind and not in exterior objects that we perceive most things; fools know scarcely anything because they are empty, and their heart is narrow; but great souls find in themselves a number of exterior things; they have no need to read or travel or to listen or to work to discover the highest truths; they have only to delve into themselves and search, if we may say so, their own thoughts.”

Luc de Clapiers, Marquis de Vauvenargues (1715–1747) French writer, a moralist

Source: Reflections and Maxims (1746), p. 186.

Truth, Fools, Travel, Soul

“Between the ages of 11 and 13 a series of psychic and spiritual experiences revealed to me not only the existence of God, but man's possibility of uniting with Him, of realising Him integrally in consciousness and action, of manifesting Him upon earth in a life divine. This, along with a practical discipline for its fulfilment, was given to me during my body's sleep by several teachers, some of whom I met afterwards on the physical plane. Later on, as the interior and exterior development proceeded, the spiritual and psychic relation with one of these Beings became more and more clear and frequent.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

At the young age when she started developing her developing interest in occultism, quoted in "Birth and Girlhood". Also in 125th Birth Anniversary of The Mother, 21st February, 2003 by Mother (2003) http://books.google.co.in/books?id=gX7XAAAAMAAJ, p. 4

Life, God, Age, Sleep

“The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man.”

Maria Montessori (1870–1952) Italian pedagogue, philosopher and physician

Source: The Montessori Method (1912), Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 7.
Context: To prepare teachers in the method of the experimental sciences is not an easy matter. When we shall have instructed them in anthropometry and psychometry in the most minute manner possible, we shall have only created machines, whose usefulness will be most doubtful. Indeed, if it is after this fashion that we are to initiate our teachers into experiment, we shall remain forever in the field of theory. The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man. Not with all our initiation into scientific experiment have we prepared new masters, for, after all, we have left them standing without the door of real experimental science; we have not admitted them to the noblest and most profound phase of such study, — to that experience which makes real scientists.

Men, Lie, School, Way

“Mostly we just add to the piles of rainbow glass that's been blown off the exteriors of the cany-colored buildings.”

Suzanne Collins book Mockingjay

Source: Mockingjay

Color

“She has a steel exterior, but it protects a candyfloss heart.”

Kristin Hannah book The Nightingale

Source: The Nightingale

Heart

“Despite his cynical exterior, he had a good heart-and Lissa owned most of it.”

Richelle Mead Blood Promise

Source: Blood Promise

Heart

“They thought I suffered from lack of exterior, when I suffered from excess of interior”

Romain Gary book Gros-Câlin

Source: Gros-Câlin

Suffering

“Oh while I live, to be the ruler of life, not a slave, to meet life as a powerful conqueror, and nothing exterior to me will ever take command of me”

Walt Whitman (1819–1892) American poet, essayist and journalist

Life

“I want what we all want," said Carl. "To move certain parts of the interior of myself into the exterior world, to see if they can be embraced.”

Jonathan Lethem You Don't Love Me Yet

Source: You Don't Love Me Yet

World, Parting

“A woman's exterior beauty is a reflection of her internal peace and happiness.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.beautyblabber.com (July 31, 2007)
2007, 2008

Peace, Beauty, Happiness

“…to harness and directed peaceful energy from the viewers under the mountain through a twenty foot, five pointed Texas Star Vortex which was hung between the two massive exterior columns on the balcony into the historically tarnished Dallas Dealy Plaza and book depository hoping to honor John F. Kennedy's memory.”

Carson Grant (1950) American actor

Kaminsky, Denise, Aug 2006, "Carson Grant: Actor/Artist- A Lifetime of Art", Denise's Interviews and Media News, p. 1
Prytyskacz,Jean, "Focus on an Artist", Westside Arts Coalition Newsletter, Spring 2007, p. 5
About a walk-under suspended cellophane and plastic 3-D hologram mountain installation Harmony Mountain (100' x 100') Carson constructed inside the second floor of the old Dallas Union Train Station for the SIGGRAPH 1990 Convention, Texas

Books, Peace, Hope, Mountain

“In the Surrealist period, I wanted to create the iconography of the interior world and the world of the marvelous, of my father Freud. Today, the exterior world and that of physics has transcended the one of psychology. My father today is Dr. Heisenberg.”

Salvador Dalí (1904–1989) Spanish artist

Quote from his Anti-Matter Manifesto', 1958; as cited on Wikipedia: Salvador Dali
Quotes of Salvador Dali, 1951 - 1960

World

“The people with the strong, brave exteriors are just as weak and vulnerable as the rest of us. And of course they never admit to their childish practices, their moments of weakness or absurdity, and then the rest of us think that’s how it should be.”

Alexander McCall Smith (1948) British writer

Love Over Scotland, chapter 17.
The 44 Scotland Street series

People, Thinking, Strong

“The variety of exterior forms in concrete is limited only by the cost of forming; and its thickness is limited only by the size of aggregates, gravel, and sand.”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

“My thesis, paradoxically, and a little provocatively, but nonetheless genuinely, is simply this : PROBABILITY DOES NOT EXIST.The abandonment of superstitious beliefs about the existence of Phlogiston, the Cosmic Ether, Absolute Space and Time, …, or Fairies and Witches, was an essential step along the road to scientific thinking. Probability, too, if regarded as something endowed with some kind of objective existence, is no less a misleading misconception, an illusory attempt to exteriorize or materialize our true probabilistic beliefs.”

