Quotes about expression
page 30

Erwin Schrödinger photo

“If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The psi-function of the entire system would express this by having in it the living and dead cat (pardon the expression) mixed or smeared out in equal parts.”

Erwin Schrödinger (1887–1961) Austrian physicist

On the conditions of the "Schrödinger's cat" thought-experiment, as presented in The Present Situation in Quantum Mechanics (1935), translated by John D. Trimmer http://www.tu-harburg.de/rzt/rzt/it/QM/cat.html

Benjamin Stanton photo
Harry Harrison photo
Jean Froissart photo
Jacqueline Kennedy Onassis photo
Vilhelm Ekelund photo
Ernesto Grassi photo
François Fénelon photo
J. B. Bury photo
Francis George photo
Josiah Gilbert Holland photo
Mani Madhava Chakyar photo
Gloria Steinem photo
Satoru Iwata photo

“Although many believe that technology automatically enables more realistic expression, I believe that is just not correct.”

Satoru Iwata (1959–2015) Japanese video game programmer and businessman

Profile: Satoru Iwata, 2007-03-03, IGN, p. 3 http://cube.ign.com/articles/530/530986p3.html,

Hilaire Belloc photo

“The Llama is a wooly sort of fleecy hairy goat,
With an indolent expression and an undulating throat
Like an unsuccessful literary man.”

Hilaire Belloc (1870–1953) writer

"The Llama"
More Beasts for Worse Children (1897)

Samuel Johnson photo
John Marshall photo
José Ortega Y Gasset photo
Max Horkheimer photo
Albert Einstein photo
Friedrich Engels photo
Piet Mondrian photo
Georg Wilhelm Friedrich Hegel photo

“The force of mind is only as great as its expression; its depth only as deep as its power to expand and lose itself.”

Preface (J. B. Baillie translation), § 10
The Phenomenology of Spirit (1807)

Dana Gioia photo
Norman Rockwell photo
Georges Rouault photo

“I am a believer and a conformist. Anyone can revolt; it is more difficult silently to obey our own interior promptings, and to spend our lives finding sincere and fitting means of expression for our temperaments and our gifts — if we have any. I do not say "neither God, nor Master," only in the end to substitute myself for the God I have excommunicated…"”

Georges Rouault (1871–1958) French painter

Rouault, Georges. "Climat pictural." La Renaissance. XX, no. 10-12. (1937)
Variant translation: Anybody can rebel. But to obey in silence, an inner calling to search lifelong without impatience for the means of expression adequate to us... that is much more difficult.
Quotes, 1930-1940

“Follett was always preoccupied with the dynamic view of organization, with the thing in process, so to speak. Authority, Power, Leadership, the Giving of Orders, Conflict, Conciliation — all her keywords are active words. There is a static or structural approach to the problem of organization which has its value; but those who are most convinced of the importance of such structural analysis would be the first to admit that it is only a step on the journey, an instrument of thought; it is not and cannot be complete in itself; it is only the anatomy of the subject. As in medicine, the study of anatomy may be an essential discipline, but it is in the physiology and psychology of the individual patient that that discipline finds its working justification.
Thus the four principles which she finally arrived at to express her view of organization were all active principles. In her own words, they are:
"1. Co-ordination by direct contact of the responsible people concerned.
2. Co-ordination in the early stages.
3. Co-ordination as a reciprocal relating of all the features in a situation.
4. Co-ordination as a continuing process."”

Henry C. Metcalf (1867–1942) American business theorist

Since these principles are carefully explained and illustrated by Miss Follett herself in the final paper in this volume, we must content ourselves here with merely this concise statement of them.
Source: Dynamic administration, 1942, p. xxvi

Pratibha Patil photo

“Corruption is the enemy of development. It must be got rid of. Both the government and the people at large must come together to achieve this national objective. You have always shown an ability to understand events happening around you; expressed your views and I am sure you will not fail in building a strong, progressive, cohesive and corruption-free India. These are totally unacceptable and must be opposed by one and all. The government, social organizations, NGOs and other voluntary bodies all have to work collectively. Therefore, their issues received my constant attention during my Presidency. Women have talent and intelligence but due to social constraints and prejudices, it is still a long distance away from the goal of gender equality. A paradigm shift, where, in addition to, physical inputs for farming, a focused emphasis placed on knowledge inputs, can be a promising way forward. This knowledge-based approach will bring immense returns particularly in rainfed and dryland farming areas. I believe economic growth should translate into the happiness and progress of all. Alongwith it, there should be development of art and culture, literature and education, science and technology. We have to see how to harness the many resources of India for achieving common good and for inclusive growth.”

