Quotes about exterior
A collection of quotes on the topic of exterior, interior, other, work.
Quotes about exterior

Es gibt kein öderes und widrigeres Geschöpf in der Natur als den Menschen, welcher seinem Genius ausgewichen ist und nun nach rechts und nach links, nach rückwärts und überallhin schielt. Man darf einen solchen Menschen zuletzt gar nicht mehr angreifen, denn er ist ganz Außenseite ohne Kern, ein anbrüchiges, gemaltes, aufgebauschtes Gewand.
“Schopenhauer as educator,” § 3.1, R. Hollingdale, trans. (1983), p. 128
Untimely Meditations (1876)

Note to Stanza 28 part 2
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas

Explanation of Stanza 28 part 8
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas

Source: Reflections and Maxims (1746), p. 186.

At the young age when she started developing her developing interest in occultism, quoted in "Birth and Girlhood". Also in 125th Birth Anniversary of The Mother, 21st February, 2003 by Mother (2003) http://books.google.co.in/books?id=gX7XAAAAMAAJ, p. 4

Source: The Montessori Method (1912), Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 7.
Context: To prepare teachers in the method of the experimental sciences is not an easy matter. When we shall have instructed them in anthropometry and psychometry in the most minute manner possible, we shall have only created machines, whose usefulness will be most doubtful. Indeed, if it is after this fashion that we are to initiate our teachers into experiment, we shall remain forever in the field of theory. The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man. Not with all our initiation into scientific experiment have we prepared new masters, for, after all, we have left them standing without the door of real experimental science; we have not admitted them to the noblest and most profound phase of such study, — to that experience which makes real scientists.
“She has a steel exterior, but it protects a candyfloss heart.”
Source: The Nightingale

“A woman's exterior beauty is a reflection of her internal peace and happiness.”
www.beautyblabber.com (July 31, 2007)
2007, 2008

Kaminsky, Denise, Aug 2006, "Carson Grant: Actor/Artist- A Lifetime of Art", Denise's Interviews and Media News, p. 1
Prytyskacz,Jean, "Focus on an Artist", Westside Arts Coalition Newsletter, Spring 2007, p. 5
About a walk-under suspended cellophane and plastic 3-D hologram mountain installation Harmony Mountain (100' x 100') Carson constructed inside the second floor of the old Dallas Union Train Station for the SIGGRAPH 1990 Convention, Texas

Quote from his Anti-Matter Manifesto', 1958; as cited on Wikipedia: Salvador Dali
Quotes of Salvador Dali, 1951 - 1960

Love Over Scotland, chapter 17.
The 44 Scotland Street series
Preface
Theory of Probability (1970)
Source: More Than Human (1953), Chapter 3, p. 186

[Nonexistence of baryon number for black holes. II, Physical Review D, 5, 10, 15 May 1972, 2403–2412, 10.1103/PhysRevD.5.2403]

“Thus happiness depends, as Nature shows,
Less on exterior things than most suppose.”
Source: Table Talk (1782), Line 246.

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness
Description of the temple built by Shantidas Jhaveri. Travels In India Vol.-i by Tavernier Jean-baptiste https://archive.org/stream/in.ernet.dli.2015.2546/2015.2546.Travels-In-India-Vol-i_djvu.txt Cited in Harsh Narain, The Ayodhya Temple Mosque Dispute: Focus on Muslim Sources, Appendix VI

Source: after 2000, Doubt and belief in painting' (2003), p. 41, note 30

quote, 1984 - from ATV', 188; p. 49
Karel Appel, a gesture of colour' (1992/2009)

Interview with Canadian Press (17 February 2011) http://ca.news.yahoo.com/flashdance-force-beals-top-cop-chicago-code-20110217-102915-894.html.

Describing himself, in lines he contributed to An American In Paris (1951), although officially credited to Alan Jay Lerner, as told in The Memoirs of an Amnesiac (1965); also quoted in The Dictionary of Biographical Quotation of British and American Subjects (1978) by Richard Kenin and Justin Wintle, p. 485.
“A fair exterior is a silent recommendation.”
Maxin 267
Sentences, The Moral Sayings of Publius Syrus, a Roman Slave

Quote from Van Doesburg's unpublished writing, 'Fundamental principles', 1930; as cited in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 203
1926 – 1931

Source: The Nature of Personal Reality (1974), p. 9-10, Session 613

21 August 1893
New Lamps for Old (1893)
'Painting and Culture' p. 57
Search for the Real and Other Essays (1948)

Quote in van Doesburg's unpublished writing: 'The struggle for the new', 1929-30; as quoted in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 187
Van Doesburg's quote is proposing here the sensuous-tactile expression of space as essential for modern architecture
1926 – 1931

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 45.