Bruno de Finetti (1906–1985) Italian mathematician

Preface
Theory of Probability (1970)

Thinking, Time

“It might help if you imagine an inner living dimension within yourself in which you create, in miniature psychic form, all the exterior conditions that you know. Simply put, you do exactly this. Your thoughts, feelings and mental pictures can be called incipient exterior events, for in one way or another each of these is materialized into physical reality.”

Jane Roberts (1929–1984) American Writer

Source: The Nature of Personal Reality (1974), p. 35

Way, Feeling, Imagination, Reality

“[The] length of the cycles and the tendency towards dampening are determined by the intrinsic structure of the swinging system, while the intensity (the amplitude) of the fluctuations is determined primarily by the exterior impulse. An important consequence of this is that a more or less regular ﬂuctuation may be be produced by a cause which operates irregularly.”

Ragnar Frisch Propagation problems and impulse problems in dynamic economics

Source: 1930s, Propagation problems and impulse problems in dynamic economics, 1933, p. 1

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love, Beauty, Music, Color

“Here, too, was the guide, the beacon, for such times as humanity might be in danger; here was the Guardian of Whom all humans knew — not an exterior force, nor an awesome Watcher in the sky, but a laughing thing with a human heart and a reverence for its human origins, smelling of sweat and new-turned earth rather than suffused with the pale odor of sanctity.”

Theodore Sturgeon book More Than Human

Source: More Than Human (1953), Chapter 3, p. 186

Time, Heart

“In a previous paper we showed that a static (nonrotating) black hole cannot be endowed with exterior scalar-meson or massive vector-meson fields. Here we show that the same is true for massive spin-2 meson fields. We also extend the above results to the case of a rotating stationary black hole. We conclude from our results that a black hole in its final (static or stationary) state cannot interact with the exterior world via the strong interactions which are mediated by meson fields such as the π (scalar), ρ (vector), and ƒ (spin-2). A direct consequence of this is the impossibility of determining the baryon number of the black hole by means of exterior measurements alone. This results in the transcendence of the law of baryon-number conservation as originally predicted by Wheeler.”

Jacob Bekenstein (1947–2015) Mexican-Israeli physicist

[Nonexistence of baryon number for black holes. II, Physical Review D, 5, 10, 15 May 1972, 2403–2412, 10.1103/PhysRevD.5.2403]

World, Law, Strong

“Thus happiness depends, as Nature shows,
Less on exterior things than most suppose.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Table Talk (1782), Line 246.

Nature, Dependency, Happiness

“It is not events and the things one sees and enjoys that produce happiness, but a state of mind which can endow events with its own quality, and we must hope for the duration of this state rather than the recurrence of pleasurable events. Is this state actually an interior one, and can we recognize it otherwise than the by the changes it produces in all exterior things? If we exclude sensation and memory from our thoughts, there is nothing left but a wordless emptiness. Where can pure ecstasy and pure happiness be found? As certain phosphorescent fish see the deep water, the seaweed, and the other creatures of the sea light up at their approach but never perceive the movable source of this illumination because it is in themselves, so the happy man, though he is aware of his effect upon others, has difficulty in perceiving his happiness and even greater difficulty in predicting it.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

Pleasure, Hope, Fish, Light

“Vanity is a weakness. I know this. It's a shallow dependence on the exterior self, on how one looks instead of what one is. I know this well…Vanity and dishonesty may be vices, but they're also the first forms of protection I ever knew.”

Dennis Lehane book A Drink Before the War

Source: A Drink Before the War (1994), Ch. 7.

Dependency

“Ahmadabad is one of the largest towns in India, and there is a considerable trade in silken stuffs, gold and silver tapestries, and others mixed with silk; saltpetre, sugar, ginger, both candied and plain, tamarinds, mirabolans, and indigo cakes, which are made at three leagues from Ahmadabad, at a large town called Suarkei. There was formerly a pagoda in this place, which the Musalinans seized and converted into a mosque. Before entering it you traverse three great courts paved with marble, and surrounded by galleries, but you are not allowed to place foot in the third without removing your shoes. The exterior of the mosque is ornamented with mosaic, the greater part of which consists of agates of different colours, obtained from the mountains of Cambay, only two days’ journey thence.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Travels In India Vol.-i by Tavernier Jean-baptiste https://archive.org/stream/in.ernet.dli.2015.2546/2015.2546.Travels-In-India-Vol-i_djvu.txt Cited in Harsh Narain, The Ayodhya Temple Mosque Dispute: Focus on Muslim Sources, Appendix VI

Shoe, Mountain, Parting

“Dada is a farce, a legend, a state of myth. A badly behaved myth whose subterranean survival and capricious manifestation upset everyone... The aesthetic of absolute negativity has been changed into methodical doubt, thanks to which it will finally be able to incarnate new signs... After the NO and the ZERO, there is a third position for the myth; the anti-art gesture of Marcel Duchamp has been charged with positive energy. The Dada spirit identifies itself with a method of appropriation of exterior reality of the modern world... The ready-made is no longer the height of negativity or of polemic, but the basis element of a new expressive repertoire. Such is the New Realism: a direct means for getting one's feet back on the ground but at 40 degree above Dada zero.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 41, note 30

World, Art, Reality, Change

“The inner ego always identifies with its source-identity as a beloved, individualized portion of the universe. It is aware of the universal love that is its heritage. It is also aware of the infinite power and strength that composes the very fabric of its being. Through being made aware of these facts, the exterior ego can begin to feel a quicker sense of support and nourishment. The knowledge can let it relax, let go, so that it feels its life couched and safe, and knows itself to be indeed a beloved child of the universe, both ancient and young at once, with an identity far beyond the annals of time. It is of great value, then, that each person remember this universal affiliation.”