Pratibha Patil (1934) 12th President of India

Patil's goodbye wish: A 'corruption-free India' https://in.news.yahoo.com/patils-goodbye-wish-corruption-free-india-143318154.html in: IANS India Private Limited By Indo Asian News Service, 24 July 2012.
Goodybe Wish

Allen West (politician) photo
Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

André Breton photo
William H. McNeill photo
Wassily Kandinsky photo
Terence Tao photo
Ervin László photo
Newton Lee photo

“Social media amplifies both the good side and the dark side of human nature. … Notwithstanding human ignorance, freedom of expression is essential.”

Newton Lee American computer scientist

Facebook Nation: Total Information Awareness (2nd Edition), 2014

Alfred Binet photo
William Herschel photo
Mark Heard photo
Averroes photo
S. H. Raza photo
Edgar Rice Burroughs photo
John Ruysbroeck photo
Algernon Charles Swinburne photo
Robert LeFevre photo

“When we express a preference politically, we do so precisely because we intend to bind others to our will. Political voting is the legal method we have adopted and extolled for obtaining monopolies of power. Political voting is nothing more than the assumption that might makes right.”

Robert LeFevre (1911–1986) American libertarian businessman

As quoted in Bagatorials: A Book Full of Bags by John Roscoe and Ned Roscoe, Simon & Schuster, "Abstain from Beans" (1996) p. 17.

Fritz Leiber photo
Diogenes Laërtius photo

“It was a favourite expression of Theophrastus that time was the most valuable thing that a man could spend.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Theophrastus, 10.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 5: The Peripatetics

Albert Einstein photo
Rémi Brague photo
Frank P. Ramsey photo
Kris Kobach photo
Derren Brown photo
Johan Cruyff photo
Roger Fry photo

“I fancy all distinctively poetical language ought to be banned and the poetry come out of the quality of the idea and the intensity or passion with which it is expressed.”

Roger Fry (1866–1934) English artist and art critic

Letter to R. C. Trevelyan , September 7, 1932
Other Quotes

Ellen Willis photo
Alexander von Humboldt photo

“The expression of vanity and self-love becomes less offensive, when it retains something of simplicity and frankness.”

Alexander von Humboldt (1769–1859) Prussian geographer, naturalist and explorer

Equinoctial Regions of America (1814-1829)

Julia Ward Howe photo
Roberto Mangabeira Unger photo

“There is no permanent canon of forms of normative argument. Our ways of arguing about ideals are, like our other practices, the mutable products of a specific history and the expressions of our ideas about society and thought.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: False Necessityː Anti-Necessitarian Social Theory in the Service of Radical Democracy (1987), p. 361

George Steiner photo

“What lies beyond man's word is eloquent of God. That is the joyously defeated recognition expressed in the poems of St. John of the Cross and of the mystic tradition.”

George Steiner (1929–2020) American writer

"Silence and the Poet" (1966).
Language and Silence: Essays 1958-1966 (1967)

Thomas Jefferson photo

“Nothing was or is farther from my intentions, than to enlist myself as the champion of a fixed opinion, where I have only expressed doubt.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Joel Barlow (8 October 1809); Jefferson here expresses an aversion to supporting the "fixed opinion" that blacks were not equal to whites in general mental capacities, which he asserts in his Notes on the State of Virginia he had advanced as "a suspicion only".
1800s, Post-Presidency (1809)

William O. Douglas photo

“The struggle is always between the individual and his sacred right to express himself and the power structure that seeks conformity, suppression, and obedience.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Go East, Young Man: The Autobiography of William O. Douglas (1974), p. 449
Other speeches and writings

Thandie Newton photo

“While expressing my milk realised that the equivalent for cows is my milk going to the mouths of people who murder and eat my family #VEGAN”

Thandie Newton (1972) English actress

Tweet on Twitter (12 Jun 2014) https://twitter.com/thandienewton/status/477086748728905728. Also quoted in “PETA’s Sexiest Vegan Celebrities of 2014: Thandie Newton and David Haye Nab Top Honours!,” in Peta.org.uk (23 December 2014) http://www.peta.org.uk/blog/petas-sexiest-vegan-celebrities-2014-thandie-newton-david-haye-nab-top-honours/.

William H. Pryor Jr. photo
Mata Amritanandamayi photo
Joseph Heller photo

“With art, it is like with the languages that people use: each opens up other possibilities, other layers of sensitivity and expression.”

Tomasz Vetulani (1965) Polish artist

Tomasz Vetulani o Holandii, niskim kraju http://www.nto.pl/apps/pbcs.dll/article?AID=/20110605/REPORTAZ01/762330357, nto.pl, 5 June 2011 (in Polish)

George William Curtis photo
Victor Davis Hanson photo
Walter Benjamin photo

“All purposeful manifestations of life, including their very purposiveness, in the final analysis have their end not in life but in the expression of its nature, in the representation of its significance.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Alle zweckmäßigen Lebenserscheinungen wie ihre Zweckmäßigkeit überhaupt sind letzten Endes zweckmäßig nicht für das Leben, sondern für den Ausdruck seines Wesens, für die Darstellung seiner Bedeutung.
The Task of the Translator (1920)

Henri Matisse photo
Sören Kierkegaard photo
Bill Hybels photo
Pamela Anderson photo

“Sexuality is an expression of our spirituality. Sex makes you get real.”