Anarchism: Its Philosophy and Ideal (1896)

“Objectification is above all exteriorization, the alienation of spirit from itself.”
Source: The Beginning and the End (1947), p. 63
March “THE MARVELS OF MODERN CIVILIZATION”
The Sheep Look Up (1972)

Mobutu explaining the reasons behind his November 1965 coup. Young and Turner, p. 42

The means of pictorial expression are placed at the service of this subject.
Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 12

from Severini's text, in the entry for the Marlborough Gallery exhibition; as cited by Daniela Fonti, Gino Severini Catalogo Ragionato, Milan: Edizione Phillipe Daverio, 1988, p. 130
Severine is describing here his painting 'Dancer at Pigalle' https://theartstack.com/artist/gino-severini-1/dancer-pigalle, 1912

Page 33
Publications, The Shah's Story (1980), On his father
Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), p. 163

Buckingham and Ross 1892, p.633
His Character
Source: The Passionate Life (1983), pp. 146-147
The Morality of Poetry
Primitivism and Decadence : A Study of American Experimental Poetry (1937)

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 47-48

Source: Catholic Socialism (1895), p. 75

Quote of Kandinsky, in the introduction of an exhibition-catalog 'Neue Künstlervereinigung', 1913, Munich; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 119-120
1910 - 1915

1912
Source: an 2nd undated letter to Gino Severini (probably July or August 1912, or November); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008.

after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

James Nasmyth in: Industrial Biography: Iron-workers and Tool-makers https://books.google.nl/books?id=ZMJLAAAAMAAJ, Ticknor and Fields, 1864. p. 337

New York City (p. 260).
States of Desire: Travels in Gay America (1980)

[Black Holes and Entropy, Phys. Rev. D, 7, 8, 2333–2346, 15 April 1973, 10.1103/PhysRevD.7.2333]

On Songs of Innocence and Songs of Experience
Bono: The Rolling Stone Interview (2017)
Context: These last two albums mix up the personal and the political so that you don't know which one you're talking to. That's a kind of magic trick, and realizing that of course all the problems that we find in the exterior world are just manifestations of what we, you know, what we hold inside of us, in our interior worlds. The biggest fucker, the biggest asshole, the biggest, the most sexist we can be, the most selfish, mean, cunning, all those characters you are going to see them in the mirror. And that is where the job of transformation has to start first. Is that not what experience tells us?

“Possible musical forms are as limitless as the exterior forms of crystals.”
Aspects of 20th Century Music (1975) by Gary Wittlich and Richard P. DeLone
Context: There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces. The form of the work is a consequence of this interaction. Possible musical forms are as limitless as the exterior forms of crystals.
“In other words, the real problem is not exterior. The real problem is interior.”
Sex, Ecology, Spirituality (1995, 2000)
Context: In other words, the real problem is not exterior. The real problem is interior. The real problem is how to get people to internally transform, from egocentric to sociocentric to worldcentric consciousness, which is the only stance that can grasp the global dimensions of the problem in the first place, and thus the only stance that can freely, even eagerly, embrace global solutions.

Thoughts in Solitude (1956)
Context: Contradictions have always existed in the soul of [individuals]. But it is only when we prefer analysis to silence that they become a constant and insoluble problem. We are not meant to resolve all contradictions but to live with them and rise above them and see them in the light of exterior and objective values which make them trivial by comparison.
Address to the Society of Photographic Scientists and Engineers, Los Angeles, California (5 May 1977), published Harvard Magazine (January-February 1978), pp. 23–26 <!-- , and in Zygon Vol. 16, No. 1, (1981) p. 7 - 13 -->
Context: Ordinarily when we talk about the human as the advanced product of evolution and the mind as being the most advanced product of evolution, there is an implication that we are advanced out of and away from the structure of the exterior world in which we have evolved, as if a separate product had been packaged, wrapped up, and delivered from a production line. The view I am presenting proposes a mechanism more and more interlocked with the totality of the exterior. This mechanism has no separate existence at all, being in a thousand ways united with and continuously interacting with the whole exterior domain. In fact there is no exterior red object with a tremendous mind linked to it by only a ray of light. The red object is a composite product of matter and mechanism evolved in permanent association with a most elaborate interlock. There is no tremor in what we call the "outside world" that is not locked by a thousand chains and gossamers to inner structures that vibrate and move with it and are a part of it.
The reason for the painfulness of all philosophy is that in the past, in its necessary ignorance of the unbelievable domains of partnership that have evolved in the relationship between ourselves and the world around us, it dealt with what indeed have been a tragic separation and isolation. Of what meaning is the world without mind? The question cannot exist.

Chap. 9 : Confront Your Dark Side
The Laws of Human Nature (2018)

Michel Henry, Incarnation. Une philosophie de la chair, éd. du Seuil, 2000, p. 8
Books on Religion and Christianity, Incarnation: A philosophy of Flesh (2000)
Original: (fr) Car notre chair n'est rien d'autre que cela qui, s'éprouvant, se souffrant, se subissant et se supportant soi-même et ainsi jouissant de soi selon des impressions toujours renaissantes, se trouve, pour cette raison, susceptible de sentir le corps qui lui est extérieur, de le toucher aussi bien que d'être touché par lui. Cela donc dont le corps extérieur, le corps inerte de l'univers matériel, est par principe incapable.

Source: Reading Architectural History (2002), Ch. 1 : Reading the past : What is architectural history?

“A person’s things can be a kind of exterior morphology of their mind.”
Aftermaths (p. 247). Note: Aftermaths was originally published as a standalone short story in 1986, but since then has usually been reprinted as a sort of appendix to Shards of Honor, which it follows naturally in the series arc.
Vorkosigan Saga, Shards of Honor (1986)

[2012, Echoes of Perennial Wisdom, World Wisdom, 17, 978-1-93659700-0]
Spiritual path, Virtue

Sayings of the Desert Fathers, as translated by Benedicta Ward, SLG (Cistercian Publications: 1975), Saying 9, Page 10