Jane Roberts (1929–1984) American Writer

Source: The Way Toward Health (1997), p. 148

Love, Life, Feeling, Support

“Bestir, ladies! To your chaise, and see that you contrive to look your best. Soon the eyes of Guichen will be upon you, and the condition of your interior to-morrow will depend upon the impression made by your exterior to-day.”

Rafael Sabatini book Scaramouche

Book II. Chapter 2. The Service of Thespis
Scaramouche (1921)

Dependency

“An artist worthy of the name should express all the truth of nature, not only the exterior truth, but also, and above all, the inner truth.
When a good sculptor models a torso, he not only represents the muscles, but the life which animates them — more than the life, the force that fashioned them and communicated to them, it may be, grace or strength, or amorous charm, or indomitable will.
In the works of Michael Angelo, the creative force seems to rumble; in those of Luca della Robbia it smiles divinely. So each sculptor, following his temperament, lends to nature a soul either terrible or gentle.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. Mystery in Art, p. 178

Life, Truth, Smile, Soul

“This is the law: Every thing existing on the physical plane is an exteriorization of thought, which must be balanced through the one who issued the thought, and in accordance with that one’s responsibility, at the conjunction of time, condition, and place.”

Harold W. Percival book Thinking and Destiny

Source: Thinking and Destiny (1946), Ch. 2 : The Purpose and Plan of the Universe, p. 28

Law, Time

“The true artist has no style. Style is an exterior decorative element. The true artist as servant of his matter, transcends it with an absolute freedom.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

quote, 1984 - from ATV', 188; p. 49
Karel Appel, a gesture of colour' (1992/2009)

Freedom

“So the concept of God began to change as the ego recognized its reliance upon inner reality, but the drama had to be worked out within the current framework. Muhammadanism was basically so violent precisely because Christianity was basically so gentle. Not that Christianity was not mixed with violence, or that Muhammadanism was devoid of love. But the psyche went through its developments and battled with itself, denying some feelings and characteristics and stressing others, so the historic religious exterior dramas represented and followed these inner aspirations, struggles, and searches.”

Jane Roberts (1929–1984) American Writer

Source: Seth Speaks (1972), p. 340-341

Love, God, Feeling, Search

“Inside every woman there is a Kali. [Hindu goddess who morphed into seven hidden beings to win a battle] Do not mistake the exterior for the interior.”

Jennifer Beals (1963) American actress and a former teen model

Interview with Canadian Press (17 February 2011) http://ca.news.yahoo.com/flashdance-force-beals-top-cop-chicago-code-20110217-102915-894.html.

“It's not a pretty face, I grant you. But underneath its flabby exterior is an enormous lack of character.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

Describing himself, in lines he contributed to An American In Paris (1951), although officially credited to Alan Jay Lerner, as told in The Memoirs of an Amnesiac (1965); also quoted in The Dictionary of Biographical Quotation of British and American Subjects (1978) by Richard Kenin and Justin Wintle, p. 485.

“A fair exterior is a silent recommendation.”

Publilio Siro Latin writer

Maxin 267
Sentences, The Moral Sayings of Publius Syrus, a Roman Slave

“The new architecture has 'opened' the walls so that the separateness of interior and exterior is suppressed. Walls no longer sustain since the system of construction is based upon the use of columns. This results in a new type of ground plan, an open ground plan, which is totally different from classical ones, since interior space and exterior space are interrelated.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's unpublished writing, 'Fundamental principles', 1930; as cited in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 203
1926 – 1931

“Your experience in the world of physical matter flows outward from the center of your psyche. Then you perceive this experience. exterior events, circumstances and conditions are meant as a kind of living feedback. Altering the state of the psyche automatically alters the physical circumstances. There is no other valid way of changing physical events. It might help if you imagine an inner living dimension within yourself in which you create, in miniature psychic form, all the exterior conditions that you know. Simply put, you do exactly this. Your thoughts, feelings and mental pictures can be called incipient exterior events, for in one way or another, each of these is materialized into physical reality.”

Jane Roberts (1929–1984) American Writer

Source: The Nature of Personal Reality (1974), p. 9-10, Session 613

World, Way, Feeling, Imagination

“Our actual enemy is not any force exterior to ourselves, but our own crying weaknesses, our cowardice, our selfishness, our hypocrisy, our purblind sentimentalism.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

21 August 1893
New Lamps for Old (1893)

Cry, Selfishness

“Everything rhythmically organic is true. Everything, which results from the proper feeling for rhythmically organized spiritual units, is true and alive — alive within itself. When we lose the sense for such true beauty we lose our natural sense for the rich flavor of life, which is the basis for all inspirational work.
Things generally taken for beautiful are nothing other than the product of frozen, stereotyped taste, bound by sterile rules and purely exterior judgment.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 57
Search for the Real and Other Essays (1948)

Life, Beauty, Feeling, Nature

“We believe that this administration represents Israel inside America. Take the sensitive ministries such as the Ministry of Exterior and the Ministry of Defense and the CIA, you will find that the Jews have the upper hand in them. They make use of America to further their plans for the world, especially the Islamic world. American presence in the Gulf provides support to the Jews and protects their rear. And while millions of Americans are homeless and destitute and live in abject poverty, their government is busy occupying our land and building new settlements and helping Israel build new settlements in the point of departure for our Prophet's midnight journey to the seven heavens. America throws her own sons in the land of the two Holy Mosques for the sake of protecting Jewish interests.”