Pamela Anderson (1967) Canadian-American model, producer, author, former showgirl

Playboy, July 1992.

Percy Bysshe Shelley photo
Jean-Baptiste Say photo

“The luxury of ostentation affords a much less substantial and solid gratification, than the luxury of comfort, if I may be allowed the expression.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book III, On Consumption, Chapter IV, p. 397

Daniel Kahneman photo
Michael Chabon photo

“The rest of Sitka’s homicides are so-called crimes of passion, which is a shorthand way of expressing the mathematical product of alcohol and firearms.”

Michael Chabon (1963) Novelist, short story writer, essayist

Source: The Yiddish Policemen’s Union (2007), Chapter 1

Marcel Duchamp photo
Piet Mondrian photo
Titus Salt photo

“Ladies and gentlemen, it is with no ordinary feelings, I assure you, that I rise on this occasion to thank you for the very flattering manner in which you have received the last toast, and for the good wishes expressed therein. I cannot look around me, and see this vast assemblage of my friends and workpeople, without being moved. I feel gratified at this day's proceedings; I also feel greatly honoured by the presence of the nobleman at my side. I am more than all delighted at the presence of this vast assemblage of my workpeople. Perhaps it may be permitted me to remark that ten or twelve years ago I was looking forward to this day (on which I complete my his fiftieth year) as the period when I hoped to retire from business and enjoy myself in agricultural pursuits, which would be quite congenial to my mind and inclination. As the time drew near, looking at my large family (five of them being sons) I reversed that decision, and resolved to proceed a little longer and remain at the head of the firm. Having thus determined, I at once made up my mind to leave Bradford. I did not like to be a party to increasing that already overcrowded borough, but I looked around for a site suitable for a large manufacturing establishment, and I fixed upon this, as offering every capability for a first rate manufacturing and commercial establishment. It is also, from the beauty of its situation, and the salubrity of the air, a most desirable place for the erection of dwellings. Far be it from me to do anything to pollute the air or the water of the district. I shall do my utmost to avoid these evils, and I have no doubt of being successful. I hope to draw around me a population that will enjoy the beauties of this neighbourhood—a population of well paid, contented, happy operatives. I have given instructions to my architects (who are competent to carry them out) that nothing shall be spared to render the dwellings of the operatives a pattern to the country, and if my life is spared by Divine Providence, I hope to see satisfaction, contentment, and happiness around me.”

Titus Salt (1803–1876) English industrialist and philanthropist

The speech he made to the 3,500 guests (including his workers) at the banquet on 1853-09-20, which he held to celebrate both his fiftieth birthday and the opening of his new factory at Saltaire. [Inauguration of the works at Saltaire, The Bradford Observer, 1853-09-22, 8, http://find.galegroup.com/bncn/retrieve.do?sgHitCountType=None&orientation=&scale=0.33&sort=DateAscend&docLevel=FASCIMILE&prodId=BNCN&tabID=T012&subjectParam=Locale%2528en%252C%252C%2529%253ALQE%253D%2528jn%252CNone%252C17%2529Bradford%2BObserver%253AAnd%253ALQE%253D%2528da%252CNone%252C10%252909%252F22%252F1853%2524&resultListType=RESULT_LIST&searchId=R2&searchType=BasicSearchForm&currentPosition=11&qrySerId=Locale%28en%2C%2C%29%3ALQE%3D%28jn%2CNone%2C17%29Bradford+Observer%3AAnd%3ALQE%3D%28da%2CNone%2C10%2909%2F22%2F1853%24&subjectAction=DISPLAY_SUBJECTS&retrieveFormat=MULTIPAGE_DOCUMENT&enlarge=&bucketSubId=&inPS=true&userGroupName=brad&hilite=y&docPage=article&nav=prev&sgCurrentPosition=0&docId=R3207957429, 2012-06-07 (subscription site)]
A slightly edited version (in the third person) appears in [Holroyd, Abraham, 1873, 2000, Saltaire and its Founder, Piroisms Press, ISBN 0-9538601-0-8, 14-15]

John Betjeman photo
Wassily Kandinsky photo

“Kandinsky, Wassily – painter, printmaker and author – the first painter to base painting on purely pictorial means of expression and abandon objects in his pictures.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Wassily Kandinsky, 1919 - his self-characterisation in 'Das Kunstblatt', 1919; as cited in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
1916 -1920