Osama bin Laden (1957–2011) founder of al-Qaeda

1990s, ABC interview (1998)

World, Departure, Business, Support

“Marinetti's [leading Futurism founder and theorist] Tactilism can be seen as an instinctive effort in this direction [of the new architecture, according to Van Doesburg] even if it presents only the sensuous-tactile expression of space through using various materials. Picasso's earlier compositions in various materials also concerns us here. The Russian artists [ Tatlin and Lissitzky, both Constructivist artists] also appreciated the exterior quality of the plane, not only optical, but also in a tactile manner... Intuition already produced a foreknowledge of these new realms, but they can be established fully only by science.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in van Doesburg's unpublished writing: 'The struggle for the new', 1929-30; as quoted in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 187
Van Doesburg's quote is proposing here the sensuous-tactile expression of space as essential for modern architecture
1926 – 1931

Effort, Science, Future

“Nietzsche was the first to release the desire to know from the sovereignty of knowledge itself: to re-establish the distance and exteriority that Aristotle cancelled.”

Michel Foucault (1926–1984) French philosopher

Source: Lectures on the Will to Know (1970), p. 5

Knowledge

“... The fallacious use of the principle that you cannot look into a man's mind. It is said you cannot do that: therefore what follows? It is said that you are to have fixed rules to tell you that he must have meant something, one way or the other, when certain exterior phenomena arise. The answer is that there is no such thing as an absolute criterion which gives you certain index to a man's mind. There is nothing outside his mind which is an absolute indication of what is going on inside. So far from saying that you cannot look into a man's mind, you must look into it, if you are going to find fraud against him: and unless you think you see what must have been in his mind, you cannot find him guilty of fraud.”

Charles Bowen (1835–1894) English judge

Angus v. Clifford (1891), L. R. 2 C. D. [1891], p. 471.

Way, Fraud, Thinking

“Until now, exterior (or external) authority still domine (or is the dominant feature) too much in the relationships between men, as well as in their spiritual life. This is due to (comes, - "provient de", Fr.) the fact that we regard authority, in all fields, as being what makes (or simply, is) the law ("comme étant ce qui fait loi", Fr.), because in the empirical field, it is always what come first (or take precedence), may it be a force, an individual or an argument, that is winning.”

African Spir (1837–1890) Russian philosopher

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 45.

Life, Men, Law

“Has not experience demonstrated quite recently that Jack the Ripper performed his exploits under the eye of the London police — a most active force — and that he only left off killing when the population of Whitechapel itself began to give chase to him?
And in our every-day relations with our fellow-citizens, do you think that it is really judges, gaolers, and police that hinder anti-social acts from multiplying? The judge, ever ferocious, because he is a maniac of law, the accuser, the informer, the police spy, all those interlopers that live from hand to mouth around the Law Courts, do they not scatter demoralization far and wide into society? Read the trials, glance behind the scenes, push your analysis further than the exterior facade of law courts, and you will come out sickened.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Anarchism: Its Philosophy and Ideal (1896)

Law, Thinking, Reading

“Gsell: What astonishes me, is that your way is so different from that of other sculptors. They prose the model. Instead of that, you wait till a model has instinctively or accidentally taken an Interesting pose, and thon you reproduce It. Instead of your giving orders to the model, the model gives orders to you.
Rodin: I am not at the model's orders; I am at Nature's. Doubtless my confreres have their reasons for proceeding as they do. But when one constrains Nature in that way and treats human beings as mannikins, one runs a risk of getting nothing but dead, artificial results. A hunter of truth and a trapper of life. I am careful not to follow their example. I seize upon the movements I observe, but I don't dictate them. when a subject requires a predetermined pose, I merely Indicate It. For I want only what reality will afford without being forced. In everything I obey Nature. I never assume to command her. My sole ambition Is a servile fidelity.
Gsell : And yet, you take liberties with nature. You make changes.
Rodin : Not at all. I should be false to myself if I did.
Gsell : But you finished work is never like the plaster sketch
Rodin : That is so, but the sketch is far less true than the finished work. It would Impossible for a model to keep a living attitude during all the time it takes to shape the clay. Still, I retain a general idea of the pose and require the model to conform to it. But this is not all. The sketch reproduces only the exterior. I must next reproduce the spirit, which is every whit as essential a part of Nature. I see the whole truth — not merely the fraction of it that lies upon the surface. I accentuate tho lines that best express the spiritual state I am Interpreting.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Life, Truth, Way, Idea

“Objectification is above all exteriorization, the alienation of spirit from itself.”

Nikolai Berdyaev (1874–1948) Russian philosopher

Source: The Beginning and the End (1947), p. 63

“The material in all elementary parts of a structure must have the properties of resistence to all internal forces produced by general loading conditions and by the action of any exterior force.”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Parting

“It was cool and quiet in here because instead of windows there were cosmoramic projections, latest of late devices to prevent the intrusion of untasteful exterior reality. Nearby the chimneys reeked a twenty-four-hour day yet the view was of clean white clouds, blue sky, yellow sun not so bright that it dazzled. Superior to the natural article, yes. Also birds flew or perched between two layers of glass on real branches in air-conditioned environment. It was not ordinary to see birds. Very yes.”

John Brunner book The Sheep Look Up

March “THE MARVELS OF MODERN CIVILIZATION”
The Sheep Look Up (1972)

Nature, Bird, Reality, Sun

“The very existence of the Nation was threatened. Threatened on all sides, from the interior and exterior.
From the interior, by the sterile conflicts of politicians who sacrificed the country and their compatriots to their own interests.
Nothing counted for them but power…and what the exercise of power could bring them. Fill their own pockets, exploit the Congo and the Congolese, this was their trademark.
Given such examples, both national and provincial administrations were mired in inertia, inefficiency, and worse yet, corruption.
At all levels, many of those in our country who held a morsel of public power allowed themselves to be corrupted, served individuals and companies who paid bribes and neglected the others…
…certain politicians, to maintain themselves in power or to regain it, did not hesitate to seek help from foreign powers…
…the social, economic and financial situation of the country is catastrophic.”

Mobutu Sésé Seko (1930–1997) President of Zaïre

Mobutu explaining the reasons behind his November 1965 coup. Young and Turner, p. 42

Exercises, Help, Country

“My whole ambition in the pictorial domain is to materialise the images of concrete irrationality with the most imperialist fury of precision. - In order that the world of the imagination and of concrete irrationality may be as objectively evident.... as that of the exterior world of phenomenal reality. - The important thing is what one wishes to communicate: the concrete irrational subject.”

Salvador Dalí (1904–1989) Spanish artist

The means of pictorial expression are placed at the service of this subject.
Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 12

World, Imagination, Communication, Reality

“[the] circular rhythmic movement of a dancer, the folds of whose dress are held out by means of a hoop. These folds preserve their exterior form, modified in a uniform manner through the rotary movement. In order the better to convey the notion of relief, I have attempted to model the essential portions in a manner almost sculptural. Light and ambiance act simultaneously on the forms in movement.”

Gino Severini (1883–1966) Italian painter

from Severini's text, in the entry for the Marlborough Gallery exhibition; as cited by Daniela Fonti, Gino Severini Catalogo Ragionato, Milan: Edizione Phillipe Daverio, 1988, p. 130 <br class="br">Severine is describing here his painting 'Dancer at Pigalle' https://theartstack.com/artist/gino-severini-1/dancer-pigalle, 1912

Light

“My father loved us dearly and deeply. There were eleven of us and our love for him was full of admiration. We held him in a kind of respectful awe, so powerful and formidable did he seem. I soon learned that beneath the exterior of a rough cavalryman he had a very good heart.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

Page 33
Publications, The Shah's Story (1980), On his father

Love, Learning, Heart

“In general, it is possible to say that in artists as deliberate, as careful as [Durer and Holbein], drawing is particularly tight and the color is as cold as the verity of mathematics. In other artists, on the contrary, in those who are the poets of the heart, like Raphael, Correggio, Andrea del Sarto, line has more suppleness and color, more winning tenderness. In others whom we call realists that is to say, whose sensibility is more exterior, in Rubens, Velasquez, Rembrandt, for example, line has a living charm with its force and its repose, and the color sometimes bursts into a fanfare of sunlight, sometimes fades into mist.
So, the modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them drawing and color are better or worse than in others.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 104-105

Men, Color, Soul, Mathematics

“We might easily pursue these contrasts between bourgeois of the Jansenist school and those of the Jesuit school. One, of upright and rigid character, was himself in the various occupations of daily life; the other had the personality of his state, which would make of him less a moral personality than a socially determined being, subject to rules which it would be improper and unChristian not to observe, the "first duty of probity" always being, as Père Bourdaloue puts it, to "submit to authority." So that while the disciple of the Jesuit Fathers might be a reliable man, who most probably would always remain prudently within the confines of mediocrity, the disciple of the Jansenists might sometimes indulge in eccentricities. He was less reliable; he might take the counsels of perfection literally, and not be so docile. Under a middle-class exterior, he might often conceal a romantic spirit, preserving a predilection for the heroic feats of olden times.”

Bernard Groethuysen (1880–1946) French literary historian, translator and writer

Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), p. 163

Life, School, Time, Personality

“There is the name and the thing: the name is a voice which denotes and signifies the thing; the name is no part of the thing, nor of the substance; 'tis a foreign piece joined to the thing, and outside it. God, who is all fulness in Himself and the height of all perfection, cannot augment or add anything to Himself within; but His name may be augmented and increased by the blessing and praise we attribute to His exterior works: which praise, seeing we cannot incorporate it in Him, forasmuch as He can have no accession of good, we attribute to His name, which is the part out of Him that is nearest to us. Thus is it that to God alone glory and honour appertain; and there is nothing so remote from reason as that we should go in quest of it for ourselves; for, being indigent and necessitous within, our essence being imperfect, and having continual need of amelioration, 'tis to that we ought to employ all our endeavour.”

Michel De Montaigne book Essays

Book II, Ch. 16
Essais (1595), Book II

God, Parting, Perfection

“Sir Wilfred Laurier (Prime Minister) – “one of the truest and strongest characters to be met within Canadian history. He was endowed with a warm heart and a copious and rich fancy, though veiled by a somewhat reticent exterior, and he was of friends the most tender and true.””

Alexander Mackenzie (1822–1892) 2nd Prime Minister of Canada

Buckingham and Ross 1892, p.633
His Character

History, Heart

“The evil we previously objectified and assigned to exterior agents—devils, communists, capitalists, chauvinists, faithless lovers, the system—must be discovered within. We can no longer divide the world between good and evil. The line between saints and sinners runs down the middle of my being... I destroy my propaganda machine that automatically casts me in a favorable light and others in the shadow.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), pp. 146-147

World, Lovers, Light, Evil

“We may say that a poem in the first place should offer us new perceptions, not only of the exterior universe, but of human experience as well; it should add, in other words, to what we have already seen. This is the elementary function for the reader. The corresponding function for the poet is a sharpening and training of his sensibilities; the very exigencies of the medium as he employs it in the act of perception should force him to the discovery of values which he never would have found without the convening of all the conditions of that particular act, conditions one or more of which will be the necessity of solving some particular difficulty such as the location of a rhyme or the perfection of a cadence with disturbance to the remainder of the poem.”

Yvor Winters (1900–1968) American poet and literary critic

The Morality of Poetry
Primitivism and Decadence : A Study of American Experimental Poetry (1937)

Universe, Perfection, Training

“To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth.
He has only to look into a human face in order to read there the soul within — not a feature deceives him; hypocrisy is as transparent as sincerity — the line of a forehead, the least lifting of a brow, the flash of an eye, reveal to him all the secrets of a heart.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 47-48

Truth, Secret, Books, Beauty

“All things, all circumstances that occur outside ourselves, on the stage of this world, are exclusively the reflection of what we carry within. With good reason then, we can solemnly declare that the 'exterior is the reflection of the interior.' When someone changes internally and if that change is radical, then circumstances, life and the external also change.”

Samael Aun Weor (1917–1977) Colombian writer

Treatise of Revolutionary Psychology

Life, World, Change

“The poverty-stricken rural population rose up against their despoilers; they burnt down the castles of the nobles, and swore that they would leave nothing to be seen upon the land but the cabins of the poor. The rich middle-class seemed at first to side with them, and at Strasburg, Nuremberg, and Ulm the peasants were encouraged, aided, and provided for. However, the bourgeoisie soon grew alarmed at the spreading of the insurrection, and made common cause with the nobles in smothering the revolt in the rural districts. Luther, who was then at the apex of his power, condemned the rising in the name of religion, and proclaimed the servitude of the people as holy and legitimate. "You seek," wrote he, "to free your persons and your goods. You desire the power and the goods of this earth. You will suffer no wrong. The Gospel, on the contrary, has no care for such things, and makes exterior life consist in suffering, supporting injustice, the cross, patience, and contempt of life, as of all the things of this world. To suffer! To suffer! The cross! The cross! Behold what Christ teaches!" Were not these teachings, given in the name of the faith to a famishing people in revolt against the tyranny and avidity of the ruling aristocracy, fatal to the future of the peasant masses, whose very sufferings were thus legitimised in the name of the religion that should have come to their aid?”

Francesco Saverio Nitti (1868–1953) Italian economist and political figure

Source: Catholic Socialism (1895), p. 75

Life, People, World, Faith

“Certain exterior impulses hit the economic mechanism and thereby initiate more or less regular oscillations.”

Ragnar Frisch Propagation problems and impulse problems in dynamic economics

Source: 1930s, Propagation problems and impulse problems in dynamic economics, 1933, p. 173

“The boy was fully occupied with his own cogitations for the remainder of the ride, till we halted before the farmhouse garden gate. I watched to catch his impressions in his countenance. He surveyed the carved front and low-browed lattices, the straggling gooseberry bushes, and crooked firs, with solemn intentness, and then shook his head; his private feelings entirely disapproved of the exterior of his new abode. But he had sense to postpone complaining — there might be compensation within.”

Emily Brontë book Wuthering Heights

Nelly Dean (Ch. XX).
Wuthering Heights (1847)

Feeling, Boy, Sense

“We can only assert here, with especial satisfaction, that Gabriele Münters talent, robust, rooted in an inward strength and sensitivity, in fact genuinely German, should in no circumstances be assessed as masculin, or as 'quasi-masculine'. This talent – and we emphasize it, once more, with great satisfaction – can only be described as exclusively and purely feminine… Gabriele Münter doesn't paint feminine subjects, she does not work with feminine materials, and does not permit herself any feminine coquetry. Their are neither raptures, nor agreeable exterior elegance, nor appealing weaknesses to be found here.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, in the introduction of an exhibition-catalog 'Neue Künstlervereinigung', 1913, Munich; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 119-120
1910 - 1915

Painting

“The commitment I have made is terrible and the plastic means appear and disappear at the moment of implementation. It's terrible... And the chaos of will? What law? It’s terrible... Then I struggle with sculpture: I work, work and work and I don't know what I give. Is it interior? Is it exterior? Is it sensation? Is it delirium? Is it brain? Analysis? Synthesis? I don't know what the f… it is! Forms on forms.. confusion... The Cubists are wrong. Picasso is wrong. The academics are wrong. We're all a bunch of d.. heads.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

1912
Source: an 2nd undated letter to Gino Severini (probably July or August 1912, or November); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008.

Law, Appearance

“Personally, I don't believe in having expectations, but I can say that, regarding my exterior sculptures, I will only exhibit sculptures in the future that will enrich their surroundings.”

Isa Genzken (1948) German sculptor

after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

Future, Personality

“My first essay at making a steam engine was when I was fifteen. I then made a real working; steam-engine, 1 3/4 diameter cylinder, and 8 in. stroke, which not only could act, but really did some useful work; for I made it grind the oil colours which my father required for his painting. Steam engine models, now so common, were exceedingly scarce in those days, and very difficult to be had; and as the demand for them arose, I found it both delightful and profitable to make them; as well as sectional models of steam engines, which I introduced for the purpose of exhibiting the movements of all the parts, both exterior and interior. With the results of the sale of such models I was enabled to pay the price of tickets of admission to the lectures on natural philosophy and chemistry delivered in the University of Edinburgh. About the same time (1826) I was so happy as to be employed by Professor Leslie in making models and portions of apparatus required by him for his lectures and philosophical investigations, and I had also the inestimable good fortune to secure his friendship. His admirably clear manner of communicating a knowledge of the fundamental principles of mechanical science rendered my intercourse with him of the utmost importance to myself. A hearty, cheerful, earnest desire to toil in his service, caused him to take pleasure in instructing me by occasional explanations of what might otherwise have remained obscure.”

James Nasmyth (1808–1890) Scottish mechanical engineer and inventor

James Nasmyth in: Industrial Biography: Iron-workers and Tool-makers https://books.google.nl/books?id=ZMJLAAAAMAAJ, Ticknor and Fields, 1864. p. 337

Friendship, Pleasure, Communication, Nature

“Sometimes I look at the battered exteriors of apartment buildings in New York and think how these sorry shells have housed such a long procession of styles. The money! The effort! One tenant mirrors everything, the next panels the walls, the third lines them with mylar, the fourth turns to toile de Jouy, the fifth to pegboard or handblocked rice paper. The expensive if often shoddy interiors installed only to be dismantled, the exterior left untouched as it turns yet another shade sootier — this transience seems a fitting emblem for the way we stay up-to-date without ever changing.”

Edmund White (1940) American novelist and LGBT essayist

New York City (p. 260).
States of Desire: Travels in Gay America (1980)

Money, Way, Thinking, Effort

“We show that it is natural to introduce the concept of black-hole entropy as the measure of information about a black-hole interior which is inaccessible to an exterior observer. Considerations of simplicity and consistency, and dimensional arguments indicate that the black-hole entropy is equal to the ratio of the black-hole area to the square of the Planck length times a dimensionless constant of order unity. A different approach making use of the specific properties of Kerr black holes and of concepts from information theory leads to the same conclusion, and suggests a definite value for the constant.”

Jacob Bekenstein (1947–2015) Mexican-Israeli physicist

[Black Holes and Entropy, Phys. Rev. D, 7, 8, 2333–2346, 15 April 1973, 10.1103/PhysRevD.7.2333]

Nature, Time

“If philosophy aims at being a theoretical mode of thought and speech, can it have a rhetorical character and be expressed in rhetorical forms? The answer seems obvious. Theoretical thinking, as a rational process, excludes every rhetorical element because pathetic influences—the influences of feeling—disturb the clarity of rational thought. …
To prove means to show something to be something, on the basis of something. To have something through which something is shown and explained definitively is the foundation of our knowledge. Apodictic, demonstrative speech is the kind of speech which establishes the definition of a phenomenon by tracing it back to ultimate principles, or archai. It is clear that the first archai of any proof and hence of knowledge cannot be proved themselves because they cannot be the object of apodictic, demonstrative, logical speech; otherwise they would not be the first assertions. Their nonderivable, primary character is evident from the fact that we neither can speak nor comport ourselves without them, for both speech and human activity simply presuppose them. But if the original assertions are not demonstrable, what is the character of the speech in which we express them? Obviously this type of speech cannot have a rational-theoretical character….
Basic premises cannot have an apodictic, demonstrative character and structure but are thoroughly indicative….
Arche … cannot have a rational but only a rhetorical character. Thus the term "rhetoric" assumes a fundamentally new significance; "rhetoric" is not, nor can it be the art, the technique of an exterior persuasion; it is rather the speech which is the basis of the rational thought.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), pp. 18-19

Art, Feeling, Knowledge, Thinking

“What appears spectral today will be natural tomorrow. Where are such signs and works? How do we recognize the genuine ones? Like everything genuine, its inner life guarantees its truth. All works of art created by truthful minds without regard for the work's conventional exterior remain genuine for all times... The present isolation of the rare, genuine artist is absolutely unavoidable for the moment... This fact leads us to the idea that we are standing today at the turning point of two long epochs, similar to the state of the world fifteen hundred years ago, when there was also a transitional period without art and religion - a period in which great and traditional ideas died and new and unexpected ones took their place.”

Franz Marc (1880–1916) German painter

1911 - 1914, The 'Savages' of Germany' (1912)

Life, Truth, World, Religion

“These last two albums mix up the personal and the political so that you don't know which one you're talking to. That's a kind of magic trick, and realizing that of course all the problems that we find in the exterior world are just manifestations of what we, you know, what we hold inside of us, in our interior worlds.”

Bono (1960) Irish rock musician, singer of U2

On Songs of Innocence and Songs of Experience
Bono: The Rolling Stone Interview (2017)
Context: These last two albums mix up the personal and the political so that you don't know which one you're talking to. That's a kind of magic trick, and realizing that of course all the problems that we find in the exterior world are just manifestations of what we, you know, what we hold inside of us, in our interior worlds. The biggest fucker, the biggest asshole, the biggest, the most sexist we can be, the most selfish, mean, cunning, all those characters you are going to see them in the mirror. And that is where the job of transformation has to start first. Is that not what experience tells us?

World, Problem, Personality

“Possible musical forms are as limitless as the exterior forms of crystals.”

Edgard Varèse (1883–1965) French composer

Aspects of 20th Century Music (1975) by Gary Wittlich and Richard P. DeLone
Context: There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces. The form of the work is a consequence of this interaction. Possible musical forms are as limitless as the exterior forms of crystals.

Music

“In other words, the real problem is not exterior. The real problem is interior.”

Ken Wilber book Sex, Ecology, Spirituality

Sex, Ecology, Spirituality (1995, 2000)
Context: In other words, the real problem is not exterior. The real problem is interior. The real problem is how to get people to internally transform, from egocentric to sociocentric to worldcentric consciousness, which is the only stance that can grasp the global dimensions of the problem in the first place, and thus the only stance that can freely, even eagerly, embrace global solutions.

Problem

“We are not meant to resolve all contradictions but to live with them and rise above them and see them in the light of exterior and objective values which make them trivial by comparison.”

Thomas Merton (1915–1968) Priest and author

Thoughts in Solitude (1956)
Context: Contradictions have always existed in the soul of [individuals]. But it is only when we prefer analysis to silence that they become a constant and insoluble problem. We are not meant to resolve all contradictions but to live with them and rise above them and see them in the light of exterior and objective values which make them trivial by comparison.

Light

“The view I am presenting proposes a mechanism more and more interlocked with the totality of the exterior. This mechanism has no separate existence at all, being in a thousand ways united with and continuously interacting with the whole exterior domain.”

Edwin H. Land (1909–1991) American scientist and inventor

Address to the Society of Photographic Scientists and Engineers, Los Angeles, California (5 May 1977), published Harvard Magazine (January-February 1978), pp. 23–26 
Context: Ordinarily when we talk about the human as the advanced product of evolution and the mind as being the most advanced product of evolution, there is an implication that we are advanced out of and away from the structure of the exterior world in which we have evolved, as if a separate product had been packaged, wrapped up, and delivered from a production line. The view I am presenting proposes a mechanism more and more interlocked with the totality of the exterior. This mechanism has no separate existence at all, being in a thousand ways united with and continuously interacting with the whole exterior domain. In fact there is no exterior red object with a tremendous mind linked to it by only a ray of light. The red object is a composite product of matter and mechanism evolved in permanent association with a most elaborate interlock. There is no tremor in what we call the "outside world" that is not locked by a thousand chains and gossamers to inner structures that vibrate and move with it and are a part of it.
The reason for the painfulness of all philosophy is that in the past, in its necessary ignorance of the unbelievable domains of partnership that have evolved in the relationship between ourselves and the world around us, it dealt with what indeed have been a tragic separation and isolation. Of what meaning is the world without mind? The question cannot exist.

Way

“People are rarely who they seem to be. Lurking beneath their polite, affable exterior is inevitably a dark, shadow side consisting of the insecurities and the aggressive, selfish impulses they repress and carefully conceal from public view. This dark side leaks out in behavior that will baffle and harm you. Learn to recognize the signs of the Shadow before they become toxic. See people’s overt traits—toughness, saintliness, et cetera—as covering up the opposite quality. You must become aware of your own dark side. In being conscious of it you can control and channel the creative energies that lurk in your unconscious. By integrating the dark side into your personality, you will be a more complete human and will radiate an authenticity that will draw people to you.”

Robert Greene (1959) American author

Chap. 9 : Confront Your Dark Side
The Laws of Human Nature (2018)

Selfishness, Drawing, Personality, People

“Because our flesh is nothing but what, feeling itself, suffering itself, sustaining itself and bearing itself and so enjoying from itself according to always reborning impressions, is able, for this reason, to feel the body which is exterior to it, to touch it as well as being touched by it. What the exterior body, the lifeless body of the material universe, is by principle incapable.”

Michel Henry (1922–2002) French writer

Michel Henry, Incarnation. Une philosophie de la chair, éd. du Seuil, 2000, p. 8
Books on Religion and Christianity, Incarnation: A philosophy of Flesh (2000)
Original: (fr) Car notre chair n'est rien d'autre que cela qui, s'éprouvant, se souffrant, se subissant et se supportant soi-même et ainsi jouissant de soi selon des impressions toujours renaissantes, se trouve, pour cette raison, susceptible de sentir le corps qui lui est extérieur, de le toucher aussi bien que d'être touché par lui. Cela donc dont le corps extérieur, le corps inerte de l'univers matériel, est par principe incapable.

Universe, Suffering, Feeling

“Architecture differs from a work of art, which can be displayed in different settings and the subject-matter, form and meaning will remain unchanged. The physicality of any built structure can be altered over time as additions and alterations are made. Moreover, a building or work of architecture can change its function as it meets the different demands of its occupants, although its exterior appearance may be unaltered. And its meaning may change depending on the nature of the context. This reveals some of the problems of interpreting historic architecture from a modern-day perspective as the physical changes and different cultural contexts transform the object.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 1 : Reading the past : What is architectural history?

Time, Dependency, Nature, Art

“A person’s things can be a kind of exterior morphology of their mind.”

Lois McMaster Bujold Vorkosigan Saga

Aftermaths (p. 247). Note: Aftermaths was originally published as a standalone short story in 1986, but since then has usually been reprinted as a sort of appendix to Shards of Honor, which it follows naturally in the series arc.
Vorkosigan Saga, Shards of Honor (1986)

Personality

“Virtue is the conformity of the soul to the divine Model and to the spiritual work; conformity or participation. The essence of the virtues is emptiness before God, which permits the divine Qualities to enter the heart and radiate in the soul. Virtue is the exteriorization of the pure heart.”

Frithjof Schuon (1907–1998) Swiss philosopher

[2012, Echoes of Perennial Wisdom, World Wisdom, 17, 978-1-93659700-0]
Spiritual path, Virtue

Soul, God, Heart

“Strive with all your might to bring your interior activity into accord with God, and you will overcome exterior passions.”

Arsenius the Great (354–449) Desert Father

Sayings of the Desert Fathers, as translated by Benedicta Ward, SLG (Cistercian Publications: 1975), Saying 9, Page 10

God, Passion